Has a strong association with the BTM and the Cop's n Kids charter of November 2007 and Austin Brehaut and Dave O'Neil.Print of digital Image of a group of kids during the 19/11/2007 charter for the Cops 'n Kids (with cancer) programme. Features Victorian Police Superintendent and Dave O'Neil. Photo taken by Austin Brehaut. also appeared in Fares Please! of the time. Photo was printed by the Gold Museum 2008 for a local exhibition and additional copies given to the Museum by Roger Trudgeon 2009.trams, tramways, btm, charters, cops n kids

Has a strong association with the BTM and John Clowes, a BTM driver.Print of digital Image of John Clowes supervising a group of children putting the pole of No. 27 back on the overhead at St Aidans Drive - 279/2003 - see photo DCP-3225. Photo was printed by the Gold Museum 2008 for a local exhibition and additional copies given to the Museum by Roger Trudgeon 2009.trams, tramways, btm, st aidans drive, trolley poles, tram 27

Invitation to the opening of the exhibition at the Gold Museum "Objects Faces Places", photograph by Julie Millowick at the Gold Museum 2/3/2009. Has a photo of No. 27 on the top of the invitation card and details of the exhibition on the rear. The BTM provided a number of objects to the exhibition.Date stamped by BTM and letter number "5838"trams, tramways, exhibitions, gold museum

Black and White copy print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Copy photograph of demonstration electric locomotive (narrow gauge) hauled vehicles at the Gold Jubilee Exhibition in 1901. See page 80 of Keith Kings, Bendigo Tramways, ARHS 1972 for further details. Image 5783i3 reproduces this page. .1 - On rear in ink "Electric railway demonstrated at Gold Jubilee Exhibition Bendigo 1901". In bottom right hand corner "P.W. Duckett". trams, tramways, bendigo, exhibitions

.1 - Folded A2 (into A4 sheets) printed on gloss paper, featuring headlights from some of the Transporting Art program. Document acts as a catalogue for a 1983 Arts Exhibition. Gives a background to the project, lists the trams, notes on the artists, notes from the artists on their work, black and white images of the tram parts. Printed for the Victorian Ministry for the Arts Gallery, exhibition 12/9 to 14/10 1983 .2 - three page A4 document - stapled in the top left hand side "Transporting Art - Impressions of the Painted Trams Project" - listing photographs and photographers. See pdf file. trams, tramways, transporting art, decorated trams, exhibitions

Fifty two page programme book titled ""Ballarat Heritage Weekend" for Mother's Day Weekend 9 - 9 May 2010. Outlines events that were planned to be undertaken during the weekend, exhibitions, events, gardens museums and activities, including guided tours and maps with photographs of the various locations. The BTM provided a free tram service using the horse tram and one electric tram. Horse Tram rides listed under activities page 33 and 35 and the BTM listed under Museums page 43.trams, tramways, city of ballarat, heritage, horse tram, btm

Award of achievement for Ballarat Tramway Museum's interpretive centre presented at the Conference of Tramway Museums Australasia in New Zealand 2023.Demonstrates the recognition of the work done by the 2023 Ballarat Tramway Museum team in the creation of the museums exhibitions. Clear perspex, multi-faceted, four-sided, free standing award with inscription.Logo - COTMA Conference of Tramway Museums of Australasia Bill Kingsley Award for Achievement 2023 Ballarat Tramway Museum for Building a new Museum Interpretive Centre Further Logos: BRILL, BI, BT.H, OB, GEballarat tramways, btm, awards, bill kingsley award

Photo of the 1901 demonstration electric railway at the Bendigo Gold Jubilee Exhibition. Page 80 of Keith Kings book "The Bendigo Tramways" describes the photo and its purpose; a mine locomotive. Notes that it is from the P W Duckett collection.Yields information about a demonstration electric railway in Bendigo in 1901.Black and white photograph of Narrow gauge demonstration electric railway Bendigo 1901Has description and source information on the rear.bendigo, railway, demonstration, gold jubilee, electric railway, mining

