Showing 3518 items
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Moorabbin Air Museum
Document (Item) - Includes all plane registration numbers, Ansett file 1 of 2 History of Ansett
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Moorabbin Air Museum
Document (Item) - Includes all Ansett plane registration numbers and history of the planes, Ansett file 2 of 2 History of Ansett
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Moorabbin Air Museum
Document (Item) - Aero 1677 class 629.13 brief notes on flight measurement at high mach numbers, Royal aircraft establishment Farnborough Hants
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Moorabbin Air Museum
Document (Item) - Complete list of Australian Aircraft Certificate of Registration Numbers 28 Jun 1921-15 Apr 1971
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Moorabbin Air Museum
Drawing (Item) - RAAF Fin flashes - numbers and lettering
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Moorabbin Air Museum
Drawing (Item) - RAAF aircraft Serial numbers and lettering
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Moorabbin Air Museum
Document - Synthetic Navigation Trainer W-107 Test Specifications Numbers 20031-20040 Inclusive, RAAF
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Moorabbin Air Museum
Document (Item) - Aero Tech Note 963 The value of increased numbers of blades for propellers which operate at great altitudes
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Ballarat Tramway Museum
Poster, State Electricity Commission of Victoria (SECV), "Alteration to Time-Table", Mar. 1970
Significant in being a poster distributed by the SEC in Ballarat to advise passengers of the new timetable to apply from March 1970, reduction in services prior to closure, due to reducing crew numbers and to save money.Foolscap Sheet, glossy one side only, titled "Alteration to Fares", under the SEC and "Ballarat Tramways" heading. Gives details of timetable changes for Ballarat, commencing 16-3-1970. Gives details of service frequencies. Printed by Alex King & Sons Print, Ballarat and signed by F. K. White Manager. 21 copies held. See Reg Item 2474 for a mounted version of this poster.On rear in black ink 'BTPS 617"trams, tramways, timetables, sec, ballarat -
Ballarat Tramway Museum
Ephemera - Ticket/s, Melbourne and Metropolitan Tramways Board (MMTB), Set of 11mixed Melbourne and Metropolitan Tramways Board, late 1960's
Set of tickets collected by Ray Hall, possibly in his days as a MMTB crew member - conductor? - all have starting numbers in "01", except for two with 6 numerals the same. Shows MMTB style tickets of the time - 1966/67?Set of 11mixed Melbourne and Metropolitan Tramways Board tickets with Ray Hall's papers. May have come from time he worked for the MMTB - all decimal. Tickets have been used . Tickets have not been individually numbered with the Registration Number, but can be identified by their ticket number and denomination. See image btm3465i.jpg See Reg Item 3456 for details of his history. 3c - A125601 - green on white paper 4c - A145601 - black on grey paper 6c - City section - A085601 - blue on white paper 6c - A291201 - black on orange paper 7c - A605001 - black on purple paper 10c - A251401 - black on bluff paper 15c - C333333 - black on yellow paper. 15c - A165601 - black on yellow paper 20c - G191201 - green on pink paper 25c - A045601 - red on light red paper. Pensioners Concession Check Ticket - 444444trams, tramways, tickets, mmtb, melbourne, used tickets -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Murray Views, Murray Views No. 26 City Hall and Sturt St Ballarat Vic, c1950
Demonstrates a typical street view following the delivery of the bogie trams following the second world war and the street scape at the time. Able to determine the tramcar numbers. Yields information about the era of the photograph.B&W print, postcard print of Sturt St Ballarat, looking towards the Town Hall from the Post Office, City terminus. Photo taken by Murray Views to form "Murray Views No. 26, City Hall and Sturt St, Ballarat Vic." No. 22 on south side and No. 34 on north side - see Hi-Res scans. Has the National Mutual, Town Hall and Myers and other buildings in the view. Photo taken c1950, prior to renumbering of No. 22. 2nd copy added 28-12-2021 - most likely a reproduction of the original as it does not have a postcard back.On reverse side - black ink stamp "E.G.Butland" On reverse of 2nd copy - "Ballarat, Sturt St, west from Lydiard Sts" and Keith Kings stamp.tramways, trams, sturt st, bogie trams, tramway centre, town hall, tram 22, tram 34 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, The Courier Ballarat, 29/11/1979 12:00:00 AM
