This white tailored dress shirt was worn by Mr Dennis Maynard CMHS member and Cheltenham resident c 1960 as part of his Formal Wear for Masonic Lodge , Civil Services and Special occasions. The small black plastic buttons were sewn onto a strip of cotton so that they could be easily inserted to fasten the shirt front and then kept together with the shirt for future use This dress shirt is typical of the formal wear used by men in City of Moorabbin c 1960A white cotton long sleeved tailored man's dress shirt with 2 cotton strips with small black plastic dress buttons "Henry Buck PtyLtd Melb. HB Actual Makers clothing, formal wear, dress shirt, tuxedo, maynard dennis, city of moorabbin, freemasons lodge, city of moorabbin historical society, early settlers, market gardeners, bentleigh, cheltenham, moorabbin,

Illustrated book with dustjacket. Book has a white cover with title, author's and publisher's names printed in black ink on spine. Dustjacket is white, with title and author's name in black print on front and spine. Also on front cover is a coloured photo of a district nurse holding a child.non-fictionA history of the Royal District Nursing Service, from the foundation of the Melbourne District Nursing Society in 1855 up to 1974.melbourne district nursing society, royal district nursing service, nursing-victoria-history

Front Row L to R: J. Brereton, d. Catteral, M. Chilton, L. Cooke, P. Crew, K Crowle, J. Engledow, K. Filcock, K. Ford, R. Green, K. Holt, M. Hunting, C. Linke, S. Lamb, J. Lee. Back Row L to R: J. Lennon, D. Lumby. J. McDonald, P. Malone, T. Nunn, R. Paravinic, J. Poole, R. Reid, W. Sampey, P. Sanger, E. Schanssema, K Struthers, P. Turner, N. White, R. Williams, P. Williams. P. Worboys.Black and White photograph of ambulance officer recruitsambulance officers training centre, recruits

A brown plastic laminate inscribed in white writing. On the reverse of the laminate is the previous attempt by the manufacturer, with the words 'June 1976 by the President of the Royal Blind Society of New South Wales, Sir Alexis Al' with an extra line next to the A. It has been taped over but is clearly visible through the masking tape, however this plate would have been attached to the wall, and the mistake not able to be seen by the public. Manufacturers have made spelling errors or had wood or marble crack as commemoration plates were created, but it is interesting to note that with the change in medium (a plastic), there was the opportunity to re-do the job using the same materialsDigital image of laminate board with white letteringThis plaque was erected to commemorate the opening of extensions to these Royal Blind Society premises on 26th June 1976 by the President of the Royal Blind Society of New South Wales, Sir Alexis Albert, C.M.G., V.R.D., B.Ec. W. G. Cannington O.B.E. President F.A. Crighton J.P. Hon. Secretary A.S. Pickering J.P. Hon. Treasurer C.J. Roworth Manager.royal blind society of new south wales, plaques

Black and white photograph of the signal box at Franklin St. Swanston St and Victoria St, probably soon after its completion with tram W2 534 with a Malvern destination, standing behind the signal box with a conductor standing at the front of the tram. Shows the detail of the signal box that had toilets for crews. Note the iron step rungs to access the cabin,. The signal box was commissioned on 29/5/1929 Behind the building is Grants building with signs for Archers Printery and Ingram & Carr Wholesale Stationers. On the right hand side is the Carlton United Brewery building. Photo by Sutcliffe Pty Ltd on behalf of the MMTB.Yields information about the then new Franklin St signal box.Black and white print with photographer's detail on the rear."Sutcliffe" photographers stamp.tramways, tramcars, franklin st, signal box, tram 534, w2 class

A black and white photo of Stan Savige's funeral from a file about the life of Stan Savige. The funeral was at St Paul's Cathedral on 18 May 1954. Two thousand men marched in the funeral procession to the Boroondara Cemetery, Kew. As the procession moved off, members of Legacy formed up and marched behind. This is shown in a photo from a Legacy newsletter from July 1954 as copied here. Hundreds of people lined Flinders Street as the procession passed. A 15-gun salute marked the funeral of late Lieut.-General Sir Stanley Savige.The funeral indicates the high esteem in which Sir Stanley Savige was held by the Australian public for both his war service, and for founding Legacy.Black and white photo of the funeral of Sir Stanley Savige in 1954.stan savige, funeral

