The Sunbury Library and the George Evans Museum are housed in buildings which were once extensions of the Shire of Bulla Municipal Offices. The Library was built in 1974 and the George Evans Museum formerly the Museum of History and Art was opened by the Mayor Pauline De Luca on 12 March 1987.A coloured photograph of the iron stairway and glass tiled passage way which links the library and the George Evans Museum as well as the former Shire of Bulla municipal offices. A dark green wheelie bin is at the foot of the stairs.shire of bulla council offices, george evans museum, sunbury library, shire of bulla, hume city council, george evans collection

The Buff-banded Rail is located on mainland Australia. It can also be found in south-east Asia, New Guinea and New Zealand. These birds are often seen individually or in pairs walking through the dense reeds and vegetations of wetlands or crops. This rail has a slow walk and often flicks its tail, which is raised, as they move. They are omnivore scavengers who feed on a large variety of invertebrates, fruit, seeds and vegetables. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen is in a standing position on a wooden platform. The Buff-Branded Rail has a pale grey/yellow eyebrow over the black glass eyes and a pale yellow bill. It also has an orange and brown coloured band on its breast. This bird is multicoloured with streaks of chestnut brown, black, white and a faint orange-brown. This specimen has a paper tag tied to its right leg and a grey/back label on the wooden platform.Platform: "Banded Landrail" Paper tag: "National Museum Victoria. Banded Landrail Hypotoenidia w8 427 Philippensis (L)"taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, landrail, buff-banded rail

The quilt was purchased from the Wool Quilt exhibition held at the National Wool Museum in 1995. It was subsequently exhibited in the Expressions 2000: The Wool Quilt Prize exhibition in the 'Invited exhibitors' section of the show. (Jan Irvine wrote the catalogue essay for this exhibition.) The quilt is part of the "Running Stitch" Collection. This quilt is titled "Sure as Night follows Day" and was made by Jan Irvine from worn and recycled woollen blankets with wool batting. The quilt has been crazy pieced, air brush dyed and hand quilted. The quilt was exhibited in the Running Stitch Contemporary Wool Quilt Exhibition held at the National Wool Museum in 1995 and was purchased for $1800 from this exhibition. The quilt was catalogue entry no. 18. It was later exhibited in "Expressions 2000: the wool quilt prize" from 16 Sept. to 3 Dec. 2000 (extended until 2/2/2001, catalogue entry no. 26).Catalogue entry from "Expressions 2000" Catalogue, held 16th September to 3 December 2000. Introduction to exhibition "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery. Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 6 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 7 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 8 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 9 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 10 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5SURE AS NIGHT FOLLOWS DAY DESIGNER + MAKER: JAN IRVINE NSW AUSTRALIA MADE:1995...quilting, handicrafts, textile art, running stitch group, blankets, running stitch collection, irvine-nealie, ms jan

Coloured photo of Accreditation sub- committee at Museum Accreditation Ceremony at the Capitol Theatre, Melbourne, when the Schwerkolt Cottage and Museum Complex received official accreditation under the Museum Accreditation Program run by Museums Australia Victoria.museums australia (vic) museum accreditation program, simmenauer, peter, warren, frances, gardiner, barbara, keene, barbara, arrowsmith, valda

The Victorian Mounted Rifles museum was first established at Buna Barracks Albury in 1986. In 2000, when the regiment relocated to Building 105 North Bandiana, the museum collection was packed then relayed in a new space. Major General Irving was commander of 2nd Division. Colour photograph of Major General R P Irving AM RFD cutting the ribbon to open the Victorian Mounted Rifles new museum at Building 105 North Bandiana, 2 August 2003. Lieutenant Colonel (Retired) D J Hunter, chairman of the museum committee is at right, Lieutenant Colonel A Stevens, Commanding Officer 4/19 Prince of Wales's Light Horse is at left together with RSM Warrant Officer Class One Snooks.vmr, bandiana, irving, museum, stevens, snooks, hunter