Report by the Argus newspaper on the South Australian stand at the 1888 Centennial exhibition held in Melbourne reporting that a Ballarat tram by Duncan and Fraser was on display.Yields information about the exhibition of a Ballarat horse tram at the Melbourne 1888 Exhibition.Extract from Trove - The Argus 2-8-1888 - printed on an A4 sheettrams, exhibitions, 1888 centennial exhibition, horse trams, duncan & fraser, ballararat

Tear out of a magazine - approx. quarto size of two sepia toned illustrations: Top: Railway Square Sydney - approx. 20 trams and horse drawn vehicles. Lower: Collins St. Melbourne, east, looking west from about Exhibition St. - has two cable trams and horse drawn vehicles. C1900? On rear has series of 5 ink drawings of Australian explorers, Sturt, Leichardt, Mitchell, Eyre and Burke - titled "Australian Explorers"trams, tramways, sydney railway sq., melbourne, cable trams

Demonstrates an important part of Ballarat's tramway operations during the Second World War when black out conditions applied and headlights had to be masked. The item is a replica made at the time for an exhibition.Replica headlight mask used in BTM's Australia Remembers Exhibition 1995, made to dimensions in SECV drawing BA-T9-8387, made from galvanised sheet metal, cut and folded. Painted on external surfaces, gloss black - 7 Velcro dots on rear for mounting on display boards - used in Photo of No. 27 Oct. 1995. See related documents for an image of the SEC drawing. See SEC Drawing No. BA-T9 -8387.trams, tramways, ballarat trams, australia remembers, headlight mask, btm, ballarat tramways

Yields information the model tram used during the second world war and some of the people involved in fund raising in BallaratReproduction of c1944 photograph of Ballarat's Most Popular Conductress Competition to raise funds for the Red Cross Prisoner of War fund. Photo features a model tram, No. 41, known as the Treasure Tram with a group of boys and men group at the rear of the tram. Boys are dressed in army or sailors uniforms. Men dressed in army uniform and one SEC conductor with conductors bag around shoulder. From original of another reproduction believed to be held by the Ballarat Historical Society. Incorrectly labelled as being taken during 1946. See other reference for details of the Treasure Tram. Conductor believed to be Robert Morrison. Identified by Doreen Brown, 307 Simpson St. Buniyong as her father - 53 412 125, during the exhibition. Laminated with 4 Velcro dots on rear. 5/2/1997 - additional print 10" x 8" stored with item. 26/7/2007 - additional print "10" x 8" stored with item - ex Alan Bradley photographs 5/2007. Copy negative scanned and image changed to a higher resolution 5-5-2020. See Alan Bradly, History of Ballarat Tramways.trams, tramways, ballarat trams, secv, world war ii, staff, fund raising , tram treasure tram, tram 41

Demonstrates an important part of Ballarat's tramway operations during the Second World War when conductresses and many women were employed by the SEC and yields information about a brochure printed for the Australia Remembers exhibition in 1995 by the BTM.248.1 - A4 sheet folded into 3 on blue photocopy paper - titled "Ballarat Trammies at War" - produced by BTM for 1995 Australia Remembers exhibition with two photos and details on Museum and membership. 248.2 - as above, but unfolded, 248.3 - original of cover of 248.1 on A4 size coated paper for bubble jet printer. 248.4 - as above, but 2nd sheet. Images added 29/9/2013. See A. Bradley's notes.trams, tramways, sec, ballarat, conductresses, world war ii, btm

Ten captions or label cards used in the Museum's exhibition entitled "Australia Remembers". Printed on ink jet coated paper, used Microsoft PowerPoint, BJC4000 printer, & Glued onto heavy card. Each has 2 Velcro dots on rear. .1 125 x 252 Group of Conductresses by No. 29 .2 87 x 270 Secret of Mrs. Mitchell's success - Treasure Tram .3 50 x 255 Fund raising - under Conductresses Triumph! - photo .4 102 x 250 Fund raiser float caption .5 75 x 237 Tram statistics caption - used for the two graphs .6 96 x 177 First conductresses ready to go .7 62 x 248 Replica headlight caption .8 75 x 263 Headlight drawing note .9 60 x 244 No. 27 caption .10 57 x 260 Women at work for the SEC Image of cards added 19/10/2013.trams, tramways, btm, exhibitions, world war ii

