Collector says: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." King sized Diamond blanket, pink, mint and lemon Mothproofed/Godfrey Hirst/Pure Wool Pelage Blanketwool, blanket, blanket fever, diamond blanket, godfrey hirst, geelong

Collector says: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Godfrey Hirst diamond blanket in pink, grey and lemon"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, diamond blanket, godfrey hirst, geelong

Collector says: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Godfrey Hirst Diamond blanket in pink and grey"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, diamond blanket, godfrey hirst, geelong

Collector says: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Godfrey Hirst diamond blanket in pink and cream"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, diamond blanket, godfrey hirst, geelong

Early childhood educator Sandie Mackevicius holds a small boy as he reaches overhead for some wooden rods that are suspended from the ceiling. Beside them is a large square cube with holes, that children can play in, and outside the window there is a grassed area bordered by trees. The curtains are distinctly patterned and the room stretches out behind them. This image was probably taken at RVIB School.rvib school, royal victorian institute for the blind, sandie mackevicius

In the 2000s Legacy released a range of Legacy Bears to expand the merchandise available for sale during Legacy Week and at other fundraising opportunities during the year. This bear is in an Australian Army uniform in a camouflage pattern. After a naming competition, Melbourne Legacy calls him Banjo. Sometimes special editions of the bears were produced. In 2021 the price was increased to $20 per bear.An example of the type of products sold along with Legacy Badges for fundraising in the 2010-2020s.Legacy bear dressed in army camouflage uniform with a printed cardboard tag.Printed tag gives the price as $15.legacy appeal, fundraising, legacy bear

The design of this set of four lightweight chairs is based on Thonet’s bentwood designs, which are still some of the best-selling designs for café and restaurant owners. It is elegant, sophisticated and durable. Some of these chairs still have their original seat, under which the letters “TH” or “RSL” are hand written. Flagstaff Hill has several bentwood chairs with these letters on them, in either chalk, black paint, or both. It is believed that the chairs were used in the original Warrnambool Town Hall, and later the RSL. The Town Hall was completed in 1891, built on the corners of Timor and Liebig Streets. (In 1977 the Town Hall was declared unsafe and was later replaced by the Warrnambool Performing Arts Centre.) Some of the chairs have marks, paper labels and symbols on them that show that the maker was Josef Jaworek, who had a small furniture factory in east Sinensia, which was at that time in Austria, from 1907 - 1914. Bentwood chairs are made by a process of wetting wood in water, bending it into curved shapes, then allowing it to dry so that the shape becomes permanent. This process originated by Michael Thonet, who had been given the right to bend wood into desired curves by the Austrian Courts in 1842. In 1856 he was granted a 13 year patent to manufacture chairs and table legs of bent wood treated by steam or boiling water. In 1859 his company Gebruder Thonet produced his original design. Thonet’s early designs also featured hand carved or laminated wooden seats. His Model No. 14 was produced in the 1850’s and his most popular design. After Michael’s death in 1871 the family went on designing and producing chairs. These bentwood chairs are believed to be associated with the original Warrnambool Town Hall. The Warrnambool Town Hall played a significant role in the both the local government and the social events of local and district areas. It was a place for Council meetings, community events and entertainment, theatrical and musical.Bentwood chair (1 of 4), painted black, inner back is curled loop. Seat is padded leather, attached by studs. Splayed legs. Patterned ventilation holes under seat. Under seat are various Marks; hand painted, printed on small piece of paper, stamped in wood.Under seat are various Marks; hand painted in black "TH", printed on small piece of paper "400", stamped in wood "400" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bentwood chair, café chair, restaurant chair, josef jaworek, austrian chairs

