Portland Town Council. Opalotype or opaltype is an early technique of photography. Opalotypes were printed on sheets of opaque, translucent white glass; early opalotypes were sometimes hand-tinted with colors to enhance their effect. The effect of opalotype has been compared "to watercolor or even pastel in its softer coloring and tender mood."[1] "Opalotype portraits...for beauty and delicacy of detail, are equal to ivory miniatures."[2] The basic opalotype technique, involving wet collodion and silver gelatin, was patented in 1857 by Glover and Bold of Liverpool. Opalotypes exploited two basic techniques, using either the transfer of a carbon print onto glass, or the exposure of light-sensitive emulsion on the glass surface to the negative. Opalotype photography, never common, was practiced in various forms until it waned and disappeared in the 1930s. "Milk glass positive" is another alternative term for an opalotype. Opalotype is one of a number of early photographic techniques now generally consigned to historical status, including ambrotype, autochrome, cyanotype, daguerrotype, ivorytype, kallitype, orotone, and tintype. This and many other historical photographic methods are now considered alternative photographic techniques and are practised by a small number of dedicated artists.Monochrome portrait photograph of a man in a three piece suit. He has a patterned tie on and wears a medallion on his right lapel. He is clean shaven. Yellowish halo around the figure. Opalotype.Front: Br _______/Melb. (Signature, pencil, lower right)mr sutton, sutton, opalotype, portland town council

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor containing 86 postcards. See 1400 Colour photo of The Aquarium, Back Beach, Sorrento, Victoria Rock structure at the water's edge. Lone figure in white at the RHS Addressed to Miss A. Stapleton, Bendigo Arcade, Bendigo Sender - Sybil, Hotel Continental, Sorrento Stamp dated Feb 2 1906 postcard, collector, alice mcgregor

Cyril Smith was a popular figure amongst his contemporaries and this has been recognised by the plaque from those who new him. Appreciation of fellow Legatees to a comrade. The plaque has sentimental value, the words, the time and effort to make it by fellow Legatees shows the high regard in which Cyril was held. Caricature and signatures on a piece of 3 ply wood, front varnished, rectangular shape. Hole drilled top centre.Handwritten message in black ink "Our Cyril.,Heres from every cobber who wore the old chapeau". A caricature of Cyril Smith engraved (burnt) into the timber. Signatures of many Legatees, signed in ink. Reverse side, "Cyril - From all old cobbers of Melbourne Legacy Club with happy memories Legacy. 1938." Handwritten in black ink "Mrs Cyril Smith gave me this plaque which I in turn now pass onto Legacy Comradeship for safekeeping. Frank Doolan June 1962"comradeship, cyril smith

Ex-president's Certificate from the Australian Natives' Association with details of recipient's details in central circle - an Australian emblem on the top - female figure on one side of circle holding flag in one hand and male figure on other side / symbolising bushman? Smaller circle underneath encloses star with map of Australia in centre and six state emblems in points. Scenes either side depict native Australian first fleet and Canberra Parliament House. All decorated with wattle and in a wooden frame.Certificate reads: Branch No 311 / EX PRESIDENT'S / CERTIFICATE / This is to certify that / J.W. Read / occupied the position of President of / this branch from 20.11.45 / to 25.2.47 / faded signature of President / faded signature of Secretary. australian natives' association, j.w. read

Rick Amor was a good friend of three times Archibald Prize winner Clifton Pugh, living and working at Pugh's artist colony Dunmoochin, (Cottles Bridge) during the 1980-1990s. Amor made frequent outdoor painting trips with Pugh. His studies of Williamstown and areas around the port fuelled a period of sustained painting in his studio at Dunmoochin. Amor is an artist of national significance who had lived locally in Dunmoochin (Cottles Bridge) during the time of this work's making. This painting was exhibited/entered into the 1993 Shire of Eltham Art Awards. The work is representative of Amor's style and interest in seascapes as subject matter. Oil on linen, seascape painting. A solitary and motionless male figure in an overcoat stands at the edge of a dock/jetty with his hands in his pockets looking out to sea with his back towards the viewer. A motorised boat is moored close by and a white house with a blue roof can be seen in the distance. The figure is engulfed by the landscape and a resounding sense of desolation. A storm is brewing; the mood forecast by dark, heavy and thick ominous clouds, alternately darkening with the approach of night, a polluted haze and rough seas. In red paint, lower right, signed 'RICK AMOR '93'amor, seascape, painting, personal, boat, dramatic, atmospheric, ekphrasis 2015, dunmoochin

