L-R: Mrs Bette Dixon, Mrs Nancy Worley. The commemorative plaque explains the functions of the various items used in the Victorian 150th Anniversary Monument and Time capsule.Colour photograph1987, activities, eltham community centre, time capsule

L-R: Mrs Joan Ackland, Mr Joh Ebeli, Mrs Sue Law (President, Shire of Eltham Historical Society), Mr Russell Yeoman (Secretary, Shire of Eltham Historical Society). The commemorative plaque explains the functions of the various items used in the Victorian 150th Anniversary Monument and Time capsule.Colour photograph1987, activities, eltham community centre, time capsule

L-R: Mr Joh Ebeli, Mrs Sue Law (President, Shire of Eltham Historical Society). The commemorative plaque explains the functions of the various items used in the Victorian 150th Anniversary Monument and Time capsule.Colour photograph1987, activities, eltham community centre, time capsule

Standing L-R: Mr Bob McLellan, Mrs Joan Ackland, Mr Joh Ebeli; Seated L-R: - , Mrs Bishop, - , -. The commemorative plaque explains the functions of the various items used in the Victorian 150th Anniversary Monument and Time capsule.Colour photograph1987, activities, eltham community centre, time capsule

Bicentennial/Heritage Week Display, "The Eltham Tradition", Eltham Shire Office, 17-22 April 1988 Colour photographactivities, alan marshall, eltham shire office, heritage display, heritage week, nina christesen

Included in this photograph are Phil Derby, John Zimmer, Peter Coulton and Rae Ash.This photograph is of local musicians in the latter half of the 20th century.A balck / white photograph of a band. On the right is a lady playing piano, at back is a man on drums, on left is man, seated, playing guitar and standing at front is a man playing a saxophone. There is a curtain behind them.on back is a list of namesentertainment-orbost music-orbost zimmer-john derby-phil coulton-peter ash-rae

History of the people and organisations associated with the Yan Yean and Toorourrong Reservoirs, and with Wallaby Creek compound. Book launch report by Anne Paul.Paperback book, 109 p., colour and black and white photographs. And a 1 page typed report on the book launch.yan yean reservoir, water supply, toorourrong reservoir

This book was published to commemorate the fifth decade of the National Trust in Victoria, 1997-2006. It outlines the successes and failures in preserving the state's heritage properties. Written by Mary Ryllis Clark and Victoria Hammond.37 page book. Colour illustrations. Cover depicts Bells Beach and the interior and exterior views of city buildings.national trust of victoria, heritage, mary ryllis clark, victoria hammond

The origin of Moomba dates back to 1951, when Melbourne celebrated fifty years of Federation with a parade and the staging of the theatre production 'An Aboriginal Moomba: Out of the Dark'. The following year, the final Labour Day procession was held in Melbourne after running for almost a century. A parade through the streets of central Melbourne have been a key part of the Moomba festival since its beginning. The floats have an annual theme, usually an elaboration on 'Let's get together and have fun', the avowed mission and vision statement of Moomba. In the beginning the floats usually promoted a Commercial or Government organisation, but in later years, as business became more reluctant to spend money on elaborate floats, they tended to represent sporting clubs, ethnic groups and other community organisations (source Melbourne Museum).Mounted colour photograph with cover depicting the COGB Moomba Float. Taken on corner of Flinders and Swanston Streets, Melbourne. Bendigo Easter Fair Guest Float.moomba, swanston street, labour day, city of greater bendigo tourism, city of greater bendigo events

Item issued to Peter Dodd, refer cat No 2436.2PPugaree for Slouch hat khaki colour, shape is raised higher in centre, inside has black stamped details.Stamped in black,” MTX 1985 8 5/8 D (arrow up)”pugaree, slouch hat, uniform

Victorian and Edwardian ladies adorned their hats with various bird feathers. Although living conditions in Moorabbin Shire c1910, were basic families still held onto their traditional English and European customs and took pride in presenting elements of refined society. Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was skilled in craftwork, hand knitting, crochet and dressmaking. Her garments were used by her family and the Ormond Choral Society C1910 Women in Moorabbin Shire followed the fashion from Europe and made their own clothes and accessories using their dressmaking, craftwork and design skills 8 x feathers of various sizes and colours for adorning a Lady's hat c 1910 a) Blue & b) White Ostrich, c) Black Cockerel, d) Black Emu Feathers. e) Brown stripped Coque Diamond Tail f) Pink dyed ostrich, g) Black duck, h) black fur clothing, millinery, hat feathers, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire,reed gladys, clark judy, dairy farms, fruit orchards, footwear, shoes, buckles, clothing, silver, pewter, brass, victorian fashion, edwardian fashion, mckinnon, moorabbin, cheltenham, wedding dresses, evening wear,

