Identified by inscription as three Prout brothers, and their father (bandmaster). Prout's band was active in the early 1900s.Black and white photograph of three boys and a man dressed in uniform and playing brass instruments."3 Prout brothers and father bandmaster, Prouts band".prout's band, brass bands, musicians

Bendigo Advertiser ''The way we were'' from 2000. Historic: The view over Bendigo in the early 1900s. The photo was taken looking north-west from St. Paul's Church tower. Visible is the Shamrock hotel, the fire brigade depot and bell tower, the County Court House and district jail. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser ''The way we were'' from 2000. Industry: The Bridgewater Flour Mill in the shire of Marong, around the beginning of the 1900s. The mill employed 45 people, although the number rose to 60 during the busy wheat season. It was one of the first places to adopt the eight hour working day. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser ''The way we were'' from 2000. Cosy: The house of Richard Cridge Densem at Daylesford in the early 1900s. Densem was a councillor at the time and had previously managed several mines in the area. He was also captain of the Fosterville rifle club and a member of the Mining Managers' Association and Masonic Fraternity. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Happy Jack Hotel at Lockwood South. Photograph taken in early 1900s. In front of hotel are six people including one on a horse. The hotel later became the Happy Jack General Store. This information is from the article Small Towns With Big Hearts. On rear of image is written Lockwood Sth 10/8/93.Bill Hawkinsregion, small towns, lockwood south

Building used as community hall and school until Education Dept built school nearby.Black and white postcard showing early Kalimna West Primary School, square water tank on side of building, home made swing on right, flag pole on left, vegetable garden in foreground, two people, lady and boy, dressed in 1900s style clothes. Uncleared bush in backgound. Kalimna West Victoriaschools, halls

Donated by Mr Greg Thomson, a former resident of RutherglenBlack & white reproduction, unframed, laminated. This reproduction is of the Rutherglen Post-Office as it was in the 1900s. The residence (to the left of pen mark cross on picket fence) has since been demolished and today that is where the present Post-Office stands, building to right of cross still stands. Original building built in 1863, altered in 1910Signs on front of building: "Electric Telegraph Office. Post Office" On back of photo: "Photographed pre 1910"rutherglen post office

The hand mirror is part of a vanity set owned by a woman who lived in the Harbour Master's house at Warrnambool in the late 1800s and early 1900s. The set was possibly a wedding gift from her mother-in-law, Caroline Edwards, a local business woman who was an importer of 'china and fancy goods' along with her husband Thomas Myers Edwards. The Edwards owned Staffordshire House a business in Timor St (and later Liebig St) from 1876. The hand mirror is an example of a valued possession of women at the time and could signify social standing. It was also a functional accessory used on a daily basis.The item is significant socially as an example of accessories available to and used by women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Liebig St Warrnambool, where it most likely came from. A pewter (or possibly silver-plated) hand mirror that is part of a vanity set. It features a beautiful ornate moulded rose/flower design on the back, handle and front edge of mirrorflagstaff hill, warrnambool, flagstaff hill maritime museum and village, maritime village, maritime museum, shipwreck coast, great ocean road, vanity set, hand mirror, pewter, silver plate, toilet set, harbours master's house, staffordshire house

The hair brush is part of a vanity set owned by a woman who lived in the Harbour Master's house at Warrnambool in the late 1800s and early 1900s. The set was possibly a wedding gift from her mother-in-law, Caroline Edwards, a local business woman who was an importer of 'china and fancy goods' along with her husband Thomas Myers Edwards. The Edwards owned Staffordshire House a business in Timor St (and later Liebig St) from 1876. The hair brush is an example of a valued possession of women at the time and could signify social standing. It was also a functional accessory used on a daily basis.The item is significant socially as an example of accessories available to and used by women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Liebig St Warrnambool, where it most likely came from. A pewter (or possibly silver-plated) hair brush that is part of a vanity set. It features a beautiful ornate moulded rose/flower design on the back and handle of the hair brush. The hair brush insert is most likely made of celluloid, it no longer has bristles and is purely ornamental. flagstaff hill, warrnambool, flagstaff hill maritime museum and village, maritime village, maritime museum, shipwreck coast, great ocean road, vanity set, pewter, silver plate, toilet set, harbours master's house, staffordshire house, hair brush, hairbrush, brush, celluloid