Long Gully History Group Collection: Interchurch Athletics League Cricket Trophy A metal cricket trophy in the form of a cup with two handles. The cup has a fitted lid topped with an ornament that has been broken off and damaged. The ornament is in the form of a classical figure. The figure is missing its feet and one hand. Inscription on the front reads 'Interchurch Athletic League, Long Gully Methodist Cricket Club, Outright Winners, Seasons 1923-24, 24-25, 25-26,26-27.bendigo cricket, cricket trophy, long gully methodist cricket club

24 June 1883 is recognised as the establishment of St John Ambulance in Australia. St John Ambulance is a community-driven organisation with a 140-year history of providing First Aid in Australia.St John's Ambulance Association triangular fabric bandage with a number of illustrations of entire bodies or faces, showing how this bandage could be used in the event of injuries to various body parts. The fabric is labelled (black capital letters) BASE / ENDX / SIDEx2? POINT and two drawings of face and body read "FRONT VIEW and BACK VIEW. Numerals indicate different bandaging techniques and full figure or partial figure drawings that show how these bandages are applied to injured limbs or torso.Symbol of St John's Ambulance Association in dark black on top point of bandage.first aid, bandage, st john's ambulance

The Royal Warrant assigning the Armorial Bearings to Victoria was signed on the 6th June, 1910 by King George V. The motto Peace and Prosperity was the first to be in English among the Arms of any Public Authority in Australia. In 1958 the Pink Heath was proclaimed as the floral emblem of Victoria. This led to a request to have it included somewhere in the Armorial Ensigns of the State. The solution was to have the plant shown growing from a grassy mound. On the 28 March 1973 Queen Elizabeth II signed a further Royal Warrant which added the mound. This shield is the official emblem of the State of Victoria. It can only be displayed in limited place such as Law Courts and Victorian Government offices with permission of the Victorian Government.2 Victorian Coat of Arms from the Victorian State Government offices in Wodonga. The kangaroo at the top holds a crown. The shield also features the Southern Cross. Two female figures represent Peace and Prosperity. The figure on the left wears a laurel wreath crown and carries a sprig of olive in her hand, representing Peace. The other figure wears a crown of golden cereal and holds the horn of cornucopia, representing abundance or Prosperity. The first one is mounted on a wooden, varnished board.At the bottom of each shield "'PEACE AND PROSPERITY"shield, heraldry, victorian state government

This metal plaque was dug up in a Warrnambool garden in the early 1980s. It appears to be an item that would have been attached to a wall or building and is possibly a representation of a British military figure involved in military campaigns or colonial administration in a British Empire outpost in the 19th century or early 20th century, perhaps in the Middle East or in north Africa. It could also be a non-British military figure from the same areas. This item is of minor interest as an object found in Warrnambool but with no known details of what it represents. . It is retained pending further research. This is a metal plaque showing the head and shoulders of a man wearing a fez and a military uniform. The back is slightly hollowed out.warrnambool, metal plaque, military plaque

Items collected by Albert Edward Corrie VX47191 2nd AIF. Refer Cat No 4847 for service history.1) medallion brass round shape with small ring at top. Face shows a human figure over a map of Australia. .2) medallion brass round shape showing Egyptian figures with one seated..1) one side, “1945, opposite, “Victory”.medallions, 1945 victory, eygyptian

Soft cover book, title on front, spine & back. Small photos of escape, red Japanese Rising Sun, soldier figure with camp in background & description of title on back cover. 129 illustrated pages.books, military, history

Glen Isla Homestead. Home of Robert Anderson.Close up of back entrance to Glen Isla Homestead. Figure of unidentified woman at back door. bush on right. Out-building semi attached to house, shed door open. Dog-leg path.local history, photography, photographs, slides, film, buildings, historic, glen isla homestead, phillip island, coloured photograph, mrs emma anderson jacobs

Limestone carving of human figure standing on solid base, knees slightly bent, hands resting on hips. Narrow torso with protruding genitals. Facial features clearly defined. Mouth Wide and lips pouted.

Awarded to participant L Stephenson of GWCC in 1951 on completion of the Melbourne to Warrnambool Road Race.L Stephenson is recorded from the late 1920s to 1951 and beyond as a successful racing cyclist with the GACC and GWCC. Awards of such medallions reflects the recognition given to the competitors of the Melbourne-Warrnambool road race over 163 Miles.Small enamelled medallion. It has a black background with green wings coming from a red centre figure. There are inscriptions on the black background and on a green header at the top of the badge. There are also inscriptions on the reverse side of the badge."Healing 1951 Melbourne-Warrnambool 163 Miles" "Jubilee Year 10/KC Luke Melbourne"geelong west cycling club; l stephenson; melbourne warrnambool road race; medallion; 1951;

Small blue rectangular booklet with blue typed Japanese text. Also a card with an image of robed male figure carrying a staff. Yellow ink. Item has been stored in a green plastic sleeve.Japanese printed text.

