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RMIT Design Archives
Sketchbooks
Sketchbook containing designs for fabricink, paint, paper -
RMIT Design Archives
Page layout
Page layout for Costume of Australia book, by Marion Fletcher.Page layout features sketch of twe 1870s , including bodice detail of the second dress: 1. Day Dress c.1873, from the National Gallery of Victoria; 2. Afternoon or Dinner Gown, 1877, from the National Trust of Australia (Victoria).Inscribed in blue pencil, bottom left: '64% in grey ink, bottom left: 'P2' in blue ink, bottom left: '<-----------------------164mm--------------------------->/ OUP 102[cricled]'; bottom left [running horizontally]: <---------------------187.5mm----------ink, paper -
RMIT Design Archives
Posters, Is Not Magazine, Final Issue! Ever!, Issue Eleven
graphic design -
RMIT Design Archives
Magazines, Fast Forward, number 2, December 1980
Cassete magazine including one magazine and one audio cassetteink, paper, plastic -
RMIT Design Archives
Magazines, Fast Forward, number 3, 1981
Cassete magazine including one magazine and one audio cassetteink, paper, plastic -
RMIT Design Archives
Mixed media - Magazines, Fast Forward, number 4, April 1981
Fast Forward was an audio-cassette based music magazine conceived and edited by Bruce Milne and Andrew Maine. Both had music programs on radio station 3RRR and Milne ran the successful independent record label Au Go Go Records. Michael Trudgeon joined them as the designer for the magazine. Each issue comprised a cassette tape interspersed with music and was packaged with printed artwork. The magazine was distributed in record shops for $3.50. Thirteen issues were produced between November 1980 and October 1982. Regular contributors included Jeff Holland, who created elaborate sound collages which were combined with elaborate illustrations in the booklet that accompanied the audio cassette. Many ground breaking Australian bands were first published on Fast Forward tapes including Hunters and Collectors. An international audience was first exposed to music from Australian bands including Laughing Clowns, the Go-Betweens, Rowland Howard’s ‘Shivers’ as performed by The Young Charlatans, The Scientists, the M Squared label, Dead Can Dance and Pel Mel’s ‘No Word from China’ recorded as a ‘demo’. Fast Forward was the world’s first audio-cassette music magazine. As the magazine’s presence and reputation grew, international acts began to submit material for publication including The Cure. Interview subjects included Nick Cave, The Cure’s, Robert Smith, Mark E Smith of The Fall, and the manager of The Clash.Cassette magazine in vinyl cover. Contents includes one magazine, one audio cassette, one crossword, one subscription pamphlet, and one pamphlet titled 'The Kmart Herald'.music, design, magazines -
RMIT Design Archives
Magazines, Fast Forward, number 5, June 1981
Cassette magazine in vinyl cover. Contents includes one magazine, one audio cassette, and one crossword.ink, paper, plastic, vinyl -
RMIT Design Archives
Magazines, Fast Forward, number 6, August 1981
Cassette magazine in vinyl cover, Contents includes one magazine, one audio cassette, one crossword, one F.A.T.E entry form, one newsletter titled 'Pneumatic Drill',and one 'Cassette- It-Yourself' guide.ink, paper, plastic, vinyl -
RMIT Design Archives
Magazines, Fast Forward, number 7, October 1981
Cassette magazine in vinyl cover. Contents includes one magazine, one audio cassette, one crossword, one subscription pamphlet, one pamphlet advertising Minotaur Books, and one pamphlet featuring news, competitions and a poem.ink, paper, plastic, vinyl -
RMIT Design Archives
Magazines, Fast Forward: First Birthday Issue, number 8/9, December 1981
Cassette magazine in vinyl cover. Contents includes Annual report, two audio cassettes.ink, paper, plastic, vinyl -
RMIT Design Archives
Magazines, Fast Forward: A Fast Issue, number 10, March 1981
Cassette magazine in vinyl cover. Contents includes one magazine, one audio cassette, and one crossword.ink, paper, plastic, vinyl -
