Colour Photo taken from slide

Yields information about the tram operations and the landscape views of the Sturt St median strip.Ten (10) Digital images taken by George Coop during the period 1968 - 1970, of SEC trams in Sturt St, between the City and Pleasant Streets. .1 - Tram 26 climbing the Sturt St hill to Lydiard St, with the Cook's Private Hotel, the Commonwealth Bank and the National Mutual Life building in the background. Photo taken from the Titanic Bandstand. .2 - Tram 40 Sturt St, enough to Lydiard St North just before Raglan St. Has a lady passenger by the tram stop. .3 - Tram 30 - Sturt St north side, near Armstrong St, - has a blue framing line around the photograph. .4 - Tram 39, Sturt St, near Doveton St, shows the rotunda in the median strip. .5 - Tram 18, with median step in view. .6 - Tram 31, with two Johnnie Walker whiskey roof adverts, outside the National Mutual Life building with the Alan Bros Jewellers and Golden Star Chinese Cafe in the view. .7 - Tram 31, Sturt St south side with Town Hall and the Golden City Hotel in the view. Tram has destination of Gardens via Drummond North. .8 - Tram 41 - ditto - going to Sebastopol. .9 - Tram 13, south side, Gardens via Sturt West, about , near Ripon St, with the Ampol service station in the background and about to pick up a lady passenger .10 - Tram 17, near Doveton St. Has a Twin Lakes sign and a Wilkinson Sword Razor Bladese roof advert. trams, tramways, sturt st, raglan st, passengers, doveton st, tram 26, tram 40, tram 30, tram 39, tram 18, tram 31, tram 41, tram 13, tram 17

Yields information about the Bridge St landscape looking east.Digital image of a view looking east along Barkly St from Grenville St showing a tram a the intersection of the Mt Pleasant and Victoria St lines (Stones Corner). Has the shops on both side of the street in view. In the far distance is the Caltex service station. Photo taken by Peter Bruce 1970's and 1971, prior to the closure of the Ballarat tramway system. Peter's Title of image: "Bridge St"trams, tramways, ballarat, bridge st

Yields information about the Lydiard St Nth landscape looking south.Digital image of a bogie tram travelling north in Lydiard St North between Sturt and Mair Sts, with many parked cars. Has the George Hotel, the CBC Bank, Hoyts Regent, and other buildings in the view. Photo taken by Peter Bruce 1970's and 1971, prior to the closure of the Ballarat tramway system. Peter's Title of image: "Gloomy Lydiard St"trams, tramways, lydiard st nth

Leslie John Bagust Collection. Black & White Photograph Town Hall Bendigo 1940. View on corner of Hargreaves and Bull Streets. Surrounding landscape includes a hedge and three palm trees which no longer exist.bendigo, tourism, bendigo town hall, http://www.onmydoorstep.com.au/heritage-listing/125/bendigo-town-hall

elsternwick park, tennis, football, hockey, playground, sports pavilion, club, ralph tyner, l.l. chapman, cr. g.a. giles, cr. eustace tracey, cr. j.a. kennedy, chairman, cricket, c.e. tuxen, engineer, j.h. taylor, town clerk, treasurer, c.j. pollock, councillor, aerial view, golf, croquet, club house

External view of the grounds at the factory Black & white photograph, large format Photo taken in the 1950s

334.1 - Kookaburra Series No. 25 postcard, vertical format, view of the Swanston St entrance to Flinders St. Railway station with five sets of cable trams with horse drawn vehicles and many people. Photo is formally printed using a screen. Title 'Main Entrance, Flinders St. Rly Station Melbourne' along base. On rear in landscape format is areas for address, card number, a kookaburra symbol and saying, publisher notes and areas for address and correspondence. Off white card. c 1910. 334.2 - Photograph as a postcard of the Swanston St. entrance of Flinders St. Railway station from ground level with horse drawn vehicles and pedestrians in view. No motor cars in view or cable cars. c1910. On base in white ink (faded) handwriting 'Railway Station Melbourne'. On rear is name of object and areas for Address and Correspondence and '29'. trams, tramways, melbourne, flinders st. station, cable trams

Record of landscape 1930'sRecord of landscape 1930'sBlack and white photograph of view from Mount Buninyong through eucalyptus tress, road winding downhill, mid 1930's."Bon thinks the same big tree on left was painted by John Rowell in his painting in the Art Gallery." mount buninyong, eucalyptus, landscape, trees

The Gong has been part of the Buninyong industrial, cultural and recreational history pre and post 1837Fed by springs, the Gong has been a major source of water for industrial, pastoral, recreational uses and local wildlifeBlack and white photograph of the Gong, view of the South East Corner with the Old Brewery in the backgroundbotanic gardens, brewery, landscape, industry, water supply, springs

The Gong has been part of the Buninyong industrial, cultural and recreational history pre and post 1837Fed by springs, the Gong has been a major source of water for industrial, pastoral, recreational uses and local wildlifeBlack and white photograph of the Gong, view from Scott Street to the South West cornerbotanic gardens, landscape, industry, water supply, springs