This plate comes from the Commercial Hotel in Warrnambool. This hotel, situated on the north west corner of Liebig and Timor Streets, Warrnambool, was established in 1865. It was built by Thomas Mickle and the first licensee was Charles Anderson. From 1928 on the O’Dwyer family was associated with the Commercial Hotel, either as licensees or owners, for fifty years. The plate would have been first used during the times when Patrick O’Dwyer was the licensee – 1928-1931 and 1932 to 1934. Today the Commercial Hotel still trades as the Whalers Hotel.This plate is of interest as it is a memento of the 1920s and 30s when Patrick O’Dwyer was the licensee of the Commercial Hotel. This hotel, trading today as the Whalers Hotel, is the oldest hotel in Warrnambool and a prominent landmark in the city. This is a white china plate (dinner plate size) with the inner section slightly recessed. The plate has a black line around the outer rim and initials and a hotel name in a scroll pattern on one outer edge. The names of the maker and supplier are on the base of the plate and the top of the plate is somewhat stained. ‘P O’D Commercial Hotel Warrnambool’ ‘Made expressly for John Dynon and Sons, Melbourne Vitrified Globe Pottery Co. Ltd Cobridge England’ commercial hotel / whalers hotel, warrnambool, history of warrnambool

This is a ledger from the Warrnambool business of Swintons Pty Ltd. It gives details of the accounts of customers from 1911 to 1941. It also has information on staff wages and years of service. William and Ann Swinton migrated to Australia in 1854 and for a decade William Swinton worked as a builder and carpenter in the Warrnambool district, erecting many buildings including the Wangoom Presbyterian Church. In 1865 he opened a shop in Timor Street, Warrnambool selling groceries, china and glassware. By 1888 the business was known as William Swinton and Sons. Branch stores were opened in Cudgee, Nullawarre, Wangoom, South Warrnambool and West Warrnambool. When William died his son Robert became the first managing director of Swintons Pty Ltd. In 1934 the business split with George Swinton and Sons selling furnishings, clothing and glassware and Swintons Pty Ltd selling produce, seeds and hardware. Today the Swinton family still operates a furniture and bedding business in Timor Street. This ledger is of great importance as it contains information on the Warrnambool business, Swintons Pty Ltd. The list of customers contains the names of many well-known Warrnambool and district people and the staff information is also of great interest. The ledger will be of great use to researchers. The current Swinton business in Timor Street is the oldest family business in Warrnambool and, with the Swinton name associated with businesses in Timor Street for 152 years, it is among the the oldest family businesses in Australia. This is a dark blue-coloured ledger with leather trim on the spine and the corner covers. The leather is much worn. The insides of the cover have a blue and black mottled patterning. The pages are white and have red and blue printed lines. The entries are handwritten in black and blue ink. There are several loose sheets.swinton family warrnambool, history of warrnambool

This is a heavy duty chamber pot and may have been produced for use in a hospital or ship. This item has no known local provenance and is retained for display as an interesting memento of the past.This is a white china bowl, round in shape, with an overhanging top. Inserted in a groove in the top is a lid which has a white decorative pattern around the outer rim. There is a round handle in the middle of the lid in a recessed section. There is also a metal handle for carrying the bowl and the lid together. There is some staininghousehold items, history of warrnambool

.1 These are 35 photocopied pages of an exercise book. The cover is green with black writing. The pages contain handwritten material and mathematical exercises and maps. .2 These are 17 photocopied pages of a exercise book. The cover is brown with a mottled pattern. The pages contain handwritten material, mathematical exercises and maps. fictionschool exercise bookschool exercise books, panmure state school, vickers family of panmure

This tie was given in 2007 to members of the Melbourne to Warrnambool Society, a support group to assist the Warrnambool Citizens Road Race Committee to stage the Melbourne to Warrnambool Cycle Road Race in that year. This group was operating for some years early in the 21st century and there were some individual members but mostly the members represented businesses and other organizations in Warrnambool and district. The Melbourne to Warrnambool Road Cycling Classic commenced in 1895 and has run annually for most of the years since that date. The race is the second oldest one-day cycling race in the world and the longest one -day race in the Southern Hemisphere.This tie is of considerable interest as it is a memento of one of the most important events in Warrnambool's sporting calendar, a cycling race known throughout Australia and internationally. This is a man's tie made of polyester material. The tie is navy blue with a pattern in blue, white and yellow, a stylized version of an 'm' and a ''w', representing Melbourne and Warrnambool. It is encased in a clear plastic folder. It has small images of a map of Australia and the logo of the Melbourne to Warrnambool Cycle Road Race.Melbourne to Warrnambool Society Woven and Manufactured in Australiamelbourne to warrnambool cycling road race

