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Kiewa Valley Historical Society
Bottle - Cordial
Cordial was bought at the local grocery shop or supermarket in the bigger towns/cities. Glass bottles were used for cordial concentrate before plastic became more popular and cheaper. These bottles came in many shapes and sizes.Small clear glass bottle with rectangular base, straight sides two thirds of the way up and then tapering gradually to the opening. It has a metal goldish coloured lid. The label on the back gives directions for making cordial. The label on the front is blue and white and torn with only about one quarter of it left.Embossed on base: 861 On the label, my guess would be: (concentr)ated / (Li)me/ (Le)mon / ...ar syrup cordial bottle -
Bendigo Military Museum
Functional object - TOILETRY BAG
This is made of a khaki coloured cotton fabric. On the sides are small flaps. In the centre is a cotton strip 32mm wide. It has been sewn every 5cms to allow insertion of gear. toothpaste, comb. At the bottom is a small pouch at the tapered top are two simple cotton tapes for the tying up the hold all ww2 toiletry, cotton bag -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. DIGGERS AND MINERS, c1861
Diggers & Mining. Diggers and miners. Near Golden Point, Mount Alexander - ten years after the rush began. Photo shows many tents and some timber buildings at least one two story building up on the hill. Markings: 19 994:LIF I. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Bendigo Historical Society Inc.
Leisure object - TABLE TOP MODEL OF A PIANO
Wooden model of a table top piano. Seventeen white keys. One missing key. Twelve black keys. Turned legs. Lift up top with brass hinges, reveals two fabric covered openings 18 cm x 5 cm. Top attached by piece of green string. -
Stawell Historical Society Inc
Photograph, ABC Playground being Constructed in the Gold Reef Mall -- Looking West -- Coloured
Coloured photograph of workmen creating ABC playground Gold Reef Mall (Looking West) c 1978. Kaye Baxendale female near State Bank. Barry Neville, male seated on bench seat near brick plant box.Large coloured photo of workmen digging up an area in the Mall. Two people are walking towards the digging works and a young man is sitting on a bench seat near a large plant bed. Workmen are around the construction site with people in the background. Also in the folder is a smaller coloured print of the same photograph. stawell streetscape -
Bendigo Historical Society Inc.
Photograph - FORTUNA COLLECTION - PHOTOGRAPH
Colour photograph of stained windows (interior view) in a bay window setting. Two stained windows to the left and right are the same design, a smaller stained window of a different design is in the centre of them and a small round stained window with a woman (waist view up) above. Partial views of other windows. -
Melbourne Tram Museum
Document - List, Melbourne & Metropolitan Tramways Board (MMTB), "Tramcar Arrangement Drawings", 13/12/1974 12:00:00 AM
List - two foolscap sheets, photocopied - titled "Tramcar Arrangement Drawings", set up as an order form for drawings of tramcar general arrangement (GA) drawings from Preston Workshops. Lists class, size of drawing, and remarks give class notes and some numbers. Dated 13/12/1974.trams, tramways, drawings, tramcars, preston workshops -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: EASTER SALE
BHS CollectionBendigo Advertiser ''The way we were'' from Saturday, January 10, 2004. Easter sale: staff at White's Shoe store prepare for their annual Easter sale; circa 1930. The store was situated in Mitchell Street, about two doors up from the Pall Mall corner. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Bendigo Military Museum
Badge - BADGE, RISING SUN, (estimated); 1914-1918
Two badges wer worn on a uniform. This badge was worn by Harold Hall No 270, 10th Batt & 7th Field Ambulance AIF. Refer 2062.Rising Sun lapel collar badge. Pressed blackened brass. Centre of the Rising Sun image is a crown and a scroll underneath. The rear has two lugs for uniform attachment."Australian Commonwealth Military Forces" on the scroll.military, uniform, metal work, history., badges, lapel -
Federation University Historical Collection
Postcard - photographic, Australian Soldiers guard Metra Gaol
The photograph is associated with Harry Holmes who was a member of the Australian Imperial Force based in Egypt at the time. Egypt was a major base for the AIF from December 1914. A number of campaigns were fought in this theatre. There were two campaigns involving the AIF. Note that not all the fighting was actually geographically in Egypt. (http://www.aif.adfa.edu.au:8888/about3.html) Image of two uniformed Australian soldiers guarding a temporary gaol at Metra during World War One.Verso: 'Clink or jail at Metra. Gordon [Spittle] in the centre and Jim and George Hobill on guard.chatham family archive, chatham, holmes, world war, world war 1, world war i, world war one, france, hobill, metras, egypt -
Melbourne Legacy
Slide, Intermediate Legacy Club Fete, 1959
A colour slide of a fete at Legacy House in Swanston St in 1959. There two legatees behind a table of plants. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of fetes being held at Legacy House.Colour slide of two legatees and a plant stall in Legacy House, in a brown Super Anscochrome cardboard mount.Printed in red ink 'ANSCOCHROME / View from this side / Made in Australia". Handwritten on front ''Smithy set ups flowers ILC Fete 1959'. Imprinted by indentation "Aug 59". Imprinted with black ink '10'.ilc, fete -
Orbost & District Historical Society
maize planter, 1900 - 1910
A hand-operated maize planted used in the maize industry, possibly used prior tothe introduction of larger horse-drawn planters which could plant two rows at a time. Associated with the large maize growing industry in the Orbost region 1880s - 1950s.A metal and wooden maize planter, a square seed reservoir, wooden handle on the top, a swing door at the bottom which is manouvered by two wires connected to the door.maize-corn-planter agricultural-implement -
Southern Sherbrooke Historical Society Inc.