Photograph shows single track section of tramway in Nicholson St, East Coburg looking south from Harding St. The rails are slightly sunken into bitumen covered roadway. Primary school grounds are at left, children's crossing in foreground with accompanying red and white bands painted on span poles and several motor vehicles are in the background. The models of motor vehicles and the future duplication of this track in late 1966 suggest the photograph's date of mid-1960s. This single track was the scene of many head-on collisions between south bound trams and northbound motor vehicles, especially at night.Yields information about remaining single track sections that were slow to be duplicated due to lack of funding. Black and white photograph with blue stamp and biro number on rearM&MTB Ref No. R25/1/183m&mtb, nicholson st, single track, east coburg, sunken rails

This set of nine black and white photographs were taken during the visit to the Army Survey Regiment, Bendigo by the Director of the USA’s Defense Mapping Agency –MAJGEN William L. Nicholson III, on the 7th of February 1980. He was accompanied by US Army COL W.P. ‘Pinky' Holmes and an unidentified Major from the USAF. It is not known if their wives or partners were in attendance.This set of nine black and white photographs were taken during the visit to the Army Survey Regiment, Bendigo by the Director of the USA’s Defense Mapping Agency –MAJGEN William L. Nicholson III, on the 7th of February 1980. The photographs are on 35mm negative film and scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1980. L to R: unidentified civilian (facing away), MAJGEN William L. Nicholson III, MAJ Sam Schwartz US Exchange, CO LTCOL Bob Skitch, D-SVY COL NRJ Hillier, MAJ Don Swiney MBE, Mrs Glen Swiney. .2) - Photo, black & white, 1980. L to R: unidentified civilian & Mrs Glen Swiney, (facing away), MAJGEN William L. Nicholson III, CO LTCOL Bob Skitch, unidentified civilian (facing away). .3) - Photo, black & white, 1980. L to R: unidentified visiting USA officer, MAJ Sam Schwartz US Exchange. .4) - Photo, black & white, 1980. L to R: CAPT Peter Ralston, CAPT Dennis Puniard, CAPT Bob Roche, MAJGEN William L. Nicholson III, CO LTCOL Bob Skitch. .5) - Photo, black & white, 1980. L to R: unidentified (x4), MAJ Sam Schwartz US Exchange, unidentified, CAPT Bob Roche, unidentified (x3), MAJ Paddy Strunks, unidentified, Mrs Glen Swiney, unidentified civilian (facing away)., CAPT Don Maskew, unidentified civilian. .6) - Photo, black & white, 1980. L to R: MAJ Peter Eddy, D-SVY COL NRJ Hillier, CO LTCOL Bob Skitch, MAJGEN William L. Nicholson III, remainder unidentified. .7) - Photo, black & white, 1980. L to R: MAJGEN William L. Nicholson III, CO LTCOL Bob Skitch. .8) - Photo, black & white, 1980. L to R: ADJT CAPT John Harrison, unidentified civilian. .9) - Photo, black & white, 1980. L to R: Mrs Glen Swiney, unidentified civilians (x2).No personnel or civilians are identifiedroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

These 2 pillow shams in white voile,lace and with needlework were made by a woman of an early settler family in Moorabbin Shire c1900. Women made and mended clothes, haberdashery and drapery for their families as the market gardens and farms were established in Moorabbin, East Brighton, Cheltenham.These 2 pillow shams in white voile, lace and with needlework are examples of the dressmaking and needlework skills of the women of the early settler families in Moorabbin Shire c1900 2 Haberdashery, pillow shams in white voile,with lace edging , a) Is an envelope type with bone buttons and has a central needlework floral and butterfly design . b) is single layer with a central needlework ribbon design c1900clothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, dairy farms, fruit orchards

A black and white postcard of the Crossways in Marysville in Victoria published by Murray Views. The Crossways was built in the early 1920s and is the oldest building in Marysville. The Crossways historic inn survived the 2009 Black Saturday bushfires thanks to the efforts of its c-owner Greg Cherry and, in the days after the fires, provided a much-needed refuge to the Marysville community and firefighters. This postcard was produced by Murray Views in Gympie in Queensland as a souvenir of Marysville.A black and white postcard of the Crossways in Marysville in Victoria published by Murray Views.POST CARD STAMP REAL PHOTOGRAPH PRODUCED IN/ AUSTRALIA BY MURRAY VIEWS, GYMPIE, Q.marysville, victoria, australia, postcard, souvenir, crossways cabaret, crossways historic inn, crossways country inn, murray views no. 18, accommodation, 2009 black saturday bushfires