Refer to service of Harry Burrell "MM". See Cats 290, 297.2P, 298.4Black and white photo showing Australian soldiers marching .303 rifles at "slope arms" position. They have pattern 37 basic webbing. They have different standards of dress. All have slouch hats in brim down position. They are wearing boots, A. B. leather with ankle gaiters.On rear is = Camp site 17, Seymour support Coy. 1st Nat. Service intake time?.aust soldiers, seymour camp, national service

Made possibly by a jewler while a priosner of the Japanese in WW2Small Bracelett made of grey metal in a filigree (Very Fine) Pattern with green bottle glass in a metal mount (one is missing entirely) Very small Rising Sun to front of bracelett. Joining link held together by a split pin, other links looped together with chain.Fusal. Terling. Silver 935. On rear of Rising Sun On the Rising Sun- Kings Crown. Australian Commonwealth Military Forcesbracelet,, pow. prisoner of war

Item is used with battle dress pants and jacket.Suspenders for Patt. '49 Khaki Battle Dress Trousers. Navy blue with white dot cotton stitching pattern covering material. Brown leather patches/detail on each of the four ends before attachment loops. Two gold metal clips on the ends of each of the two straps. On each metal clip - inscription 'will not rust'. On one leather patch - 'Domo' military uniforms, army, army suspenders, suspenders

Rectangular natural coloured flax bag. Body of bag made of flax string woven into a loop pattern with chain stitch in white cotton thread, edged with flax string fringe. It has a small woven carrying strap. The edges have been left loose to obtain a frill.bag maori flax handcraft ethnographic

Machine knitted woollen short baby pants. Cream coloured. Hemmed at waist and legs. Fine lacy pattern all over. Side opening. RHS fastened with one button.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby pants

Cream coloured hand knitted woollen baby vest. All over ribbed pattern. Crocheted edge around neck and sleeves. Cream coloured satin ribbon tie at neck.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby vest

Cream coloured hand knitted baby jacket. Stocking stitch yolk with patterned body and sleeves. Front opening with two pearl buttons at yolk. Long sleeves with raglan insert.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby jacket

Hand knitted baby jacket cream coloured. Front opening. Embroidered silk thread trim on cuffs, collar and hem. Ribbon tie at neck , foldover collar. Rib pattern. This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby jacket

Benola Singers Collection, EPNS serving tray, circular with two handles, heavily decorated around edge with grapes and leaves, tray engraved with pattern and wording, Royal South Street Competitions 1969 Grand Champion Choral Contest Walter Davis Trophy won by Benola Choristers.Saracen reproduction Old Sheffieldtrophies & awards, public events, music

Combined Pensioners' Association Members Register 1961 - 1962 contained in red patterned index book. Handwritten 'The Combined Pensioner Assoc. Bendigo Branch' on inside front cover. Financial members Combined Pensioners Assoc, are listed for 1961 and 1962 and arranged according to surname and including address.

3 small off white wedding invitation cards with envelopes. The edges are pattern cut. The card has an embossed oval consisting of a line, dots and hearts. Inside the oval, printed in silver is 'Wedding'. Printing inside the carde is silver. Card and insert held together with white cord.British Manufactureperson, greeting cards, malone collection, malone collection, wedding invitation

Document. Greeting Cards. White card with pattern cut edges. Indented area with 'With Hearty Greetings and all Good Wshes for Christmas and the New Year from' printed in black. At the top left edge is a black cat with a red collar sitting on a pink wall with a vine growing along it.person, individual, greeting cards, malone collection, greeting cards

Document. Greeting Cards. Cream coloured card with timber pattern & green edges. Red & pink roses beside a white, gold edged scroll. Below the scroll is a gold sundial. Trailing vine with gold and black stems & berries. Verse printed on the scroll in brown, gold & red.Raphael Tuck & Sonsperson, greeting cards, malone collection, malone collection, greeting cards

Permit to Reenter the United States in the name of Richard Hartley Smith Abbott, expires on 11/3/1939. Has a photo of Mr. Abbott in the top left corner with an imprint of Department of Labor. Has USRP printed all over the paper in light blue with patterns of dots as a background.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, permit to reenter the united states, richard hartley smith abbott