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Melbourne Legacy
Photograph, Donation 1985, 1985
A photo of Legacy President Colin Bannister and a group of people. Most, including L/- Bannister, are holding envelopes and it is possible they are representative of charities receiving donations from an organisation - perhaps the Army. It can be seen that one person is from the RSL, and another from The Salvation Army. The photos came from a Legacy envelope marked "P3 Fund Raising" in red pen, with assorted photos of fundraising events, including appeal tins in different years and a charity concert, and a fundraising marathon run (some are items 00433 to 00438, 01410 to 01415).A record of a donation to Legacy in 1985.Black and white photo of President Colin Bannister and a group of people with envelopes.fundraising, donation -
Melbourne Legacy
Photograph, Comradeship event, 1989
The photograph show legatees posing with the uniform that belonged to Legatee Joynt after an address commemorating Donovan Joynt VC on 24th October 1989. The army uniform was at Legacy House just before it was donated to the Australian War Museum in Canberra. An article published in the Melbourne Legacy Bulletin about the event contained the address given by L/ Holdsworth (01599). Other photos at 01604 show Legatee Holdsworth can be seen reading from the album which was compiled about the life of L/ Joynt VC (Cat.No. 01588). The gathering highlights Joynt's long relationship with Melbourne Legacy and the esteem in which he was held.Colour photo of Legatees with the uniform of Donovan Joynt before it was sent to the AWM.donovan joynt, legatee event -
Melbourne Legacy
Photograph - Photo, Soldiers at Gallipoli
A photo of two soldiers working on tins and barbed wire at Gallipoli. One man is working with a strip of barbed wire on an anvil. They are surrounded by discarded cans. It was with 11 other photos of World War One that had been mounted on board for display at Legacy House at some stage. When they were taken off display they were put in the archive cabinets. The founding legatees all served in World War One so these photos would have been of significant places for them. (see 01888 to 01899)Photos from World War One that would have been significant to the founding legatees.Black and white photo of two soldiers working at Gallipoli.gallipoli, world war one, soldiers -
Melbourne Legacy
Document - Article, Melbourne Legacy, We Junior Legatees. Words and Music, 1955
In 1955 the Executive Officer of Melbourne Legacy, Ivan Layton, composed a song for the Junior Legatees to sing. It was lift out supplement to the Newsletter on 9 June 1955. The lyrics are: We are the children of Legacy and we're proud as proud can be. A burning torch we carry high, the symbol of Legacy. Our fathers left Australia to fight for you and me and gave their lives unselfishly: So their comrades-in-arms took up the torch and help us like their very own. The rendering of service means Legacy, and Legacy means all to us.The song published shows the sentiment of the children that Legacy cared for.Black and white printed music published in the Newsletter in June 1955. music, song, junior legatees -
Melbourne Tram Museum
Slide, Tramway Museum Society of Victoria (TMSV), Tram VR 53 La Trobe St, c1974
Colour slide of VR class tram 53, route 30, westbound in La Trobe St on the bypass built to enable the construction of the Melbourne Central or Museum station between Dec 1973 and 1978 - see reference. The concrete looks relatively new in the photograph. The tram was originally built by the Victorian Railways for their St Kilda Brighton tramway in 1942. It is currently on display at the Melbourne Tram Museum. Many of the buildings in the background have since been demolished. The former Myer warehouse can be seen in the top right-hand corner of the photo.Yields information about VR tram 53 and Latrobe St c1974.Kodachrome colour slides, cardboard mount.Has "MP146" in pencil and stamped "Tramways Museum Society Victoria" on rear.tramways, vr class, tram 53, route 30, latrobe st -
Melbourne Tram Museum
Photograph - W2 399 Victoria Parade, Sutcliffe Pty Ltd, c1930
Black and white photograph of W2 399 eastbound in Victoria Parade with the destination of Deepdene. The tram was fitted with route number boxes in 4/1930. The Victoria Parade line was opened to electric trams on 15/9/1929, dating the photo c1930. The photos shows established hedgerows that were planted along the tram track. The tram is at the Lansdowne St stop which has a tram stop shelter. Note the ornate scroll work on the centre poles. Iin the far distance can be seen the chimney of the Victoria Brewery,Yields information about the then new Victoria Parade tramway and tram 399.Black and white print with photographers stamp on the rear.Sutcliffe Photographers stamp.tramways, tramcars, w2 class, victoria parade, deepdene, centre poles, shelters, tram 399, mmtb -
Merri-bek City Council
Digital photo print on paper, Sha Sawari, A Moth to a Flame, 2019
