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Ballarat Tramway Museum
Sign, State Electricity Commission of Victoria (SECV), "Tramcar Allocation Board"
Painted Masonite, with title 'Cars for Traffic', Run No., and 'Keep in Cars' used at Depot to advise crews what trams were allocated to timetable runs, spare and cars to be kept in for maintenance. White paint on black blackboard and paint. trams, tramways, ballarat tramways, depot, car run allocation, timetables -
Ballarat Tramway Museum
Map, NSWGR, "Railway Map of Sydney Suburban and Underground" - 1939, 1939
Light card or Heavy paper. Colour map showing location of Sydney stations and entrances and where the trains ran. Issued as No.1. Title "Railway Map of Sydney Suburban and Underground" - 1939. Handle with care - both copies.trams, tramways, sydney, railway map, suburban and underground, trams -
Kew Historical Society Inc
Container, Ballard and Bowsers, Ballard & Bowsers, Butterscotch Tin, Nineteenth Century
Trove contains one newspaper reference to a firm called Ballard & Bowsers. This is in a report on the International Exhibition of 1862. So the company predates the English firm of Callard & Bowsers. Perhaps it is a late Victorian example of piracy of trade names. Old lolly tin with an art nouveau design in a darker metal on the lid. The interior contains a floral spray of lily of the valley made from pressed metal. The title is definitely Ballard & Bowsers rather than Callard and Bowsers. tin, international exhibition 1862 -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Scene in the Melbourne Botanical Gardens, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Scene in the Melbourne Botanical Gardens’ : Views of Victoria (General Series) No.38 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The subject of this illustration is taken from near the Bridge, which crosses the Garden Lake. The grassy slope in the foreground of the picture is a portion of the North-West or Lower Lawn. Portions of the “Rockery” and the small lake can be seen in the mid-distance, near which is the new Rustic Summer-house. These Gardens are under the management of Mr. Guilfoyle, with about 20 assistant botanists, florists, and general gardeners.’nicholas caire (1837-1918), melbourne botanical gardens, landscape photography - victoria -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Scene Near the Buffalo Mountains, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Scene near the Buffalo Mountains’ : Views of Victoria (General Series) No.41 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘This scene is taken from the banks of the Buckland River, which is about five miles distant from the Buffalo Mountains, as seen in the distance. These mountains are frequently covered with snow, in consequence of their great altitude. The Buckland River is a small tributary of the Ovens River, which flows through the Beechworth district, and eventually finds its way to the River Murray. The Bridge which is seen on the right of the picture forms the roadway which leads from the Buckland Camp to the Township of Bright.’nicholas caire (1837-1918), landscape photography -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, View of the Township of Mt. Blackwood, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘View of the Township of Mt. Blackwood’ : Views of Victoria (General Series) No.42 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The locality which this illustration represents was formerly known as the Blackwood Forest, and has been the scene of considerable mining activity. The shallow alluvial diggings of the early days have given place to the deep sinking in search of reefs. This scene is characteristic of the wild appearance which many of the inland townships of Victoria represent.’nicholas caire (1837-1918), blackwood (vic), mount blackwood, landscape photography - victoria -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, View on the Upper Buckland River, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘View on the upper Buckland River’ : Views of Victoria (General Series) No.46 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Buckland River is situated near the western extremity of the Australian Alps, and forms one of the sources of the Ovens River. Its watercourse is very shallow, except in flood time. Our illustration is taken on the upper portion of the River, near Reeve’s dam.’nicholas caire (1837-1918), buckland river (vic), landscape photography - victoria -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, The Bend of the Yarra at Studley Park, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘The Bend of the Yarra at Studley Park’ : Views of Victoria (General Series) No.49 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: The subject of the present illustration is taken from near the Kew Road, on the Park-hill side of the Yarra. The curve of the River at this and other parts of the Park represents a gigantic letter S. It is a remarkable fact that the hilly