Acquired when "Classweave Industries" closed down.WM I THOMS/ FOR WALL PAPERS, PAINTS....textile mills woollen mills, classweave industries pty ltd federal woollen mills ltd, textile mills, woollen mills

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, black and white photo of the front of 'Turinville' in Barnard Grove, Kew. "German Plaques. Back wall of Roseneath. 30"roseneath -- pakington street -- kew (vic.), historic houses -- kew (vic)

This locker door was used by the Carlton Premiership player of 1968, 1970 and 1972, Robert Walls. Walls played 218 games for Carlton between 1967 and '78. The locker carries his name because he wore the No.42 into 100 senior games for the club - the minimum number of games required by a player to earn that honour. This item is one of the few of its type remaining with the club, and Robert Walls is an important figure in Carlton FC history as both Carlton Premiership player (1968, 1970 and 1972) and Senior Coach (1987). The locker room is considered the inner sanctum of the players, hence the significance.1.5m x 25m x 2.5cm steel louvred dark navy blue locker with white enamel No.42 and R. Walls, silver handle. At rear on left side below louvre, white powder coated, with inscription GOOD BOY BANGER! in fading black fineliner, and GOOD BOY POTS AND PANS!, plus various other markings. Slight rust. At rear on left side below louvre, white powder coated, with inscription GOOD BOY BANGER! in fading black fineliner, and GOOD BOY POTS AND PANS!, plus various other markings. locker, no.42, robert walls, carlton football club, robert heatley stand, locker room

During the Victorian era, the period (1837-1901) in which Queen Victoria ruled England. The queen’s influence was felt throughout the world, including in the United States and Australia where Victorian values shaped society and style, especially in home décor. This period’s distinct style presents an eclectic mix of highly ornamented furniture, wallpaper, and knick-knacks. Particularly in terms of furniture, and the characteristic floral patterns and rich, contrasting colours, wall hanging that enjoyed the height of its popularity during the Victorian era were of the spiritual type with an either embroidered or punched paper religious motto or bible quote. Mottoes were commonly hung high up on the wall or in an area of prominence, to remind the viewer of their important message, such as "Home sweet Home “He Leadeth Me” and “Honesty, Industry, and Sobriety.” Short and pithy, they embodied the ideals of Victorian society. Technological advances contributed to the boom of religious mottoes whereas before the Industrial Revolution home décor of this sort was handmade and therefore minimal, now consumers could purchase and fill their homes with all sorts of mass-produced ephemera goods similar to the subject item. Many of these mass-produced period pieces still exist today, often in their original frames, ceramic, or paper formats. Flagstaff maritime museum has many examples of mottoes on display that serve to reflect the period in which values of home, faith, and Christianity were very prominent in everyday Victorian society. For more information on the Giles collection see Acquisition section this document: An item that reflects the social values and attitudes of the late Victorian era that was used to promote good Christian and moral values in many households. These items of decoration were very popular at this time and the subject item is significant as it gives a snapshot into the social norms of past generations. The Giles family collection is of additional social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us an additional view into what domestic life was like in early colonial times prior to Federation.Wall decoration, framed handmade embroidered tapestry with the woven inscription, Frame has velvet cover. This item is part of the Giles CollectionHome Sweet Home, in gothic scriptflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, soft furnishing, wall decoration, home sweet home, wall hanging, handmade wall hanging, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century handcraft, mrs vera giles

The damaged building in the photograph is the former Diggers Rest Hotel which was built in on that site in 1854 It was a popular place during the 1970s Sunbury Pop Festivals as it was the closest hotel to the Pop Festival site. It was partly destroyed by a suspicious fire on 30th October 2008, which left the walls and chimney intact but the roof caved in. Since then there have been moves by the local community to either rebuild and reopen the venue or to demolish it.The Diggers Rest has been one of the few early surviving hotels that were built along the former Mount Alexander Road, now Calder Highway, during the 1850s gold rush years.This a non-digital coloured photograph of a double storey hotel building, which has been damaged by fire. The exterior walls are intact but the roof has collapsed.The building is beside a main road. diggers rest, diggers rest hotel, hotels, calder highway, gold rushes