Sha Sarwari is a multidisciplinary artist who works in sculpture, installation, photography, and performance. A Moth to a Flame is a commentary on the often-tragic dilemma that refugees encounter when escaping their country of origin to seek asylum. This piece comes from a series of works, also titled A Moth to a Flame, where this metaphor is used to show how the hopefulness of a new life can result in a dangerous, sometimes fatal illusion. In this work, Sawari aims to give a voice to the refugee experience, to reconcile cultural identity, new belonging and resilience in the face of trauma. -
Ballarat Tramway Museum
Photograph - Illustration, Rose Stereograph Co, "Sturt Street, Ballarat", c1913
Illustration or photograph looking at the Grenville St tram terminus. One of the trams is a Sebastopol-type tram No 22. Has the large shelter in the background and another tram in the view. Taken c1913, following the introduction of the Sebastopol-type tram. From a Rose Series postcard - Rose Number 1710. Note the Mechanics Institute advertising sign on their building advertising the institute rather than a company. The 8-hour monument at the end of the central median can be seen. On the rear is an illustration of Shoppee's Square in the median strip. See item 4083 for a postcard.Yields information about the operation of ESCo trams in Sturt St and in particular the Sebastopol type.Black and white Illustration cut from a journaltramways, trams, sturt st, esco, grenville st, sebastopol type, tram 22, shoppee's square -
The Beechworth Burke Museum
Animal specimen - Ring Ouzel, Trustees of the Australian Museum, 1860-1880
The Ring Ouzel can commonly be found in small flocks or pairs. They have a distinctive white strip across their chest which helps to identify this species. They generally reside in large open grassy spaces such as farmlands, and can be found in mountainous areas with large boulders and slopes. They are located across Western Europe, the Mediterranean and Northern Africa. In some countries such as Ireland, England and Wales, the Ring Ouzel is endangered due to human disturbances, however elsewhere the species thrives. Although this is a taxidermy mount, it is highly similar to the real female Ring Ouzel. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Ring Ouzel is a predominantly brown in color. It has a white strip across its chest. The torso is a lighter shade of brown. The tale of the Ring Ouzel is long and a darker shade of brown when compared to the red colouring of the body. This specimen stands upon a wooden perch and has an identification tag tied around its leg. The bill is thin and has a pointed appearance. It has been styalised by the taxidermist in an open position which conveys the idea that this bird is mid call.Swing tag: 109a / Ring Thrush / Catalogue Page 27 / Metal tag: 4139 /taxidermy, taxidermy mount, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ring ouzel, ouzel, european birds, african birds, mediterranean birds -
The Beechworth Burke Museum
Animal specimen - Eurasian Jay, Trustees of the Australian Museum, 1860-1880
The Eurasian Jay is a small passerine bird occurring in Europe, northern Africa, and Asia. There are very distinct variations between the species of the Jay which assists in their identification. These birds inhabit mixed woodland, parks, orchards, and large gardens. They are generally solitary but can gather in large communal roosts during periods of cold weather. Eurasian Jays are known for their mimicry. They can often sound like a different species and during the day may mimic the birds they are attacking in order to confuse their opposition. This particular specimen has been mounted in an accurate but stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Eurasian Jay, as depicted in this specimen, has distinctive blue, white and dark brown stipes at the top of the wing. The body and head are light brown with a reddish undertone and there are streaks of dark brown at top the head. The tail, bottom of the wings and underneath the eyes are dark brown. This particular specimen stands upon a wooden mount and has an identification tag tied around its leg. It has pale coloured glass eyes which are accurate for this species.Swing Tag: [illegible] / to Sydney - N =99taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, jay, eurasian jay, europe, european birds, blue stripes -
The Beechworth Burke Museum
Animal specimen - Little Black Cormorant, Trustees of the Australian Museum, 1860-1880
The Little Black Cormorant is mainly found in freshwater wetlands in Australia and Tasmania. It nests colonially and can sometimes be seen among Heron or Ibis colonies. This specimen has dark webbed feet which enable the bird to catch its prey underwater by diving and using the feet for propulsion. Interestingly, this species have nictitating membranes which cover the eyes underwater protecting them. The feathers of this species are not waterproof despite being commonly located in wetlands and therefore, can often be seen perched with wings outstretched in an effort to dry them after hunting for food in the water. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Little Black Cormorant is a slim and small specimen of entirely black colouring with some lighter specks on the back. The bill is grey and is slender and hooked at the tip. The bird has been stylized with glass eyes and is placed on a wooden mount designed to look like a perch. The neck is long and the bird is looking over its right wing. It has dark webbed feet and is standing on the platform with a paper identification tag tied the right leg. 12a. /Little Pied Cormorant / See Catalogue Page 42 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, tasmania, australia, birds of australia, cormorant, little black cormorant, wetlands -
