52 pages, A4, Softbound, Paper covers. non-fictionJournal published by the Kadimah Jewish Cultural Centre and National Library, Melbourne. Contains essays, reviews, fiction and poetry in both English and Yiddish.serge i. liberman, walter lippmann, joseph solvey, brian fox, jack koskie

44 pages, A4, Softbound, Paper covers. non-fictionJournal published by the Kadimah Jewish Cultural Centre and National Library, Melbourne. Contains essays, reviews, fiction and poetry in both English and Yiddish.serge i. liberman, june factor, a. dudley hallam, albert kranz, maria lewitt, michelle nayman, liliane bentata, allen afterman, susan whiting

44 pages, A4, Softbound, Paper covers. non-fictionJournal published by the Kadimah Jewish Cultural Centre and National Library, Melbourne. Contains essays, reviews, fiction and poetry in both English and Yiddish.serge i. liberman, arnold zable, michael danby, g. goldberg, cecilia morris, w.d. rubinstein

52 pages, A4, Softbound, Paper covers. non-fictionJournal published by the Kadimah Jewish Cultural Centre and National Library, Melbourne. Contains essays, reviews, fiction and poetry in both English and Yiddish.serge i. liberman, yehuda svoray, michael elizur, itzchak kahn, rev. r.a. anderson, marc chagall

48 pages, A4, Softbound, Paper covers. non-fictionJournal published by the Kadimah Jewish Cultural Centre and National Library, Melbourne. Contains essays, reviews, fiction and poetry in both English and Yiddish.moshe ajzenbud, serge liberman, dr alan d. crown, maria lewitt, jocelyn ortt-saeed, anne parratt, sheva glas-wiener, walter adamson, frank tisher, colin golvan, w. jablonski

56 pages, A4, Softbound, Paper covers. non-fictionJournal published by the Kadimah Jewish Cultural Centre and National Library, Melbourne. Contains essays, reviews, fiction and poetry in both English and Yiddish.moshe ajzenbud, serge liberman, dr m. verstandig, gedaliah shaiak, joan ackland, miriam rothbaum, margaret houghton, marc radzyner, joe cripps, m.h.r. crowley

48 pages, A4, Softbound, Paper covers. non-fictionJournal published by the Kadimah Jewish Cultural Centre and National Library, Melbourne. Contains essays, reviews, fiction and poetry in both English and Yiddish.moshe ajzenbud, serge liberman, michael danby, june factor, maria lewitt, colin golvan, stephen block, jean holkner, erwin frenkel, anne wroby, a cykiert

48 pages, A4, Softbound, Paper covers. non-fictionJournal published by the Kadimah Jewish Cultural Centre and National Library, Melbourne. Contains essays, reviews, fiction and poetry in both English and Yiddish.moshe ajzenbud, colin l. rubenstein, erwin frenkel, dorothy hall, ruth teicher, gedaliah shaiak, colin golvan, j.a. jacono, stan robe, stanislaw wycodzki, alan collins, basia perlberger

60 pages, A4, Softbound, Paper covers. non-fictionJournal published by the Kadimah Jewish Cultural Centre and National Library, Melbourne. Contains essays, reviews, fiction and poetry in both English and Yiddish.moshe ajzenbud, serge lieberman, dr. paul gardner, jean thornton, j.e. shenfield, barrie cohen, gedaliah shaiak, bashevis singer, colin golvan, anne wroby, albert krantz, michael danby, sol encel

44 pages, A4, Softbound, Paper covers. non-fictionJournal published by the Kadimah Jewish Cultural Centre and National Library, Melbourne. Contains essays, reviews, fiction and poetry in both English and Yiddish.moshe ajzenbud, serge lieberman, colin golvan, maria lewitt, june shenfield, ilana nayman, roslyn gross, graeme hetherington, erwin frenkel, annette buchbinder, michael danby

40 pages, A4, Softbound, Paper covers. non-fictionJournal published by the Kadimah Jewish Cultural Centre and National Library, Melbourne. Contains essays, reviews, fiction and poetry in both English and Yiddish.moshe ajzenbud, serge lieberman, michael elizur, lilian barnea, kim baker, maria lewitt, rodney gouttman, joy cripps, joan acland, avital nathani, john de marco