Yields information about the ESCo tram fleet after the initial operations, fitting of destination signs, tramcar numbers, crew uniforms and appearance of Wendouree Parade, c1906, Black and White photograph of No. 40 being lifted onto a truck in Wendouree Parade, at the old loop, 29/11/1979, to go to Melbourne - see page 2 of November 1979 Fares Please! and email (Other information) from Peter Winspur dated 24/07/12 for further details. The Courier Ballarat photo. See December 1980 Fares Please!Has The Courier stamp on rear.trams, tramways, btps, moving trams, tram 40 -
Ballarat Tramway Museum
Document - Abandonment SEC tramways, the Hon J C M Balfour MLA, 9/1970
Document regarding the abandonment of tramways in Ballarat and Bendigo. Presented to State Parliament Sept. 1970 by the MInister for Fuel and Power, the Hon J C M Balfour MLA. Outlines the losses incurred by the SEC, replacement public transport system, the worn out nature of the system, the gifting of one Bendigo tramcar to the AETM, costs of track repairs and new trramcars, tenders for replacement bus services, retrenchment payments to staff, reconstruction of existing roads following removal of the tracks, and town planning and traffic aspects. Includes a photo of a bus and interior seating. A graph from 1934 to 1970 shows the service miles, passengers carried, average fare, expenditure, revenue and loss, along with dates of major fare revisions.Yields information about the 1970 proposal to close Ballarat and Bendigo tramway systems which was successful despite previous attempts when the Bolte Governments did not have the numbers in the upper house.Document 16 Quarto sheets, duplicated and one sheet with a folded colour graph.In ink on front sheet "D/T/S"tramways, ballarat, bendigo, abandonment, closure, parliament -
Ballarat Tramway Museum
Administrative record, State Electricity Commission of Victoria (SECV), " Ballarat Tramways Annual Statistics", c1960
Graph showing " Ballarat Tramways Annual Statistics" from 1934 to 1960 - showing millions of passengers, revenue and expenditure with notes on an extension to Lydiard St North cemetery, a full year of conductor operation, defence camp in full operation, fourty hour week, 1949 fare increase, also 1951 and 1955 and 1952 roster with 67 men.Yields information about Ballarat's revenue and expenditure and passenger numbers.Graph hand made on printed 1/10th of inch graph paper with rounded corners.tramways, tramcars, secv, statistics, fare increases, annual reports, passengers -
Ballarat Tramway Museum
Newspaper - set of four, The Courier Ballarat, "Residents fight to save trams", 1967 -1968
Set of four newspaper cuttings about the Victorian Government's proposal to close Ballarat and Bendigo Tramways 1 - The Age 8/8/1968 - 455 x 84 - providing details of the proposal, SEC employees, bus replacement, and keeping some trams in Ballarat for use at Sovereign Hill. Notes the politics in the Government over this matter. 2 - The Age 27/10/1967 - 47 x 43 - noting that the State Government had ordered the TRB to hold an enquiry 3 - undated and unsourced - "Battle for Trams by Petition" - Cr Roff of Save the Trams Committee - slow start on the petition. Notes the TRB recommendation to scrap the trams. 4 - The Sun - "Save tram committee will meet" - 28/10/1967 - 122 x 40 - quotes Cr Rolf of the Committee and the negative view of Cr A Nicholson.Yields information about the 1967/1968 proposal to closure both Ballarat and Bendigo Tramways. This proposal did not have the numbers in the upper house of the State Government.Set of four newspaper cuttings.Some have the newspaper source in ink along the top edge.tramways, closure, ballarat, bendigo, trb, cr roff, cr nicholson, petitions -
Queenscliffe Maritime Museum
Painting - MV Achille lauro, Dacre Smyth, Achille lauro
MS Achille Lauro was a cruise ship based in Naples, Italy. Built between 1939 and 1947 as MS Willem Ruys, a passenger liner for the Rotterdamsche Lloyd, it was hijacked by members of the Palestine Liberation Front in 1985.Mrs B SmythA framed oil painting of the passenger ship Achille LauroAchille Lauropassenger ship, achille lauro, oil painting, dacre smyth -
Ballarat Tramway Museum
Ephemera - Scholar's Monthly ticket - Ballarat, State Electricity Commission of Victoria (SECV), 1966
Scholar's monthly ticket for use by under 15 years students. Has form number "TYE 3-570" in top left hand corner. Space for an expiry date to be stamped on the ticket and name, address and school of the student. The 1966 Schedule of Fares and Charges shows these tickets. See Reg Item 6870 for samples of unused tickets. All issued to the donor Lee Carrigg. Also issued in Bendigo. Yields information and demonstrates the tickets used to for Scholar's or students to travel on the trams in Ballarat during the mid 1960's. Shows the approx numbers of tickets issued each month.Set of four Yellow cloth backed paper tickets with white front, printed in black ink with fare value of $2.10. Ticket Nos 002833, 3469, 3740, 4189.Have been stamped with the month and year of issue and all written with the name of the person and their address.ballarat, schools tickets, scholars tickets, tickets, tramways, trams -