RMIT Design Archives
Magazines, Fast Forward: Our Sex Issue, number 11, May 1982
Cassette magazine in vinyl cover. Contents includes one magazine, one audio cassette, one subscription pamphlet, and four postcards.ink, paper, plastic, vinyl -
RMIT Design Archives
Magazines, Fast Forward: The Dance Issue, number 12, August 1982
Cassette magazine in vinyl cover. Contents includes one magazine, one subscription card, one subscription pamphlet, one vinyl folderink, paper, plastic, vinyl -
RMIT Design Archives
Magazines, Fast Forward: Personality; Style and Fashion, number 13, October 1982
Cassette magazine in vinyl cover. Contents includes onemagazine, one audio cassette, one subscription card, one subscription pamphlet, one track list card, one advertisement for Rash (Decisions) cassette release, and one advertisement for New Order with The Saints and John Cooper Clarke at the Palais Theatre.ink, paper, plastic, vinyl -
RMIT Design Archives
Posters, At Last the 'push-button magazine' Fast Forward cassette magazine
Poster advertising Fast Forward Cassette Magazineink, paper, plastic, vinyl -
RMIT Design Archives
Scrapbooks
Scrapbook containing examples of design work and photographs. Includes photograph of interior of Church of St James, Malvern (B Joyce architect; Kral may have designed lights and pews); Gallery A letterhead, catalogues etc: John Jansson; Robert K Skerritt Pty Ltd; Claude Kawchitch & Associates; Martin Adams; Total Design Group (George Kral, Bernard Joyce, Derek Hooper); Trevor Huggard; Forum, Southern Cross Hotel; Centroswiss; photographs of Kral with Clement Meadmore; Esquire Caf�, Canberra; Caprice Restaurant, Collins Street, 1957; Frederica Melbourne,1958; Nylon Spinners stand, Royal Melbourne Show,1959; ACI stand, Exhibition Building,1958; Department of Trade Show, Japan 1962 (with B Joyce); APPM display; International Exhibition of Advertising; Building Industries Fair, Melbourne; Packaging Industries Fair, Sydney,1957; Spencer Motors stand at Motor Show 1958; unidentified designs; 17 drawings of logos.ink, cardboard -
RMIT Design Archives
Design drawings
Furniture commissioned by Dr C E Backwell of Geelong from the Myer Emporium.Design drawing of bed and dresser. Drawing features furniture design of dresser with six drawers and mirror, and bed head with attached shelving for girls bedroom.Inscribed lower right 'Treatment / for girls / bedroom / TAS OAK / Dr C E BACKWELL GEELONG'coloured pencil, paper -
RMIT Design Archives
Blueprints, Single Bed
After his experience in designing moderately priced furniture in the 1930s and managing the construction of aircraft by an inexperienced workforce during World War II, designer Frederick Ward developed Patterncraft paper patterns. They were available by mail order through Australian Home Beautiful from 1947. For those with rudimentary skills Ward developed Timber-pack kits of components ready to glue and assemble. Blueprint, his subsequent project for the mass-market was launched in 1951. At a time of austerity and shortages, Blueprint patters helped Australians furnish their modest homes with modern furniture they had made themselves. Nanette Carter, 2017Fred Ward, Detail sheet for 'Home Beautiful Blueprint Furniture' No. 6, includes technical drawings and instructions, 1950-1951furniture, patterns, diy, rmit design archives -
RMIT Design Archives
Diazotypes, Standard Chair No EAD CS2
Fred Ward, better known for his work with Myer Heritage, Patterncraft and the ANU, began making furniture in the late 1920s for his own house in Heidelberg. An early client was the sophisticated and progressive Maie Casey, who in 1932 furnished the rented Gwynn house in Canberra in a radically austere style, with Michael O'Connell textiles, Ward's monastically simple waxed timber designs and imported steel tubular chairs. Maie Casey's patronage proved enduring and influential. The RDA’s collection shows designs and details of bespoke pieces commissioned by Lord Casey for government offices, including the Department of External Affairs, during his political and vice-regal career. Catriona Quinn, 2017 furniture, design, canberra, rmit design archives, myer, anu -