40 pages, A4, Softbound, Paper covers. non-fictionJournal published by the Kadimah Jewish Cultural Centre and National Library, Melbourne. Contains essays, reviews, fiction and poetry in both English and Yiddish.moshe ajzenbud, serge lieberman, michael liffman, annette buchbinder, j.e. shenfield, colin golvan, harry marks, alan collins, ken bandman, josie stainsby, graeme hetherington

40 pages, A4, Softbound, Paper covers. non-fictionJournal published by the Kadimah Jewish Cultural Centre and National Library, Melbourne. Contains essays, reviews, fiction and poetry in both English and Yiddish.moshe ajzenbud, serge lieberman, hilary l. rubinstein, irving howe, manfred jurgensen, shirley thomas, gedaliah shaiak, lilian bentata, leo h. astete, michael danby, beryl halinbourg, margaret stockley, anne wroby, lisa kremer

48 pages, A4, Softbound, Paper covers. non-fictionJournal published by the Kadimah Jewish Cultural Centre and National Library, Melbourne. Contains essays, reviews, fiction and poetry in both English and Yiddish.moshe ajzenbud, serge lieberman, w.d. rubinstein, hilary l. rubinstein, chaim frenkel, ian lustig, annette buchbinder, mal morgan, john de marco, chaim raphael, anne wroby, manfred jurgensen, neil holbert, charles rimington, jean thornton, reuben havin, roslyn k. gross

60 pages, A4, Softbound, Paper covers. non-fictionJournal published by the Kadimah Jewish Cultural Centre and National Library, Melbourne. Contains essays, reviews, fiction and poetry in both English and Yiddish.moshe ajzenbud, serge liberman, alex dafner, susan bures, dr alan d. crown, mark lewin, sonja delander, gedaliah shaiak, bruria bergman, leon olshina, mary fisher, yetta rothberg, kim baker, adela shaw, wera goldman, frank tisher, leon bach, karen cohen, a. cykiert

Official guide to the 2000 Wilson Australia Junior Amateur Championships, and Wilson Junior Interstate teams matches. Brisbane 21-28 April 2000. Played at Indooroopilly Golf Club and Nudgee Golf Club. Victorian team Manager John Scrivener, assistant manager Bruce Harding. Team Members, Anthony Brown, Mark Leishmann, Troy Little, David Walker, Heath D`Altera, Luke Bower. Former HGC President Bruce Harding was a team official for Victoria's Junior teams from 2000-2010.28 p., brown text, plus 3 loose sheets with scores. Handwritten scores for each Victorian match throughout booklet.bruce harding, australian junior amateur championships, junior golf

Invitation from St Kilda Mayor John Spierings to a celebration on 28 February 1992, including entertainment, children's activities, displays, tours and food, to mark the signing of a contract for works on the St Kilda Town Hall and Public Library. The extension to the St Kilda Public Library was officially opened on 19 December 1993. The redevelopment of St Kilda Town Hall was officially opened on 26 June 1994.Single sheet of cream coloured paper printed in black, with St Kilda logo. Illustration of a jester.st kilda town hall, st kilda library, st kilda mayor john spierings

To mark the Centenary of the Squadron, H.V. (Rusty) Foreman re-donated old trophy of unknown origin in February 1978. For the Squadron’s most consistent Yacht in VYC handicapping, on the Club Course for the Season. It was first won Season 1977-78 by Les R. Williams with Aquarius. Awarded by reviewing the number of races at RMYS and Block Entry races that a yacht competes in and balancing this with the minimum change in VYC handicap during the Season.Pewter Gaff–rigged Cutter Yacht, 500mm long mounted on 100mm high rectangle redwood base. Silver rectangular winners inscription plaques around edge of base.CENTENARY TROPHY PRESENTED BY H.V. (RUSTY) FOREMAN FOR THE MOST CONSISTENT PERFORMER DURING THE SEASON 1978centenary trophy

Made by the firm of Thomas Stevens of Coventry, the English centre of ribbon weaving in the 19th century. Thomas Stevens, a local weaver, invented and developed in the 1860s the art of making woven silk items - book marks, greeting cards, art works etc, called Stevengraphs. Stevens opened a factory in London in 1878 and by the 1880s was producing over 900 woven silk designs as described on the backing sheet with this example. Stevengraphs are now collectors' Items and this bookmark included on its original marketing sheet is a good example of the company's mid sized range of bookmarks.This is a woven silk bookmark with multi-coloured patterns. coloured script and a sprig of roses, all on a white background. There is a yellow tassel at the end of the bookmark. The bookmark is affixed to a rectangular sheet of paper containing details of the makerstevengraph

