Time-Life Books insert of typical Brigantine style boats/shipsColoured print of a typical Brigantine by Time-Life Books- un-named boat/shipRefer Notes section for detailstypical brigantine drawing

Wal Jack had an extensive range of correspondents throughout Australia and the world who often prepared extensive drawings for him. This detailed drawing is by Roy Field who swapped many photographs with Wal Jack. The drawing details the railways associated with the Commonwealth Portland Cement at Portland NSW. Details of Roy are included within this record.Demonstrates some of the correspondence that Wal Jack received from around the world and that of Roy Field.Drawing - pen and ink red and black on foolscap sheet of Commonwealth Portland Cement Works NSWOn rear in pencil and type, a note about Sandringham tram No. 51.letters, wal jack, tramways, drawings, roy field, portland cement nsw, railways

Wal Jack had an extensive range of correspondents throughout Australia and the world who often prepared extensive notes and records for him. This letter from Wal Larsen of Bright, dated 16 Aug 1945 describes a trip to Tenterfield, notes on crews, their hats, station layouts and detailed map. With the letter is a plan of the station layouts of the West Tamworth to Barraba line dated 6-10-45. Demonstrates some of the correspondence that Wal Jack received from around the world and that of Wal Larsen.Letter - handwritten with ink on a set of four ruled Salvation Army - Australian Comfort Fund and YMCA printed sheets and a drawing on a foolscap sheet on the rear of Australian Military Forces for - "Return on Members of the Permanent forces entitled to Medical Attendance"letters, wal jack, railways, nsw, wal larsen, tenterfield, barraba, west tamworth, nswgr

Previously on display at the National Wool Museum on level 1 in Gallery 2 foyer.Framed illustration showing the external view of the Dennys Lascelles Austin & Co. wool and grain warehouse, including the Bow Truss Building. A car, horse drawn cart, people and a steam engine are shown on the street in the foreground.Front: DENNYS LASCELLES AUSTIN & CO. / WOOL & GRAIN BROKERS, GEELONG. / WOOL & GRAIN WAREHOUSES GEELONG. Back: NORMAN BURN / (LATE OF CHARITY'S) / Art Picture Framer / And / Repairer of Pianos & Organs / NOTE ADDRESS: / 15, JAMES STREET, GEELONG / (Opposite Davies Furntiture Warehouse).dennys lascelles wool store, austin, bow truss building, wool, geelong

xxi, 283 p. : ill., facsims., map, ports. ; 23 cm. Includes index and bibliographical references: p. 264-273.non-fiction'I'm your half-brother and I'm here to stay. This is my home.' With these words Wilmot Abraham sought refuge with his white relations. 'Did you ever read your history?': Mrs. Mary Clarke remembers p. 1 'An old hand': Jim Cain p. 12 'I'm your half-brother, and I'm here to stay': Wilmot Abraham p. 36 The Three Pompeys The Written Record p. 48 Banjo Clarke's Stories p. 62 'Why did they take them away?': Lizzie and Henry McCrae p. 74 In Defence of Framlingham: Collin Hood p. 79 Double Dispossession: King David p. 107 James Dawson's Informants p. 137 'Why are we kept prisoners here?': Ernest and Maggie Mobourne p. 148 'The old ones, they wouldn't tell us nothing': Mrs. Connie Hart's memories p. 181 'Breaking the cycle is the hard thing to do': Geoff Rose, a stolen child p. 200 Epilogue: James Dawson, Camperdown George and the Obelisk p. 220 The Hood Family p. 238 The Mobourne Letters p. 241 Abbreviations p. 252 Notes p. 252 Bibliography p. 264 Index p. 274 western district (vic.) -- colonization., aboriginal australians -- victoria -- western district -- history., aboriginal australians -- victoria -- western district -- interviews, race relations - racial discrimination., child welfare - child / parent separation - stolen generations., history - biographies - indigenous., book

Ill, p.373non-fictionPart of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically. venice, venice - architecture

Ill, p.406.non-fictionPart of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically. venice, venice - architecture

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 60 Denham Street, Hawthorn by Margaret Picken.60 Denham Street, Haw, Margaret Picken '89. Woodards - Hawthorn (note: Orig > Longfords 14-3-90)artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.10 HEPBURN ST, HAWTHORN Marg Picken [note: 'SOLD' top left corner]artist - margaret picken 1950-