The comb is part of a vanity set owned by a woman who lived in the Harbour Master's house at Warrnambool in the late 1800s and early 1900s. The set was possibly a wedding gift from her mother-in-law, Caroline Edwards, a local business woman who was an importer of 'china and fancy goods' along with her husband Thomas Myers Edwards. The Edwards owned Staffordshire House a business in Timor St (and later Liebig St) from 1876. The comb is an example of a valued possession of women at the time and could signify social standing. It was also a functional accessory used on a daily basis.The item is significant socially as an example of accessories available to and used by women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Liebig St Warrnambool, where it most likely came from. A ladies hair comb which features an ornate flower design on the pewter (or possibly silver-plated) edge. The comb teeth are most likely made of celluloid.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, maritime village, maritime museum, shipwreck coast, great ocean road, vanity set, pewter, silver plate, toilet set, harbours master's house, staffordshire house, celluloid, comb

Postcards quick communication of the day for family & friends. C 1900s . Example of greetings, Christmas greeting etcExample of C 1900's postcards - printed in Britain,Collection of C 1900's postcards, written, sent, various production methods, some embossed.Various

This copy of an original photograph created in the early 1900s details the "horse and cart" era when the normal transportation of the day was, in this rural setting, exclusively by horse and cart. The importance of this particular photograph to the subjects can be seen by the formal suits worn by both subjects.The natural bush and grassed backdrop have not been "touched up". The dray behind the horses is barely visible (fog like aperture). The lad , John Cooper was 14 years old when this photograph was taken. Both were in the process of harnessing four horses to "hook up" on the dray behind them. From their attire it looks like a trip to town or "the church".This photograph of life on a rural property in the early 1900 shows the rough and hard (physically) life in rural areas before great mechanical revolution/evolution post World War II. This was a time in the Kiewa Valley when most transportation was by horse drawn carriages and transportation routes where dirt roads with potholes. The significance of a local pioneer "family" encapsulated by this photograph cannot be reproduced as effectively in any other form. This digitised scanned copy of an original photograph of four work horses is on 200gms Fujicolor (Fujifilm) Crystal Archive paper has a silver side on which the image has been printed and a matt reverse side.The darker slightly "blurred" image has had a white frame placed over it at the time of encapsulation to provide the finished photo with a frame. This method highlights and focuses the view into the photograph. It is a clever way to permit the eyes to focus into the image to give it a greater third dimensional aspect. on the reverse side hand written(in pencil) "John Cooper & Paddy Cullen (itinerant worker) on grandfathers place (opposite Nesta Drews place) (orange Grove). "Grandfather emigrated from England with Ryders""orange grove " property, early tawonga life style, john cooper, paddy cullen, harnessing working horses

Named after Queen Alexandra, these beautiful gardens opened in 1908 and are designed in the formal style typical of the early 1900s.Early postcard showing architectural features and original plantings.The Alexandra Gardens, Cotham Road Kew. The postcard depicts a pedestrian bridge within the Gardens. The bridge, on which are standing two children, has rustic sides. On the evidence of this postcard, planting within the Gardens included a range of exotic specimens including a variegated aloe and water lilies. Native vegetation can be seen in the distance.alexandra gardens - kew (vic), postcards -- kew (vic.)

Named after Queen Alexandra, these beautiful gardens opened in 1908 and are designed in the formal style typical of the early 1900s.Early postcard showing original architectural features and plantings.The Alexandra Gardens, Cotham Road Kew. The postcard depicts a pedestrian bridge within the Gardens. The bridge, on which are standing two children, has rustic sides. On the evidence of this postcard, planting within the Gardens included a range of exotic specimens including a variegated aloe and water lilies. Native vegetation can be seen in the distance.alexandra gardens - kew (vic), postcards -- kew (vic.)