Demonstrates the work done by the BTM/BTPS to celebrate the 50 years since the end of the Second World War and the documents prepared for the CHHA Exhibition in 1995.Two postcard sized colour photographs of the Museum's "Australia Remembers" Exhibition boards at the CHHA display and depot Oct. - Dec. 1995. Shows layout of Boards, captions etc. Kodak - official sponsor and Olympic logos on rear. Both photos re-imaged 18/7/2019.btm, exhibitions, world war ii

Yields information about the seven window horse tram - copy photographic print of Reg Item 257.Black and white photograph of a 7 window horse tram in Gardens Reserve, reproduced from stereo pair, Reg. No. 257, from a copy negative. Copy made Oct. 2001 for the "gold, Gold GOLD" temporary exhibition - colour laser print onto card, with Velcro dots on rear. Stored in box D1 (Display Box) 02/2003. 2nd copy of print added 29/7/2007 from Alan Bradley collection of photographs to depot 5/2007. High Res Images added 5/3/2011.trams, tramways, ballaarat tramway company, 7 window horse tram, gardens, horse trams

Demonstrates notes prepared by the TMSV for tours of the Ballarat and Melbourne systems and the nature of the notes.Five page spirit duplicated notes to act as a guide to visitors to the International Convention of Railway Modellers, Melb. 1970. Index, history of TMSV, map of Malvern depot, model trams, exhibition notes, place of Melb. Tram interest, notes and map on Ballaarat. Missing is pages 6, 7, and 8 - noted in index on page 1. Pdf image of document added 31/10/2013.trams, tramways, melbourne, ballarat, tmsv, model tramways

Colour photograph of BTM Display Board at Ballarat & District Model Railway Club's Exhibition, Queens Birthday Weekend, June 1996 Exhibition. On Fujifilm paper.On rear 'M29/8, BJE 96'btm, exhibitions, displays, model railways

Ballarat SEC trams 32 (closest to camera) and 43 outward bound in Main St, taking from behind. Trams have been fitted with lights, but not with enlarged white stripe. Ampol garage on left of photo. Taken on 22/2/63. See also Reg. Item 1978 for a print of this photograph - used in the 'Gold Gold Gold' Exhibition - 2001.'SEC Ballarat, Nos 32 & 43 in Main St. Ballarat East 22/2/63 4pm.' in blue inktramways, trams, main st, ballarat east, tram 32, tram 43

A report in the Ballarat Star on 8 May 1901 recorded that: "THE CONVERSAZIONE. A GREAT SUCCESS. The conversazion given by the Government of Victoria at the Exhibition was very largely patronised. the guests includ ing the Prime Minister and a goodly proportion of the distinguished personages now in Melbourne. A programme of high-class music was gone through, and refreshments were served during the evening. Australian wines were very prominent."The document design has artistic and aesthetic merit. While it is not rare, it is representative of the kinds of formal designs used for the Australian Commonwealth celebrations at the time of Federation, and is in excellent condition. Such items as this invitation have local, state and national historic significance as mementoes of a key moment in Australia's history. Locally, the invitation is part of a group of Federation-related items issued to James Maitland Campbell (and his wife). Campbell was three times mayor of Kew in the second half of the 19th Century and the owner of Ramornie in Pakington Street, one of the significant extant mansions in Kew.Colour lithograph mounted on card to an evening event, a conversazione, held in the Exhibition Building on the evening of Tuesday 7th May 1901, as part of the Australian Commonwealth Celebrations. The recipients of the invitation were Mr and Mrs James Maitland Campbell of Kew. The Government of Victoria hosted the event. The invitation shows an etching of the Exhibition Building, surrounded by an ornate border of heraldic shields, portraits of the Duke and Duchess, views of Perth, Adelaide, Melbourne, Sydney, Brisbane and Hobart, and native flora (including wattle, waratah, pink heath, Sturt’s desert pea, and flannel flower), and native fauna (kookaburra, possum, lyre bird, cockatoo and koala). The royal crest ‘Dieu et mon droit’ and the Australian crest, ‘Advance Australia’ are also included.Printed: UNITED AUSTRALIA 1901 / ONE FLAG / ONE HOPE / ONE DESTINY; AUSTRALIAN COMMONWEALTH CELEBRATIONS / THE GOVERNMENT OF VICTORIA requests the honour of the presence of / / at a Conversazione in the Exhibition Building on the Evening of Tuesday 7th May 1901 at 8 P.M. Handwritten: Mr & Mrs J. M. Campbell.sands & mcdougall ltd, documents - invitations, first commonwealth parliament 1901, james maitland campbell (1847-1930), ramornie, ramornie - pakington street

