Showing 7471 items
matching pencil
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Glenelg Shire Council Cultural Collection
Photograph - Photograph - Hedditch's residence, Cape Bridgewater Victoria, n.d
Black and white photo of Hedditch's house at Cape Bridgewater. House at base of hills, main house plus outbuildings, wooden fence, windmillBack: 'Hedditch's House Cape Bridgewater' - handwritten, pencil -
Glenelg Shire Council Cultural Collection
Plan - Plans / Drawings - Port of Portland Authority Slipway Cradle, Portland, Victoria, 09/08/1983
PORT OF PORTLAND AUTHORITYFront: 'NOT ADOPTED' bottom right corner, black pencil -
Glenelg Shire Council Cultural Collection
Plan - Ship Plan / Mould, n.d
Wooden pattern for mould for boat fitting. Rectangular base; round shaped piece attached to top, painted orange.Back: '6 OFF' - black texta '169' - pencil -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Mr H. Sutton, n.d
Portland Town Council. Opalotype or opaltype is an early technique of photography. Opalotypes were printed on sheets of opaque, translucent white glass; early opalotypes were sometimes hand-tinted with colors to enhance their effect. The effect of opalotype has been compared "to watercolor or even pastel in its softer coloring and tender mood."[1] "Opalotype portraits...for beauty and delicacy of detail, are equal to ivory miniatures."[2] The basic opalotype technique, involving wet collodion and silver gelatin, was patented in 1857 by Glover and Bold of Liverpool. Opalotypes exploited two basic techniques, using either the transfer of a carbon print onto glass, or the exposure of light-sensitive emulsion on the glass surface to the negative. Opalotype photography, never common, was practiced in various forms until it waned and disappeared in the 1930s. "Milk glass positive" is another alternative term for an opalotype. Opalotype is one of a number of early photographic techniques now generally consigned to historical status, including ambrotype, autochrome, cyanotype, daguerrotype, ivorytype, kallitype, orotone, and tintype. This and many other historical photographic methods are now considered alternative photographic techniques and are practised by a small number of dedicated artists.Photograph of Mr Sutton. Yellowish halo around the figure. Opalotype.Front: Br _______/Melb. (Signature, pencil, lower right)mr sutton, sutton, opalotype, portland town council -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Harbour Crane concrete slab, n.d
Port of Portland Authority ArchivesBack: Top right corner '83/84 ' in pencilport of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Cape Grant Quarry, n.d
Port of Portland Authority ArchivesBack: Quarry - June 8th - top left, pencilport of portland archives, cape grant quarry -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Cape Grant Quarry, n.d
Port of Portland Authority ArchivesBack: 'JAN 24, 1968' - pencil, top rightport of portland archives, cape grant quarry -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Cape Grant Quarry, 24/01/1968
Port of Portland Authority ArchivesBack: 'JAN 24, 1968 ' - pencil top rightport of portland archives, cape grant quarry -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - earth moving equipment in quarry, c. 1963
Port of Portland Authority archivesFront: (no inscriptions) Back: equ012 (pencil, upper left)port of portland archives, construction, earth moving, quarry -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - construction of Lee Breakwater and S. L. Patterson Wharf, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: equ016 (pencil, lower right)port of portland archives, construction, lee breakwater, s l patterson -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - construction of Lee Breakwater and S. L. Patterson Wharf, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: equ016 (pencil, lower right)port of portland archives, construction, quarry, earth moving, lee breakwater, s l patterson wharf -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Shovel loading truck with rocks, c. 1962
Port of Portland Authority archivesFront: (no inscriptions) Back: equ18 (pencil, lower right)port of portland -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - dredging, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: dred008 (pencil, lower right)port of portland archives, dredge, harbour dredging, wharf -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Lucerne pellets loaded onto ship with conveyor belt, 1972
Port of Portland Authority archivesFront: (no inscriptions) Back: 1972 (pencil, top right)port of portland archives, portland harbour, ship loading -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Captain Donald O'Donnell, 1986
Port of Portland Authority archivesFront: (no inscriptions) Back: DON O'DONNELL (pencil, centre)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Lee Breakwater, Portland, n.d
Port of Portland Archives.Back: (1) 40 ems Wide 133? - pencilport of portland archives, lee breakwater, construction, tanker berth -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Reclamation, 1975
Port of Portland Authority ArchivesBack: 'MUD CAT DEC '75 / dred009' in pencil -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Silo Construction, n.d
Port of Portland Authority ArchivesBack: 'June 26th' - pencil top left corner -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Cape Grant Quarry, n.d
Port of Portland Authority ArchivesBack: Quarry\, June 8th - top left, pencilport of portland archives, cape grant quarry -
Glenelg Shire Council Cultural Collection
Photograph, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: DREDG012 (pencil, lower right)port of portland archives, dredging, portland harbour trust, silo -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - dredging, Portland, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: DREDG014 (pencil, lower right)port of portland archives, dredge, harbour dredging, portland harbour trust -