MABEL nee ABRAHAM ROGERS 1920 - 2004 Publications: The First One Hundred Years 1870-1970 Melton State School No 430 Co Author with Edna Barrie The Mechanics [Melton] 1985 Mabel Abraham was daughter of Herbert G Abraham, Butcher of High Street Melton. She attended Melton State School from 1928 qualifying for her Merit certificate in December 1928 and continued her education at Melbourne Girls High School [soon after known as MacRobertson Girls High School] She studied piano and elocution as a school girl. Mabel was associated with many activities in the Melton community. She was a natural writer and interested in research and was committed to documenting and preserving Meltons History. Mabel produced, wrote and acted for the “ Melton Amateurs” theatrical group established in 1950. The group performed Revues, Pantomimes, one and three act plays, Musical Comedy and Melodramas. In 1960 it lapsed for a time and from 1967 onwards more shows were successfully produced by Mabel. A creative producer and writer, audiences at the Melton Mechanics Institute enjoyed the performances of Gilbert and Sullivan and excerpts from the many Musicals of the era. She skilfully wrote scripts interweaving with songs and topical local dialogue successfully drawing out the talents of all the cast members. Mabel was a member of the C.W.A. holding position of Secretary. She was a member of the Melton and District Historical Society at its inception in 1968 and was a Member of The Willows Committee of Management. She was supporter of the first historical display and the Mechanics Hall and the Historical Society Annual Art and Craft shows from 1974 until 1982. In 1961 she was involved with Melton Development Association and in 1969 with the establishment of the first “Carols by Candlelight” held in Melton. Mabel was a member Anglican Church and Committee. She was a member of the Melton Mechanics Institute and made a Trustee and Life Member in 1965. She was a member of Victoria 150th Anniversary Celebration Committee. She was Guide Leader, member of the Red Cross and School Committee. In November 1982 she was a recipient of the Annual Rotary Community Service Award for outstanding service to the Community of Melton over a prolonged time. Mabel married Eric Rogers in August 1944 the wedding reception was held at the Melton Mechanics Hall. Their are children John, Ron, Francis and Judy. The family lived in High Street Melton between the Mechanics Institute and earliest Shire Hall eastern end. Eric was grader operator on the district roads. In their latter years Mabel and Eric lived in Bacchus Marsh. Eric died in Bacchus Marsh in July 2007. Country Women's Association Melton Branch lyrics from Mabel Roger's handwritten noteslocal identities, local significant groups

Printed book. 112 pages in total. Pages 13 -64 numbered.non-fictionPublication details: 'Railway guide book and time table for Melbourne, Ballarat, Adelaide and all intermediate stations, also gazette for Bacchus Marsh, Ballan, Melton, &c., and almanac for 1891', compiled by Christopher Crisp. Printed and published by Crisp and Lane, Bacchus Marsh, Vic., 1891. SUMMARY OF CONTENT: Includes detailed timetables and schedule of fares, descriptions of stations and refreshment facilities pp.6-26; overviews of Shires of Bacchus Marsh, Ballan and Melton, pp.27-30; historical, geographic, and economic background notes about places on the Melbourne to Adelaide route, pages 31-64, including descriptions of Bacchus Marsh, pp.34-42 and briefer notes on Ballan, pp.42-43 and Melton, pp.32-33. Almanac section is pp.65-95 (not numbered), containing common information in nineteenth century almanacs such as a calendar of the days, weeks, and months of the year; a record of various astronomical phenomena, climate information and seasonal suggestions for farmers, the rising and setting times of the Sun and Moon, dates of eclipses, hours of high and low tides, and religious festivals. A brief history of Irrigation in Mildura is on pages 1 and 112 (first and last pages). Advertisements, mostly for Bacchus Marsh businesses are on pp.96-111. The Almanac section is illustrated with drawings of scenic views of various places in Australia, but none of the Bacchus Marsh region. Online access is available on Trove at: http://nla.gov.au/nla.obj-392504046railways, railway lines, almanacs, railway lines timetables

Dark green paperback Victorian Historical Magazine with the title printed in black lettering with further details including the Contents, Publisher details, price ONE SHILLING and Printer noted. Stapled on the left side. It has a few photos of Samuel Thomas Gill's pencil drawings throughout as well as an article about him. He was renowned as an artist of the goldfields. p.144non-fictionThe Victorian Historical magazine was first published in 1911 This is issue Vol III March 1914, No.3. The Contents lists: Extracts from the diary of The Rev. William Waterfield, first congregational minister at Port Phillip, 1838 - 1843, Recent publications, Index to periodical literature, Samuel Thomas Gill, the artist of the goldfields and notes and queries - Murray pioneers - Lillydale - Jacka Jacka.history magazine, victorian history, magazines, s.t. gill

A brown hardcover handbook with the title printed in gold lettering on the front cover Handbook of the Destructive Insects of Victoria Part II by C. French, F.L.S., F.R.H.S., Government entomologist with the price 2/6. at the bottom right hand corner. The spine has the title and author printed in gold. T. Sebire March 29th 1894 is written in black ink on the top right of the title and contents pages. There are coloured plates and black and white illustrations, an appendix and drawings of various pumps and equipment required for use. Loose pages, some tears, and tanning is noted. 222p. non-fictionA handbook of the destructive insects of Victoria with notes on the methods to be adopted to check and extirpate them with useful diagrams and illustrations of machines and pumps and the plants.agriculture, pest control, entomology