The Beechworth Burke Museum
Animal specimen - Azure King Fisher, Trustees of the Australian Museum, 1860-1880
The Azure Kingfisher can be located throughout northern and eastern Australia. It can also been found in parts of Indonesia, New Guinea and surrounding islands. This species frequents the Kimberley region in Western Australia and and the Top End of Queensland. In Victoria, it resides inland near the Murray-Darling Basin. These birds prefer to make their homes near bodies of water such as creeks and rivers. They live in areas with shady vegetation. This particular species of Kingfisher are known for their bright and contrasting colouring and tiny stature. They are the smallest Kingfisher found in Australia. These birds feed on yabbies and small fish. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Azure Kingfisher is stylized perched upon a wooden stand and has a paper identification tag attached to one of its legs. This bird has a combination of blue, yellow/orange and black plumage. The orange colour is located upon its chest while the royal blue is upon the rear of the bird on its back and head. The blue has faded in places due to age. The specimen is a diminutive bird species with a wide torso and a long and slender black bill. It has a short tail and two glass black eyes. The feet are a pale cream colour.11a. / Azure Kingfisher See Catalogue, page 9. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, kingfisher, azure, azure kingfisher, small birds, brightly coloured birds -
Upper Yarra Museum
Glass container, 1898 (exact); before 1898, product was trademarked in 1898
http://www.clag.com.au/about/about.htm http://en.wikipedia.org/wiki/Clag_(glue) Clag was first trademarked in 1898 by Joseph Angus, manufacturer, of 216 Nicholson Street, North Fitzroy, Melbourne. The National Archives of Australia holds the original trademark application - a digitised version is available online (see References). The exact composition of the original paste is unknown but is thought to have been starch-based. Australian schools commonly request that parents purchase Clag paste for their children as part of the stationery lists that are circulated before each school year. The main reason for this is Clag's reputation for safety and ease of use. The bottle includes a brush recessed into the lid that children find relatively easy to handle, and the packaging does not contain any small components that children might swallow. The main ingredient of Clag is wheat starch dissolved in a water base, meaning that children can safely swallow the glue without incident It feels cold to touch and when applied to paper, it sometimes alters the colour of what is on it and causes paper to warp, owing to the high water content of the glue. There is an Australian slang usage of the word "clagged" derived from the characteristic of Clag Paste and can be used in place of the words, "clogged", "congested", "restricted" or "stuck". Bottle used for clag. The bottle has the original marking made by Angus P/l who trademarked the glue in 1898.Angus & Co Pty Ltd, ISM 12school, bottle, glue, clag, trademark, wheat starch -
Eltham District Historical Society Inc
Drawing - Newspaper clipping, Praise for Kinloch, Diamond Valley News, April 8, 1998, p11, April 1998
PLANNING Minister Rob Maclellan and Nillumbik Shire president Robert Marshall have both praised an innovative housing development on a historic property east of Eltham's town centre. Both were present at the launch of the Kinloch Gardens development, where 12 new double and triple storey homes will be built along a private road in the gardens of Kinloch, a mansion set on 2.4ha in Arthur St. About 100 people attended the launch. Cr Marshall likened Kinloch Gardens to the Woodridge Estate at Eltham, which he said provided housing on small allotments while protecting much of the tree canopy, and "showed how a suburb can be built". He said Kinloch could easily have been subdivided, with a court running up the middle of the development, but the owners, the Jelbart family, opted instead for a private road on the property, sweeping around a common pond and 'village green'. ''This is a perfect example of what can be achieved in urban planning,'' he said. Mr Maclellan said the development was one of the most impressive he had seen in his role as Planning Minister Picture - Historic launch: Planning Minister Rob Maclellan (left) on a visit to Eltham last week to help launch a new housing development.Digital file only; created from scan undertaken by EDHS of item on loanarthur street, eltham, graeme gunn, houses, ian jelbart, jelbart property, kinloch gardens, rob maclellan, robert marshall, woodridge estate -
Flagstaff Hill Maritime Museum and Village
Domestic object - Cover