This Can opener was used at the Bandiana Golf Club near Wodonga. Bonzer was a trademark of Mitchell & Cooper of England. Alfred Mitchell & Arthur Cooper started as silversmiths and engravers in 1879 in East London. The family owned business is still operated by Guy Cooper, great grandson of Arthur Cooper. Bandiana Army Golf Club 18 hole course opened in 1949. The Club reached its highest membership with 400 members in the late 1980s. Members played their last competition at this course on 30th October 2103.This utensil was used at the Bandiana Army Golf Course near Wodonga.Cast iron commercial can opener with rotating handle including a red knob.Underneath base plate "THE BONZER /TRADEMARK/ CATERER'S/ CAN OPENER/ MADE IN ENGLAND"caterers' utensils, kitchen utensils

Schooling, Service & The Great War. Secondary Resource. See also Reg No 3929.8.Schooling, Service & The Great War. .1) Soft cover book, cardboard with front fold out flap. White print on front / back covers. Illustrated in colour, background, group photo of children at school desks, 2 posters & embroidery. Inside of cover is colour photo of timber, leather satchel & papers. Spiral bound in black wire. 94 cut, plain, white pages. Illustrated black / white / sepia / colour photos. CD plastic pocket on front flap. .2) Paper poster, white print, college colour, black white photos, copy of book cover. .3) CD Rom, plastic. illustrated copy of book cover.education, kit, schools, ww1

Ice Cream tin with two children playing with cats on lid. Scenes of children playing around sides of tinEnglish Toffee/Dairy Bell/Two litres/Ice Confectiondomestic items, food storage & preservation

Black and white photo of a middle aged man playing a mandolin. He is sitting on a chair in the garden playing the mandolin.photo, individual, male, peter ellis collection, man playing mandolin

Tom Vickers and friends enjoy a day playing golf.Tom Vickers was a prominent member of the community and a local pharmacist.Digital copy of colour photographvickers family, tom vickers

Colour front cover, drawn image of people carrying a pole with a rectangular bucket suspended on the pole, the people wear hats and the sky is an orangey colour. Back cover has some quotes from nurses featured in the book as well as a blurb describing the book. Book is covered in clear contact.non-fiction"Hunger and humiliation were just some of the privations endured by those members of the Australian Army Nursing Service who were captives of the Japanese during World War II. Of the thirty-two held in Sumatra and on Banka Island, twenty-four survived the severe physical conditions in the prison camps. Another group captured in Rabaul were held in Japan, where the cold was as bitter as their hunger. This is the dramatic account of those Australian nurses, of their struggles and their support for each other through the long years of war and captivity. In includes the horrifying story of Vivian Bullwinkel, the sole survivor of the callous massacre on Banka Island where twenty-three women were ordered into the sea and shot. It records the degradation of the daily 'tenko', the starvation and appalling lack of hygiene, but also tells how the women were at times able to rise above these miseries through their concerts and the soaring harmonies of the voice choir. Catherine Kenny interviewd many of the nurses and collected photographs, diaries and letters from the Australian War Memorial as well as from the women themselves." Blurb on back cover of book.wwii, world war 2, world war two, japan, pow, pows, prisoners of war, prisoner of war, australian army nursing service, mitliary nursing, australian army

Taken from 38th Battalion History by Eric Fairey 1922.Card - Cream coloured cardboard, purple and red colour patch, black print.Colour Patch. Dedicated to our fallen, who gave their all in the service of their country. Poem by Author Eric Fairey.memorial card, passchendaele barracks trust, 38th battalion

The Black Shouldered Kite is commonly found throughout mainland Australia in grasslands and other open habitats. It is a raptor (bird of prey) that will eat mice and other small rodents. The species is monogamous and will find a mate by the male giving food to the female while both are in flight. It is sometimes confused with the letter-winged kite though there undercarriages when in flight are very different with the letter-winged showing the letter W or M and the black shouldered kite showing black wing tips with white towards its belly area. The feathers of this species when alive and in the wild are more white than this specimen. The iris is usually red in mature birds so this specimen may not have been a mature bird as its eyes are brown. However, this is difficult to ascertain because it is also possible that the taxidermist who replaced the original eyes with the current glass ones provided a colour which was not accurate to the age/species of the bird. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Black Shouldered Kite has a white face and front of body with a grey posterior from the top of its head to its tail. It has black on its wings/shoulders. Its face is white with its eyes delineated by small black apostrophe like shapes from the inner eye to the top of the eye. The specimen stands on a wooden perch and has a swing tag tied around its right leg. Its eye colour is brown rather than red, indicating it is not a mature specimen.9. / Black Shouldered Kite / See Catalogue, page 3 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, black shouldered kite