An issue of 'Action Front. Journal of the 2/2 Field Regiment' for the soldiers. This edition is Vol 1 Issue No. 10 April 1919. Comprised of stories, poems, drawings, records of military awards. Printed by M. Shoham's Press, Tel-Aviv. An item from Legatee Frank Doolan, who was on the archive committee and made attempts to collate the history of Legacy. A record of publications made for the troops in World War 2.A copy of 'Action Front. Journal of the 2/2 Field Regiment' a field newspaper published for the troops in World War 2 x 12 pages.Hand written on the front 'Ask the old lady for the notes regarding the rude cracks at their CO'world war two, short stories, poem

Index, notes, p.230.non-fictionThe following lectures were really given, in substance, at a girls' school (far in the country); which, in the course of various experiments on the possibility of introducing some better practice of drawing into the modern scheme of female education, I visited frequently enough to enable the children to regard me as a friend. The Lectures always fell more or less into the form of fragmentary answers to questions; and they are allowed to retain that form, as, on the whole, likely to be more interesting than the symmetries of a continuous treatise. Many children (for the school was large) took part, at different times, in the conversations; but I have endeavored, without confusedly multiplying the number of imaginary speakers, to represent, as far as I could, the general tone of comment and inquiry among young people. john ruskin 1819-1900, ethics

White paper poster with black text and drawing of a woman in front of some gruesome looking people. The the poster was for a State College Victoria (formerly Ballarat Teachers' College) production held at the college hall in Gillies Street, Ballarat.Front: "S.C.V. Ballarat, formerly - Teachers Collge, Lysistrata, in the College Hall, Friday and Saturday, 12th and 13th, and Wednesday to Saturday, 17th to 20th July, 1974, at 8 pm, Admission - $1.00 Students, $1.50 non students, Bookings - Phone 341 202" Back: "Lysistrata, by Aristophanes, CAST LIST, Lysistrata: Liz Stubbs, Kalonike: Joy Dunstan, Lampito: Jenny Tait, Myrrhine: Denise Maroney, Stratyllis: Ann Bilston, Interviewer: Tina Conroy, Kinesias: Michael Russo, Police Commisioner: Tony Ryan, Spartan Ambassador: Terrence Dorian, Spartan Herald; Shane Quick. WOMEN'S CHORUS, Sue Richards, Tina Conroy, Ann Bilston, Anne Giles, Glenda Hamilton, Janette Marshall, Gillian Hogan, Janine Grieg, Robyn Stanesby, Stephanie Buchanan, Janeen McCullough, Wendy Gray, Elizabeth Evans, Jenny Tait (Leader of Spartans), Mary Staindl, Barbara Price. MEN'S CHORUS, John Rowe, Stephen Schneider, Chris Slater, Peter Hassell, Errol Elbourne, Peter Orford, Kieth McDougall,Terrence Dorian, Robbie Eastcott, Shane Quick, Gary Oliver. MUSIC, Piano: Robbie Eastcott. Drums: Alex Traianou. Congas: David Murphy. Rhythm Guitar: Kim Hatcher. Bass Guitar: Shane Quick. Clarinet: Steve Albon. Flute: Tina Conroy. Acoustic Guitar: Tony Ryan. TECHNICAL CREW, Lighting: Austin Rickell, Sound: Stuart Tolliday, Keith McIvor, Design: Bruce Miller, Terrence Dorian, Set Construction: Bruce Miller, Terrence Dorian, Ken Jones, Choreograph: Cheryl Brown, Costumes: Gillian Hogan, Mary Staindl, Props: Denise Maroney, Jenny Tait, Publicity and Front of House: Ruth Newall. ACKNOWLEDGEMENTS, Meena Bazaar for the Jug, Turner Audio Systems. DIRECTED BY, Miichael D. Edwards. DIRECTOR'S NOTE, The sexual power of women is all persuasive. If, as Germaine Greer says, they stopped loving the victors, there would be genuine revolution. The idea of a sex strike to stop a war seems preposterous.... What else is left to the aware but politically emasculated woman? Aristophanes, like us, had been appalled by a pointless and hopeless war. Outrageous indignation had failed to stop it - so he resorted to comic absurdity; perhaps to shame the warmakers. Our version of the play is colloquial and probably ' in vogue'. It is colorful, musical, flippant, and not a little risque. It is, however, based on an awareness of the power of sex roles and the arrogance of a male-dominated society and a profound sense of frustration at the apparently immovable forces that make our wars and enact repression in all its forms."ballarat teachers' college, production, state college of victoria, ballarat, gillies street, liz stubbs, joy dunstan, jenny tait, denise maroney, ann bilston, tina conroy, michael russo, tony ryan, terrence doran, shane quick, sue richards, anne gillies, glenda hamilton, janette marshall, gillian hogan, janine grieg, robyn stanseby, stephanie buchanan, janeen mccillough, wendy gray, elizabeth evans, mary staindl, barbara price, john rowe, jeff moore, stephen schneider, chris slater, peter hassell, errol elbourne, peter orford, keith mcdougall, terrance doran, robbie eastcott, gary oliver, david murphy, alex traianou, kim hatcher, steve albon, austin rickell, stuart tolliday, keith mcivor, bruce miller, ken jones, cheryl brown, ruth newall, michael d. edwards, norman lindsay