side of the River is covered with a mass of foliage of various descriptions, from the stately gum tree to the stunted wattle, whilst the opposite side of flat country has scarcely a shrub to be seen any where.’nicholas caire (1837-1918), studley park, yarra river, kew, landscape photography - victoria -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, View of the township of Golden Square, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘View of the township of Golden Square’ : Views of Victoria (General Series) No.57 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘This Township is situated in the Bendigo district, on the road to Castlemaine, and although it is of little importance as a business town, is nevertheless of large importance in consequence of the great number of Quartz Reefs it contains. Almost every house is undermined, and large fortunes have been made by the proprietors. The Church in the distance is that of the Wesleyan body. It was in this township that gold was first discovered in the district of Bendigo.’nicholas caire (1837-1918), golden square (vic), bendigo (vic), gold mining, landscape photography - victoria -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Township of Lorne, and Loutitt Bay, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Township of Lorne, and Loutitt Bay’ : Views of Victoria (General Series) No.60 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘Loutitt Bay is fast becoming one of the most fashionable Watering-places in Victoria, partly from its easy access by Rail, combined with the magnificent scenery to be found in the Cape Otway Ranges, and the very moderate charges of the houses of accommodation. The large house near the foreground is that of Mr. Mountjoy, which is a Restaurant. Duncan’s Hotel can be seen in the distance, on the brow of the hill.’nicholas caire (1837-1918), lorne (vic), duncan's hotel, loutitt bay, landscape photography - victoria -
Kew Historical Society Inc
Programme, Box Hill Operatic Society, 'Viktoria and Her Hussar' by Grunwald & Lohner-Benda /, 1958
The Box Hill Operatic Society was founded in 1945 and was sponsored by the Box Hill City Council. Past productions listed on the back page of the programme include The Quaker Girl, High Jinks, A Night Out, The Lilac Domino, Wildflower, Gipsy Love, Katinka, and Maid of the Mountains. Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatre programme issued by the Box Hill Operatic Society. The 8-page programme contains a title page, a cast list, details of the management, and a brief history of the Company. The performance was held in the Box Hill Town Hall in 1958. arthur dear collection, theatre memorabilia, performing arts - box hill, box hill town hall -
City of Greater Bendigo - Civic Collection
Photograph - Portrait of Councillor Brennan, W H Robinson
The district of Strathfieldsaye was proclaimed in 1861 and named a Shire on the 17th September in 1866. It remained a shire until amalgamation in 1994 when it became part of the City of Greater Bendigo. The shire was located 8 km to the south- east of Bendigo and covered an area of 601 square kilometres and extended from the Calder Highway to the Coliban and Campaspe Rivers. The shire's administration centre was in Strathfieldsaye until 1972 when new offices were opened in Kennington. Councillor Michael Brennan held roles of Shire Secretary and Clark of Works until around 1998 when his son R. B. Brennan was appointed Assistant Secretary and then Shire Secretary to assist his father with the work load during his later years. Michael Brennan remained Clerk of Works until his death at which time his son was appointed to the duties previously held by his father. Framed black and white head and shoulder portrait of Councillor Brennan with hand coloured and drawn detail. Profile to left. Cut oval brown mount decorated with text and flowers. Hand written title top and lower centreStrathfieldsaye / Shire Council / W H Robinson / Photo / Bendigo / J H B Gribble / Michael Brennan / President 1869 - 70. 1871 - 2. 1872 - 3 / Secretary 1882 to 1900 / Engineer & Valuator 1882 to 1902strathfieldsaye shire council, councillor brennan, president of strathfieldsaye shire -
City of Greater Bendigo - Civic Collection
Photograph - Portrait of Councillor Hargraves, Bartlett Bros
The district of Strathfieldsaye was proclaimed in 1861 and named a Shire on the 17th September in 1866. It remained a shire until amalgamation in 1994 when it became part of the City of Greater Bendigo. The shire was located 8 km to the south- east of Bendigo and covered an area of 601 square kilometres and extended from the Calder Highway to the Coliban and Campaspe Rivers. The shire's administration centre was in Strathfieldsaye until 1972 when new offices were opened in KenningtonFramed black and white head and shoulder portrait of Councillor Hargraves. Profile slightly to right with walrus moustache. Cut rectangle brown mount decorated with coloured text and scrolls. Hand written title top and lower centre.Strathfiledsaye Shire Council / Cr John Hargreaves / President 1919 - 20 1928 - 29 / Presented by his Wife & Familystrathfieldsaye shire council, president of strathfieldsaye shire, councillor hargreaves -