A report in the Ballarat Star on 8 May 1901 recorded that: "THE CONVERSAZIONE. A GREAT SUCCESS. The conversazion given by the Government of Victoria at the Exhibition was very largely patronised. the guests includ ing the Prime Minister and a goodly proportion of the distinguished personages now in Melbourne. A programme of high-class music was gone through, and refreshments were served during the evening. Australian wines were very prominent."The document design has artistic and aesthetic merit. While it is not rare, it is representative of the kinds of formal designs used for the Australian Commonwealth celebrations at the time of Federation, and is in excellent condition. Such items as this invitation have local, state and national historic significance as mementoes of a key moment in Australia's history. Locally, the invitation is part of a group of Federation-related items owned and displayed by Mrs Grace Tabulo, the owner of 'Fairyland', 57 Malmsbury Street, Kew.Colour lithograph mounted on card to an evening event, a conversazione, held in the Exhibition Building on the evening of Tuesday 7th May 1901, as part of the Australian Commonwealth Celebrations. The Government of Victoria hosted the event. The invitation shows an etching of the Exhibition Building, surrounded by an ornate border of heraldic shields, portraits of the Duke and Duchess, views of Perth, Adelaide, Melbourne, Sydney, Brisbane and Hobart, and native flora (including wattle, waratah, pink heath, Sturt’s desert pea, and flannel flower), and native fauna (kookaburra, possum, lyre bird, cockatoo and koala). The royal crest ‘Dieu et mon droit’ and the Australian crest, ‘Advance Australia’ are also included.Printed front: UNITED AUSTRALIA 1901 / ONE FLAG / ONE HOPE / ONE DESTINY; AUSTRALIAN COMMONWEALTH CELEBRATIONS / THE GOVERNMENT OF VICTORIA requests the honour of the presence of / [name deleted] / at a Conversazione in the Exhibition Building on the Evening of Tuesday 7th May 1901 at 8 P.M. Reverse [handwritten]: Mrs G. Tabulo, 57 Malmsbury St.sands & mcdougall ltd, documents - invitations, first commonwealth parliament 1901, grace tabulo -- fairyland -- 57 malmsbury street -- kew (vic.)

Local Significance. Part of the 1989 Hunt Club Exhibition.West bank Kororoit Creek looking east. Looking directly across the creek. Foliage in the immediate foreground. Creek in the midground, Stone embankment across the river. - AR0038photograph, kororoit creek, robert, pointon

Local artist. Displayed at Rainbow Workshop exhibitionceramic sculptureSignature and date on the side of the base

Purchased from exhibition at Footscray Arts Community CentreArtist lived in Western Suburbs (Melton)Mixed media artwork

Exhibited at 1986 Sunshine Community Arts Program ExhibitionMixed media artwork - Figure of a woman in movement against red background.