Ballarat No. 23 was decorated with waxed paper flowers for the centenary of settlement in the Ballarat district in 1938. Tram has female students on board, with a conductor alighting. Shows track brakes on the tramcar. A floral tram. See also Reg Items 1021, 1362 and 3813 for other photographs of this tram, in particular 3813 which is a colour rendition of this photograph. See page 70 & 71 of "The Golden City and its Tramways" for these photographs and others in use and notes.Yields information about Ballarat 's 23, ex Adelaide No. 69 when decorated for the 1938 state celebrations, school children on the tram and conductorsBlack and white photo prints from a collected negative. tramways, trams, centenary, decorated trams, special trams, floral tram, tram 23, tram 69

This booklet written by Tim Gatehouse and published by the Anglican Diocese of Melbourne gives details on the Arts and Crafts movement background and history in Australia, a short biography of Walter Richmond Butler, architect of the Mission to Seafarers and architect to the diocese of Melbourne from 1895. In 1902 he designed the extensions to Bishopscourt, East Melbourne, now called the Butler Wing.Walter Richmond Butler was an influential British architect bringing his knowledge in the Arts and Crafts movement to Australia. He was commissioned the design of the first mission in central Melbourne, the Central Institute on Siddeley Street, then the second Mission on Flinders Street. He remained a friend of the Mission and especially the Godfrey sisters who lived for some time in an apartment in Tintern Avenue.Colour booklet containing colour and black and white photographswalter richmond butler (1864–1949), bishopscourt, diocese, anglican, arts and crafts, james blackburn, architecture, 120 clarendon street, east melbourne

WE REMEMBER ANZAC - 100 years of ANZAC - THE SPIRIT LIVES 2014-2018 - SECONDARY RESOURCE .1) .2) 'WE REMEMBER ANZAC' .3) 'COMMEMORATIVE CEREMONY' .4) 'Memories & Memorabilia - Recognising and Preserving Australia's War Heritage' .5) 'Candour. Stories in the words of those who served 1914-1918.' .6) Over a Century of Service 2015 (Calendar) .7) 'ANZAC CENTENARY' .8) 'ANZAC PORTAL' .9) '2015 Anzac Day School's Awards'.1) Box folder - cardboard, white & gold print front, spine, back. Illustrated - collage colour photographs - medals, poppy, rising sun badge, soldier in silhouette. .2) Softcover, cardboard with fold in front flap, white & gold print, spiral bound, colour collage photographs - poppy, medals, troops. Pages - 86 pages, cut, plain, white, illustrated black & white, colour photographs, work sheets. .3) DVD inside cover flap. .4) Soft cover, cardboard, spiral bound, black, print front, illustrated sepia photograph soldier with letter and slouch hat. Pages - 88 pages, cut, plain, white, illustrated black & white, colour photographs, posters. .5) Soft cover, cardboard, white print front & back, illustrated - collage colour and sepia photographs of service personnel, letters, pens, brooch. Pages - 56 pages, cut, plain, white, illustrated colour, black & white photographs, medals, paintings. .6) Calender - soft cover, cardboard, light brown and black print front and back. Illustrated - sepia and colour - in silhouette - Troops of 1st Australian Division and members of 4 RAR. Pages - cut, plain, white, illustrated colour, black & white photographs from Boer War to Afghanistan. .7) .8) Card, cardboard with Webkey attached. Card - white & dark red print, small colour, sepia illustrations. .8) Key - metal with words printed - 'ANZAC PORTAL'. In plastic pocket. .9) Leaflet - lightweight cardboard black, white, yellow print front and back. Illustrated - black & white photograph of troop ship dockside. educational kit, anzac centenary

Book produced for the National Museum Australia. "This book is a companion to the exhibition of the same name". "An exhibition at the National Museum of Australia/ 3 April 2015 to 11 October 2015"Soft Cover Book Soft Cover - cardboard, white print on dark red background on front and back. Illustrated - front - black and white montage of photographs. 40 pages, cut, plain, white paper. Illustrated black and white and colour photographs, posters. End papers - illustrated in colour - maps.books, history, ww1, museums

Four black and white photos pasted onto a sheet of paper. The top photo is Harry McQueen, Castlemaine. 1986. b. 1910 playing an accordion. The second an unnamed lady playing an accordion. The third is Ross Huntly, Mudgee Sept. 1981 playing a flute? The fourth is a man playing a violin.photo, individual, male / female, peter ellis collection, harry mcqueen, ross huntly

Record of film showings at various locations in Greensborough from 1921 to the current Hoyts multiplex cinema at Greensborough Plaza in 1995. This article is based on Dawn Bennetts' earlier article for GHS.4 p. photocopy, text and photographs, some in colour. Reprinted from Cinema Record, Issue 112, December 2021moving pictures, greensborough, ashril theatre, greensborough picture theatres, cinemas