For most people, a cloche—the dome-shaped covering for a dish that’s removed before serving—is only ever encountered on-screen, likely in the hands of a butler in an English period drama. Not only does the word itself sound haughty (it comes from the French word for bell), it is a fundamentally theatrical object, existing to conceal and reveal food—or on occasion, a severed head. Why, if you’re not an old-timey aristocrat or movie villain, would you have use for a cloche? The answer is bugs. If you’ve ever had the pleasure of eating outside, you’re probably aware that bugs exist, and they often want some of what you’re having. Particularly during the summer and warm weather entices people into alfresco dining, the presence of bugs can be a nuisance for which there’s rarely an elegant solution. Did somebody say elegant? Let’s bring in the cloche. Specifically, let’s talk about a mesh cloche, which is different from the glinting silver semi-sphere discussed earlier. Dome-shaped but made of stiff wire mesh or cloth, this cloche is far from frivolous and is an excellent tool for any outside dining plans. First and foremost, it can keep insects out of your food, saving you from sitting and swatting your hand over the salad to keep flies away. Especially if you’re setting up a large buffet spread of dishes for a family-style meal outdoors, using mesh coverings takes a little bit of the pressure off when it comes to timing: just put the food out there, cloche it, and finish bringing everything else to the table. Also, there’s no harm in keeping them on during the meal, as it’s easy to pick up the lid, serve yourself more food, then plop it back down, in comparison with wrap, foil, or cloth, which can blow away in the wind, fall into the food, or require two hands for proper recovering. https://www.epicurious.com/expert-advice/covering-your-food-with-a-cloche-is-dramatic-and-useful-articleThe cloche or food cover was, and still is, the perfect way to prevent insects and other small vermin from interfering with and compromising the condition of food, both inside and outdoors.Metal oval food cover with decorative pressed tin lid and perforated holes around the side. Metal handle on top. Painted pink on top and green on the side.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, cloche, food, cover -
Wooragee Landcare Group
Photograph, 3rd April 2004
This photograph depicts fox behaviour specialist Camille Veselsky demonstrating the use of a fox bait trap at an event conducted as part of an awareness campaign highlighting damage done to farm and domestic animals and native wildlife in April 2004. Camille Veselsky is a specialist in fox behaviour who worked for the Hume Rural lands Protection Board on pest animal control for 27 years. This date is suggested by the photograph's position in the 2004-2005 Wooragee Landcare Group Coordinator's Report folder. A note accompanying the item suggests an alternative date of February 2004, however. This event raised awareness about the impacts of foxes in rural areas and provided practical training in techniques to control their populations. Flyers contained in the parent folder suggest that baiting may have been agreed as a method of fox control as the event depicted was followed by a two week baiting campaign a fortnight later. Pictured in the photograph, left to right: unknown, Quentin Mansfield; four unknown people; Mary Prowse; two unknown people; Helmut Wiemann; unknown person. In the folder, the photograph is accompanied by a printed label stating: 'Train foxes to take free feeds before using the 1080. Small traces of fish oil can help attract foxes to the bait station.' Regional areas like Wooragee are susceptible to fox attacks due to the availability of food such as rubbish, scraps, native wildlife and livestock. Foxes can have a huge impact on native wildlife and domestic life as they are known to chew through irrigation systems, dig-up and defecate in gardens, raid rubbish bins and harass other domestic animals. Ground-dwelling native species are particularly susceptible to predation by foxes, which when combined with loss of habitat can endanger these species. Affected species include Speckled Warblers, Plovers, Diamond Firetails, Spotted Quail-Thrushes, Turquoise Parrots, Dunnarts, Bandicoots, Phascogales, skinks, geckos and legless lizards. This photograph is significant as an example of awareness raising and threat control programs undertaken by Wooragee Landcare Group in the 2000s in Indigo Shire.Landscape coloured photograph printed on gloss paper. Reverse: 25 / 2 [HANDWRITTEN] WAN NA 0ANA2N0 NNN+ 1 8743 / [PRINTED] (No.12) / 258wooragee, wooragee landcare group, indigo shire, north-east victoria, fox, foxes, pest control, vermin, conservation, baiting, trapping, farming, wildlife, speckled warblers, plovers, diamond firetails, spotted quail-thrush, turquoise parrot, dunnarts, bandicoots, phascogales, skinks, geckos, legless lizards, camille veselsky -
Kiewa Valley Historical Society
Water tank - Gundowring, 1923
