Paperback WHS student handbook with large colour image of three WHS students. There is a WHS logo in the top left corner and a blue and white pattern in the background.Wangaratta High School 10,11 & 12 Student Handbook 08 individual pathways Edward Street

Details the conditions of a tender for the construction of tramways in the town of East Ballarat - a possibility that did not occur.Three page photocopy of a tender document titled ""Town of Ballaarat East / to Contractors and Others / Construction of Tramways", in the Town of Ballaarat East, dated 7 September 1888. Gives and terms and conditions of any agreement for the construction and operation of trams in the township. Second copy added 31/5/2011 - see History of Object. trams, tramways, ballarat east, construction, tramways, tenders

Significant in being a detailed set of instructions for punching tickets for various sections and journeys on the Ballarat system. Gives details for each fare type. Issued following a fare increase.Set of two foolscap sheets, photocopied onto A3 sheets, titled "Sections - Increased Fares and Check Identification", dated 13 October 1965. Gives details of the increased fares details and how it applied for each section on the tramway by fare value. Gives details of what punch destination number to punch on the tickets, in bound and out bound. See Reg Item 3458 for the 1/9/1966 version - post-decimal and Reg Item 4134 for the original of this document. trams, tramways, ballarat, tickets, fares, conductors

Set of four documents, advertising the Cafe Tram, Bendigo. .1 - Central Deborah - Cafe Tram - menu cover - with photographs and history on the back, c2000 - images 1 and 2 .2 - Pamphlet for above detail times, costs, duration and contact numbers - single sheet, double side, black and white printing - image 3 .3 - Folded colour pamphlet advertising the Cafe Tram and sponsors - image 4 and 5 .4 - Card advertising replacement to the "Cafe Tram", Bendigo "Ninesevensix" - same tram, different marketing etc - double side card - image 6 & 7.4 - has "42" in ink in top right hand corner.trams, tramways, bendigo, bendigo trust

The Ridge. A brief historical guide to the West Otway Ridge. Norman Houghton. Soft cover. iv, 16 p.; illus, map. Artwork and layout: Desktop Dynamics.otway ranges; norman houghton; crowes; lavers hill; macknott; stalker; pettit's siding; wyelangta; the tanks; kincaid; pile siding; weeaproinah; ferguson; buchanan; beech forest; olangolah; turtons track.

Beech Forest: capital on The Ridge. Norman Houghton. 1st ed. reprinted. Geelong (Vic.); Norman Houghton; 2007. iv, 112 p.; illus, maps. Soft cover. beech forest; the ridge; norman houghton; roads; railway; bushfires; weather; governance; commercial life; timber; agriculture; education; churches; sports;

Deborah Tate, Sandy Station 2008, etching, 25.6 x 25.6 cm. Bayside City Council Art and Heritage Collection. Purchased 2008monotypedeborah tate, sandy station, sandringham, train station, bayside, monotype

This work was painted following Rob McHaffie’s Australia Council Residency at Cité Internationale des Arts in Paris in 2007. Despite Paris being a beautiful city, McHaffie also found the experience challenging and felt that on a bad day, the city was no more than an ornately decorated concrete jungle. In this painting a monkey looks out from a green building onto an imagined scene abound with art historical references. A classical European figurative sculpture is surrounded by flowers from Monet’s gardens, while a contemporary sculpture by Franz West dominates the foreground of the work. McHaffie questions the so-called evolution of cultured humanity in comparison to the imagined contentedness of our pre-evolved species.oil on linenmonkey, sculpture, painting, rob mchaffie, paris, flowers, franz west

The bluestone is laid on crushed yellow ochre sandstone, with the base encircled by indigenous flowering plants. Each rock represents one of the six clans that made up the Boon wurrung. For thousands of years, Boon wurrung women and children congregated in this area during special periods in spring and summer. The area was rich in seafood and had fresh water wells dotted around it. Among the Banksia trees that provided shelter, grew indigenous plants and flowers through which the women made garlands to wear in their hair.boon wurrung, blossom, sculpture, public art, indigenous, bayside indigenous coastal trail, ellen josé, ellen jose, bluestone, sandstone

16-page booklet 'The Wager of Ivy's Rump' or How Bendigo got its Name. A short story by O. Spaniel Murray Illustrated with B&W photos and sketches. Hand-aged artifact in limited edition - Copy No. 47 Author's real name is Dr R Blackhurst of BendigoSignature 'O. Spaniel Murray' written in ink inside front cover.naming of bendigo, william thompson

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.

127 p. : ill. (some col.), ports. ; 26 x 26 cm. fletcher & parker (firm) - history., real estate agents - victoria - balwyn north - history, melbourne (vic.) - history - pictorial works