Part of series to record changes in BuninyongB/W photo View from Catholic Church, Buninyong, south-east towards "Brim Brim'" across fieldsbuninyong, church, landscape, brim brim

Colour photograph, view from Lal Lal St. looking west in1982, drystone wall runs across, catholic church in backgroundbuninyong, lal lal street, drystone wall, catholic church, landscape

This view of the Boroondara General (Kew) Cemetery is dated to 1905 by the inscription and postmark on the reverse. It provides an important visual record of this part of the Cemetery. The postcard can be used to identify the original configuration of the roads and vegetation, some of which was subsequently removed (eg the bunya pine at right). On the Victorian Heritage Database, the construction period given for the Springthorpe Memorial is given as 1897-1907, yet this view of the Memorial in 1905 would suggest that it was virtually completed at an earlier date. (It should be noted that additions such as the wheel of life sculpture were not completed until 1910).This dated photograph is historically important as its inscription confirms it to be one of the earliest postcard representations of the Boroondara General (Kew) Cemetery. It also provides visual evidence of the size and extent of the landscaping by 1905, particularly the layout of the roads (now altered), plantings of the period, and the extent of the land occupied by the Springthorpe Memorial and its gardens, which was subsequently reduced by the trustees of the cemetery in the 1930s. Panoramic view of the entrance driveway in Boroondara General (Kew) Cemetery. At left can be seen the Springthorpe Memorial, and further down on the left the entrance gate, or one of the gates, to the Memorial. Inscribed on reverse: "Miss Brown / Shuan [sic] / Grosvenor Street / M. Brighton. Love from Mother Oct 28th 1905" Postmark: "Melbourne 8 / 2 PM, 28/10/05".springthorpe memorial, boroondara general (kew) cemetery, postcards -- cemeteries

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Hyde Park is now a small recreation reserve bordered by Willsmere and Kilby Roads and White Avenue. In 1982, Hyde Park was cut off from the Yarra River by the construction of the Eastern Freeway. The building of the latter was to transform the natural landscape, including the Yarra, as well as Hyde Park. The construction of the Freeway makes it difficult to view the scene with the photographer’s eye. Today’s Hyde Park is located on land purchased in 1847 by John Cowell, and in 1851 Catherine Cowell, yet the scene selected by the photographer may well have been located on farmland owned by the Wills family. Farquhar’s point-of-view emphasises both the pastoral and recreational elements of the scene: the grazing cows, three boys, and in the distance two figures, seated on the bank with a parasol. By 1891, an environmental consequence of human activity, including farming, was deforestation, leading to the erosion of the south bank of the Yarra. In contrast, the land on the Alphington side of the river in 1891 included remnant bushland.The Yarra in Hyde Parkkew illustrated, kew where we live, photographic books, henry kellett, yarra river

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.A unique Illustrated book, comprising a series of twelve plates of panoramic and landscape photographs of Kew, commissioned from the Melbourne (and Kew) photographer JFC Farquhar, by the Kew stationer Henry Kellett. The book was published in 1891, so it is presumed that the photographs provided by Farquhar were taken in 1891 or in the previous year. Photographs from the cloth bound book were offered by Kellett for sale separately; hence a number are in public collections. The book is in very poor condition, the leaves having separated from the spine. The cover is suffering from red rot while the mounts of each book plate are dirty and frequently suffering from foxing. The actual silver albumen plates variably suffer from foxing and iridescence caused by the deterioration resulting from the photographic process. Each part of the book can be viewed in this record in sequential format.KEW WHERE WE LIVE / KEW ILLUSTRATED / THE ACCOMPANYING ILLUSTRATIONS ARE PHOTOGRAPHIC VIEWS OF KEW AND ITS SURROUNDINGS, EXECUTED BY THE "ARGENTIC BROMIDE PROCESS", WHICH ENSURES ABSOLUTE PERMANENCY OF THE PHOTOGRAPH. IN A FEW YEARS HENCE WHEN MOST OF THE OLD LANDMARKS WILL HAVE DISAPPEARED THESE VIEWS WILL BE A VALUABLE MEMENTO OF KEW AS IT WAS IN 1891. ANY OF THESE ILLUSTRATIONS GAN BE OBTAINED FROM MR. H. KELLETT, HIGH STREET, KEW, IN SINGLE COPIES, IN THE SAME SIZE AS THOSE HEREIN AT 2s PER COPY. THEY MAY ALSO BE OBTAINED IN THE FOLLOWING SIZES FOR FRAMING:- / ACTUAL SIZE OF PHOTOGRAPH 15 INCHES X 12 INCHES @ 8. 6d EACH / 22 INCHES X 16 INCHES @ 15s EACH / PRIVATE RESIDENCES AND ESTATES / SPECIAL ARRANGEMENTS CAN BE MADE FOR TAKING VIEWS OF PRIVATE RESIDENCES - INTERIOR AND EXTERIOR - AND FOR GROUPS, &C., IN ANY SIZE UP TO 40 INCHES BY 30 INCHES BY THE "ARGENTIC BROMIDE" PROCESS UPON APPLICATION TO / MR H. KELLETT / HIGH STREET, KEW.kew illustrated, kew where we live, photographic books, henry kellett, jfc farquhar - photographer