3316 - Black and white photograph of No. 27 on the celebration of reaching 1,000,000 (million) miles in Ballarat. Photographed at the depot. Shows two of the banners (Reg Item 3315). Tram has destination of Special and a SEC Briquettes roof advertisement. See item 9940 for The Courier newspaper clipping of 1/7/1968. Photo by the Ballarat Courier. Date of Photo. 29/6/1968, taken prior to the TMSV Tour of that date. 3316.1 - ditto, print ex the Ballarat Courier - larger size. 2nd copy of print ex Charles Craig collection added 8-1-17.Yields information about the No. 27 that was thought to have reached 1000,000 miles in Ballarat during 1968 - actually found out later to be an error - was about 900,000 miles. Decorated for an event to celebrate the occasion.Set of two Black and White photographs with notes on the rear.On rear in purple ink "Ballarat Courier, Press Photograph, Copyright" 2nd copy - as above, as well as in blue in along the base of the photograph "17-9-68 and No. 27" in Bob Lilburn's handwriting.tramways, trams, million miles, depot, banner, tmsv, tram 27

Beni Carr Glyn Burnett (also known as B. C. G. Burnett or Beni Burnett) was born in 1889 to missionary parents in Mongolia. When he was 15 years old he began training as an architect with a firm in Shanghai. He worked in Singapore, Japan and China before moving to Australia around 1933. In 1937 he was appointed as the Commonwealth principal architect in the Northern Territory. He went on to design a series of houses for senior public servants and military personnel which became very popular as they were specifically designed for the tropics - incorporating louvres, high ceilings and good ventilation. When Darwin was bombed in February 1942, he was evacuated to Alice Springs where he continued to work as an architect. He also became a Magistrate and Coroner in Alice Springs. In later life he was well known for sketching clientele in public bars. He died in 1955. Beni Burnett was living in Sydney in 1933 when he produced these three artworks. There were several photography firms operating in Sydney at this time who specialised in photographing ships and the shipping trade (e.g. Samuel J. Hood and William James Hall) and whose photographs were used by artists to produce ship portraits. Both of these photographers took photographs of the two ships in B. C. G. Burnett's watercolours. The "Magdalene Vinnen" was photographed by Samuel J Hood in a series of photos taken in March 1933. It was a 4 masted steel barque, built in 1921 in Kiel, Germany and for almost 80 years was the largest traditional sailing ship in operation. It was used extensively as a cargo ship. It sailed into Sydney Harbour on 27th Feb 1933, loaded with almost 16,000 bales of wool destined for Falmouth, England. In March 1933 (whilst in Sydney) the German Republic flag (on orders from Adolph Hitler) was lowered and replaced with the old monarchist flag which was then to be the official flag and beside it the Nazi flag was to be flown on all ceremonial occasions. It visited Australia again in 1935 with its cargo being wheat from Port Broughton, S. A. In 1936 it was renamed "Kommodore Johnsen" and in 1945 (after WW2) the ship was awarded to the Soviet Union as war compensation and renamed "STS Sedov". The "Winterhude" (originally called "Mabel Rickmers) was a three masted Finnish barque built in 1898 by Rickers - Werft Bremerhaven for use on the East India rice trade and later the South American nitrate trade. After WW1 it came under French control as war compensation. It was also sold several times and at one stage was called "Selma Hemsoth" but in 1925 it was bought by Gustaf Erikson who restored the name "Winterhude" and the vessel became a regular transport in the Australian wheat trade. In 1944 it was sold to the German navy before being taken over by the British at the end of WW2. It was photographed in Sydney by William James Hall in 1931 on its way to Port Lincoln, South Australia to load wheat for Europe. The third ship depicted by B. C. G. Burnett is a pen and wash sketch labelled "The White Ship" and exactly matches a photograph pasted into his personal scrapbook which is in the "Library and Archives N. T.". The name of the ship is unknown and B. C. G. Burnett may have taken some artistic licence with the colouring as in the original photograph, the ship had a dark hull.This set of three small artworks is significant as examples of shipping (particularly the use of sailing ships) that were still being used as late as the 1930's in Australia. They are also important because their creator (B. C. G. Burnett) went on to become a well-known public figure in the Northern Territory in the late 1930's due to his innovative approach to designing homes for the tropical climate.A set of three artworks by B. C. G. Burnett of sailing ships in Sydney Harbour. They are all on rectangular watercolour paper with small diagonal edges at each corner. Painting 1 is a watercolour painting of a sailing ship called "Magdalene Vinnen". It shows a 4 masted barque with a blue and red steel hull in full sail heading towards the viewer. The painter's name (B. C. G. Burnett) and date (1933) are written on the bottom left-hand corner of the painting. Painting 2 is a watercolour painting of a sailing ship called "Winterhude". It shows a 3-masted barque with a blue and red steel hull in full sail heading away from the viewer. A small figure can be seen at the wheel at the rear of the ship. The painter's name (B. C. G. Burnett) and date (1933) are written on the bottom left-hand corner of the painting. Sketch 3 is an ink sketch of an unknown sailing ship moored to a dock. There are several small boats tied up near the sailing ship and a large steel freighter can be seen in the background. There is a faint wash of colour on parts of the sketch - the bottom of the ship, the masts and booms and the water at the end of the pier. The title (The White Ship) and the artist's name (B. C. G. Burnett) are written in ink in the top left corner. 1 (front) - "B. C. G. BURNETT. 1933 2 (front) - "B. C. G. BURNETT. 1933" 3 (front) - "THE WHITE SHIP / B. C. G. BURNETT"flagstaff hill maritime museum and village, warrnambool, great ocean road, sailing ships, ships, barque, magdalene vinnen, winterhude, beni carr glyn burnett, b. c. g. burnett, beni burnett, painting, watercolour painting, sketch, ink sketch, sydney harbour, architect, darwin, burnett house, photography, samuel j. hood, william james hall, sedov, kommodore johnsen, mabel rickmers