RMIT Design Archives
Design drawings
Designed for production by Backwell IXL Pty. Ltd.Design drawing of Backwell IXL electric stovePrinted text attached lower right 'Architects & Industrial Designers Walter Gherardin, A.R.A.I.A., A.R.I.B.A.,Ronald Rosenfeldt, F.I.D.I.A / ROSENFELDT, GHERARDIN & ASSOCIATES PTY. LTD., 67 WELLINGTON ST., WINDSOR, S.I., 514923, 514963'.paint, pencil, paper -
RMIT Design Archives
Books, John Browning Pty. Ltd
John Browning Opticians were at 182 Collins St, MelbourneA small, spiral bound book featuring black and white photos of the John Browning Optician shop.Printed in white on grey sticker on inside back cover, bottom right: 'ATHOL SHMITH/ F.R.P.S F.R.S.A/ 125 Collins Street, Melbourne/ MF 5224'ink, paper -
RMIT Design Archives
Proposals, Concept A1: One piece, Top Controls
Presentation featuring 'Billi' water dispenser design conceptsink, paper -
RMIT Design Archives
Shirts
All Wool Ponchowool -
RMIT Design Archives
Architectural drawings, Lyceum Club: Proposed new Clubrooms at Ridgeway Place: Stage one
As a Principal of Stephenson and Turner, Ellison Harvie?s 1959 design for the proposed new club rooms of the Lyceum Club, Melbourne has an elegance typical of late 1950s modernism. Harvie attended Swinburne Technical College and then, from 1925 to 1928, the Melbourne University Architectural Atelier where she excelled, becoming the first woman to receive a diploma of architectural design from that institution. Harvie was an advocate for the professional development of women in architecture and was a mentor to younger women. She was President of the Lyceum Club from 1963 to 1965. The Club had been established in 1912 for women graduates and those who had distinguished themselves in public service. The watercolour perspective is held in the archive of Berenice Harris, whose last major project was a renovation and extension to the Lyceum Club in the 1980s.watercolour, paper -
RMIT Design Archives
Architectural drawings, Proposed Extension to Boatshed for Melbourne University Sports Union
Site Plan and View from North-Westink, acetate -
RMIT Design Archives
Architectural drawings, Sample House, Lot 36, Hillcrest Estate
Designed for Dome Contructions Pty. Ltd.ink, acetate -
RMIT Design Archives
Posters, AASA Convention Sydney, 16-23 May
graphic design, architecture -
RMIT Design Archives
Books, New Skills for Designers
Book was produced for the seminar "New Skills for Designers", October 4 1968, in Melbourne, Australia. First published by William J. Mitchell as honours thesis for B.Arch (Hons) Melbourne University.ink, paper -
RMIT Design Archives
Advertising signs, Ajax Pumps
One of Australia’s most acclaimed printmakers, Grahame King originally trained as a commercial artist in the mid-1930s. The Design Archives holds a collection of embossed advertising showcards designed by King in the 1950s which reveal examples of graphic design and typography in post-war Melbourne. The showcards were used by iconic companies for advertising and promotion on shop counters and in window displays and were produced by Firestone Embossed Showcards. Megan Atkins, 2017 Sign shows centrifugal pumps, close coupled centrifugal pumps and self-oiling piston pumps.Printed text bottom left on verso, Firestone embossed showcards PTY. LTDshowcards, advertising, graphic design, commercial art, artist -
RMIT Design Archives
Drawings, Godfrey (Geoff) Fawcett and David Lancashire, Lettering sketch
This sheet shows a preparatory lettering sketch that focusses upon the individual essence of each letterform. In the complete version, the point of essence is filled with black. This interest in the reductive follows a lineage of similar typographic experiments going back to the Bauhaus' Herbert Bayer (1900-1985) and the French typographer AM Cassandre (1901-1968). Stephen Banham, 2017 Hand lettering Alphabet on boardtypography, graphic design, bauhaus, typographers