Photograph - Belgrave, Beauty Bend
B&W photo of a scene in Belgrave, taken Easter 1922 presumably by Miss Field. The view is of Beauty Bend on the Monbulk Road where it crosses a small gully. Two men and a woman are standing on the near side of the fenced-off gully, another group people, perhaps two men and four women and girls, are sitting and standing on the far side of the gully, and a further two people are at the right of the photo. There are trees and tree ferns in the background and two signs are visible, attached to trees and possibly pertaining to a guesthouse further up the hill and accessible by a path which is just visible. On the back of the photo 'Belgrave Easter 1922' is written in pen. -
Marysville & District Historical Society
Photograph (item) - Black and white photograph, Unknown
A black and white photograph which shows two saddled horses standing at the sign that once stood near the track that lead to the base of Steavenson Falls in Marysville in Victoria.A black and white photograph which shows two saddled horses standing at the sign that once stood near the track that lead to the base of Steavenson Falls in Marysville in Victoria. The sign was destroyed in the 2009 Black Saturday bushfires. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson who arrived in Victoria in the early 1860s.STEAVENSON FALLS/ MARYSVILLE/ HEIGHT 271 FEETsteavenson falls, marysville, victoria, waterfalls, john steavenson -
Friends of the Cerberus Inc
Photo of Men and 2 Torpedoes
Photograph depicting Peter Ratley aka Peter Searle and his Victorian Navy colleagues standing in front of a tall building with two torpedoes on a trolly in front of them.Photograph depicting Peter Ratley aka Peter Searle and his Victorian Navy colleagues standing in front of a tall building with two torpedoes on a trolly in front of them.X over Peter Ratley aka Peter Searlevictorian navy victorian naval forces torpedoes -
Tatura Irrigation & Wartime Camps Museum
Photograph, Camp 1 Canteen, 2001
3 copies of the same photograph. Camp 1 had their own canteen in which they could buy goods using camp currency. On the left is W Lorenzen and on the right is E Reczko. Two of the photographs are printed back to back.Black and white photograph of two men, one standing behind the counter and one in front. The shelves behind have an array of goods for sale. camp 1 tatura, w lorenzen, e reczko, camp canteen, camp currency -
Brown Hill Progress Association Inc.