Moorabbin Air Museum
Booklet (Item) - 60 pages History of the aircraft and registration numbers, Douglas DC 6 and DC 7 History
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Kew Historical Society Inc
Book, The History Press, Understanding Documents for Genealogy & Local History, 2013
Genealogists and local historians have probably seen every birth, marriage, death and census record available, and are adept at unsing the internet for research. However, once they have learnt everything they can from them, the next step is reading and understanding older documents. These can be hard to find (not many are online), are often written in challenging handwriting and use legal and other unfamiliar terms. Some will be in Latin, antiquated English or Scots. Readers need to be able to understand the nature and intent of a range of documents as well as the palaeography (the handwriting) and orthography (the 'shape' of the contents). Documents covered include wills and testaments, contracts, indentures, charters, land records, personal letters, official records, Church records and others, mainly from the period 1560 to 1800. Also covered are dates, numbers, calendars, measurements and money, abbreviations, transcription conventions, letter-forms and glossaries, and it includes a Latin primer.448 pages : illustrations (black and white) ; 25 cm.Genealogists and local historians have probably seen every birth, marriage, death and census record available, and are adept at unsing the internet for research. However, once they have learnt everything they can from them, the next step is reading and understanding older documents. These can be hard to find (not many are online), are often written in challenging handwriting and use legal and other unfamiliar terms. Some will be in Latin, antiquated English or Scots. Readers need to be able to understand the nature and intent of a range of documents as well as the palaeography (the handwriting) and orthography (the 'shape' of the contents). Documents covered include wills and testaments, contracts, indentures, charters, land records, personal letters, official records, Church records and others, mainly from the period 1560 to 1800. Also covered are dates, numbers, calendars, measurements and money, abbreviations, transcription conventions, letter-forms and glossaries, and it includes a Latin primer.genealogy -- handbooks, local history -- archival resources., genealogy -- archival resources. -
Kew Historical Society Inc
Journal, Kewriosity : March 1986
Kew Festival looks bright! / p1. Dates for March / p2. [Community] Notices / p2&8. Update: Notes from Council - Commentary [Heritage] / Cr Phyllis Hore, Mayor of Kew p3. Traffic Management / p3. In Brief [The latest on restructure; Special Accommodation houses under review; New OT; Thank you; Numbers game; Heritage Study Grant; Kinder enrolments; Do you need a break from the kids?] / p4. Profile: Cr Wendy Smith / p4. Sheellah Mosley retires [Davis Street Kindergarten] / p5. A stone's throw from Kew [Fairfield] / p6. For history lovers [Local History Handbook] / p6. Kew/North Balwyn nursing mums / p6. The real Gladstone College [history] / p7. Kew Community House [Many hands make light work; It's 1st term at the Kew Community House; Photocopying for community groups; Open Day] / p7. Senior Citizens' Week: Program of events in Kew / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionKew Festival looks bright! / p1. Dates for March / p2. [Community] Notices / p2&8. Update: Notes from Council - Commentary [Heritage] / Cr Phyllis Hore, Mayor of Kew p3. Traffic Management / p3. In Brief [The latest on restructure; Special Accommodation houses under review; New OT; Thank you; Numbers game; Heritage Study Grant; Kinder enrolments; Do you need a break from the kids?] / p4. Profile: Cr Wendy Smith / p4. Sheellah Mosley retires [Davis Street Kindergarten] / p5. A stone's throw from Kew [Fairfield] / p6. For history lovers [Local History Handbook] / p6. Kew/North Balwyn nursing mums / p6. The real Gladstone College [history] / p7. Kew Community House [Many hands make light work; It's 1st term at the Kew Community House; Photocopying for community groups; Open Day] / p7. Senior Citizens' Week: Program of events in Kew / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Kew Historical Society Inc
Badge - Fundraising Button, Allies For Freedom and Life, c. 1914-1917
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A small circular pressed metal badge with a white outline of Australia against a dark blue background. Flags of Australia’s World War I allies are depicted within the Australian outline, including that of Imperial Russia."Allies For Freedom and Life"patriotic buttons, first world war (1914-18) -
