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Vision Australia
Sign - Object, 3RPH radio sign, 1980s
Small signboard advertising 3RPH. To th left of the sign a figure speaks into a microphone beneath a curved arc of lines representing sound waves.Black and White 3RPH sign with two holes in top cornersAssociation for the Blind 3RPH 1629 Radio for the Print Handicapped 3rph radio station, signs and signboards -
Anglesea and District Historical Society
Framed Certificate, Australian Natives' Association, Estimated 1947
Ex-president's Certificate from the Australian Natives' Association with details of recipient's details in central circle - an Australian emblem on the top - female figure on one side of circle holding flag in one hand and male figure on other side / symbolising bushman? Smaller circle underneath encloses star with map of Australia in centre and six state emblems in points. Scenes either side depict native Australian first fleet and Canberra Parliament House. All decorated with wattle and in a wooden frame.Certificate reads: Branch No 311 / EX PRESIDENT'S / CERTIFICATE / This is to certify that / J.W. Read / occupied the position of President of / this branch from 20.11.45 / to 25.2.47 / faded signature of President / faded signature of Secretary. australian natives' association, j.w. read -
Nillumbik Shire Council
Painting: Rick AMOR (b.1948, Melb. AUS), Rick Amor, Out to Sea, 1993
Rick Amor was a good friend of three times Archibald Prize winner Clifton Pugh, living and working at Pugh's artist colony Dunmoochin, (Cottles Bridge) during the 1980-1990s. Amor made frequent outdoor painting trips with Pugh. His studies of Williamstown and areas around the port fuelled a period of sustained painting in his studio at Dunmoochin. Amor is an artist of national significance who had lived locally in Dunmoochin (Cottles Bridge) during the time of this work's making. This painting was exhibited/entered into the 1993 Shire of Eltham Art Awards. The work is representative of Amor's style and interest in seascapes as subject matter. Oil on linen, seascape painting. A solitary and motionless male figure in an overcoat stands at the edge of a dock/jetty with his hands in his pockets looking out to sea with his back towards the viewer. A motorised boat is moored close by and a white house with a blue roof can be seen in the distance. The figure is engulfed by the landscape and a resounding sense of desolation. A storm is brewing; the mood forecast by dark, heavy and thick ominous clouds, alternately darkening with the approach of night, a polluted haze and rough seas. In red paint, lower right, signed 'RICK AMOR '93'amor, seascape, painting, personal, boat, dramatic, atmospheric, ekphrasis 2015, dunmoochin -
Wodonga & District Historical Society Inc
Sign - 2 Victorian State Shields from the Wodonga Court house
The Royal Warrant assigning the Armorial Bearings to Victoria was signed on the 6th June, 1910 by King George V. The motto Peace and Prosperity was the first to be in English among the Arms of any Public Authority in Australia. In 1958 the Pink Heath was proclaimed as the floral emblem of Victoria. This led to a request to have it included somewhere in the Armorial Ensigns of the State. The solution was to have the plant shown growing from a grassy mound. On the 28 March 1973 Queen Elizabeth II signed a further Royal Warrant which added the mound. This shield is the official emblem of the State of Victoria. It can only be displayed in limited place such as Law Courts and Victorian Government offices with permission of the Victorian Government.2 Victorian Coat of Arms from the Victorian State Government offices in Wodonga. The kangaroo at the top holds a crown. The shield also features the Southern Cross. Two female figures represent Peace and Prosperity. The figure on the left wears a laurel wreath crown and carries a sprig of olive in her hand, representing Peace. The other figure wears a crown of golden cereal and holds the horn of cornucopia, representing abundance or Prosperity. The first one is mounted on a wooden, varnished board.At the bottom of each shield "'PEACE AND PROSPERITY"shield, heraldry, victorian state government -
Bendigo Historical Society Inc.
Award - Cricket Trophy
Long Gully History Group Collection: Interchurch Athletics League Cricket Trophy A metal cricket trophy in the form of a cup with two handles. The cup has a fitted lid topped with an ornament that has been broken off and damaged. The ornament is in the form of a classical figure. The figure is missing its feet and one hand. Inscription on the front reads 'Interchurch Athletic League, Long Gully Methodist Cricket Club, Outright Winners, Seasons 1923-24, 24-25, 25-26,26-27.bendigo cricket, cricket trophy, long gully methodist cricket club -
Bendigo Historical Society Inc.