Draftsman's drawing Central Red, White, and Blue and Sheepshead Mine Map. Forms part of the Margaret Roberts Collection of mining records.Handwritten on plan, Warden's Camp Bendigo Exhibit, Apportion for Forfeiture 8.8.10 (1910) Notes in pencil of measurementsbendigo, margaret roberts, gold, map, mine, north red white blue and sheepshead

Draftsman's drawing Sheepshead or Red White and Blue Mine Map. Forms part of the Margaret Roberts Collection of mining records. Notes in pencil bendigo, margaret roberts, gold, map, mine, sheepshead or red white and blue reef

White and blue folder from folded card printed with the Myki logo in the top right hand corner, and the web address, containing 4 sheets or papers about the launch of the Myki discovery centre. Each paper printed on A4 gloss paper in colour with Myki logo and header drawing. Questions and Answers sheet about Myki giving details on the operation known as the New Ticketing Solution - NTS. Fact Sheet 01 - giving the Myki milestones from 2006 to 2007. Newsletter issue 1 - dated September 2006 - printed to provide information to staff about the discovery centre. Has a list of acronyms. Sheet providing dates for the Myki discovery centre to each depot. Actual introduction was delayed due to initial issues in the system when launched.Along the top is a hand written note from Simone about the project coming to Camberwell on 19/10.trams, tramways, myki, tickets, ticket machines, tram depot

Notes, 13 pages foolscap sheets pinned in the top left hand corner, 2 loose foolscap pages, 6 quarto pages, providing a sketch map of the MTOCo lines as authorised, length of each line, description, extract from surveyors level books for dates, list of cable car depots and financial notes. Items 2064 to 2075 within box 72.3 in a brown folder marked "MT&O Co." red pencil on the front cover.trams, tramways, mto co, cable trams, drawings, reports, surveys

Notes, 2 pages, has been pinned together, giving a sketch of the intersection of Rathdowne and Elgin St intersection and details of Rathdown St terminus at Park St. From survey books. Items 2064 to 2075 within box 72.3 in a brown folder marked "MT&O Co." red pencil on the front cover.trams, tramways, mto co, cable trams, drawings, reports, surveys, rathdowne st, elgin st

Notes, 9 pages, has been pinned together, giving details, opening dates, terminals, depot entries, sheave pits, curves, for the Richmond line - Spencer St, Flinders St and Bridge Road. Items 2064 to 2075 within box 72.3 in a brown folder marked "MT&O Co." red pencil on the front cover.trams, tramways, mto co, cable trams, drawings, reports, surveys, richmond, spencer st, flinders st, bridge rd

Notes,13 pages, pinned together, giving details, opening dates, terminals, depot entries, sheave pits, curves, for the Collins St to Brunswick St line, including the St Georges Road terminus at Barkly St. Items 2064 to 2075 within box 72.3 in a brown folder marked "MT&O Co." red pencil on the front cover.trams, tramways, mto co, cable trams, drawings, reports, surveys, collins st, gisborne st, brunswick st, st georges rd

Notes 4 pages, pinned together, giving details, opening dates, terminals, depot entries, sheave pits, curves, for the Victoria Parade to Victoria Bridge line. Items 2064 to 2075 within box 72.3 in a brown folder marked "MT&O Co." red pencil on the front cover.trams, tramways, mto co, cable trams, drawings, reports, surveys, victoria parade, victoria st

Notes 10 pages, pinned together, giving details, opening dates, terminals, depot entries, sheave pits, curves, for the Bourke St to Nicholson St line, Brunswick East, including the connection into Spencer St. Includes 2 pages pinned together for the Gertrude, Smith St to Queens Parade line. Items 2064 to 2075 within box 72.3 in a brown folder marked "MT&O Co." red pencil on the front cover.trams, tramways, mto co, cable trams, drawings, reports, surveys, bourke st, nicholson st, gertrude st, smith st, queens parade