Article in Nunawading Post about the move of Radio Australia from East Burwood to Southbank, Melbourne. They have been broadcasting for the last 12 years (1982 - 1994). They broadcast in 9 languages to about 50 million people in South East Asia and Pacific region. The East Burwood property is up for sale.Article on ' Radio Australia quits Burwood'.radio broadcasting, radio australia, white, derek, australian broadcasting commission, burwood east, southbank, melbourne

exhibition, national gallery of victoria, ngv international, fashion, designer, dresses, white, textured

exhibition, national gallery of victoria, ngv international, fashion, designer, dresses, white, textured

Seven Black & White photographs from a collection of 70 taken during the construction of the Phillip Island second Bridge from San Remo to Newhaven, by the Country Roads Board, Shire of Bass and contrator John Holland & Co Pty Ltd.Seven Black & White photographs taken during the construction of the second Phillip Island Bridge from San Remo to Newhaven from 1966 to 1969. Various shots of men, machinery and girders and beams being put into position on Span 2 & 3.351-36: CRB NEG No. 67-1827A. 351-37: CRB NEG No. 67-1827B. 351-38: CRB NEG No. 67-1928E. 351-39: CRB NEG No. 67-1829A. 351-40: CRB NEG No. 67-1929B. 351-41: CRB NEG No 67-1930A. 351-42: CRB NEG No. 67-1930D.2nd phillip island bridge construction, phillip island bridge construction, country roads board, shire of bass, john holland & co pty ltd, sasha stark

Black and white photograph of the P. S. Gem moored by the river bank. Recorded as being holed on Mildura slip. For statistical on the P. S. Gem see registration no.10 from The River trade, Wool & Steamers by G. Painter , pp.55, 66. Details of the paddle steamer can be located in The Register of Australian & N. Z. Shipping.The P. S. Gem is a large paddle steamer of historical and social significance. It has 3 levels including what appears to be many cabins.Black and white photograph of P. S. Gem moored by river bank. Recorded as being holed on Mildura slip. Copy of an original photograph taken 1954.On reverse of photo in pencil: Gem 1954, holed on Mildure slip.p. s. gem, mildura slip

Quat Quatta, Ropponlea, Lion statue on porchblack and white photograph, mounted, original, good conditionOn Back: The reason why I chose to take this photo is because Ripponlea has an historical background and this building is very old. I put the photo in black a nd white to symbolise this. As you can see in the photo there is a lion that shows royalty and that we are a strong community. Also, the plants in the photo are well cared for which shows our communities respone for nature. By Bailey Troeth