Brick wall made of Chinese Bricks, Rowan Street, Bendigo A face of brick wall showing construction of the wall using locally made Chinese bricks B Façade of brick wall constructed with Chinese made bricks

McEvoy Miners, c1895.Poster on wall, 'SPORTS' and '£170' only visible textminers, mining, mcevoy mine, men, beards, sports, el dorado, eldorado

Cuming's Ski Hire was an early establishment in Falls Creek, owned and operated by Harold and Jean Cuming. Located in Main Falls Creek Road only 70 yards from the top station of the chairlift, it had a wide range of skis for hire and many other accessories for sale. It also operated simple accommodation, a cafe and apres ski shop. The business changed hands and the cafe had many names throughout its history. It was the centre of many activities - including skiers using the roof as a ski jump!This image is significant because it depicts the original Cumings Ski Hire building at Falls Creek, Victoria.A black and white photo of the Harold Cuming Ski Hirage Centre at Falls Creek.On sign on wall: Harold Cuming Ski Hirage Centrecuming's ski hire, harold cuming, jean cuming, ski hire falls creek

Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. The black and white photograph of the 1969 Sarah Coventry Pty. Ltd. warehouse in Wodonga has local significance as part of the decentralised commercial development of regional centres such as Wodonga in NE Victoria. As part of the Sarah Coventry collection, the photograph has national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model it was based on is also considered the first of its kind for jewellery.Black and white photographic print of the outside of the Sarah Coventry Pty. Ltd. building in Wodonga, Victoria. It was built in 1969 at Sarah Coventry Park, Hume Highway, Wodonga.The name "Sarah Coventry" is on the front wall of the building in the photo.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery

A small book of 47 pages printed at The Specialty Press Melbourne. Covers in poor condition due to wear and water but content pages fair although cover now detached.fictionedna walling, gardeners, poetry

During World War One, to finance the war the Commonwealth Government had a series of war loans, and then peace loans. To recover the cost of the war and fund soldier pensions the government launched 'Peace Loan' campaigns after the war. The various Shires in each State were given quotas that they were expected to raise. The Central Peace Loan Committee endorsed the issue of a metal tablet to each district which secured its quota. The tablet was made of bronze, and it was to be fixed on the wall of the local municipal building. It bore the name of the town, borough or shire to which it was awarded, and the name of the mayor or president. The inscription explaining the object of the award appeared over the signatures of the Prime Minister and the Treasurer of the Commonwealth. In the case of districts which secured double their quota the tablet also included the Commonwealth coat-of-arms. This plaque was presented to the Shire of Wodonga for exceeding its allocated quota which had been set at £10,000. The Wodonga community subscribed more than £12,845 to the Peace Loans which was acknowledged with the presentation of the plaque.A bronze rectangular plaque with raised text and an border. A hole in each corner allowed the plaque to be secured to a wall. COMMONWEALTH OF AUSTRALIA / PEACE LOAN/ A.D. 1919/ TO COMMEMORATE THE OVERSUBSCRIPTION / OF THE ALLOTTED QUOTA OF THIS LOAN / BY/ THE SHIRE OF WODONGA/ W. TWOMEY PRESIDENT / W. A. WATT TREASURER/ W. M. HUGHES PRIME MINISTER"ww1, peace loans australia, shire of wodonga peace loans

wall mplaque

Gas lamps worked by heating something called a 'mantle' with a gas flame. The mantle then glowed brightly, lighting up the room. Lamps had either two chains, for a ceiling-mounted lamp or a tap for a wall-mounted burner to turn off the gas. These chains or taps could also adjust the flow of the gas and hence the brightness of the mantle. Before Carl Auer von Welsbach invented the gas mantle in the 1890s, all gas lights in homes and street lights had simple gas jets that pointed upwards. In the home, these lights were covered with glass globes and had an overall ornate look making the lamp ascetically pleasing and protecting the flame from being blown out. However, this arrangement was extremely inefficient: To get as much light as possible, the gas had to be turned fully up, resulting in large sheets of flame rising towards a ceiling. Also, because the lamp had to be point upwards, the illumination was directed upwards, i.e. at the ceiling rather than where it was needed. So the usable light for a given amount of gas was minimal but the invention of the gas mantle eventually changed this. It enabled gas lights to have a small flame and to direct their light downwards. The item is significant as it is part of a very ornate gas lamp wall bracket from the late 19th to early 20th century. Its provenance is currently unknown and at this time cannot be associated with a historical event, person or place and the item is assessed as a collective asset.Gas lamp wall bracket; part of a gas lamp. A single burner fancy wall mounted bracket, brass, ornate and decorative, featuring a Lamassu - figure with the body of a lion , wings of an eagle and human head. It was recovered from the wreck of the Loch ArdNoneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, gas lamp, brass lamp, gas burner bracket, domestic artifact, gas lighting, gas lamp bracket