Les Cramp was son of Mrs A. Cramp who owned a fruit and vegetable shop in Whitehorse Road in the early 1900sBlack and white photo of Les Crampcramp, les

The baton is known to have been used by Mr Trengrove, Drum Major of the Linton Brass Band in the early 1900s.Long baton with large silver knob on one end. White and gold cord with tassels at other end. Long wooden centre pole with a metal ferrule at the other end.brass bands, linton brass band, mr. m. trengrove, mr. w. todd

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.Cream silk child's dress. Elbow-length gathered sleeves with smocking at wrists. 2-panels of hand crocheted lace forming a 3-panel yoke with central insert of cream embroidery. Full-length dress in silk with two rows of smocking on bodice. At base of dress are two panels of 6 rows of pin-tucking, separated panel of lace over silk backing. Lace at neck. Opening in centre back with 7 button holes and 5 mother-of-pearl buttons with striution carved design. Cream satin ribbon runs under smocking at back and sewn into side seams.clothing, costume, dress, 1900s

This nightgown belonged to Toula Mavrokefalos Black, nee Raftopoulos (1892-1976). Born in Ithaca, Toula's family migrated to Romania when she was only a baby. She learned to sew as a child while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. In 1914, Toula emigrated to Australia with her husband Constantine Mavrokefalos. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Her daughter Olga Black spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years. BHS holds a collection of garments and textiles made by the women of Olga's family, spanning four generations.Women's cream cotton sleeveless nightgown. Cutwork embroidery on bodice. Blue stain under one arm.nightgown, toula black, toula mavrokefalos, 1900s

This bodice, which originally had a matching skirt, belonged to Phoebe Richardson (nee Brinsmead, 1885-1956), who married Charles William Richardson in 1911. The family lived in Geelong. Brinsmead Lane, off the Bellarine Highway in Leopold, is named after Phoebe's family, being the original location of the family home. The bodice was likely made by a seamstress as the family were quite fashion-conscious. Phoebe's daughter Edna Baker (nee Richardson, b. 1914) wore this bodice as a dress-up as a child. She donated it BHS in the 1980s and provided additional information on it when visiting the Society in 2004.Khaki green silk bodice, boned around waist. Ecru cotton lace overlay on sleeves and high neck. More lace over shoulders, gathered and tapered down front of bodice. Stripes of velvet ribbon around yoke. Four more stripes of velvet ribbon around upper sleeve, and three around each cuff. Velvet bows and metal buckle at waist. Tape at waist with hooks to attach to skirt. Lined with brown fabric. 20 mother-of-pearl buttons down front.phoebe richardson, phoebe brinsmead, edna baker, 1900s

The Cash Book was used by the Shire of Bulla Electric Light Department to record by hand writing costs associated with supplying electricity, employee wages and users of electricity between October 1909 and November 1926. The first two generators supplied the township of Sunbury and together with the erection of a Power House were officially opened in 1910. The State Electricity Commission took over the supply of electricity in Sunbury in 1926.Large green cloth covered hard cover with tan corners and spine. Tan and purple mottled pattern inside front and back cover."Arnall & Jackson/Engravers..."1900s, shire of bulla, sunbury, george evans collection

A sepia coloured photograph of a group of well dressed men (possibly taken at the Railway Station; possible deputation to the railways dept. 1900)Typed sticker: DEPUTATION TO RAILWAYS DEPT. / OUTSIDE RAILWAY STATION / APPROX. 1900 Pencil: 34railways, 1900s, clothing and dress, george evans collection

These shoes belonged to Ruby May Selina Wallace (1891-1973) who was born in Maidstone but seemed to have lived in Inglewood in regional Victoria. They were donated by an Emerald person who received them from Ruby.The boots are an example of handmade Edwardian footwear.Pair of Black Leather Boots with double ridged stitching across the instep. Soft leather upper part and smooth leather lower part. Small Heel. Nine buttonholes on each boot with nine black buttons attached with metal clips.Underneath each boot: '3/E' On lining inside each boot: 'B.B.300/W2781/'button up boots, edwardian, 1900s, inglewood

The donor was a former captain of the Emerald Golf Club. Archibald & W. Moffat's grocery store was a significant business in early Emerald, selling groceries to the local community.This photograph captures the townscape of Emerald during the town's early growth phase, featuring a significant local institution.Black and white photograph depicting an unpaved road with buildings on either side; the building in the foreground on the right has a porch and people standing in front of it. On the left, buildings are in the distant background. Tall trees rise in the background on the right, with more distant trees visible further behind on the left. An individual appears to be walking down the road in the distance.Annotation: "Moffats Store 1900 / Cr Beaconsfield Road & Main Rd / Then Paternoster Rd"1900s, emerald, commerce, w. moffatt