The Changi Brownlow, an inspirational story of the Aussie team spirit - mateship and sacrifice, courage and endurance. In the harshness and brutality of Changi prison a group of Australian POW's dug deep and fought to maintain their spirit in the best way they knew how - Australian Rules football.Soft cardboard cover, black, brown, red print front, spine & back. Front cover background beige, with sepia portrait photo at top left & buildings at the bottom. Sepia photo of an Australian Rules football scene. 376 pages, cut, plain, white, illustrated black / white photos.Handwritten in lead pencil on front top right of fly leaf: “R Jones” Handwritten in black ink on front fly leaf, black / white photo of women & soldier in uniform: “DULCIE JONES & ALFIE PROWSE COUSINS DURING WWII. ALFIE WAS PETER CHITTY'S BROTHER IN LAW”book, changi, brownlow, pow’s

Part of a collection of photographs taken by an unknown photographer serving with 8th Light Horse Regiment in the Middle East 1916-1918.The 8th Light Horse Regiment AIF was raised at Broadmeadows Victoria in September 1914 under the command of Lieutenant Colonel Alexander White and formed part of the 3rd Light Horse Brigade. The regiment served at Gallipoli where in a courageous but ill-fated charge at the Nek on 7 August 1915 it suffered horrendous casualties including Lieutenant Colonel White. Rebuilt in Egypt under the command of Lieutenant Colonel Leslie Maygar VC the regiment went on the serve throughout the Middle East Campaign. Colonel Maygar died of wounds at Beersheba when the regiment was attacked by enemy aircraft while waiting to follow up the successful charge of the 4th LH Brigade on 30 October 1917. The 8th Light Horse AIF was disbanded in 1919, but soon after re-raised as the 8th (Indi) Light Horse in the Citizen Military Forces, superseding 16th (Indi) Light Horse. It had its headquarters at Benalla with sub-units throughout the Upper Murray and Northeast Victoria. In December 1941, the regiment converted from horse to mechanised, initially as 8th Reconnaissance Battalion then in July 1942 it became 8th Cavalry Regiment and served in Northern Territory. As Japanese threat to the mainland declined the regiment was disbanded.Black and white photographs of buildings in Beirut ( modern spelling )" BEIRUIT ( 0n photo )

A series of nine black and white photographs of scenic attractions taken in and around Marysville in Victoria that was published by the Barton Bros, Marysville and printed by Valentines Publishing Co as a souvenir of Marysville.A series of nine black and white photographs of scenic attractions taken in and around Marysville in Victoria that was published by the Barton Bros, Marysville, and printed by Valentines Publishing Co as a souvenir of Marysville. Thomas Barton was one of the earliest settlers in Marysville and with 16 children and numerous descendants, the name of Barton is synonymous with Marysville. Thomas John Barton, along with his business partner, Ewen Hugh Cameron, opened a butcher/abattoirs in Marysville in 1864. This was the first shop in Marysville. They supplied meat and other items to the miners along the Woods Point road. Thomas Barton was an active community member and was a key organiser in setting up the school in Marysville in 1870. After Thomas' death in 1911, his sons Fred and Frank took over the family business and renamed it Barton Bros. Name & Address of/ sender allowed on/ cover STAMPS-/ 1d. Common-wealth/ 1 1/2d. British Empire If any Correspond'e/ letter rates postage From Published by BARTON BROS., Marysvillemarysville, victoria, barton bros, acheron way (image 1), keppel's falls (image 2), cumberland falls (image 3), stevenson falls (image 4), taggerty river (image 5), mount margaret (image 6), mount gordan (image 7), nicholl's lookout (image 8), the old ford (image 9), valentine publishing co, souvenir, postcard, thomas barton, ewen hugh cameron, francis adam barton, frederick barton

This is one of a series of 17 black and white undated photographic proofs donated to the Kew Historical Society in 2013 by the Queenscliffe Historical Museum. The series includes images of individuals, tea rooms, ferries, motor launches, ocean liners and tugs. Faded black and white photographic positive proof of the Morell Bridge (formerly the Anderson Street Bridge) across the Yarra River near the Botanical Gardens. Princess Bridge can be seen through the arches of the Morell Bridge. The undated photographic positive was probably taken in the 1950s.melbourne, transport, bridges -- yarra river, morell bridge, anderson street bridge, yarra river