KING RAZOR MFG. CO.Pittsburgh, Pennsylvania; moved to Indiana, Pennsylvania in 1911.ca. 1904 - 1919 Marked "Made in Germany", although the company's offices were located at 118 E. 28th Street, New York City. ca. 1934-1943 Used the "THE KING OF RAZORS REGISTERED TRADEMARK" trademark. 47-1/2 and Trademark: Crown and Wolf. For 500 years the Weyersberg family has been producing the finest blades in the world. For centuries the King’s Crown™ mark has been synonymous with exacting precision, hand-craftsmanship and quality. For the first few hundred years the blades, made in Solingen, Germany (the “City of Blades”), were for swords. As times changed, the Weyersberg family transitioned into making cut throat razors. The Greb. Weyersberg™ family business.continue to place our mark on each and every product sold as we have done since first being able to register it in 1774. For over a 100 years, the straight razors continue to be produced in Solingen (Germany). King's Crown™A folding cut-throat razoron blade ; KING'S / CROWN 'a crown trademark' RAZOR / EXTRA HOLLOW GROUND around 'trademark' ; SET READY FOR USE on steel handle; MADE IN GERMANYcut-throat razors, straight razors, shaving equipment, steel blades, swords, weyersberg family, king crown pty ltd., solingen, germany, early settlers, market gardeners, moorabbin, bentleigh, cheltenham,

Students Names on back. 6975-16 Stawell State School 502 Grade 5 11 April 1967 Teacher Mr Brian Campbell Top Row. Stephen Cameron, Alan Hall, Wayne Hunt, David Fry, Ronald Blackmore, Peter Walker, Steven Stewart, Dennis Ralph, Robert Scott, Trevor Waterfield. Second Row. Mr Campbell, Maree Stoddard, Susan McKenzie, Gillian Beecroft, Diane Clifford, Sandra McKellar, Susan Sinclair. Debbie Oliver, Helen Marshall, Allison Phillips. Third Row. Leslie Brown, Geoff Coward, Rodney Fielding, Mark Jones, Bill Scurrie, Gary Honeyman, Craig Robson, Stephen Whitehead, Peter Whitehead, Mark Lewis, Fourth Row. Barbara Wilson, Barbara Coward, Helen Gray, Joyce Matfin, Janine Turner, Jennifer Guy, Helen Hefferman, Betty Mitchell. Ruth Ellett. Fifth Row. Gilbert Whealan, Julie Devlin, Russell Pickering. Students and Teacher in front of building wall Class Photo Stawell State School 502 - 1967Stawell State School 11 April Grade 5 1967education

In 1987, Australia Post released Christmas stamps and two first-day covers (envelopes with stamps affixed) with the Carols by Candlelight theme. The top first-day cover has a red candle in a gold old-style candlelight holder, with five stamps showing groups of people who are singing and holding similar candles. A large '50th Performance of Carols by Candlelight, Melbourne, Vic 3000, 24 Dec 1987' mark is stamped on the envelope, which has a background image of the Myer Music Bowl, a candle and songbook. The lower first-day cover has a boy holding a red candle in his right hand and a songbook in his left, singing. Two stamps, different to the ones in the envelope above, are affixed to the envelope and consist of groups of people holding red candles and singing. One '50th Performance of Carols by Candlelight ...' cancellation mark is stamped. In between the two envelopes is a photograph which shows the Myer Music Bowl at night, from the rear of the large crowd who are holding candles and songbooks.royal victorian institute for the blind, carols by candlelight

Team photograph with list of games for 1987 season. From Roger Skien Collection. Back Row (L to R) Jimmy Buckley,Peter Motley, Peter Rohde, Paul Meldrum, Darren Ogier, Ken Hunter, Richard Dennis, Richard Foster, Milham Hanna, David Rhys-Jones, Ian Herman. 2nd Back Row (L to R) Mark Williams, Warren McKenzie, Rhett Baynes, Michael Gallagher, Peter Sartori, Jamie Dunlop, Jon Dorotich, Stephen Silvagni, Ian Aitken, Shane Robertson, Andrew Phillips. Setaed (L to R) Adrian Gleeson, Dean Strauch, Tom Alvin, Brad Shine, Michael Kennedy, Stephen Kernahan (Captain), Justin Madden (Vice-captain), David Glascott, Bernie Evans, Craig Bradley, Wayne Blackwell. Front Row (L to R) Wayne Johnston, Fraser Murphy, Spiro Kourkoumelis, Steven Da Rui, Paul Starbuck, Mark Naley. Insets Des English, Peter Dean, Wayne Harmes. Colour photographic poster