Glenelg Shire Council Cultural Collection
Photograph, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: DREDG014 (pencil, lower right)port of portland archives, dredge, harbour dredging, portland harbour trust, 1950s, 1958 -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - dredging, Portland, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: DREDG013 (pencil, lower right)port of portland archives, dredging, dredge, barge -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Assembling Steel Barges in Front of PHT Workshops, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: dred016 (pencil, lower right)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Assembling Steel Barges in Front of PHT Workshops, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: dred017 (pencil, lower right)port of portland archives -
Surrey Hills Historical Society Collection
Photograph, Humberstone's Royal Hotel Surrey Hills
Humberstone's Royal Hotel was a substantial 2-storey building on the corner of Canterbury and Broughton Road. The hotel was built in 1887 to replace an older hotel (Delany's Hotel) built further east in 1856. It was de-licensed in 1921 after a "Local Option Poll" and became Tower House Day & Boarding School under Miss Marion Beetson from 1922 until 1932. It was demolished in 1932. There were 25 students in the 1920's, mostly boarders from outside Surrey Hills and all primary school students. The school room was detached from the main building and there was 6 acres of playing area. The old bar was the business office, the girls' dormitory the old dining room. Marion Beetson was the teacher, Mary Beetson managed the household. Their father was an Indian Army officer. The younger children wore a school blazer with the T.H.C. badge on the pocket. Miss Susan Kelsall visited to give piano lessons and Prof. Kelsall taught French. Miss Marion Beetson died in Castlemaine on 8 February 1952. Information courtesy of Mrs Louise Bell, Castlemaine, ex-student. See SHP0867a and SHP0867b, photos of Louisa in T.H.C. uniform. Photograph of line sketch of Humberstone's Royal Hotel, Surrey Hills. In the foreground is a horse and cart with 5 men standing in front of the hotel. Main entrance is on the corner of the intersection with large windows. There are 8 on one side and 3 on the other with 4 arches on both upper and ground floors. Turret style edging hides the rooftop with two chimneys visible. Pencilled on back "Spare - have in/ our photo files"delany's hotel, miss marion beetson, humberstone's royalhotel, surrey hills, canterbury road, broughton road, hotels, accommodation, royal hotel, tower house day and boarding school, 1880-1890, mary beetson -
Ballarat Tramway Museum
Ephemera - Ticket/s, J.J. Miller, ESCo Morning and Evening Weekly Ticket, 1/6, c1927
Demonstrates how ESCo managed Weekly tickets during the late 1920's and yields information about the way the system was arranged. The source of the ticket, NSW tramways is significant in that it was obtained by them as a sample. Morning and Evening Weekly Ticket, price 1/6, printed for Week 1, that is not available for Sundays or Holidays. Ticket printed on light weight card, in two colours, teal and light green, numbered 2600 available only between Orphanage and Doveton St. Notes the conditions of use, the time available for which the ticket may be used and where. Printed by J.J. Miller, Melbourne. Ticket has been removed from a block - has staple hole at the top with part of the ticket missing. See Reg Item 2948 for circular detailing their use at the commencement of the issue of this style of Weekly Tickets - some detail differences in the style and colours later on."1/3" in pencil in bottom right hand corner.trams, tramways, tickets, weekly tickets, esco -
Ballarat Tramway Museum
Ephemera - Ticket/s, J.J. Miller, ESCo Morning and Evening Weekly Ticket, 1/6, c1927
Demonstrates how ESCo managed Weekly tickets during the late 1920's and yields information about the way the system was arranged. The source of the ticket, NSW tramways is significant in that it was obtained by them as a sample. Morning and Evening Weekly Ticket, price 1/6, printed for Week 1, that is not available for Sundays or Holidays. Ticket printed on light weight card, in two colours, teal and orange, numbered 1338 available only between Mount Pleasant and Doveton St. Notes the conditions of use, the time available for which the ticket may be used and where. Printed by J.J. Miller, Melbourne. Ticket has been removed from a block - has staple holes at the top. See Reg Item 2948 for circular detailing their use at the commencement of the issue of this style of Weekly Tickets - some detail differences in the style and colours later on."1/3" in pencil in bottom right hand corner.trams, tramways, tickets, weekly tickets, esco -
Mission to Seafarers Victoria
Photograph, Padre Oliver in front of the Mission, Flinders Street, Circa 1960
The image suggests that Frank Oliver was photographed around the time his tenure was coming to a close in the late 1950s.Small black and white gloss photograph depicting Padre Frank Oliver standing at the front steps to the Mission.'Padre Oliver' is penciled on the back and the number '179' is stamped there.frank oliver, mtsv -
Mission to Seafarers Victoria
photograph - Photograph, Black and white, c. 1950
Unknown chaplain in the Vancouver Mission speaker with a young sailor.The photograph is typical of the images used as marketing to d'escrime the Mission's work around the world.medium sized rectangular b/w photograph in landscape formathand-written marking in pencil: "IL" and in pen: Vancouverchaplain, comforting, seamen, sailors, seafarers, overseas missions, vancouver, welfare