The Ballarat School of Mines was opened to student in 1870. It was the first School of Mines in Australia. It is now a predecessor institution of Federation University Australia.Two black an white photos of the Ballarat School of Mines Centenary Cake being cut at the Centenary dinner on 08 August 1970. .1) E.J. Barker, principal of the Ballarat School of Mines, assists Albert E. Stohr, Vice-President of the Ballarat School of Mines Council, to cut the Centenary Cake .2) Candles on the Centenary Cake are blown out. Standing is A.E. Stohr. Seated Left to right: Mrs M.B. John, Mrs E.J. Tippett, Sir Douglas Menzies.stohr, a.e. stohr, barker, e.j. tippett, m.b. john, douglas menzies, centenary, centenary dinner, centenary cake, founders day cake, e.j. barker, jack barker

A menu card for a dinner given to farewell Group Captain Thomas W White, D.F.C., V.D given by his friends on the occasion of his appointment as High Commissioner for Australia in the United Kingdom. Although this dinner on 25 June 1951 was not an official Legacy function, many of the names such as S.H. Birrell, F.J. Doolan and J.G. Gillespie on the back page under the heading 'Hosts' are recognisable as Legatees. This may not have been an exhaustive list of attendees, as evidenced by the abbreviation E.& O.E. (errors and omissions excepted) following the list. T W White was knighted during his term as High Commissioner, but died of a heart attack in 1957 only a year after he retired to South Yarra. The food served at the dinner was typical of the times but the pudding (Bombe Nesselrode) is worthy of mention - it was a frozen pudding which was popular in the Victorian era, flavoured with chestnuts and maraschino, which is not often seen today. According to www.historicfood.com it was 'originally made by the French chef de cuisine Carême in 1814 for the diplomat Count Karl Von Nesselrode and became the most popular ice pudding of the nineteenth century, particularly appreciated by the English upper classes.' The menu card may have been collected by one of the Legatees that were present and added to the archive.A record that Legatees held very significant positions in their lives outside of Legacy. Networking activities of early Legatees spread through all levels of society, and they were able to draw on some very well placed contacts during the course of their work for Legacy.Dark blue print on white card of a menu and order of proceedings for the farewell dinner of TW White - 2 copiesfunction, thomas white

Memorial plaque or death penny, medals and photograph of Private Percy Albert TIPPETT 483 who served with the 6th Battalion AIF and was wounded on the 25/4/15 during the initial landing at Gallipoli and died on 28/4/1915.Percy, aged 19, was one of the first young men from Wangaratta to enlist in the First AIF, Service No. 483. He was posted to the 6th Infantry Battalion on 19th October 1914 and sailed from Melbourne on HMAT Hororata. On 25th April 1915, Percy was in the initial landings at Gallipoli when he was seriously wounded. He was retrieved and taken to a transport ship for medical attention but unfortunately did not respond to treatment and died from his wounds on 28th April 1915. The Tippet family has a long and direct association with the land where the memory of Percy is commemorated and now known as 'Percy Tippet Reserve`.Timber frame with photograph of solider, four medals with ribbons and death pennyMedals include: The Victory Medal, The British War Medal, The Memorial Plaque and the 1914/15 Starpercy tippett, ww1, wangaratta, gallipoli, 6th battalion

Timetable - summary - unfolded, but can be folded to pocket size, 3 full colour for "Route 109 - Port Melbourne to Mont Albert". Shows the frequency of trams during varying times, first and last trams. Published by Yarra Trams in Oct. 2001. Lists various contact numbers. Two copies held.trams, tramways, timetables, route 109, mont albert, port melbourne

4-sided, brown, glass bottle, with damaged label on the front and a cork stopper.On label: "Borantibane". A shield-shaped logo is surmounted by a banner with the name "Borantibane" printed on it. The shield has 4 pictures relevant to "Borer and white ant exterminator" (printed around the shield). Under the shield: "The sure preventative against Borers and White Ants. Manufactured by Borer & White Ant Exterminating Co.". On base: "L 718. 16 ozs.". On centre rear side: "Not to be taken" and on both adjoining sides there are 5 rows of small, embossed stars.bottles

Oval aqua tinted clear glass bottle with flat panel on one side containing embossed text. Embossed text on base.On side panel of bottle 'ALBERT E HUGHES PHARMACIST 75 ELIZABETH STREET N MELBOURNE'. One base of bottle 'W T & Co 3 USA'pharmacist, albert e hughes