There are seven other copies of this photograph in our collection, mostly differing in the placement of the label and the cropping of the photograph. This is itself a copy of the original. One of these copies is also accessioned as VEMUP0456.2. This c. 1907 photograph was taken from the intersection of Beaconsfield Road (now Kilvington Drive) and Station Road (now Puffing Billy Place), looking towards Emerald Railway Station. It looks past the Emerald Coffee Palace, a significant establishment serving coffee, wine, and more - a room in the back was even used as a visiting doctor's surgery. The Coffee Palace was, at the time, owned by the O'Connor family and run by Mrs Greatorex. At this time it was relatively new - the second centre of Emerald, around Kilvington Drive, mostly materialised thanks to the location of the railway station. The location of the railway is visible, but from this angle the station and tracks are not visible. While the annotation lists that the photograph was taken in 1889, the visibility of a gate (contra the annotation) and existence of this second town centre - which grew around the station - suggests that other sources lisitng 1907 are closer to accuracy. Note the posts in front of the Palace - used to tie horses in this time before cars became dominant. There are elevated wires visible running along the left side of the street, which resemble power lines but at this time are more likely to have instead been telegraph cables.This photograph recounts the growth of Emerald's second town centre around the railway station.This item is a black and white copy of an older photograph. It depicts an unpaved street leading down a hill to a gate and fence, with several shops to either side. There is a lamp post on the street corner on the right, and a telegraph line running along the left side. In the background, the slope rises back up to a hill with fields and scattered trees.Bottom-right: "STATION RD. EMERALD" Building in the photograph: "EMERALD COFFEE PALACE" Reverse: "Coffee Palace was guest house / Note no gates this was before the railway Puffing Billy came through. / Note posts to tie horses to outside the palace. / O'Connors owned Coffee Palace. / Windmill in back of Palace - bore for water. 1889."emerald coffee palace, emerald, commerce, 1900s

There are seven other copies of this photograph in our collection, mostly differing in the placement of the label and the cropping of the photograph. This is itself a copy of the original. One of these copies is also accessioned as VEMUP0456.2. This c. 1907 photograph was taken from the intersection of Beaconsfield Road (now Kilvington Drive) and Station Road (now Puffing Billy Place), looking towards Emerald Railway Station. It looks past the Emerald Coffee Palace, a significant establishment serving coffee, wine, and more - a room in the back was even used as a visiting doctor's surgery. The Coffee Palace was, at the time, owned by the O'Connor family and run by Mrs Greatorex. At this time it was relatively new - the second centre of Emerald, around Kilvington Drive, mostly materialised thanks to the location of the railway station. The location of the railway is visible, but from this angle the station and tracks are not visible. Note the posts in front of the Palace - used to tie horses in this time before cars became dominant. There are elevated wires visible running along the left side of the street, which resemble power lines but at this time are more likely to have instead been telegraph cables. This copy was framed in the donor's home after being gifted to him by its previous owner, who bought it from an op-shop in Melbourne.This photograph recounts the growth of Emerald's second town centre around the railway station.This item is a large, slightly yellowed, black and white copy of an older photograph. It depicts an unpaved street leading down a hill to a gate and fence, with several shops to either side. There is a lamp post on the street corner on the right, and a telegraph line running along the left side. In the background, the slope rises back up to a hill with fields and scattered trees.Bottom-right: "STATION RD. EMERALD" Building in the photograph: "EMERALD COFFEE PALACE"emerald coffee palace, emerald, 1900s, commerce

The Tasmanian Death Index spanning 1905-1914 for "O" last names: Orchard, Ord, O'Reilley, Ormiston, Orpwood, Orr, Osborne, Osfall, Soley, Osman, Osmond, Oswell, Oswin, Ottaway, Otten, Otter, Ottoway, Overall, Overell, Overton and Owen.Death index photocopy, 1 onesided A4 page typed1900s, 1910s, overton family, tasmania