Mr JH Quinton of Olinda, Victoria had the unusual hobby of carving coconut shell. Over a 50 year period he carved thousands of curios and household articles. Supplies of coconuts were sent to him by his brother in Singapore. Known in the Dandenong Ranges as "The Coconut King", he carved many series, including Australian animals, likenesses of hundreds of men prominent in public life, tableaux of sporting activities, including a series depicting cricket strokes, a coconut tea set, butterflies, buttons and boxes. Mr Quinton was an engraver and his considerable can be seen in the fine detail and sense of movement he was able to capture in his carvings. A collection of figurines carved from coconut shell, brown in colour including animals, sporting activities, tableaux of everyday life and prominent people. Each figure is attached to a thin, wooden base to enable it to stand.jh quinton, coconut shell, carving

A black yearbook with a full page drawing of a superhero-like figure holding up a pencil, with a green, yellow and blue striped background. at then top colourful text says Wangaratta High School Magazine 1996Wangaratta High School Magazine I-Mac 1996 batl '96

Original sepia photographic print in cardboard mount. Two unidentified make players, and unidentified figure in background. Photographer's stamp states"Edwin G. Adamson...Melbourne'. Materials: Cardboard, Paper, Photographic emulsiontennis

Photocopy of a set of two drawings showing the "Duwag Articulate Joint" for B class trams - Fig 1, plan view of floor connections and figure 2 - roof connections. Used for training and maintenance purposes.trams, tramways, preston workshops, b class, articulated trams, maintenance

Small signboard advertising 3RPH. To th left of the sign a figure speaks into a microphone beneath a curved arc of lines representing sound waves.Black and White 3RPH sign with two holes in top cornersAssociation for the Blind 3RPH 1629 Radio for the Print Handicapped 3rph radio station, signs and signboards

Front view of Glen Isla Homestead. Two cars and figure in front, Gum tree on right front. Fallen board and stakes at bottom of Photograph.Front aspect of Glen Isla Homesteadlocal history, photography, photographs, slides, film, buildings, historic, glen isla homestead, phillip island, black & white photograph, mrs emma anderson jacobs

Postcard, WW1, B&W photo of 3 graves with crosses on top of a sandy hill sihouetted against the sky. Wire fence in foreground. Possibly a lone figure stands on top between the crosses. Location not known.postcard, postcard, ww1, france, graves

Postcard, WW1, B&W image of the ruined Lille Gate entrance to Ypres. Causeway leading to the gate. Small boat with an indistinct figure on water at left. Part of the city wall on right. Copy Z 1postcard, postcard, ww1, lille gate, ypres, france

Ceramic plaque painted with scene of male figure playing tennis. Plastic mount adhered to back. Cloth tape threaded through hole for hanging. Materials: Ceramic, Pigment, Cloth tape, Plastic, Adhesive tapetennis

Cardboard Cover: with a watercolour painting of bushland with a figure in foreground to the right. Picture Painted by Georgina McCrae . at the top is a black rectangle with White writing at the bottom is a logo in green below which is "National Trust in Black PrintAt The top Over a Black Background in white print 'Our Mountain Home' 'The McCraes of Arthur's Seat'. Ath the Bottom in Black Print "National Trust"stawell, victorian history, journal

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). The black swan cloak refers to the black swan of Geelong and Ballarat were the swan has had its own fight to survive during the early colonial years where white swans were introduced by colonisers and the black swan fought back as they do not naturally get along. The wave pattern is taken from a traditional shield pattern held in the Melbourne Museum, South Eastern archive collection of shields. The wave refers to the water and travelling across water to fish, hunt and survive. This cloak is about survival, water, and the swan living on the water. It also refers to a contemporary dance of Kunuwarra the black swan, which was performed by a group Wadawurrung women (including artist Deanne Gilson) for Tanderrum (Melbourne – Naarm) in 2016. The dance is available to watch on youtube.Black swan, heart motif with water design on outer cloak, female figure and red native flower design on lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, first nations art, wadawurrung dja

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future. The murnong was one of the main food sources for First Peoples before colonisation as it grew right across Wadawurrung Dja. The introduction of the sheep and cattle saw the murnong eaten roots and all and it quickly became less plentiful. The tubers were eaten raw or roasted on a fire. Water could be added to make a paste for small children to eat. The woman’s wooden digging stick that was used to gather and harvest plants was often buried with the woman for her afterlife and is considered sacred women’s knowledge. All parts of the plants and trees were and still are honoured as sacred medicine, healing plants and bush food knowledge.Yellow flower and female figure motif on black background on outer cloak, black and white diamond, and circle design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak, murnong