A slab construction cottage built in Ripplebrook in 1880 as a home for a single female landowner by the name of Ada Donaldson, and later relocated to Labertouche. It was donated to Old Gippstown by the Mason-Brook Pastoral Co. of Labertouche. A small building of horizontal timber slabs. It has a verandah over the front entrance and the front porch, a main living area with a cast iron stove in the fireplace and a separate room (probably a bedroom). There is a stone chimney on the back wall and the roof is shingled. Originally a cottage in its own right, the slab kitchen is now a part of the Bushy Park display.Medium local historic significance.A small building of horizontal timber slabs. It has a verandah over the front entrance and the front porch. There is a stone chimney on the back wall and the roof is shingled. This building was built in 1880sout kitchen, old gippstown, west gippsland, gippsland, gippsland heritage park, goldfields, coal mine, victorian era, moe, historical village, timber slab cottage, ripplebrook, labertouche, mason-brook pastoral co., baw baw shire, latrobe valley, old gippsland heritage park, gunaikurnai, latrobe city council

Yields information about the BTM's 40th anniversary celebrations, and some of the people involved.Set of eight colour prints of the display area and new panels on show for the first time. Taken by Earl Ewers, printed on Fujichrome paper. Taken 29/5/2011. .1 - Display area from the office .2 - Boards and panels on display alongside 3 road .3 - No. 39 and shed. .4 - New panels alongside wall./ .5 - Gavin Young at sales desk .6 - Panel - 1950's to 1960's .7 - Yanks Conductresses and pranksters .8 - End of the Line On rear in blue pen .1 - Interior Museum Section BTM 29 May 2011 .2 - Interior Ballarat Tram Museum 29 May 2011 .3 - Interior Ballarat Tram Museum 29 May 2011 .4 - Wall mountings ready to be put on museum wall 29 May 2011 .5 - "Counting the badges" Gavin Young hard at it 29 May 2011 Ballarat Tram Depottrams, tramways, 40th anniversary, btm, displays, depot, tram 39, tram 1, tram 40

The image portrays how the Celia Little room (Celia Little plaque on the wall) was used mid 20th C. and date of similar image (see record 0221) The inclusion of the bell from the 'Moreton Bay' vessel dates the image to post 1957 when the bell was presented to the Mission. Used as a sitting room or lounge area at the Mission to Seafarers Melbourne. The image also shows the style of dress and style of magazine covers of the time. On the table stands the shield for the annual competition by crew of merchant ships presented by Wally Nancarrow, Sydney. (see item 0608)The photograph is significant in that it captures the essence of the Mission to Seafarers mid-20th century. It identifies the main use of the Celia Little room as a reading area. It also helps date and track locations of other objects in the heritage collection. A black and white photograph of two men in the Celia Little room at the Mission to Seafarers Melbourne. The top left of the photograph is a bell fixed to the wall that has a bell pull with a long piece of decorative knot-work attached to the clapper. The room is set up as a lounge area with at table left of the centre against the wall. The table is laden with magazines and papers on top of a tablecloth. A picture frame is sitting on the table and leaning against the wall that has a 'shield' or 'coat of arms' displayed. (see also VC records 221 and 0608) One of the men is standing central in the photograph, in a white jumper holding a magazine and half turned towards the wall.The second man is sitting in a chair in the bottom right side of the photograph and appears to be reading. A few tops of chairs are seen at the very bottom of the photo and on the wall are a plaque to the left, a framed picture to the right of the first man's head and another in the far right top corner. The room appears to be lit from the left.melbourne, bell, men, magazine, chairs, wains coting, papers, mission-to-seafarers, celia-little-room, bell-pull, picture-frame, 1940s, celia little, plaque, shield, soccer, football