Document, List of Bus and Char-a-Banc Plying for Hire, 1923, 1923
A charabanc or "char-à-banc" is a type of horse-drawn vehicle or early motor coach, usually open-topped, common in Britain during the early part of the 20th century. It has "benched seats arranged in rows, looking forward, commonly used for large parties, whether as public conveyances or for excursions." It was especially popular for sight-seeing or "works outings" to the country or the seaside, organised by businesses once a year. The name derives from the French char à bancs ("carriage with wooden benches"), the vehicle having originated in France in the early 19th century. In Australia a modern similar type of bus or motorcoach, with a lateral door for each row of seats, survived up to the 1970s and was referred to as side loader bus; but all or most of them were not open-topped. (Wikipedia)Two pages relating to buses, char-a-bancs and trams in Ballaratbus, tram, char-a-banc, john lucas, john j. mckenna, hugh williams, a.b. smith, thomas pascoe, h.g. whiteley, walter hearne, thomas james, george skinner, sydney stapleton, hugh george lake, oscar cruikshank, robert taylor, thomas powell, wilmot, j.p. bennett -
Marysville & District Historical Society
Postcard (item) - Novelty postcard, Valentine Publishing Co. Pty. Ltd, FOR LUCK from MARYSVILLE, 1940's-1960's
A novelty postcard with pull-out strip of 9 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.A novelty postcard with pull-out strip of 9 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.FOR LUCK from/ MARYSVILLE 1852 VALENTINE'S/ MAILING NOVELTY From VALENTINE'S "MAILING NOVELTY" POSTCARD. COPYRIGHT. Postal Rates/ within Australia Enclosed in/ Envelope 2 1/2"/ Sent Open/ with only/ Name and/ Address of/ Sender 1 1/2 Mt Kitchener House/ Marysville/ 31.1.51 Dear Nancy & Albert/ Well I thought that while I had a/ chance I would drop you a few lines to/ let you know that we are having a good/ time. I read in the Herald last night about/ Uncle Will's death, but he had suffered such/ a lot, that I guess he is better off. When/ Dad & I went to see him last Tues week/ he really looked dreadful. This is a very/ nice place to stay the meals and accommod-/ ation is very nice & they are a very nice/ crowd staying here. Beryl & I went to Alexander/ yesterday with some friends of Beryl's and tomorrow/ we are going the Reefton Spur trip, ? and the Eildon Weir/ trip and then Frid the Cumberland Valley Trip./ Well I must close so for the present lots of Love/ Violetmarysville, victoria, souvenir, postcard, valentine publishing co, cumberland valley road (image 1), taggerty river (image 2), acheron way (image 3), the old ford marysville (image 4), nicholl's lookout (image 5), main street marysville (image 6), mount margaret (image 7), stevenson falls (image 8), cumberland falls (image 9) -
Flagstaff Hill Maritime Museum and Village
Functional object - Kerosene Lamp, 1950s to 1984
The Kerosene lamp was one of the most common oil lamps used and was manufactured until the 1980s. The Anchor Lamp design was used for marine purposes in the days of sailing ships when a ship at anchor or sailing in the dark was required to display a white light on the top of its main mast. The Anchor Lamp's top loop was for a rope to hoist it up the mast, and ropes through the two bottom loops to anchor it in place and prevent it from swaying. The light could be seen by ships up to 20 miles away due to the magnification of the Fresnel glass lens. This lamp in our collection has a design is similar to the early marine designs but its finish and materials resemble lamps made in the 20th century to represent the older ones. The etched "20" on its cover could represent the 20-mile distance the light could shine, and the "↑" Broad Arrows could represent a maritime navy ship. The lamp is an example of 19th and early 20th-century Anchor Lamps fueled by kerosene and used onboard ships when at anchor or sailing at night.Kerosene lamp; This Anchor Lamp design has a brass frame, a handle with a loop at the top, a rail around the base two opposing loops, and a kerosene burner and tank with ventilation holes around it. A clear glass Fresnel 360-degree lens covers the burner. It is an All Round design. The brand Anchor is inscribed on a plate fixed to its brass cover. An etched inscription on the cover includes the Broad Arrow symbol identifying government property.Engraved plaque: "Anchor" brand. Etched into the metal: "↑20↑"warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, kerosene lamp, lighting, ship light, anchor lamp, marine technology, marine lamp, 20 mile light, broad anchor, oil lamp, whale oil lamp, ↑ -
Melbourne Tram Museum
Document - Report, David Frost, Sale of 33 Fifth St Black Rock - tram shed
Documents related to the sale of 33 Fifth Street Black Rock, including two colour photocopies with the external and internal views of a shed said to be a former tram shed associated with the Sandringham to Black Rock horse tram line. Includes the City of Bayside heritage report and Hocking Stuart sales sheets for an auction on Saturday 4 August 2007. It would appear from Google Earth that all buildings were demolished.Yields information about the sale of a property said to be associated with the Black Rock tramway.Four A4 sheets - two colour and one colour sheet providing auction details.trams, railways, vr trams, sandringham, black rock tramway, sale of land, 33 fifth st black rock -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Leisure object - Stereograph Cards, Methodist Mission to Papua New Guinea, 1939