The two Gundowring Fire Brigade tanks may have been used for drinking water for the fire fighters. Their curved side and handles indicate that they were attached (strapped) to horses or a round tank and transported to the fire.This tank was used for drinking water for the fire fighters of Gundowring during the 1923 fire. Some of their equipment was hand made. The Gundowring Fire Brigade was a rural fire brigade operating in 1923.Green rusty metal rectangular tank with an opening at the top but no lid. At the bottom on one side there is an horizontally extended pipe with a flat knob at its end that can be turned to allow the water in the tank to come out.. At the top of the tank is a rectangular hollow metal handle. There is also a handle on the top of the opposite side. There are 2 smaller triangular hollow metal 'handles' at the top of the straight side (for strapping). There is one square hollow metal handle in the middle of the bottom of the same side which is also the curved side. This side is curved vertically. The side opposite the curved side has a white inscription.Side: Gundowring R.F.B. (Rural Fire Brigade)gundowring fire brigade. cfa. drinking water. water container. horses. tank. bushfire. -
Kiewa Valley Historical Society
Sewing Machine
Sewing machines were used by some ladies to mend and make clothes for the family as shops were some distance away and bought clothes were much more expensive. The sewing machines were also used to sew items for fund raising e.g.. Church and School fetes.Used in the Kiewa Valley.The machine has a brown wood veneer base and a lid with a metal handle in the centre of the top. There is a long screw that fits in a hole at the top of the lid. The screw can be lifted out and used to open and take off the lid. Inside there is a black metal machine which is fitted onto the wooden base. There is a compartment in the base, right of the wheel of the machine, which holds an instruction manual and a tube of ""Singer" lubricant for electric machines". The light, above the needle is covered by bakelite. A leather belt runs around the wheel on the right to enable the machine to run. There is a foot pedal and an electric cord attached."Singer Manufacturing Company" - gold embossed "No. EL 249 355" - oval disc "99K" - disc "Singer Manfg. Co. - discsewing machine; singer manufacturing company; kiewa valley -
Flagstaff Hill Maritime Museum and Village
Fur Stole, 1940-s - 1950s
The donors of the fur stole come from a local family in the Warrnambool area. They believe the fur stole is around 60 years old. The stole belonged to the donor’s mother, now deceased, who wore it to local balls and dances as an accessories and maybe for warmth too! The donors believe the fur could have been purchased in Melbourne or Toorak. The fur is likely to be from the Mustelidae family, which is the largest family of carnivorous mammals. They inhabit all continents except Australia and Antarctica. This species includes the weasel, badger, otter, marten, ferret, sable, mink, stoat (ermine) and wolverine. The fur is thick and dense close to the skin, indicating that it is the winter coat of the animal. This fur collar is representative of fashion accessories in Warrnambool and District in the 1940's - 1950'sFur stole, ladies; comprising two animals with heads and legs, stitched together to form a stole. The fur is believed to be the winter fur of animals from the mustel family and is not as soft as rabbit fur. The first head has only the nose, the second head has nose and eyes. The heads are dark brown, each animal has a dark brown stripe the length of its fawn coloured back. Tails are dark but not as dark as the head. The stole can be clasped together using a decorative knotted brown tie and hook, or by using the clip attached to the snout of the front animal. 1940-s - 1950s.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mustelidae fur stole, mustel fur, fur stole with body head and legs, fur stole made with animals, ladies clothing, fashion accessory of 1950’s, fashion of south west victoria -
Kiewa Valley Historical Society
Jar Stone Earthenware, circa early 1900s
This type of "stone" jar drinking container was used before glass and later plastic material made it "out of date" as a drink container. The qualities of the glazed pottery (stone) drinking containers made from this natural thermal insulation material was to contain the liquid to a prescribed temperature either hot or cold, as required. This was particularly important in rural environments that lacked adequate refrigeration means. The rural regions where the last areas in Australia where this type of drinking container remained in use. The late 1960's saw a revival of the basic rural ethos by the "hippie" culture of going to basic survival non "commercial" living.This particular stone jar drinking container was also a method of advertising for a Wodonga Stone masonry manufacturer. It is both relevant and significant to the Kiewa Valley because it highlights the type of industry that has breached the evolutionary trend for cheaper "throw away" drinking containers. Although this particular type of container is limited to quality liquids and it is still available in most rural sectors of the Australian "bush" environment.This stone/earthenware jar has a lip 250mm in length and 150mm thick. This lip will allow the thumb and forefinger to be used to grip the container for either pouring its contents out or securing it