The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.The item forms part of the Laurie Bennett collection of thirty-six postcards and photographs of Kew and early Melbourne, donated to the Kew Historical Society in 1980. The postcards in the Bennett collection, like other images in the Society's holdings date from the 1890s to the present and comprehensively indicate points-of-view or scenes considered historically, aesthetically or socially significant in the period in which they were produced.Postcard depicting the Kew Post Office and Court House (built 1888) on the corner of High Street and Cotham Road. In front of the Post Office is a large Moreton Bay Fig tree. The later Kew War Memorial (opened 1925) necessitated the removal of the tree and the relaocation of the Queen Victoria Jubilee Fountain. "No-KH-388. 1888. Donated by Mr. L. Bennett. Later buildings joined. Fig tree + Queen Victoria Jubilee Fountain moved to make way for World War I Memorial 1920."kew court house, kew post office, postcards

Main Street Procession East End Circa 1901. Stawell Brass Band plus Constable on Horseback visible. J Chadwick Importer of General Drapery with Boys Clothing on sign on left. Millinery on side of verandah. Commercial Hotel just visible on left. Sloane's & Scotchmans Poppet head Visible in background on right. Poppet Head in background on Big Hill on left is Crown Cross shaft.Croud of people lead by band in upper main street. Chadwick drapers on left. Mounted policeman on horseback in front of Commercial Hotel.stawell businesses streetscape

stawell

Black and white photograph

Ron Brons photographic study of Ringwood

Manik’s referential language maintains a fundamental connection to derided or “low-brow” sources, spanning popular and visual culture sources such as graffiti, google image searches or YouTube clips. In this work, Manik aestheticises a conspicuously framed police photograph, reproducing the sensationalist image with a considered painterly quality. Attending to the ways in which wide dissemination leads to a clouding and blurring of meaning, Manik challenges conventional ideas of authenticity, circulation, and so-called high/low modes of production. Artist Bio Gian Manik is a Naarm-based artist whose dextrous approach to image-making is characterised by an irreverence for genre and driven by a compulsion to paint. Interested in undermining the colonial properties arming the buttresses of historical painting, Manik ambiguates tradition through the representation of multivalent or tangential subjects. Informed by a childhood spent voraciously copying reproductions of old master paintings, a subsequent indifference to the polarities of high and low culture has rendered his work resistant to traditional stylistic categorisation. Instead, Manik’s practice can be read as an ongoing investigation into the boundaries of representation which often sprawls into the modalities and enviornments of fashion, music and performance. His compositions interweave both carefully distilled and intensely gestural passages, forming a layered palimpsest that references and registers the quotidian fabric of his social and cultural surroundings. Distinguished by an interminable mix of nostalgia and desire, drama and tragedy, his work reverberates an uncertainty of meaning. Strategies such as repetition and mimicry blur the intended resonance or ‘truth’ attributed to each object, place, scene or character. As a result, Manik’s paintings often function as parafictions, interpolating personal experience within constricted frameworks of historical narrative. Gian Manik (b. 1985 in Perth/Boorloo) received a BFA (Honours) from Curtin University in 2011. After relocating to Naarm/Melbourne, the artist completed a Master of Fine Art (Honours) at Monash University in 2012. Since then, he has exhibited widely across Australia and Aotearoa New Zealand in institutional and commercial contexts. He has received institutional commissions by the Australian Centre for Contemporary Art (2022) and the Perth Institute for Contemporary Art (2024). Additionally, his work has been featured in significant exhibitions at the Museum of Contemporary Art Australia, Sydney; Art Gallery of Western Australia, Perth/Boorloo and the Art Gallery of South Australia, Adelaide.

non-fictionThe proposed management plan for Dandenong Police Paddocks Reserve published in February 1991dandenong (vic.), dandenong police paddocks reserve

.1 This is a hard cover book of 372 pages with a blue cover and silver printing on the spine. The dust cover has a white and blue background with a photograph of a 19th century policeman, six colour photographs and one black and white photograph. The printing on the dust cover is in white, blue and black. The book contains six chapters and many sketches, illustrations, photographs and graphs. .2 This is a 1986 newspaper cutting from the Warrnambool Standard featuring an article on the book, The People’s Force. A history of the Victorian Police Force up to the late 20th century.victorian police force, warrnambool

National Party Launch and talk on upgrading Police Station L to R Philip Davis MTC, Pat McNamara deputy Premier and Minister for Tourism, David Treasure Contesting Gippsland East, Peter Ryan MLA Peter Hall Contesting Gippsland Province Lakes Entrance VictoriaBlack and white photograph of National Party Launch and talk on upgrading Police Station L to R Philip Davis MTC, Pat McNamara deputy Premier and Minister for Tourism, David Treasure Contesting Gippsland East, Peter Ryan MLA Peter Hall Contesting Gippsland Province Lakes Entrance Victoriapolice, community services, politicians

One page of the Victoria Police Gazette dated May 9, 1867, including extracts from Tasmanian crime report and extracts from South Australian Police gazette.essential services, police, victoria police gazette

A copy of the Victoria Police Association Journal, April 1991. Under the title: Goldfields disappearance never solved, Mr. Gary Presland - Manager Police Museum over three pages details the disappearance of Contable Ryan in 1886. Also attached Constable Ryan Police record of conduct and service.essential services, police, constable ryan

Dark blue tunic with silver buttons and first constable rank. Metal Victoria Police insignia on each shoulder. 1947-1979.'Victoria Police' (on badges) 'June M. Long 23/10/1968' (on inside label)police women, uniform, long, june, m. 11868, police woman, policewomen, policewoman

Victoria Police Gazette No. 38 dated Thursday, September 17, 1868, containing notices about: murder, incendarism, highway robbery and stealing from the person, housebreaking and stealing from dwelling houses, felonies and offences not otherwise described, miscellaneous information, horses and cattle, property stolen or lost, missing friends, courts, deserters from H.M. Service, property found, deserters from merchant vessels, extracts from the South Australian Police gazette, extracts from the Queensland Police gazette, extracts from the Canterbury police gazette and extracts from the New South Wales Police gazette. Also a list and description of horses and cattle reported to the police as stolen during the week ending 15th September, 1868.essential services, police, victoria police gazette

Altona is a suburb of Melbourne, 13 km south-west of Melbourne's CBD and located within the City of Hobsons Bay Altona Police Station opened as a temporary police station in 1919 in the Melbourne District. It was on the corner Sargood and Blyth Streets. It was staffed by one 1st Constable. The original police station was in a small room attached to the front of a 5-roomed weather-board dwelling with an iron roof on land measuring 66' x 165'. There was also a kitchen, vestibule, wash-house, office, one W.C. and a lock-up. In 1929 it became part of the Bourke District. On 31 March 1958 it moved into newly built government premises at 51-53 Blyth Street, on the corner of Bent Street. The building consisted of a cream brick veneer police residence and police station with cell. Staff was increased to a Sergeant in Charge and 3 Constables. A new police station was opened in Altona North on 7th October 1979. The Altona Police Station remained as a sub-station for a few a short time until the building was sold. July 2019 - a new police station is being constructed at 1 Galvin Street, Altona. Galvin Street was names after S/C Michael Arthur Galvin, 3651, who was appointed on 5 Jan 1886 and resigned on 4 Dec 1913. He was Werribee Shire President 1926-1927 and 1940-1941 8 black and white photos of new police station, 1963police stations; altona police station