In 1980, the original week long session of planned activities to celebrate White Cane Day was jettisoned for displays and presentations in the new City Square. These included films, Swish demonstrations, children’s tactile artwork and photographs. It was a lovely sunny day, with crowds enjoying a performance by the Victorian Police Brass Band and their well known equine Gendarme, as well as the Lightfooters square dancing. The Minister of Health, Bill Borthwick, officially opened the program of activities.10 B/W photographs of White Cane Day celebrationswhite cane day, janene sadhu, bill borthwick, john cook, john wilson, lindsay mcmillan, phyllis gration, bryan sitlington

RBS client Kevin Stapleton uses a white cane as he descends church steps, crosses a road and walks along the footpath. Another RBS client, Wally Urgacz, walks behind Kevin as he crosses the road in the Sydney CBD. Wally Urgacz steps off the Bondi Beach bus and up a flight of stone stairs using his Hoover long cane, under the purview of Margaret Rihr.5 x B/W photographs of men using a white caneMobility - historicalroyal blind society of nsw, white cane day, kevin stapleton, wally urgacz, margaret rihr

"Sergeant Snow White" was a happy go lucky musical revue of bad old and good new times. Was a Sergeant Doc K Sternberg production. Performed at the Union Theatre, Melbourne on April 15th,17th & 19th 1943Program of a Union Theatre production of "Sergeant Snow White" Blue print on pale blue green background. Folds into 4, cover picture depicts stage scene in plastic sleeve cover.documents, programmes

Death and Bereavement notices for James Main White - died November 10, 1943, and Edith White - died December 30, 1943, both of Whitehorse Road, Ringwood.James, loving husband of Edith and father of Amos and May (deceased), grandfather of Edith, Jean, Amos and Dawne. Edith, loved wife of the late James Main, and loved mother of Amos and May (Mrs. Martin, deceased).

Marshall White is a former Merri-bek resident and artist. He completed a Fine Art diploma at the National Gallery Art School in 1973. After a severe motorcycle accident left him with quadriplegia in 1977, he returned to university, earning a Master in Painting from what is now the Victorian College of the Arts. White is considered a pioneer of digital art in Victoria. He taught art to inmates at Pentridge Prison, which provided him with access to early computers. Using a Commodore Amiga, Marshall pushed the boundaries of digital art. Strip 1 represents an early contribution to what was, at the time, an emergent art form. Inspired by William Blake and Arthur Boyd, White’s work delves into psychological spaces, addressing themes such as the apocalypse and White’s distain of religion. White's work exemplifies resilience and the transformative power of creativity in the face of challenges.Purchased

Refer to the service of BATTYE, Albert Wilkinson No 3020. Sergeant 8 INF BN. A.I.F. Died of wounds 5th October 1917.1). 2 sheets of paper, written on all sides in pencil. Addressed to Mrs Willis from A.W. BATTYE. Dated 20 August 1915 .2) 3 sheets of paper, written on all sides in ink. Addressed to Mrs Willis from A.W. BATTYE Dated 9 February 1915.1) Header on page “CHURCH OF ENGLAND SOLDIERS INSTITUTE (HOME MISSION) EXPEDITIONARY FORCE ENCAMPMENT BROADMEADOWS. ( CROSSED AT SEYMOUR WRITTEN) .2) Header on page. “ THE YOUNG MENS CHRISTIAN ASSOCIATION WITH H.M. MEDITERRANEAN EXPEDITIONARY FORCE IN EGYPT”aif ww1, letter, egypt

Albert Jacka No 465 enlisted in D Coy 14th batt AIF on 18.9.14. Embarked for Eygpt 22.12.14. He rose through the ranks from Pte to Captain by 15.3.17. He was WIA 3 times and hospitalised twice with illness. Awarded the Victoria Cross at Courtney's Post 19/20th May 1915. The Military Cross at Pozieres on 7.8.16 and a Bar to the Military Cross on 10.4.17 near Queant. He was discharged from the AIF on 10.1.20. This is a very brief history of "Jacka". Collection re Mrs May Burns.Postcard photo, B & W re Albert Jacka VC MC & Bar. On the rear of the original, “Egypt 26.3.15. best wishes Albert Jacka"photography, portrait, military history