Tarnagulla History Archive
Brochure: Historic Tarnagulla, circa 1990s
Donald Clark Collection.Foldable photocopied brochure with title 'Historic Tarnagulla, Just Waiting For You'. Contains a map of the region marked with day trip places of interest. Also has a list of 'Things to Do and See' and a list of local traders in Tarnagulla.tourism, local history, walking tours -
Tarnagulla History Archive
Brochure: Historic Tarnagulla, circa 1990s
Donald Clark Collection.Foldable photocopied brochure with title 'Historic Tarnagulla, Just Waiting For You'. Contains a map of the region marked with day trip places of interest. Also has a list of 'Things to Do and See' and a list of local traders in Tarnagulla.tourism, local history, walking tours -
Kilmore Historical Society
Book, White Moss Rose, Pre-1873
Short story.Small book with blue cover, title printed in gold lettering within a decorative gold garland. Embossed borders back & front covers. 62pp. Binding loose, body separating from cover, hole mid-spine.fictionShort story.family, religion, poulter -
Kilmore Historical Society
Book, VICTORIAN READERS SEVENTH BOOK, 1940
School reading book, Form 1 levelRed cloth-bound, mildew staining and fading on front & rear covers. Binding largely intact but is separating at title page. Staining & discolouration on end papers. Back endpaper torn at corner. 242pp. Fair - good condition.fictionSchool reading book, Form 1 levelreading, text, children -
Kilmore Historical Society
Book, ROYAL READERS, 1877-1896
Cloth-bound, tan coloured embossed cover, end papers & title page missing, cover stained and very worn at extremities. Pages discoloured., foxing. Binding loose, loose pages throughout. 416pp. Poor condition.non-fictionchildren, textbook, reading, glanville -
Tarnagulla History Archive
Poster: Tarnagulla Boxing Day Sports, Tarnagulla Boxing Day Sports, 1952
Donald Clark Collection. A poster with title 'Tarnagulla Boxing Day Sports' advertising the event to be held on 18th December, 1952. Gives programme of events for the day, which was a fundraiser for the Public Hall and Progress Association. Advertisements for local businesses around edge. tarnagulla, sport, recreation, competitions, fundraising -
Melbourne Tram Museum
Drawing, W. E. Green, "Tram It", c1975?
Drawing - Decal - Iron On transfer - of a cartoon by W. E. Green, WEG featuring a Z class tram, route 96, destination MMTB, and title "Tram It" in reverse. Has instructions for application to a Tee or T shirt or cloth.trams, tramways, z class, cartoons, t shirts, mmtb -
Kiewa Valley Historical Society
IV Bottle with Airway
This medical / hospital equipment was used in the Tawonga District General Hospital which was built in the 1950s specifically for the increase in population due to the Kiewa Hydro Scheme.Historical: Shows the development of scientific hospital equipment. Provenance: Used in the Tawonga District General Hospital which was remote and therefore required good equipment.Used in the delivery of intravenous fluids Clear glass bottle with plastic black lid sealed and with 2 holes through it. A short hard plastic straw for air is in one hole and in the other a long hard plastic straw going down to the bottom. The jar is embossed with measurements up to 1000ml. There is a torn label on the bottle. Near the bottom is a white plastic handle which may be able to be attached to something.Embossed measurements with numbers and lines. Also 1000 ml. The label has the title, in blue, Dextrose 10% w/v. On the bottom 8146 is embossed.medical equipment. hospital equipment. tawonga. mt beauty. intravenous fluids -
Mission to Seafarers Victoria
Flyer, The Rogue Academy, Sea Shanty Singing Workshop, 2017
The flyer advertises a complimentary event to be held on the 23rd September 2017 in association with the Sounding Histories Exhibition at the Mission to Seafarers, 717 Flinders Street, Melbourne. One of several events held to celebrate the Mission to Seafarers 100 years of service at the Flinders Street building.One of the few physical records of the event. The event generated some gifts and donations.Small flyer predominantly blue wash with variable text advertising an event.See image for details. The printing advertises an event to be held under the general title of Sounding Histories. There is a small logo in the lower right hand corner.mtsv, sounding histories exhibition, 100 years of service, mission to seafarers, 100th anniversary, centenary, sounding histories, exhibition, performance, events, installation, sea shanties, concerts, music, songs, sailors, seamen, seafarers, flinders street, 2017, cultural events, the rogue academy, cameron bishop, anne wilson, maree clarke, artworks, deakin university, fiona lee, amanda shone, dinner, volunteers, michael needham, catherine bell, bishop and reis, michael graeve, anne scott wilson, community -