Set of two pamphlets or booklets, titled "Victoria's tramway museum", providing details of the Tramway Museum Society's TMSV collection, the site and its exhibits and a brief time line history of Victoria's tramways and a location map on the rear cover. See Reg Item 5151 for a print of the photograph that was cropped for the front cover. .1 - 12 pages -folded A5 size - white cover - centre stapled - has a photo of the Royal Park horse tram operating on the Bylands site - mid 1970's? See Reg Item 5151 for a print of the photograph that was cropped for the front cover. .2 - 12 pages - folded A5 size - blue cover, white sheets internally - centre stapled - has the TMSV logo on the front cover - late 1970's. .3 - as above, white cover with an tram front image on the front cover, has "Interim edition July 1983 - internal connects the same as .1.1601.2 - has a price lable of 20c on the front cover.trams, tramways, tmsv, bylands, museums, horse trams

Black wool yarn, possibly from the batch used to make the black and white National Wool Museum rug presented to Queen Elizabeth II in 1988.Black wool yarn, possibly from the batch used to make the black and white National Wool Museum rug presented to Queen Elizabeth II in 1988.weaving, spinning

Coloured photograph of Implement Shed at rear of the Schwerkolt Cottage Museum Complex, Museum Building.nunawading & district historical society, schwerkolt cottage & museum complex

Gripsholm Castle is situated in Mariefred, south central Sweden. It was one of the residences of the Swedish Royal family and although it is now the site of a museum, it remains a palace and as such is at the disposal of the king if he should require it.Gripsholm Castle official illustrated guide, published by the National Museum, Stockholm. Editor: Ulf.G.Johnsson, 54 pages with black and white photographs, illustrations & maps.place, building, castle, sweden - stockholm - castles - museums

Carl Axel Nobelius (1851-1921) was born in Finland of Swedish parents. He migrated to Australia in 1870 and became a paramount plant nursery proprietor, operating extensive nurseries in Emerald,. Victoria and in Tasmania. His property in Emerald now constitutes Emerald Park. The bust was on display in Emerald Museum but is now lost.The bust provides a clear likeness of one of Emerald's most significant personages. As the bust is now lost, this photograph preserves that likeness.Colour photograph of bust of C A Nobelius (1851-1921) made by Jenny Sulwick Museum display card: "Jenny Sulwick Cast Concrete ?1960 Carl Axel Nobelius"nobelius, emerald museum

This inventory of the contents of the old Museum in Warrnambool dates from the 1920s. A Mechanics Institute under the management of a local committee was established in Warrnambool in 1854 and a Mechanics Institute building was erected in Liebig Street in 1871 (site of present Municipal Library). Museum items and art works began to be collected and housed in the Mechanics Institute building at that time under the care of a committee member and local policeman, Joseph Archibald. This collection did not survive in any significant form after Archibald left the town but it was revived and vastly expanded when he retired and returned to Warrnambool in 1880. Archibald is regarded as the founder of the Museum which officially dates from 1883. In 1910 the Warrnambool Town Council took over the management of the Mechanics Institute, including the Museum collection. This museum continued until 1963 and was a much-loved institution in the city. The contents of the old Museum were dispersed, with many items lost but a considerable portion of the collection was under the care of Warrnambool Art Gallery and John Welsh, the Director in the 1970s, in an effort to keep the records of the old Museum intact, had the 1920s inventory reprinted. This inventory of Warrnambool’s old Museum is of considerable historical importance as it is an almost complete record of the Museum’s contents in the 1920s and so is very useful to researchers today.This is an inventory of 190 pages with a cardboard backing. The pages have three punched holes on the left side and are tied together with black and white cotton cord. At the front of the pages is a plastic envelope with a heading. The pages contain typed material, mostly in mauve ink and these are copies of the original typing. The typing on some pages is very faint and two pages have been re-copied to make them more legible. Warrnambool Art Gallery Old Records of the Warrnambool Museum collected by John A.Welsh, Director, and restored by Gaspars Modern Print 25th September 1972. old museum, mechanics institute building, history of warrnambool, joseph archibald

