artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Given as a gift to Corporal Taylor, a former guard in Camp 4 in appreciation of his treatment.Wooden hull painted white with bottle green trim. Brown coloured sails (2 large, 3 jib). Fine thread connecting sails and the wooden rungs of the ladder. The words "Tatura No. 6" painted on both sides of the bow and on the stern. Painted in black paint. A black triangular flag on top of mast. Sitting on a wooden stand.Tatura No. 6pearl lugger, broom pearl lugger, tatura no 6, camp 4 internee, corporal taylor

This is a set of 43 photographs of a 4th Field Survey Squadron adventurous training held at Wilpena pound, in the Flinders Ranges of South Australia in 1989. It is evident the training focussed on teamwork, leadership, abseiling, rock climbing, field craft and living off the land survival skills. Elements from units of the Army Reserve also participated in the training. In this photo set, one of 4th Field Survey’s sections participated in abseiling and trekked to the highest mountain in the Flinders Ranges – St. Mary’s Peak. Refer to items 6553.56P for additional colour photographs taken during the adventurous training exercise.This is a set of 43 photographs of 4th Field Survey Squadron personnel undergoing adventurous training held at Wilpena pound, in the Flinders Ranges of South Australia in 1989. The black & white photographs are on 35mm negative film and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 96 dpi. .1) - Photo, black & white, 1989. L to R: SGT Laurie Justin, SGT Stu Symonds. .2) - Photo, black & white, 1989. L to R: SGT Stu Symonds, CPL Roger Graf, SSGT Max Coletti, SPR Cheryl Deluca-Cardillo, SPR Andrew Quin. .3) & .4) - Photo, black & white, 1989. Wilpena Pound topography. .5) - Photo, black & white, 1989. SGT Stu Symonds. .6) - Photo, black & white, 1989. Abseiling ropes and equipment. .7) to .16) - Photo, black & white, 1989. Abseiling activities, unidentified soldier. .17) to .18) - Photo, black & white, 1989. Abseiling activities, CPL Michelle Griffith. .19) - Photo, black & white, 1989. L to R: unidentified (x5), SGT Mick Hogan, unidentified (x3). .20) - Photo, black & white, 1989. L to R: CPL Roger Graf, CPL Michelle Griffith, SPR Cheryl Deluca-Cardillo, SGT Laurie Justin, SSGT Max Coletti, SPR Andrew Quin. SGT Stu Symonds. .21) - Photo, black & white, 1989. L to R: unidentified (x2), SGT Stu Symonds. .22) & .23) - Photo, black & white, 1989. Wilpena Pound topography. .24) - Photo, black & white, 1989. SSGT Max Coletti. .25) - Photo, black & white, 1989. SSGT Max Coletti, SPR Cheryl Deluca-Cardillo, SGT Stu Symonds. .26) - Photo, black & white, 1989. SGT Stu Symonds. .27) - Photo, black & white, 1989. L to R: CPL Michelle Griffith, SPR Cheryl Deluca-Cardillo, SSGT Max Coletti, SGT Laurie Justin, SPR Andrew Quin, CPL Roger Graf, SGT Stu Symonds. .28) &.29) - Photo, black & white, 1989. Wilpena Pound topography. .30) - Photo, black & white, 1989. SGT Stu Symonds. .31) - Photo, black & white, 1989. CPL Michelle Griffith. .32) - Photo, black & white, 1989. L to R: CPL Michelle Griffith, SGT Stu Symonds, SSGT Max Coletti, SGT Laurie Justin. .33) - Photo, black & white, 1989. L to R: CPL Michelle Griffith, SGT Stu Symonds, CPL Roger Graf (standing), SSGT Max Coletti, SGT Laurie Justin. .34) - Photo, black & white, 1989. L to R: SGT Stu Symonds, CPL Michelle Griffith, CPL Roger Graf (standing), SSGT Max Coletti, SGT Laurie Justin. .35) to .37) - Photo, black & white, 1989. Wilpena Pound topography. .38) - Photo, black & white, 1989. SPR Cheryl Deluca-Cardillo. .39) - Photo, black & white, 1989. L to R: CPL Michelle Griffith, SGT Stu Symonds, SPR Andrew Quin, SGT Laurie Justin. .40) &.41) - Photo, black & white, 1989. Wilpena Pound topography. .1P to .43P – There are no personnel identified. ‘1989 ADV TRAINING’ annotated on negatives sleeve.royal australian survey corps, rasvy, 4 fd svy sqn

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 6 Kilby Road, Kew East by Margaret Picken.6 KILBY RD., KEW EAST / MARGARET PICKEN ~91 / WOODARDS ~ BOX HILLartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 6 kilby road - kew east (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 6 Mortimer Street, Kew by Margaret Picken.6 MORTIMER ST., KEW / MARGARET PICKEN © 2001 / FLETCHERS REAL ESTATEartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 6 mortimer street - kew (vic)

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of Mayors and Town Clerks of the former Borough, Town and City of Kew, for the period 1863 to 1969. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series. Framed portrait of Cr. F. E. O’Brien LL.B., J.P., Mayor of Kew 1958-9. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. F. E. O’Brien LL.B., J.P. / Mayor 1958-9 Stuart Tompkins Studiomayors of kew (vic), cr. f. e. o’brien, australian photographers - stuart tompkins studio, kew (vic.) — municipal collection

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 1/6 Clifton Road, Hawthorn East by Margaret Picken.1/ 6 Clifton Road, Haw East, Margaret Picken '89. Woodards. artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 6/45 Harcourt Street, Hawthorn East by Margaret Picken.6/45 HARCOURT ST, HAW Margaret Picken ~89 WOODARDS - HAWTHORNartist - margaret picken 1950-

Series of 6 photos, Steam train "D", 3 class and passenger carriages at Stawell Station. c 1990Series of 6 colour photographs of Steam Trains & passenger carriages at Stawell Station "D" 3, ?39 unsure of first number.railways

Local Newspaper dated 5/6/1943 reporting n World War 2 EventsLocal Newspaper dated 5/6/1943 reporting n World War 2 Events Local Newspaper Dated 5/6/1944 reporting on World War 2 Events Allies Drive Through Rome - The Heroes of Shaggy Ridgeworld war 2, allies drive through rome - the heroes of shaggy ridge

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 6 Campbell Grove, Hawthorn East by Margaret Picken.6 Campbell Gve, Haw E, Margaret Picken '93. Woodards - Hawthorn: PR. artist - margaret picken 1950-

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. J. Lewis Carnegie, Mayor of Kew 1908-9; 1924-5; and 1934-5. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. J. Lewis Carnegie, Mayor [of Kew] 1908-9; 1924-5; 1934-5mayors of kew (vic), cr. j. lewis carnegie, kew (vic.) — municipal collection

Contributor: Diana Casey1. Colour photograph. Attendees of a reunion of the Diploma of Horticulture 1966-1968, held at Burnley in November 1989. All named.2. Accompanying handwritten letter dated 12.10.90.diploma of horticulture, 1966-1968 year group reunion, student group

Eastern Districts Football League Annual Report and Financial Statement 1989 to be held at the Dorset Gardens on Monday 27th November, 1989