Ash KEATING Among fifteen finalists this artwork won the 2012 Guirguis New Art Prize, a prestigious national acquisitive biennial art prize administered by Federation University Australia. The Guirguis New Art Prize (GNAP) is a national acquisitive $20,000 contemporary art prize which presents a selection of Australia's most exciting contemporary artists with works that explore and embrace new ways of artistic expression, utilising existing mediums and new technologies in innovative ways. Initiated and generously supported by local Ballarat surgeon Mr Mark Guirguis, this prestigious art prize is administered by the Federation University Australia (FedUni). As a local philanthropist and art collector, in developing the Prize, Mark Guirguis' aims were to celebrate the significance of the arts to communities and to Ballarat, emphasising contemporary art and 'living' culture, and to highlight FedUni's Arts Academy. Artist Ash Keating works across a conceptual, site-responsive and often collaborative art practice that incorporates painting, sculpture, installation, video, performance and public interventions, and has referenced a wide range of social and environmental issues within his art. Frequently working beyond the gallery, and often harnessing community narrative and energy, his work also draws upon myth, ritual and ceremony. 'West Park Proposition', 2012, is a three channel and screen video installation, utilising multiple camera video documentation of an endurance painting intervention undertaken on the morning of 01 September 2012 on the east facing wall of a newly built tilt-slab industrial building, situated on the direct edge of the current urban and rural boundary in Truganina, Victoria. The multi-screen work documents an endurance guerilla-style action painting intervention and ritualised painting performance in which a symbolic violence is enacted against a storehouse of commodity production and consumption. Upon winning the award artists Ash Keating said; “The work was made near Ballarat on the Deer Park bypass. It is an aesthetic comment about the way these new tilt-slab industrial buildings spring up without caring for the environment." The work, which took eight hours to create, was about reclaiming the space from “cost-effective architecture” without any aesthetics. The inaugural judge for the Prize, Jason Smith, Director, Heide Museum of Modern Art (MoMA) said, "Selecting the winner of this inaugural GNAP was exhilarating and excruciating: exhilarating because the seriousness of each artist's enterprise, and their uncompromising resolution of concepts, has created an inaugural exhibition of exceptional power. This first GNAP is a survey of some of the most poetic and provocative imaginations working in Australia today. Selecting one winner from such a show in which each of these artists has in some way transformed my thinking about the world was the excruciating part. Ash Keating's work West Park Proposition, 2012 kept drawing me back in the several hours I spent viewing the works. It simultaneously affirms the political and critical role of the artist as a key agent of change and action, and someone who reminds us of the beauty and resilience of humanity and nature in the face of unrelenting change. As a work combining performance, collaboration and hope, Keating's West Park Proposition is a work of immense and compelling poetry."artist, artwork, keating, ash keating, guirguis, guirguis new art prize, gnap, gnap13

Reg PRESTON (1917-2000) Born Bellevue Hill, Sydney, New South Wales Reg Preston studied sculpture at Westminster School of Art, London but was a self-taught ceramicist. His first solo exhibition was in Melbourne in 1958. He founded the Potters' Cottage, Warrandyte, Victoria in 1958, where he has taught part-time. During the 1960s Preston and his wife produced a line of pottery under the name “Ceres". He switched to stoneware in the mid 1960s and continued working well into the 1980s. Multiple glazed stoneware over tenmoku glaze. Maker's stamp covered by glaze. Preston painted in glaze.ceramics, reg preston, jan feder memorial ceramics collection, gippsland campus, functional ware

John TESCHENDORFf (1942- ) Born Richmond, Melbourne, Victoria John Teschendorff studied at the Caulfield Institute of Technology (now Monash University), the Royal Melbourne Institute of Technology and the Royal College of Art London. In 1995 he was selected for Australian Ceramics 1830-1995 a major survey exhibition presented at the Museo Internazionale della Ceramiche, Faenza Italy. Since the early 1980s John Teschendorff has been working with constructed forms and works on paper whilst holding a number of senior academic appointments in Melbourne (Melbourne State College), Perth (Curtin University) and Kuala Lumpur (Malaysian Institute of Art & Limkokwing Institute of Technology). Black ceramic of slab construction item in a perspex box.john teschendorff, ceramics, jan feder memorial ceramics collection, gippsland campus, john teschendorf, strezleckie sptkanie