A bearded man uses a white cane and sonic guide to help him navigate around the streets of Strathfield. The sonic guide consists of a pair of heavy black spectacles with three sensors built into the bridge of the glasses. The glasses are attached by a cable to a control box which is designed to be clipped onto the wearer's belt or clothing. The control box has two switches and a volume setting, and assists the user in determining objects in their path and their distance to them.2 B/W photographs of man using sonic guide and white cane"5156-220" and '5156-224" on back of photographsroyal blind society of nsw, white cane, orientation and mobility

This is a book of 266 pages. It It has a buff-coloured cover with 3 photographs and black printing. The pages contain printed text, maps, illustrations and photographs. non-fiction This book tells the biography of Pompey Austin an indigenous framlingham aboriginal mission, pompey austin

The farm buildings that Linda Gallus has studied and painted are on the farmland adjoining the Leura Park properties in Curlewis, on the Bellarine Peninsula. The current owner of the property told Linda that he bought the farm in 1994. He has used it for both sheep and cattle grazing since purchasing the property. When the farmer bought the land all the buildings on the property were painted white for sale, despite the fact they were very old. The shearing shed was in use up until the time of sale but was in a bad state of disrepair. The roof, stumps and floor required replacing. The building was no longer in use after the sale, so the shearing shed gradually fell into further disrepair. The previous owner had also used the property for growing potatoes, crops and livestock, mainly sheep. Linda’s fascination with the property came when she caught a glimpse of the white chimney over the hill driving towards Point Lonsdale, which still stands proud today on the roof of the old shearing shed. The owner kindly allowed her to visit the property over the past few years to capture the buildings using photography and painting. During this time many of the buildings have fallen. Linda calls it The White Farm as there are remnants of that original white paint on the outside of most of the buildings giving it a strange and rather beautiful patina. The structures are wonderful remnants of the history of the Bellarine. Linda first spotted the old shearing shed when she was driving home to Clifton Springs from Geelong. It was the white chimney on the shearing shed that stood out behind the rolling grassy hills. It was intriguing – bright white and still in good condition, unlike the rest of the building. After further investigation Linda got to know the owner of the property and visited it frequently to draw, take photos and paint. There is a variety of lovely old buildings on the property, but it was the shearing shed that held extra fascination for Linda. The most intriguing thing for Linda was that the buildings were all painted white at some stage and now the patina of peeling paint and bleached timber brought a wonderful mood and feeling to the farm. This is what she has tried to capture in this series of 11 paintings. Most of the buildings are falling, so Linda felt an urgency to capture them using acrylic paint on canvas in order to commemorate them forever.Acrylic Paint on Canvas. The images both feature a falling down shearing shed as the central focus. The wood of the shearing shed is a central theme of importance. The old buildings were painted white for sale despite being in a state of structural instability. After time this same painted wood has been left with an interesting complex patina like film on the surface which the artist has taken great care to capture. Image 1 is titled ‘Another gust of Wind’. It shows the exterior of the shearing shed which is in the process of collapsing from the forces of mother nature. In the background of this painting another of the buildings in the ‘White Farm’ complex is visible, in addition to blue skies and overgrown green grasses. Image 2 is titled ‘Green Trough’. It features the interior of the same collapsing shearing shed. The image is painted as though the viewer is peering through a crack of the external wall. Internally a green trough is seen hanging on an internal fence. Unlike everything else in the shearing shed, the trough appears new and in good condition. It provides a strong juxtaposition to the rest of the shearing shed, and the larger surrounding ‘White Farm’ complexbellarine peninsula, the white farm, shearing shed

A brief history of White Cane day outlining the use of the white cane in the United States and Australia.1 page typed sheet of informationwhite cane day, advertising

Pugh was one of many artists who brought an Australian experience to attention. His landscapes reveal the colour and textures of the natural bush, often with a dramatic emphasis. His reference to the harshness of the bush consistently arises, with angular forms dominating the composition. White Choughs in the Landscape is typical of his representations of the bush as a dynamic environment. White Choughs in the Landscape, 1958, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come White Choughs in the Landscape is typical of Pughs' representations of the bush as a dynamic environment. The brittleness and fragility of the landscape is recorded in the surface of the work, where paint is applied in thin layers.Signed 'Clifton Sept. 1958'clifton pugh, dunmoochin, white choughs