for any movement. The external glazed surface may become slippery when wet. The jar is heavy even when empty and would be too heavy for small children to carry. By using a cork seal the jar can be reused and therefore become more economical for the longer term. The thickness of the vessel provides a good insulation for the liquid contained. Most of this type of container would have contained ginger beer.Within two elliptical circles are painted (in freehand) "S. MASON" in the top half and "WODONGA" in the bottom half.These are separated by an asterisk on both sides. A large "S" overlaid by a similarly large "M" is within the inner circle. Stamped into the jar when still wet during manufacture is "PINNACLE BRAND" in 5mm lettering.drinking container, stone jar, ginger beer container, s. mason, wodonga earthen ware -
Kiewa Valley Historical Society
Satchel - S.E.C. Mail
The State Electricity Commission of Victoria's mail was collected and carried in a satchel especially made for the purpose.Historical: The State Electricity Commission of Victoria's mail was collected in a satchel. This would separate it from other mail and protect it. A satchel would enable the mail to be collected by different people using modes of transport.This brown leather rectangular satchel is well worn with stitching around the perimeters of the front and back where it is attached to the side pieces. The back piece extends a little at the top where it is stitched to a reinforced piece that has a curved handle covered by steel and fastened with a stainless steel plate with rings. The leather then continues as a flap also stitched to the piece with the handle. The satchel is fastened with 3 large press studs.The sides of the satchel extend and fold into the inside and can be fastened to each other with a large press stud. This may be to protect the contents. At the front centre a transparent pocket is stitched on presumably for identification. Engraved centre back: "S.E.C. / Mail"satchel. mail. s.e.c.. letters. state electricity commission of victoria. -
Warrnambool RSL Sub Branch
Ground sheet
Ground sheets such as this were typically used as rain protection by German troops. Two or more zeltbahn (ground sheets) could be attached together via the button holes to form a tent for two or more people. Some models of ground sheets, particularly those which are triangular in shape, could also be fashioned into personal raincoats worn by soldiers. Grounds sheets have also been known to have been used to wrap deceased bodies in prioir to burial.This groundsheet, despite a lack of clear provenance, is a representative example of the types of ground sheets used by the German forces during wartime. The zeltbahn (ground sheet) also has social significance in that they were known to have been used to wrap deceased bodies in prior to burial.Large square sheet constructed of biege/brown coloured water resistant material. 67mm hem folded over and sewn along all edges with brown stitching. Metal buttons are spaced at 200mm intervals along parallel edges, next to a button hole which can be used to attach to another ground sheet. Four corners bear a large round eyelet in silver-coloured metal in between three smaller eyelets; two of four corners have short lengths of brown cord attached to these eyelets. One corner has only two smaller eyelets surrounding the larger.Printed in black ink in the centre of the sheet is the incriptions "OVS 1298."ground sheet, zeltbahn, tent, raincoat, german -
Flagstaff Hill Maritime Museum and Village
Equipment - Bosun's Chair, ca. 1922
This Bosun's char was part of the equipment on the vessel 'Reginald M. It is typical of items included on board a vessel in the late 19th and early 20th century. The nautical word 'bosun' is an abbreviation of the word 'boatswain' who is the person responsible for the repair and maintenance of the vessel. It could be used when rigging the sails and for rescue at sea, along with a thick rope anchored on shore or a rope between ships. It could also be used to move passengers to and from a ship as well as cargo on, to and from the vessel. A bosun's chair is a simple piece of equipment made from a short plank of wood and a sturdy piece of rope. It looks a little like a child's swing but usually has a pulley system that allows the user to adjust the length of the hanging piece of rope, and in so-doing adjusts the height above the floor or ground or sea. In modern times a harness would also be worn by the bosun’s chair user for safety reasons. Bosun's chairs are also used by window cleaners, construction workers and painters. The bosun’s chair is sometimes just a short plank, or even a canvas sling. The REGINALD M - The vessel “Reginald M” was a two-masted coastal ketch, owned and built by Mr. Jack (John) Murch of Birkenhead, Port of Adelaide, South Australia. Its construction took approximately 6 months and it was launched at Largs Bay in 1922. The vessel had many owners and adventures over the years until it was purchased by Flagstaff Hill Maritime Museum & Village in 1975 from the Melbourne Ferry Company at auction. It was then used as an active display until 2016. Visitors could go aboard, turn the ship's wheel, go below deck and