PHOTOGRAPH COPY OF CLUB HOTEL BUILT 1870 AND CLUNES MUSEUM BUILDING 1860. THIS PHOTOGRAPH WAS ON DISPLAY AT SMEATON MILL OPEN DAY 2001. CLUNES HOTELS - NOW AND THEN..1 COLOURED PHOTOGRAPH CLUB HOTEL, CLUNES AND CLUNES MUSEUM WITH FOUR MALE PATRONS AND DOG STANDING ON FOOTPATH. .2 LAMINATED COPY OF THE ABOVE PHOTOGRAPHREVERSE SIDE - ENTERPRISE VISION PTY. LTD. ABN. 95 005 604 544. COPYRIGHT CLUNES, VICTORIA.club hotel, clunes museum

One of a set of drawings of the National Wool Museum by David WilliamsPen and ink drawing, on paper, of "Mr Jeff Smith" in his wool broking office, part of the wool sales exhibition formerly in Gallery 3 in the National Wool Museum, Geelong. By David Williams.David Williams '90 9national wool museum

Brown cloth-covered cardboard covers and spine. Gold text on spine. Title impressed on cover.

Found by Keith Walton, Portland. From the 1840 wreck of the sailing boat "Constant" in Portland Bay near long pier. The sheave came to Flagstaff Hill from Carl F Kurtze, The Museum, South Portland. Block wood sheave, from the wreck of the sailing boat CONSTANT, 1840 . One side weathered, other side covered with rusty deposits, with iron bearing corroded away. Sheave has tag attached.Tag on sheave from "Carl F Kurtze, The Museum, South Portland. Found by Keith Walton, Portland. "flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, block wood sheave, constant, portland bay

The photograph was taken when an exhibition was mounted in the former George Evans Museum in Sunbury. The Sunbury & District Heritage Association researched the history of the Sunbury vineyards and mounted the display which ran from August 1996 to January 1997. The photograph is one of 18 images that were taken of the display that featured the wineries that were established in Sunbury in the nineteenth century and the early vignerons.The wine producing industry was one of the first agricultural pursuits that European settlers established in Sunbury.A non-digital coloured photograph of two glass display cabinets and two wallboards displaying a variety of documents and objects in a museum.wineries, winery production, vignerons, sunbury

Off-white wool yarn, possibly from the batch used to make the black and white National Wool Museum rug presented to Queen Elizabeth II in 1988.Off-white wool yarn, possibly from the batch used to make the black and white National Wool Museum rug presented to Queen Elizabeth II in 1988.weaving, spinning

Black and white photo of Nunawading Historical Society Museum, east end of Museum and Implement Shed.museum, nunawading historical society

Members of the Geoffrey Kaye Museum of Anaesthetic History receive an award at the 2017 Victorian Museum Awards.melbourne, acmi, museums australia (victoria), awards, 2017, geoffrey kaye, geoffrey kaye museum, victorian museum awards, 2017

Chinese Memorials Memories. The White Hills Cemetery - Bendigo.Golden Dragon Museum.bendigo, chinese, history, from gold discovery to mid twentieth century.

Landmarks a history of Australia in 33 places, 271 pages with black & white and colour photographs.National Museum of Australiahistory, australian, history-australia-victoria-bendigo

Indigenous or First Nation Person beside a large Red River Gum and next to a river (Richardson River) with aboriginal tools. Photo taken at Carrs Plains. Holford Wettenhall, took over as Protector when William Dennis left the Station. Observed during this time indigenous people mainly hunted possum. At the turn of the century the last surviving indigenous people at Carrs Plains were moved to Lake Tyers Mission in East Gippsland 588Km away. Photo said to be of "Blind Tommy" but unsure of this information. Black and white photograph of a large River Red Gum, with a man standing holding a boomerang, killing stick and shield. Copyright Museum of Victoriastawell aboriginal portrait