Women's Art Register
Slide - Set of slides, Anthony, Leslie Arden slide set
Set of twenty slidesEach slide has a sticky label with a number, the inscription Anthony, Leslie Arden (1954- ), a title and other information including date, location and sizeleslie arden anthony -
Maffra Sugarbeet Museum
Book, Cattle Feeding with Sugar Beets, Sugar, Molasses and Sugar Beet Residuum
Frank Pywell was manager of the Maffra Sugar Beet FactoryThe Sugar Beet industry was highly significant in the Maffra area for just under 50 years, and led to the construction of the Glenmaggie Weir and the consequent Macalister Irrigation District. This book is one of a number from the private library of the factory manager, and the entire collection of them provides a unique insight into information available at the time of manufacture. It is unlikely a collection of this breadth on sugarbeet is held anywhere else in Australia.Hardcover book "Cattle Feeding with Sugar Beets, Sugar, Molasses and Sugar Beet Residuum", 1902, 390 pages illus."F.J.Pywell" inside front cover "R.J. Shingles" page preceding title page. Stamp "Technical Library / Department of Agriculture / Melbourne" in several placessugarbeet -
Port Melbourne Historical & Preservation Society
Book - Borough of Sandridge Valuation, 1880
Valuation Book, Borough of Sandridge 1880, cloth cover much stained - red spine binding. 117 spreads (entire book filled) listing name and occupation of tenant and owner of each property, description, number of rooms, size of property, rental etc. (also Rates; assessments) Signed by Town Clerk and valuers. Pencilled note inside cover re correction made to 1869? record. Dates, title in ink on spine and coverlocal government - borough of sandridge, built environment, william cruikshank, edward clark, town clerks, frederick peterson -
St Kilda Historical Society
Booklet - Diary, Price, F G, War Diary F. G. Price, 1916-1919
A detailed account of Pte Price's experience of WWI from his embarkation to his return. Sections include: Description of Journey (Arrival at Albany WA; From Albany to Cape Town; Cape Town to Vincent, Verde Island; The Village Blacksmith; Four Days Holiday in London; Back at Camp; Second Visit to London); Review by King George; Zeppelin Air Raids; Embarking for France; The Idea of a Raid; St Omer; Battle of Messines; Bombardment Prior to Advance on Messines; A Visit to France by King George & Prince of Wales; Five Days March from Senlicques; First Battle of Ypres; Preparation for Second Battle of Ypres; 14 Days Leave from France to England; 14 Days Sick Leave62 pages, typewritten, on white paper with a brown paper cover. Bound along one side by 3 brass metal fasteners.non-fictionA detailed account of Pte Price's experience of WWI from his embarkation to his return. Sections include: Description of Journey (Arrival at Albany WA; From Albany to Cape Town; Cape Town to Vincent, Verde Island; The Village Blacksmith; Four Days Holiday in London; Back at Camp; Second Visit to London); Review by King George; Zeppelin Air Raids; Embarking for France; The Idea of a Raid; St Omer; Battle of Messines; Bombardment Prior to Advance on Messines; A Visit to France by King George & Prince of Wales; Five Days March from Senlicques; First Battle of Ypres; Preparation for Second Battle of Ypres; 14 Days Leave from France to England; 14 Days Sick Leavewwi, world war i, f g price -
Tatura Irrigation & Wartime Camps Museum
Book, Wenn es Schneit, 1944
Illustrated book of poems and drawings by Alfons Koenig, an internee in Camp 3 made for Christmas 1944. 2 copiesFaded blue soft cardboard cover. Snow scene and 1944-45, on the front cover. Book has been handstitched to cover. Some pictures in the book have been hand coloured.Pictures: BDM Linocuts: Alfons Koenig Title page and Manuscripts: Alfons Koenig Editor: The Management of the German Internment Camp 3, Tatura Australiaanderson h, wied h, camp 3, tatura, ww2 camp 3, alfons koenig -
Robin Boyd Foundation
Book, Geoffrey Blainey, Our Side of the Country, 1984
Hardcover w/ Dust JacketSigned on title page - "Best Wishes, Geoffrey Blainey" Thank You card inside from Patrick McCaughey, dated 19/7/84australia history, victorian first settlers, murray river, walsh st library -
Latrobe Regional Gallery
Print, HOS, Kees. Born 1916, The Hague, Holland, Televisuality A, 1966
Signed and dated, lower right under printed image 'Kees Hos '66 Title and edition 2/25 in lower right under image -
Unions Ballarat
Bendigo Labor: The maintenance of traditions in a regional city, 1999
The history of the Labor Party in Bendigo from the 1980s. Relevant to the nature of grass-roots politics and the electoral history of Bendigo.Paperback; book. Cover: Grey, black and white. B&W photographs.Title and author on the front cover in red writing. Author's photograph and review grabs on the rear cover. ANF (Victorian Branch) sticker on the front cover.ballarat trades hall, btlc, ballarat trades and labour council, bendigo, australian labour party, unions, history