Textile - Triangular bandage
24 June 1883 is recognised as the establishment of St John Ambulance in Australia. St John Ambulance is a community-driven organisation with a 140-year history of providing First Aid in Australia.St John's Ambulance Association triangular fabric bandage with a number of illustrations of entire bodies or faces, showing how this bandage could be used in the event of injuries to various body parts. The fabric is labelled (black capital letters) BASE / ENDX / SIDEx2? POINT and two drawings of face and body read "FRONT VIEW and BACK VIEW. Numerals indicate different bandaging techniques and full figure or partial figure drawings that show how these bandages are applied to injured limbs or torso.Symbol of St John's Ambulance Association in dark black on top point of bandage.first aid, bandage, st john's ambulance -
Phillip Island and District Historical Society Inc.
Photograph, Anderson Family Homestead, 1960
Front view of Glen Isla Homestead. Two cars and figure in front, Gum tree on right front. Fallen board and stakes at bottom of Photograph.Front aspect of Glen Isla Homesteadlocal history, photography, photographs, slides, film, buildings, historic, glen isla homestead, phillip island, black & white photograph, mrs emma anderson jacobs -
Bendigo Military Museum
Book, Hugh Clarke, Escape to Death
Soft cover book, title on front, spine & back. Small photos of escape, red Japanese Rising Sun, soldier figure with camp in background & description of title on back cover. 129 illustrated pages.books, military, history -
Burrinja Cultural Centre
Iniet Sculpture: Male, hands on hips, Mid 20th Century
Limestone carving of human figure standing on solid base, knees slightly bent, hands resting on hips. Narrow torso with protruding genitals. Facial features clearly defined. Mouth Wide and lips pouted. -
Tennis Australia
Photographic print, Circa 1920
Original sepia photographic print in cardboard mount. Two unidentified make players, and unidentified figure in background. Photographer's stamp states"Edwin G. Adamson...Melbourne'. Materials: Cardboard, Paper, Photographic emulsiontennis -
Geelong Cycling Club
Medallion, 1951
Awarded to participant L Stephenson of GWCC in 1951 on completion of the Melbourne to Warrnambool Road Race.L Stephenson is recorded from the late 1920s to 1951 and beyond as a successful racing cyclist with the GACC and GWCC. Awards of such medallions reflects the recognition given to the competitors of the Melbourne-Warrnambool road race over 163 Miles.Small enamelled medallion. It has a black background with green wings coming from a red centre figure. There are inscriptions on the black background and on a green header at the top of the badge. There are also inscriptions on the reverse side of the badge."Healing 1951 Melbourne-Warrnambool 163 Miles" "Jubilee Year 10/KC Luke Melbourne"geelong west cycling club; l stephenson; melbourne warrnambool road race; medallion; 1951; -
Mt Dandenong & District Historical Society Inc.
Carved Coconut Shell Figurines, clate 1800's to 1940s
Mr JH Quinton of Olinda, Victoria had the unusual hobby of carving coconut shell. Over a 50 year period he carved thousands of curios and household articles. Supplies of coconuts were sent to him by his brother in Singapore. Known in the Dandenong Ranges as "The Coconut King", he carved many series, including Australian animals, likenesses of hundreds of men prominent in public life, tableaux of sporting activities, including a series depicting cricket strokes, a coconut tea set, butterflies, buttons and boxes. Mr Quinton was an engraver and his considerable can be seen in the fine detail and sense of movement he was able to capture in his carvings. A collection of figurines carved from coconut shell, brown in colour including animals, sporting activities, tableaux of everyday life and prominent people. Each figure is attached to a thin, wooden base to enable it to stand.jh quinton, coconut shell, carving -
Phillip Island and District Historical Society Inc.
Photograph, Anderson Family Homestead, 1960
Glen Isla Homestead. Home of Robert Anderson.Close up of back entrance to Glen Isla Homestead. Figure of unidentified woman at back door. bush on right. Out-building semi attached to house, shed door open. Dog-leg path.local history, photography, photographs, slides, film, buildings, historic, glen isla homestead, phillip island, coloured photograph, mrs emma anderson jacobs -
Bendigo Military Museum
Medal - MEDALLIONS, 1939 - 43
Items collected by Albert Edward Corrie VX47191 2nd AIF. Refer Cat No 4847 for service history.1) medallion brass round shape with small ring at top. Face shows a human figure over a map of Australia. .2) medallion brass round shape showing Egyptian figures with one seated..1) one side, “1945, opposite, “Victory”.medallions, 1945 victory, eygyptian -
Wangaratta High School
WHS Yearbook, 1996
A black yearbook with a full page drawing of a superhero-like figure holding up a pencil, with a green, yellow and blue striped background. at then top colourful text says Wangaratta High School Magazine 1996Wangaratta High School Magazine I-Mac 1996 batl '96 -
Dandenong/Cranbourne RSL Sub Branch
Booklet - Japanese Booklet
Small blue rectangular booklet with blue typed Japanese text. Also a card with an image of robed male figure carrying a staff. Yellow ink. Item has been stored in a green plastic sleeve.Japanese printed text. -
Melbourne Tram Museum
Drawing, Public Transport Corporation (PTC), "Duwag Articulate Joint", c1990