Herbert James Woodhouse (1854-1937) was born in Essex and arrived in Australia with his family in 1857. A painter-lithographer like his father and three of his brothers, he was a prizewinner in the South Australian Society of Arts exhibition of 1885. He also received commendations in exhibitions at the Victorian Academy of Arts and the New South Wales Arts Society. At an exhibition of his paintings at Scott’s Hotel in Collins Street in 1892, the reviewer for Table Talk noted that the ‘artist paints almost solely in the open air, and his studies are generally carried out during the trips of the Victorian Sketching Club’. One of the paintings singled out for praise was: ‘A very effective river scene at Willsmere, aptly named A Midstream Mirror, ... a picture powerful in its effective reflection of sunlight in the river.’ Herbert Woodhouse died in Geelong in June 1937, aged 82, and was buried in the Eastern Cemetery. A number of his sketchbooks are held in the collection of the State Library of Victoria.Framed oil painting on board of the River Yarra at Studley Park, Kew, by Herbert James Woodhouse (1858-1937). The artist has framed the narrow painting with trees in the foreground and a view of the Yarra River and rolling hills in the background. Verso, written by artist: "River Yarra Near Dights Falls"australian art - 19th century, herbert james woodhouse (1854-1937), yarra river - studley park

Landscape photograph of Kew and Fairfield. Undated but possibly 1930s.View of Latrobe Course from the Kew side of the River Yarra. River in middle foreground. Aged pine tree central foreground. Inscribed reverse: "M Holmes"kew (vic.), latrobe golf course

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. A dated early photograph of the Yarra River at Kew.Digital copy of a photograph from page 1 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The image is a closeup view of the Yarra at Kew, with introduced vegetation (willows) on the bank."Yarra River Kew 1924"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. A dated early photograph of the Zig-Zag Bridge.Digital copy of a photograph from page 1 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The image is a closeup view of the Zig-Zag Bridge which was constructed in the 1870s to link the Yarra Bend Asylum and Kew Asylum. "Yarra River Kew 1924"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, zig-zag bridge

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. A dated early photograph of the Yarra River at Kew.Digital copy of a photograph from page 1 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The oval image is a birds-eye view of the Yarra with an escarpment on the right-hand side."Yarra River Kew 1924"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. A dated early photograph of the Yarra River at Kew.Digital copy of a photograph from page 1 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The image is a view of the Yarra with a horse on the other side of the river standing near the solitary large tree."Yarra River Kew 1924"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. A dated early photograph of the Yarra River at Kew.Digital copy of a photograph from page 1 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The image is a view of the Yarra with remnant large Eucalypts on either side of the river."Yarra River Kew 1924"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. A very rare, early panoramic view of Macauley's boat house on the Yarra River at Kew.Digital copy of a photograph from page 2 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The photograph is of Macauley's boat sheds on the Yarra River at Kew. The boat sheds was located at the west end of Molesworth Street. The photograph is taken from the Yarra Bend Park side of the river looking down on the boat house from above. The canoes belonging to Macauley's are lined up on the river bank. "Macauley’s Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, macauley's boat sheds

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. A fine, early view of Macauley's boat sheds on the Yarra River at Kew.Digital copy of a photograph from page 2 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The photograph is of Macauley's boat sheds on the Yarra River at Kew. The boat sheds were located at the west end of Molesworth Street. The photograph is taken from the Yarra Bend Park side of the river, or from a boat on the river. The canoes belonging to Macauley's are lined up on the river bank. "Macauley’s Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, macauley's boat sheds

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. A fine, early view of the river bank at Macauley's boat sheds on the Yarra River at Kew.Digital copy of a photograph from page 2 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The photograph is of the river bank at Macauley's boat sheds on the Yarra River at Kew. The boat sheds were located at the west end of Molesworth Street. The photograph is taken from the Yarra Bend Park side of the river, or from a boat on the river. A group, probably members of the photographer's family, are sitting underneath a giant weeping willow."Macauley’s Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, macauley's boat sheds

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. A fine, early view of Macauley's boat sheds on the Yarra River at Kew. It is also one of the earliest views of Carnsworth, a notable mansion in Studley Park. Digital copy of a photograph from page 2 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The photograph is of a stretch of the Yarra River at Kew. In the foreground are the boats of Macauley's Boat Sheds. On the horizon is the red brick tower of J Lewis Carnegie's house 'Carnsworth' in Stawell Street. "Macauley’s Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, macauley's boat sheds, carnsworth -- stawell street -- kew (vic.)

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. A fine and clear view of the Zig-Zag Bridge across the Yarra River.Digital copy of a photograph from page 5 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. This is a photograph of the 1870s Zig-Zag Bridge that linked the Yarra Bend and Kew Asylums. The Bridge was demolished in 1929."Flood / Zig-Zag / Kew / 1.24"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, zig-zag bridge