get the feel of the captain's quarters, sailors' quarters and the storage space available. The Reginald M was a popular exhibit for young and old, until 2016.This bosun's chair is significant for its connection to the maritime history. It has been used for rigging, painting, maintenance and importantly for life saving and safety. The bonus's chair is also significant because of its connection to the history of the vessel REGINALD M, the coastal trading ketch from South Australia built in 1922 and in existence until 2016. Its flat bottom, single chine shape illustrates a very simple but robust method of construction, compared to other round bilged examples of trading vessels. The Reginald M is listed on the Australian Register of Historic Vessels (ARHV Number: HV000562.)Bosun's chair; seat is a rectangular plank of wood with a hole drilled in each corner and three reinforcing wood lengths attached below the plank. The ends of two looped thick ropes have been threaded through the holes in the plank, crossed over then spliced together. The loops of rope above the plank have been tied with light rope. A roughly made wire hook is attached at the base of one length of rope. Top surface reveals indents where the bottom wooden pieces are joined to the top and some of the metal fixtures can be seen along the edge. There are remnants of white paint on the top.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, bosun's chair, bosuns chair, boatswains chair, rigging, maritime equipment, bosun's seat, life saving, marine technology, ship rigging -
Federation University Historical Collection
Photograph - black and white, Frank Wright and Mr Buckley in Auckland, New Zealand, Feb 1933
Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.1). Black and white photograph of two men dressed in suits and hats, standing at the bottom of a flight of stairs leading to a large public building. At the top of the stairs is a panelled door to the left and to the right is a man standing with his hands on his hips. The man on the left is Frank Wright and the man on his right is Mr Buckley. The place is the museum in Auckland, New Zealand. 2). Black and white photograph of three men wearing suits and hats, walking along the pavement. In the background city buildings can be seen. The man on the left is Frank Wright and the place is Christchurch, New Zealand.1). Written in pencil on back - Frank Wright, Mr Buckley, Auckland (N.Z.) Museum, Feb 1933 2). Stamped on back - The Filmograph Co. (N.Z.), Majestic Theatre Buildings, Christchurch. (The paper has been cut in half, so half the written information is lost) Written in pencil of back - right, adjudicator, secretary N.Z.B.B.ch., Band Contest, 1933frank wright, mr buckley, auckland museum, magestic theatre buildings, brass band, christchurch, adjudicator -
Flagstaff Hill Maritime Museum and Village
Leisure object - Doll's pram, late-1930s to early-1940s
This doll's pram was owned by the daughter of Dr William Roy Angus and his wife Gladys when the family came to Warrnambool in the late 1930s. It is part of the W.R. Angus collection, donated by the family of Dr W R Angus, surgeon and oculist. The W R Angus Collection spans the years 1885 to the mid-1900s and includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the responsibility of part-time Port Medical Officer and was the last person appointed to that position. Both Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.This doll's pram is connected to the history of Warrnambool, as it was owned by the daughter of Dr W. R. Angus and his wife Gladys, and is part of the W.R. Angus Collection, which is important for still being located at the site connected to Doctor Angus, Warrnambool’s last Port Medical Officer. Dr Angus and his wife brought their young family to Warrnambool in 1939 and he remained a resident until his death in 1970. Early in his profession in the town of Nhill, Dr Angus assisted Dr Tom Ryan in his pioneering use of X-rays and in ocular surgery, and Dr Angus later inherited these items. The W.R. Angus Collection includes these medical instruments and other related equipment and is culturally and historically significant as an example of the medical practice of the late 19th to the mid-20th century. Other items in the collection relate to Dr Angus’ service in the Flying Doctor Service and the Army.Pram has a folding blue vinyl hood and a rectangular, white wicker base with curved corners at the bottom. The base and hood are lined with white vinyl. The wheels have eight spokes and black rubber tyres. The curved handle has a metal bard the width of the pram, which is covered in a white rubber tube. The handle sides are joined to two curved flat bars that extend in an outwards curve away from the pram. The Hood is hinged to flip from the back to the front of the pram and is designed to can fold. The undercarriage has suspension springs. The pram is part of the W.R. Angus Collection.flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, dr w r angus, dr roy angus, dr ryan, warrnambool oculist, port medical officer, nhill base hospital, mira hospital nhill, doll's pram', toy pram, child's pram, toy, w.r. angus collection -
Bendigo Historical Society Inc.