Photocopy of a set of two drawings showing the "Duwag Articulate Joint" for B class trams - Fig 1, plan view of floor connections and figure 2 - roof connections. Used for training and maintenance purposes.trams, tramways, preston workshops, b class, articulated trams, maintenance -
Peterborough History Group
Document - James Irvine II
Mr James Irvine II was described as the "grand old man of Peterborough", significant local figure within this small town. There is a granite monument to his memory.History of a significant local figure.4 page photocopy of a history of James Irvine II compiled from books, newspaper articles, periodicals and lettersjames irvine ii, peterborough -
Tennis Australia
Painted plaque, Unknown
Ceramic plaque painted with scene of male figure playing tennis. Plastic mount adhered to back. Cloth tape threaded through hole for hanging. Materials: Ceramic, Pigment, Cloth tape, Plastic, Adhesive tapetennis -
Williamstown Historical Society Inc
Model, c1860
Replica of the historic immigration ship Success built in India. It was deserted at Geelong by the crew rushing to the gold fields 1853. Purchased by the Victorian Government to house prisoners until Pentridge prison was built. Internally it was given over to prison cells. On the deck it was reduced to one mast and small huts were placed to house warders and wives. Two children were known to have been born in these deck huts- one of these was Bella Guerin. She became the first Australian women to gain a Melbourne University BA and MA degree . Replica of the famous Success sailing shipWooden model 3 masted barque fully rigged, brown hull, white bulwarks, varnished deck, masts and spar, three life boats up turned over deck, figure head lady in redsuccess model ship hulk prison -
Port Melbourne Historical & Preservation Society
Photograph - J Kitchen & Sons workers, Port Melbourne, Photographic Department, 2 Dec 1960
.01- black and white photograph with seven men watching other man (Sullivan?) and equipment. .02 - black and white photograph with three men and manufacturing equipment. F B Bretnall is central figure. Kitchen & SonsPhotographic Dept Port Melbourne 2 Dec 1960industry, manufacturing, workers, j kitchen & sons pty ltd, unilever australia (holdings) ltd, f b bretnall, sullivan -
National Wool Museum
Textile - Cloak, Dr Deanne Gilson, Kunawarrar Ngaramili (Black Swan Dancer) Cloak, 2022
Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). The black swan cloak refers to the black swan of Geelong and Ballarat were the swan has had its own fight to survive during the early colonial years where white swans were introduced by colonisers and the black swan fought back as they do not naturally get along. The wave pattern is taken from a traditional shield pattern held in the Melbourne Museum, South Eastern archive collection of shields. The wave refers to the water and travelling across water to fish, hunt and survive. This cloak is about survival, water, and the swan living on the water. It also refers to a contemporary dance of Kunuwarra the black swan, which was performed by a group Wadawurrung women (including artist Deanne Gilson) for Tanderrum (Melbourne – Naarm) in 2016. The dance is available to watch on youtube.Black swan, heart motif with water design on outer cloak, female figure and red native flower design on lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, first nations art, wadawurrung dja -
National Wool Museum
Textile - Cloak, Dr Deanne Gilson, Murnong Daisy Cloak (Women Gathering Food) Cloak, 2022
Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future. The murnong was one of the main food sources for First Peoples before colonisation as it grew right across Wadawurrung Dja. The introduction of the sheep and cattle saw the murnong eaten roots and all and it quickly became less plentiful. The tubers were eaten raw or roasted on a fire. Water could be added to make a paste for small children to eat. The woman’s wooden digging stick that was used to gather and harvest plants was often buried with the woman for her afterlife and is considered sacred women’s knowledge. All parts of the plants and trees were and still are honoured as sacred medicine, healing plants and bush food knowledge.Yellow flower and female figure motif on black background on outer cloak, black and white diamond, and circle design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak, murnong -
Glenelg Shire Council Cultural Collection
Painting, Harry Rosengrave, (Untitled - Landscape), 1969
Caltex $500 Prizewinner at Portland Arts Festival - retained for Portland Collection.Landscape scene, densley treed. There is a clearing on the left with 3 houses and possibly a figure in the centre of the clearing. Blue sky with a long cloud. Mounted in a tan-coloured matt in a wooden frame with a faux-distressed gold finish.Front: H. Rosengrave 69 (lower right). Back: Top right - yellow sticker "1969-". Bottom centre - "Gary Hayman. Picture framer. 41 Julia Street, Portland, 33-5. 055 233154. Custom framing, framed printed, photos and oils." -
Stawell Historical Society Inc
Book, National Trust, Our Mountain Home - The McCreas of Arthurs Seat, January 1996
Cardboard Cover: with a watercolour painting of bushland with a figure in foreground to the right. Picture Painted by Georgina McCrae . at the top is a black rectangle with White writing at the bottom is a logo in green below which is "National Trust in Black PrintAt The top Over a Black Background in white print 'Our Mountain Home' 'The McCraes of Arthur's Seat'. Ath the Bottom in Black Print "National Trust"stawell, victorian history, journal -
Bendigo Historical Society Inc.