Kew Historical Society Inc
Badge - Fundraising Button, ANZAC Apl.25. 1915, 1916-1918
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.World War I-era pressed metal fundraising badge, featuring an olive wreath encircling in red text: ‘ANZAC Apr. 25. 1915’, on a white background. "ANZAC Apr. 25. 1915 / Copyright"anzac day, first world war (1914-18), patriotic buttons, world war one, numismatics, badges -
Kew Historical Society Inc
Badge - Fundraising Button, ANZAC Remembrance Day, 1916-1918
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.World War I-era pressed metal fundraising badge, advertising ANZAC Remembrance Day"ANZAC Remembrance Day"patriotic buttons, remembrance day, badges -
Kew Historical Society Inc
Badge - Fundraising Button, Australian Red Cross, Australian Red Cross Appeal 1918, 1918
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Circular pressed tin button featuring the Red Cross flag. Beneath the flag is a two-tiered scroll with red text ‘Australian Red Cross Appeal 1918’, against a gold background with a white and red border."Australian Red Cross Appeal 1918"patriotic buttons, first world war (1914-18) -
Kew Historical Society Inc
Badge - Fundraising Button, Balwyn Empire Day Celebrations, Appeal for the Blind, May 21st 1921, 1921
Empire Day had been initiated following the death of Queen Victoria and was held throughout the Empire from 1901-58. The main day of celebration was on 24 May, the date of Queen Victoria’s birthday. The Balwyn fundraising button was created for an appeal three days before the official date. Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930sPatriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.An Empire Day fundraising button from 1921. The white enamelled button depicts in the centre an image of the Balwyn War Memorial in Beckett Park surmounted by a red ensign."Balwyn Empire Day Celebrations, Appeal for the Blind, May 21st 1921"patriotic buttons, empire day, balwyn war memorial - beckett park -
Kew Historical Society Inc
Badge - Fundraising Button, Deepdene & Balwyn Alfred Hospital Appeal 1921, 1921
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A button designed to raise funds in Deepdene and Balwyn for the Alfred Hospital Appeal of 1921. The central image on the button is of cricket bats, ball and a wicket, all designed in red. The Argus was to report that ‘Yesterday on behalf of the Deepdene and Balwyn committee who organised the event, Constable F. Kloster and Mrs. F Quin handed in a cheque for £150/3/9, representing the proceeds of a fete at Deepdene on behalf of the appeal fund’.deepdene, alfred hospital, fundraising buttons, badges -
Kew Historical Society Inc
Badge - Fundraising Button, Discharged Soldiers’ Fund for Returned Soldiers, 1918-1919
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Small circular pressed tinplate badge featuring a gold-bordered art nouveau style heart within a green wreath, surmounted by a yellow seven-pointed star, all on a brown background. The words ‘Discharged Soldiers’ Fund For Our Returned Soldiers’ feature within the heart, on a buff background. A gold and white border encloses the whole design.first world war (1914-18), patriotic buttons, badges -
Kew Historical Society Inc
Badge - Promotional Button, CE, 1918-1930
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A small white yellow and blue fundraising (sic) button with the initials or logo of ‘CE’ in the centre. It has been suggested that CE stands for Christian Endeavour. Christian Endeavour was run at most Churches of Christ in the early 20th century and perhaps comes from a member of the Kew East Church of Christ (1923-1993). CEchristian endeavour, religious badge, buttons -
Kew Historical Society Inc
Badge - Fundraising Button, For Belgium And Honor, 1914-1919
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Round metal button with green background. The Belgian flag is shown in the centre with words printed in white above and below it. It is likely that this button was sold to raise funds to support the Australian army who went to Belgium’s aid in the First World War.For Belgium For Honorfirst world war (1914-18), patriotic buttons, badges -
Kew Historical Society Inc
Badge - Fundraising Button, For Kith and Kin, 1915
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Metal badge with a printed illustration of a Red Cross flag and printed text on a red ink background surrounded by a white border. The Commonwealth Button Fund issued buttons of this design for a Victorian Red Cross appeal in July 1915. All funds raised during the appeal were to be used for the support of the Australian Red Cross and the servicemen in their care. Between 300,000-400,000 of these buttons were distributed."For Kith and Kin"patriotic buttons, badges, first world war 1914-1918