Chain saw artist Rodney Streeter at Rotary Art Show held at the Old Mechanics Hall Lakes Entrance Victoria. Also two other black and white photographs of Rodney Streeter taken at the Art Show January 1992 and January 1993 numbers 04070.1 and 04070.2 sizes 13.5 x 7.5 cm and 8 x 11 cmBlack and white photograph of chain saw artist Rodney Streeter at Rotary Art Show held at the Old Mechanics Hall Lakes Entrance Victoriawoodcarving, arts and crafts

A set of collars, possibly worn during the 1920s-1950s period, wearer unknown. A detachable collar is a shirt collar separate from the shirt, fastened to it by studs. The collar is usually made of a different fabric from the shirt, in which case it is almost always white, and, being unattached to the shirt, can be specially starched to a hard cardboard-like consistency. The popularity of detachable collars and starched collars in general began to fade in the 1920s and 30s as men’s clothes became more comfortable.These items are examples of men's clothing from the first decades of the 20th century when men wore more formal daily attire. A set of four white men's collars of assorted sizes, made from stiffened fabric.Cremorne Collar Company, Melbournemen-collars male-apparel

A gathering of widow who attended widows exercise classes at Legacy House at a restaurant called Ruby Rose. Melbourne Legacy ran an excellent exercise program for its widows for many years and the swim classes at the City Baths were very popular. The instructor for many years was Betty Luders. Sir Weary Dunlop also attended the dinner.A record of the types of activities Legacy provided as a physical and social outlet for widows.Colour photo x 8 of widows and Sir Weary Dunlop at a lunch at Ruby Red restaurant and a white paper label.White paper label says 'Members of Legacy's Exercise classes celebrated their 14th anniversary at a newly established restaurant 'Ruby Red'. The warm friendly atmosphere and delicious food makes it a nice place to meet. Class Instructor Betty Luders ensured everyone had a good time.exercise classes, widows, activities, dunlop, betty luders

Unframed, printed black and white photograph on card, of 45 women in uniform in 4 tiered rows outside a large building."20-5-2001 For Maureen White" [Handwritten in biro at the top of the back of the photo] "LATROBE STUDIOS PTY LTD. 151 LATROBE ST MELBOURNE, C1 ... 1986 / REFERENCE NUMBER A41591-9" [Faded purple with ink written negative number, bottom-left back of photo]

2 photographs- 1 sepia copy on cardboard backing, 1 larger black and white copy.Written on back of sepia copy: "Ringwood Show at old hall, Ringwood East." Photo by Frazer & Vallance. Salisbury Buildings, C/o Bourke & Queen Sts, Mellbourne. Typed below black and white copy: "Celebration held at Ringwood Hall, Mt.Dandenong Rd,1908. Hall burnt down 1909."

Back Row: Janet Tyler, Joan White, Paula White or Patty Barnett, Lois Denholm, Mary Wilson. Front Row: Jessie Clark, Mrs Agnes Wilson, Mrs CCaptain Denholm, Elieen Esky, Thelma White, Mrs Gwen Reeve.Two rows of eleven Girls & Women holding Tambourines in front of weatherboard House wall.Timbrel Bigade Opening of Wimmera Street Quartersreligion

Reproduced by kind permission of the Australian War Memorial by Royal Australian Survey Corps 1985. Brown wooden frame with gold inner trim & glass front. Mounted with white border & brown paper frame backing. Copy of coloured painting of Landing At Duc Thanh. Original by B Fletcher.Brown wooden frame with gold inner trim & glass front. Mounted with white border & brown paper frame backing. Copy of coloured painting of Landing At Duc Thanh. Original by B Fletcher.RHS bottom corner: Artist's signatureroyal australian survey corps, rasvy

The Australian magpie is a passerine native to Australia and southern New Guinea. Renowned for its black and white plumage and distinctive song, the Australian magpie has also established populations in New Zealand and on the Fijian island of Taveuni, where it was introduced during the 19th century. Previously classified as three distinct species, it is now recognized as a single species comprising nine subspecies. Belonging to the family Artamidae, the Australian magpie is the sole member of the genus Gymnorhina and shares its closest relation with the black butcherbird (Melloria quoyi). Unlike the Eurasian magpie, it is not part of the Corvidae family. This specimen was originally misidentified as a white winged chough and is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen an Australian Magpie with black and white plumage over the body, mounted on a cedar stand. The specimen has a large straight beak and is in an unusual pose for a magpie, compressing the white patch on the back of the neck. The beak has turned yellow where originally grey, potentially leading to a previous misidentification as a white-winged chough.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian magpie, ornithological, ornithology, white winged chough