Photograph - FOREST CREEK GOLD MINES CRUSHING BATTERY AT CHEWTON, c.1890
Black and white photograph. Forest Creek (Victoria) gold reefs crushing works. The Garfield overshot waterwheel which drove the battery at Chewton. Inscriptions on back: 'MNG 31''Garfield Mine, Chewton, J Ebbett, Manager' ( in top LHC), 'Royal Historical Society of Victoria, Bendigo Branch' (in circular rubber stamp). History of object: Previous ACC. No. 'MNG 31', Ralph Birrell 5.11.1999 'Garfield Waterwheel and Crushing Mill, Chewton:' Gardield overshot waterwheel which drove the Forest Creek Gold Mines crushing battery at Chewton. The foundations of this wheel can still be seen today.Bendigo Advertiserbuildings, commercial, garfield waterwheel at chewton -
Bendigo Historical Society Inc.
Postcard - WEDDING GROUP, 1920's
Postcard: black and white photo of wedding group. Bridge and groom, bridesmaid and best man. Women wearing ankle length dresses, men suits. On back in pen ' Dear Kiddo, Here is a snap that the parson tooked (sic ) and thought you might like to have a squizz at Les (? ) his hair got a fright just as Mayer went to pull the trigger. You can see Elsies feathers too. Now I'm not going to write any more old face act (?) for its your turn to write so aurevou love from Effie and Billy'photo, group, wedding -
Bendigo Historical Society Inc.
Document - ANCIENT ORDER OF FORESTERS NO 3770 COLLECTION: LETTER
Letter written on paper with letterhead and crest and dated July 24 1877. The writer says the accompanying letters were read and he was entrusted to return them and state that if the Auditors of the Court will examine the accounts of late Bro Weylance and find him financial at the time of his decease you can obtain certificate of death and forward the usual declaration to this Sistrict. Also a reference to General Law 23. He also says he will return certificate of death of late Bro Luffsman to be filled in by the Surgeon - Cause of Death. Signed John Waller. Bendigo United District impression stamp on the paper.societies, aof, correspondence, ancient order of foresters no 3770 collection - letter, court king of the forest, weylance, luffsman, john waller -
Bendigo Historical Society Inc.
Photograph - QC BINKS COLLECTION: SMALL AEROPLANE
Copy of photo: image shows small aeroplane, in front of brick residence. Written on sheet: 'a small aeroplane of 'rare design' built up in the loft above the stables barn at the rear of the old Girton College, now part of the new Girton assembly hall. The builder was a Mr. Alan Manare - a boarder at 'Craigmore' As far as I can remember the aircraft made only a few short flights. I never heard of its eventual fate. The photo of the plane is taken on the High St. side of 'Craigmore' outside the builder's room.' Photo C. 1941. Copied from Q.C. Binks, photo.bendigo, girton, craigmore, binks -
Essendon Football Club
Clap banner, Clap-Banner, 2010
Issued to Essendon supporters at the Round 20 game, Essendon v Collingwood, at the MCG on 13 Aug., 2010, which recognised the significant contribution that seatbelts have made to saving lives over 40 years. Essendon's David Hille was the spokesman for the event. Plastic banner rolled tightly on to a handle at each end so that it opens like a roller blind and rolls shut when released. Banner is black with Essendon bomber logo on left and "Goal!" in large red letters. Reverse has "Belt up" in large red letters over a stylised red seat belt with white TAC logo at bottom. Handles are grey plastic. Package also contains two grey plastic suction caps so that unrolled banner can be stuck to a window. Banner and suction caps are still in original clear cellophane envelope; envelope has been torn. essendon football club; transport accident commission (tac); david hille; seatbelts