A black and white photograph of a horse and jinker / buggy standing in the street. There is a house in the background.c/- C. Hill / Donor / W. Dempsey / A.C. Hill / (undecipherable) / Arthur Hill / at 10 Pembroke St / Doll. 1918 These inscriptions are in grey lead pencil in 2 different hands: 1/ original hand (lighter): C/- C Hill; A C Hill (undecipherable); Doll 1918 2/ Jocelyn Hall's writing (darker): "Keep"; "Donor / W Dempsey"; "Arthur Hill / at 10 Pembroke St" AC Hill refers to Albert Clement Hill, the youngest son and youngest child in a family of 9 of William Valentine Hill and his wife Annie (nee Boak). William Valentine Hill had a brother Arthur Machen Hill. It is thought that Jocelyn Hall may have mistaken the identity of the A C Hill for A M Hill. hill family, jinker, land transport, carts and wagons, horse drawn vehicles, surrey hills, pembroke street, (mr) albert hill

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

Declaration of Ringwood as a City 1960. Officer, State Governor Sir Dallas Brooks and Lady Brooks (left-hand side). Town Clerk F. Dwerryhouse 3rd from left. Mayoress Mrs. Lavis presenting bouquet to Lady Brooks. Mayor Albert Lavis wearing glasses, Mrs. Dwerryhouse. Two photographs, the same source but the second one is a cropped version of the other.Copyright notice from "The Age", 233 Collins St, Melbourne.

A short article about William John Ewart White and his service in World War 1. William White lived in Greensborough.1 page, text and colour images.world war 1 project, william john ewart white

The Grave of Alan White (died 14/05/1988) and Betty Beale White (died 18/03/2014), St Helena Cemetery.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photograph (grave)st helena cemetery, white family, beale family

Report book. Has been covered in brown paper, covering the title information shown below. Contents include: instructions on record keeping, taped inside front cover; printed sheets, filled in by hand, some pages for "Arithmetic Text Book Account", some pages for "Victorian Reading Book Account". All of the following pages are headed "Inspector's Report Book | School No. 522 At Rutherglen |Date of Visit________ Time spent, from____ to ____" These pages contain extensive handwritten notes of each visit. Separate sheet inserted inside front cover: "Leaflet No. C4. | Department of Health, Victoria. | (Maternal and child Hygiene Branch.) | Maternal, Infant, and Pre-school Welfare Division. | The Diet of the Pre-school Child - Two to Six Years.""Department of Education, Victoria, Inspector's Report Book. State Elementary School at ____ By Authority, Albert J. Mullett, Government Printer, Melbourne" Written at top right of brown paper cover: "1946 / 54"rutherglen state primary school no 522, school inspection, primary schools

A folder of newspaper cuttings about White Cane Day in 1994. These include personal stories about people who use white canes and the various schools and organisations who helped the Royal Blind Society of New South Wales sell confectionary white canes to help raise money for the Society.Various pages of newspaper cuttings royal blind society of nsw, white cane day

The M.B. John Building (Building K), a three storey, face red brick, restrained Late Twentieth Century International styled building with an elongated, cuboid form (defined by the parapeted facades) that is offset by projecting exposed concrete framed, round‐arched entrance and stair wells on the east (Albert Street) elevation (the centrally located entrance breaking the brick façade with glazing). The facades are also characterised by banks of aluminium framed, horizontal ribbon windows, which wrap around the building corners. Metal shades project beyond the windows, while post‐supported bullnosed verandahs and hoods and projecting concrete stairs are other features. On the west elevation, the cuboid façade is punctuated by projecting curved concrete and glazed, elongated bays at first floor level. (David Rowe/Wendy Jacobs)Colour photograph of a red brick building on Albert Street. It was build to house trade workshops and Ceramics at the Ballarat School of Mines. m.b. john, m.b. john building, ballarat school of mines

Elder brother to Ada Ingram (nee Key), Albert Key married Isabella Roberts in 1902. Paris Panel Photo Eden Photo Studios, Melbourne and Sydney Eden Studios was big in Sydney from 1895 through 1927+ but only appears to have operated in Melbourne at 284 Collins Street from 1896-1900 and 149 Swanston Street 1904-1906.Inscibed on back in pencil Alan [sic] Key and Bella Roberts 1898eden photo studios photographer, paris panel photo, albert key, isabella key (nee roberts), pam thoonen (nee ingram) collection