Stereographs consist of two nearly identical photographs paired to produce the illusion of a single three-dimensional image, usually when viewed through a stereoscope. These series of cards are made by one of the Pioneers families of the district who travelled went on a cruise aboard the 'Katoomba' to Papua New Guinea in 1939. The cruise was arranged by the Society of Australasia Methodist Missionary Cruise to Papua New Guinea in April 1939. The Cruise left Brisbane with 370 methodists from Melbourne, Sydney and Brisbane.Many of the early pioneers in the City of Moorabbin were Methodists.43 Homemade black & white - stereograph cards - two identical pictures on cardboard.Description of photo is written on bottom of card.stereograph card, papua new guinea, methodist, missionary cruise, moorabbin, kwato, samarai, katoomba, rabaul, kabakada, vunairima, port hunter, raluana, bronilow memorial church, dohu island, marriott, stereograph cards -
Wangaratta RSL Sub Branch
Letters x 2
Two letters on RAAF letterhead paper one dated 1/11/1941 from Jack to Hud. From collection of photographs and cuttings dedicated to the memory of WILKINSON JOHN HUDSON : Service Number - 400444 : Date of birth - 18 Feb 1914 : Place of birth - RUTHERGLEN VIC : Place of enlistment - MELBOURNE : Next of Kin - WILKINSON HUDSON. Wilkinson was awarded the distinguished flying cross in March 1944 and tragically killed in action over Germany also in 1944. See also 237 and 240. Photocopy of two handwritten letters on letterhead depicting bird in flight below a crown.John to Hudpilot, kia, killed in action, dfc, distinguished flying cross, wwii, world war two, air force -
Nillumbik Shire Council
Clay: Leanne Mooney, Leanne Mooney, Tiles from the Boomerang Studio, 2002
'Tiles from the Boomerang Studio' is a prototype of the work 'Year 2052', created while Mooney was an Artist in Resident at Laughing Waters in the Boomerang studio in 2002. Records of flora were collected in and around the Gordon Ford garden in Laughing Waters Road. The work 'Year 2052' is made up of '77' tiles and was acquired by Geelong (Regional) Art Gallery in 2003. Whilst working at the Boomerang studio, local based artist Mooney noticed that “a battle raged in the bush between non-indigenous plants and indigenous plants”. She also noticed how humans “invade” land, changing the surrounding environment and causing irreversible damage. This work is an interpretation of the fragility and value of Nillumbik’s indigenous flora and of its conflict with introduced species. The title of the work (Year 2052) and look of these ‘fossilised specimens’ asks viewers to cast themselves into the future and to look back at today. “These tiles have been found; an incomplete record of flora collected in and around the Gordon Ford garden in Laughing Waters Road. The tiles appear to have been made at the beginning of the millennium. The viewer is asked to contemplate which species are missing”. Mooney works with collected indigenous items to emphasis the beauty of their natural shapes, while at the same time introducing selected materials of contrast or sympathy. Her work creates a great sense of “stillness and peace, of simplicity and connection with the natural world as well at the vanishing Australian bush.”This work is made up of seven handbuilt earthenware oval/round clay 'tiles' - (eight pieces - with one tile intentionally broken), brown in colour and bisque and blackware fired, giving a matt black ash coating on each of the tiles' surface. Each tile has an imprint of a floral specimen indigenous to the Laughing Waters area in Eltham. Each tile has an imprint of the following specimens: tiles, earthenware, flora, indigenous, bisque, boomerang, ford, laughing waters -
Churchill Island Heritage Farm
Photograph - Photograph of two women
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the modern day. This photograph was taken inside Rogers Cottage and shows two previous volunteers at Churchill Island - Cora Van Dyke and Susan TristColour photograph of two women in mob caps and woolen shawls, posing in period costume in front of a lit hearth in Rogers CottageLEFT CORA VAN DYKE/RIGHT SUSAN TRIST/2012 [written on reverse in pen] [catalogue number written on reverse in pencil]churchill island, photograph -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Holding M, 2000
Private residence built 1925c for Frank Harbeck|Also Two other colour photographs showing two brick chimneys left standing until site cleared for construction of holiday accommodation.Colour photograph of a dwelling at 55 Church Street, prior to demolition. Weatherboard building, iron roof, gable projection. NW and SE corners, gable ventilator in centre roof, veranda on two sides. Bay window across corner of front room. Lakes Entrance Victoriahouses, township -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1878
This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber-coloured glass and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a two-piece dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free-blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from the fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best-known, shipwrecks in Victoria’s history.Bottle, black glass wine bottle with contents. Glass has ripples, and crease lines and the neck has side seams. The mouth has a seal, the top of which comes away from the rest of the seal. The applied lip is wide. The base has been pushed-up base and has a pontil mark. Handmade with a ridge in the body around the base of the shoulder. The contents have no colour or odour. The bottle has a white sticker.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle, black glass, black bottle -
Warrnambool and District Historical Society Inc.