At the crossover between placemaking and public art, this space designed and constructed by Katherine Masiulanis embeds local stories to enliven the local community centre. Masiulanis has designed the public artwork to reflect the lines of crops and ploughed fields and mountains in the surrounding landscape. The artwork also refers to the seasonal travel of Aboriginal people from Wendouree to Burrumbeet and migratory birds making a similar journey. The style of the refurbished courtyard will reflect the 1970s positivity style reflected in the Community Centre architectural design and the history of the first development of the ‘Village’. Cardigan Village is home to about 450 residents on the outskirts of Ballarat. It was established in the 70s, with all the positivity and optimism of the period.Painted walls, metal bird shapes, metal cut out wall shapes, stone bowl

"After the war Pipe-Major Duncan McLennan, moved to Ballarat and took up a position as cadet instructor and leader of the Ballarat Highland Pipe Band and the Ballarat Ladies Pipe Band. " (Victorian Historical Journal Vol. 85, No. 1, June 2014)A1 - Coloured photograph of children playing the bagpipes. A2 - Coloured photograph of a group of men A3 - Coloured photograph of children playing drums A1 - 19 Waller Ave, Ballarat. Lew Zilles and another old timer watching the 'learners' at the Band's 40th Birthday Reunion. A2 - M. Bennett, 19 Waller Avenue Ballarat A3 - M Bennett, 19 Waller Avenue, Ballarat. Learnersladies pipe band, ladies highland pipe band, photograph, learners, 40th birthday, reunion, coloured photograph

A 1939 booklet of nursery rhymes designed to inspire Australian children with their own fairy stories. Olga Dorothea Agnes Ernst published the rhymes under her married name Waller. This copy was presumably used by Helen Gibson in her pre-school teaching and was donated to the society as part of her collection of materials.Stapled booklet with cardboard covers and twenty-four pages, containing lyrics and music to ten songs composed by Olga D. A. Waller M. A. (words) and Jean M. Fraser (music). The songs, described as "Mountain nursery rhymes" are all concerned with the Dandenong Ranges.In ink on flyleaf: To dear Rita, With love. June 1950. Marie. "There's joy in Remembrance."dandenong ranges

stone wall sculpture

Appears to be original to Mt Buffalo Chalet. "A number of specific items, which have been useful in the day to day operations of the Chalet, remain in the building with each complementing the other to provide context, meaning and character to their setting. Items such as the hall porter bell, the many signs providing information to the guests, the wall clock, barometer and dinner bell point to the Chalet being a well-run social institution with a pleasant environment for rest, recreation and congenial company." (Pg 81 Historica, MBCC) This temperature gauge has a plaques inscribed "Presented by C.P Sanderson 7/08/1973. It is not known who this person was. Listed in Draft Inventory of significant Collection items. A.3 Fixtures and fittings. (Pg165 Historica Cultural Heritage Projects. Mount Buffalo Chalet collection. Prepared for Parks Victoria, 2011)Listed in Draft Inventory of Significant Collection ItemsSmall circular silver coloured temperature gauge mounted to wall. Plaque attached below temperature gauge. Face is white and has a glass cover.Plaque below barometer: "Presented by C P Sanderson / 7 - 8- 1973"

Black and white photograph"Written on back of photograph" Centenary Wall ? ? Christy Alex Dinic

One-room cell-lockup, possibly transferred from Rosedale to Maffra in 1869, moved to Old Gippstown in 1973.High local significance on account of age.A small square shaped timber building with a gabled corrugated iron roof. Built in 1869. The door is not original and has been roughly made of pallet boards.This cell has many different things written on the inside walls.old gippstown, west gippsland, gippsland, gippsland heritage park, goldfields, victorian era, moe, historical village, wellington shire, maffra, cell, police, old gippstown heritage park, latrobe valley, lock up, latrobe city council

The ruined granite building is part of the Glen Loeman estate at Bulla. It is aboaut 7 x 4m and was probably a single room. It has been roughly constructed from roughly worked granite blocks and rubble stone laid unevenly.A coloured photograph of the ruins of a granite building. The end walls and chimney are left standing as is part of the side wall.granite, burns, joseph, loeman, michael, isabella, glen, george evans collection