This is a pennant from the Warrnambool District Bowls Association. This association is a division of the West Coast Bowls Association and the members are the Bowls Clubs of Dennington, Koroit, Lawn Tennis Club, Mortlake, Terang, Port Fairy, Timboon, Warrnambool and City Memorial. This pennant was awarded for the premiers of 1975/76 and, as the pennant came from St.John’s Bowls Club (Presbyterian Church Warrnambool) it is presumed that this club was the winner of this pennant. St. John’s Bowls Club, in Princess Street, Warrnambool, was prominent in the 20th century but has now been disbanded (early 21st century) with the land sold in 2014. The maker of the flag, Evan Evans Pty Ltd, is a well-known Australian flag-making business. It was founded in 1877 and a member of the family was a co-designer of the Australian flag in 1901. This pennant is of some interest as it was awarded by the Warrnambool District Bowls Association to St. John’s Bowls Club in Warrnambool. As the St. John’s Club no longer exists it is an important memento of this Warrnambool sports club. Bowls is a popular sport in Warrnambool. This is a large triangular-shaped pennant from the Warrnambool District Bowls Association (1975-6). It is a white cloth pennant made in two sections with stitched hems on the edges and through the centre. The side holding the cord is made of thicker folded cloth with a white plaited cord inserted. The lettering is made of blue cloth and machine stitched on to the pennant. The material is nylon and wool. There are some dirt smudges and rust marks where the pennant has been attached to a wall. ‘W.D.B.A. Premiers 1975-6’warrnambool district bowls association, st. john’s bowls club, warrnambool, warrnambool

This hand tool would have been used either in the home for making small items of furniture or small building projects or it could have been used by a tradesman working on small jobs in the building industry – window sills, doors, cupboards etc. Planes are still used today to whittle down wood. This tool has no known local provenance but it is a good example of hand tools of the past and will be useful for display. This is a metal plane used for shaving wood. It has a rectangular base curved at the ends and the end of a steel blade is visible near one end of the base. The handle is dome-shaped and attached to the handle by a screw is a ridged metal wheel that rests on the blade which has been inserted on an angle. This wheel can be turned to adjust the blade, keep it in place or remove it for replacement. The plane is much rusted (it may have been painted black) and no manufacturer’s marks are visiblhousehold tools, wood plane

This insulator disk for the high voltage carrying electrical cables was manufactured in 1964 and used by the SEC Vic (Kiewa Hydro Electricity Scheme) from that date until late 1900's. It was used to connect high voltage cables to their "towers" going from various Hydro Generators to and from power "stations". During this time period, high quality "cable" insulators were manufactured in Japan. In an earlier time they would have been sourced from Europe or England. After the 1950's the sourcing of electrical hardware was being influenced by the lower costs obtainable from Japan. Later on other Asian sources also became available.The need for a mountainous and a large area of operational requirements, such as the SEC Vic Kiewa Hydro Electricity Scheme, to distribute the electricity produced in the Victorian Alps to the major users required power transmission lines to "carry" high above the sometimes inaccessible land mass electricity generated at the power stations to the various sub stations along the valleys and ranges to flatter populated regions. The significance of this insulation "high voltage" disk to the Kiewa Valley region relates to the impact of modern technology (at that time) upon a mainly rural environment. These power lines are a stark visual "show" of the impact that the "Scheme" has on the mostly rural landscape of the Kiewa Valley and what a boost of "modern" equipment into the area has taken place. The "Hydro Scheme" had facilitated the transition of a semi rural area to an advanced rural region within a shorter time frame, than would have taken under "normal" evolutionary time. The speed of information of all "new technology" had a relatively slow assimilation rate before the SEC Kiewa Hydro Scheme came to those living in the then quieter rural communities. This high voltage (330 KV) insulation disk is made from non conductive porcelain stoneware. It is highly polished brown in colour and has a clip fastening for the high voltage cable to be attached to. This disk was hit by lightning and the burn marks are quite noticeable. The top metal connector has a "mushroom" extension jutting below the semi cone like insulation disk. Also four circular ridges or grooves (old 78 rpm disc recording style).Cable bell on top of insulation disk "4K " next to it the international symbol for electricity (triangle containing one horizontal line under one V line and one vertical flame like line.) On the opposite side "2" and to the right "64"sec vic kiewa hydro scheme, alternate energy supplies, alpine (above ground) high voltage electricity cables, volt cable, 330000 volt cable