Book, Mechanics Institute, 2015
This book contains information on all known Mechanics’ Institutes in Victoria. Mechanics’ Institutes were organizations formed originally to improve the education of working men and to instruct them in their various trades. The first Institutes were established in London and Manchester in the 1820s and in Australia the first Institutes were set up in New South Wales and Tasmania in the late 1820s, with the first one in Melbourne in 1839. Mechanics’ Institutes were set up in Victorian country towns, in many cases, soon after the settlements were founded. This book is of some importance as a reference book as it gives information on all known Mechanics’ Institutes in Victoria and there were many in the Warrnambool region. The Mechanics’ Institutes were important centres for local adult education and recreation. The book will therefore be of great use to readers of local history and researchers. This is a hard cover book of 704 pages. It has many photographs, mostly black and white, and other images related to Mechanics’ Institutes in Victoria. It has a Contents page, Foreword, Dedications, a story entitled ‘Dingo Flat’, Preface, Introduction, Acknowledgements and articles on hundreds of Mechanics’ Institutes in Victoria, whether closed or still existing. The front cover has two black and white photographs and the title and the back cover has images from two Mechanics’ Institutes. The authors are Pam Baragwanath and Ken James.Front Cover: ‘These Walls Speak Volumes’, ‘A History of Mechanics’ Institutes in Victoria, ‘Pam Baragwanath and Ken James’mechanics’ institutes in victoria -
Melbourne Tram Museum
Photograph - Black and White photograph, Flinders St station cable and electric trams, c1926
Photograph of the intersection of Flinders and Swanston Sts featuring the Flinders St Station building - c1926?? features a very busy intersection cable trams (No. 17 west bound in Flinders St), tram 160 north bound in Swanston, two W class trams, other cable trams, many motor cars, horse drawn vehicles, cyclist and pedestrians. Note the standing zone in Flinders St. In photo are Young and Jacksons Hotel, Bacchus Marsh Concentrated Milk table cream, and numerous signs on the railway station. See Reg Item 5272 for the photo on a Greetings Card and 103 for a framed photographic print.Yields information about the intersection of Flinders and Swanston St c1926 - after the conversion of Swanston St.Black and white photograph with notes on the rear. Two copies held.Has "1926 Brimson VicRail" in ink along lower edge on rear and "H4505" in the middle of the print back.trams, tramways, flinders st, swanston st, cable trams, flinders st station -
Shepparton RSL Sub Branch
Uniform, Great Coat, C. 1951
Shin length long sleeved heavy woollen coat in khaki-green with double breasted fastening via three bakelite brown buttons. Two angled hip height pockets on the left and right hips with exterior flap, lined with cotton. Two red curved shoulder flashes on each shoulder embroidered with the words “ROYAL AUSTRALIAN/REGIMENT” in a cream thread with a cream border. Collar has two small buttons either side on the exterior and a hook and eye which fastens under the chin. Fabric epaulette on either shoulder with brown button to secure. Lower back of coat is secured by two buttons and a belt which attaches to left and right seam line and fastens via three buttons. Interior shoulder area is lined with short cotton lining which sits under the arms; sleeves lined in cotton. Pockets are cotton on interior with inscriptions; two labels on interior lower right. Labels reads “REGIMENTAL NO. 3/400922/NAME ROBINSON/GREAT COAT G.S. 1966 PATT/1951/[two lines of text overwritten with “83A” stamp]/A LANDAU VIC 1951”. Interior right pocket reads “11556/ROBERTSON/203 111051”. Shoulder lining has three stamps reading “83A” and one handwritten “83A”. Buttons read “AUSTRALIAN MILITARY FORCES”. Shoulder flashes read “ROYAL AUSTRALIAN/REGIMENT”robinson, robertson, world war ii, second world war, wwii, winter, uniform, military -
Briagolong RSL Sub Branch
Plaque (Framed), HMAS Voyager Crest, Crest 1958, Framed 2004
Framed Plaster of Paris Crest, Keyhole style, HMAS Voyager, blue bachground showing single sail Viking Ship.Crest is topped by Gallion and two sails. Title Inscription and brief details of Voyager Melbourne Collision.HMAS Voyager, Qua Fata Vocant (Where Fate Calls) At 2056 hours, 10th February 1964, during Naval Excises off the NSW coast, HMAS Voyager crossed the bows of the Aircraft Carriew HMAS Melbourne and was sliced in two. 82 sailors perished in the dister. lLest we Forget. plaque, h m a s voyager