Postcard - ACC LOCK COLLECTION: YPRES - LILLE GATE, POSTCARD, 1914-1918
Postcard, WW1, B&W image of the ruined Lille Gate entrance to Ypres. Causeway leading to the gate. Small boat with an indistinct figure on water at left. Part of the city wall on right. Copy Z 1postcard, postcard, ww1, lille gate, ypres, france -
Bendigo Historical Society Inc.
Postcard - ACC LOCK COLLECTION: B&W PHOTO OF GRAVES ON A HILLTOP, POSTCARD, 1914-1918
Postcard, WW1, B&W photo of 3 graves with crosses on top of a sandy hill sihouetted against the sky. Wire fence in foreground. Possibly a lone figure stands on top between the crosses. Location not known.postcard, postcard, ww1, france, graves -
Vision Australia
Photograph - Image, Royal Victorian Institute for the Blind view from front lawn
View of RVIB building in St Kilda Road, taken from the front lawn. Leaves are scattered across the grass and a single male figure stands outside the building.1 black and white photograph of St Kilda Road buildingroyal victorian institute for the blind, buildings -
Kiewa Valley Historical Society
Can McKenzie's Coffee, mid to late 1900's
This tin which once contained coffee with chicory was purchased in a period when the importation of coffee beans into Australia was quite expensive and to counter that local distributors of coffee mixed it with Chicory, a blended coffee, flavoured slightly milder depending on the amount of coffee(percentage) per serve. This provided a cheaper cup of "coffee" drink. This mixture was a spin off from the 1930's Great Depression and the naval blockages of World War II (imports from India and other regional coffee growers) and the scarcity of secure ship supplies. As supplies became more secure "pure" coffee as a drink became available at reasonable costs. This "insignificant" coffee/chicory tin is very significant as it demonstrates that the Kiewa Valley was becoming more accessible to reliable coffee supplies and general food items.This was brought about through reliable roads and an ever increasing population The need for travelling supply caravans to the area, and with the establishment of grocery stores in Tawonga and Mount Beauty the supply of previously "hard to get" groceries vanished. This transition was precipitated by the SEC Vic Hydro Scheme of the 1940's to 1960's which increased the valley population two fold.This container of McKenzie's Coffee and Chicory is made from pressed steel and has a tight fitting lid (steel with a protruding lip to allow finger pressured removal). The tin has one pressed seem (holding the cylinder together). The backdrop of the outside of the tin is "grained" brown painted with dark brown (worn) lettering and central between McKenzie's/Coffee is a figure of an eagle with its wings outstretched. All the letters and figure have been embossed into the tin surface. The weighted contents are listed at a capacity of 1Ib Net.On one side (front) "McKenzie's Coffee and Chicory 1lb Net". On the other side "COFFEE & CHICORY" underneath "Guaranteed under the Victorian Pure Food Act 1905" "No. 1000 guaranteed under the Pure Food Act 1908, N.S.W. by Jas F. McKenzie & Co. Pty Ltd., No. 1000." "No 22 Guaranteed under the Food and Drugs Act 1910 by Jas F. McKenzie Pty. Ltd No. 22 (Tasmania)." Further "No. 1000 Guaranteed under the Health Acts by Jas. F McKenzie & Co. Pty Ltd No. 1000 (Queensland) "Containing not less than 50 percent of coffee." And at the bottom Jas.F. McKENZIE & Co. Pty Ltd Melbourne and Sydney"tin food/drink mild steel containers, food/drink storage containers -
Federation University Art Collection
Sculpture - Artwork - Sculpture, Badger Bates, "Gitji Woman' by Badger Bates
William Brian (Badger) BATES (1947- ) Born Wilcannia Barkantji Badger Bates is a Barkantji Elder, political activist and contemporary artist. Known primarily for printmaking, wood and stone carving, his work is intrinsically linked to his lifelong fight for the safety and health of the Barka (the Darling River).'Gitji Woman' is carved from a very old piece of log found at Wittabrinna Creek near Tibooburra, Western New South Wales. The tree was dead for 60-80 years, and was hollow inside. "I could see a figure in the wood so I folowed the shapes already three. The woman has a drawn out figure with long fingers and is coming out of the log, she is an ancestral spirit. I put the pink cockatoo and emu feathers in the leg in the way people used to decorate themselves for corroborees."badger bates, paakantyi, wilcannia, timber, aboriginal, barkantji