This handmade green glass bottle was made using the turn-moulded or rotated-moulded method, a variation of the mould-blown process. The bottle has the remnants of a cork seal in its mouth. It possibly contained ginger beer, soda or mineral water, flavoured drinks, liquor or wine. TURN-MOULDED BOTTLE production method This bottle was handmade using the ‘turn-moulded’ process, one of a variety of mould-blown processes that followed the earlier mouth-blown method. The maker would add a portion of hot soft glass to the end of his blowpipe then blow air through the pipe while placing the end inside a bottle mould. The mould was then turned and twisted, giving the bottle a round, seamless body, and usually a round indented base. The cooled body of the bottle would then be finished with the addition of an applied top. A small amount of soft glass would be applied to the top of the bottle and a lip would be formed using a tooling implement. A concentric ring would also form below the lip, caused by the rotated lipping tool. The bases of bottles made with the turn-moulded method were generally not embossed but would commonly have a mamelon or ‘dot’ in the centre of the base. SEALING THE BOTTLE After filling this type of bottle with its contents it is then sealed with a straight, cylindrical cork with the aid of a hand operated tool called a bottle corker. The bottle corker compresses the cork as it is driven into the bottle. Once inside the bottle the cork expands evenly into the opening to tightly seal the contents – the denser the cork the better the seal. This turn-moulded glass bottle is made distinctive due to its round seamless body and indented base.Bottle, dark green glass. Handmade turn-moulded bottle with seamless body and tooled lip. Deeply indented base has push-up mark with a ‘mamelon’ bump in the centre. Bottle is straight from base to half height, then tapers to a shoulder over the next quarter, than almost straight up to the mouth. There is a portion of cork in the bottle’s mouth and dry remnants in the bottle’s base. Possibly used for ginger beer. Produced in 1880s to 1910’s. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, green glass bottle, handmade glass bottle, bottle with indented base, turn-moulded bottle, rotate-moulded bottle, tooled lip on bottle mouth, applied lip bottle, bottle corker

This handmade green glass bottle was made using the turn-moulded or rotated-moulded method, a variation of the mould-blown process. The bottle has the remnants of a cork seal in its mouth. It possibly contained ginger beer, soda or mineral water, flavoured drinks, liquor or wine. TURN-MOULDED BOTTLE production method This bottle was handmade using the ‘turn-moulded’ process, one of a variety of mould-blown processes that followed the earlier mouth-blown method. The maker would add a portion of hot soft glass to the end of his blowpipe then blow air through the pipe while placing the end inside a bottle mould. The mould was then turned and twisted, giving the bottle a round, seamless body, and usually a round indented base. The cooled body of the bottle would then be finished with the addition of an applied top. A small amount of soft glass would be applied to the top of the bottle and a lip would be formed using a tooling implement. A concentric ring would also form below the lip, caused by the rotated lipping tool. The bases of bottles made with the turn-moulded method were generally not embossed but would commonly have a mamelon or ‘dot’ in the centre of the base. SEALING THE BOTTLE After filling this type of bottle with its contents it is then sealed with a straight, cylindrical cork with the aid of a hand operated tool called a bottle corker. The bottle corker compresses the cork as it is driven into the bottle. Once inside the bottle the cork expands evenly into the opening to tightly seal the contents – the denser the cork the better the seal. This hand made, green glass bottle is representative of bottle making before mass production and is made distinctive due to its round seamless body and indented base.Bottle, dark green glass. Handmade turn-moulded bottle with seamless body and tooled lip. Deeply indented base has push-up mark with a ‘mamelon’ bump in the centre. Bottle is straight from base to half height, then tapers to a shoulder over the next quarter, than almost straight up to the mouth. There is a portion of cork in the bottle’s mouth and dry remnants in the bottle’s base. Possibly used for ginger beer. Produced in 1880s to 1910’s. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, green glass bottle, handmade glass bottle, bottle with indented base, turn-moulded bottle, rotate-moulded bottle, tooled lip on bottle mouth, applied lip bottle, bottle corker