Editor: Sandy Delves Photographer: Mark Chew Digital scan of magazine articleDigital fileeltham, arthur street, houses, jelbart barn, jelbart property

Colour photographeltham, sweeney's cottage, sweeneys lane

This was presented to Mr A.D. Munro by the residents of Orbost on his retirement as postmaster in 1888. In 1883 the mail terminus was at Newmerella. In July 1883 it was extended to the north side of the river and Archie Munroe became Acting Post Master. He was Post Master until 1885 when the telegraph line came to Orbost.Archie Munro was a well-known Orbost identity who first operated a boot shop in Cameron's barn. He was also active in the promotion of the first brass band in Orbost. He was the son of Hector Munro.A large brown leather portable writing desk. It has a brass handle on the top. Inside are copies of some Munro family documents in a document folder.On a brass plate-Presented to Mr A.B. Munro by the RESIDENTS OF ORBOST on his retirement as Post Master. A.D. 1888munro-archie writing-desk post-office

Now incorporated into Westerfolds Park.Digital copy of colour photographfred mitchell collection, 1968, fitzsimons lane, templestowe, westerfolds park, houses

Now incorporated into Westerfolds Park.Digital copy of colour photographfred mitchell collection, 1968, fitzsimons lane, templestowe, westerfolds park, houses

Now incorporated into Westerfolds Park. Panoramic stitch created by EDHS from two separate images 02742/3.Digital composite of two colour photographsfred mitchell collection, 1968, fitzsimons lane, templestowe, westerfolds park, houses

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Glen Eira Heritage Management Plan 1996 by Andrew Ward: In 1888, John Leek, a trainer, owned Lot 15, measuring one and three quarter acres, in Booran Road, north side between Glen Eira and Neerim Roads. The land backed onto the Caulfield Racecourse Reserve. NAV was £45. In 1890 Leek built for his residence, a ten roomed brick house on the site. NAV was £200. Leek was the owner/trainer of "Ingliston" who won the Caulfield Cup in 1900. Upon the horse's death in 1901, Leek is understood to have defied tradition by spending £20 on boots for the "ragged urchins in Bourke Street" instead of "shouting" at the bar. By 1899, the property was owned and occupied by Alfred Merrill, a dentist and was known as "Andover". NA V had decreased to £ll0. By 1910, Leslie Macdonald, a gentleman had purchased the property and renamed it "Moidart". In 1910-11 Macdonald sold it to John Robertson. The property had extensive wood stables on its north-east boundary and several other outbuildings. The house continued to be described as "Brick, ten rooms" as it was in 1926 when it was owned and occupied by John Arthur, a managing director. The land measured la.2r.31p. and had a NAV of £235. Nine people lived there. In 1926, Arthur also owned the adjoining Lot 16. Other racehorses of note, known to have been stabled here include Sobar, Havelock, Proud, Future and Lord.Victorian Heritage Register https://vhd.heritagecouncil.vic.gov.au/places/13532 What is significant? Lord Lodge is a thoroughbred racehorse training complex adjacent to Caulfield Racecourse, established in 1890. The area immediately around the racecourse has been associated with horse racing activities and businesses servicing the industry since the development of the racecourse in late the 19th century. Lord Lodge was named by the present occupants after the champion racehorse Lord who was stabled there in the 1950s. In the early 20th century the property was known as 'Andover' and subsequently 'Moidart'. The site consists of a single storey brick Italianate villa, jockeys' quarters, stables and open day yards with direct access to Caulfield racecourse from the rear of the property. The villa of 10 rooms on bluestone foundations was constructed in 1890 by John Leek, a horse trainer who purchased the newly subdivided land in 1888. The house has many Victorian Italianate or Boom Style features although it is more modest than many villas of its style. It has an asymmetrical facade with a faceted bay window and a prominent central tower with low pitch pyramidal roof that provides a clear view of the racecourse. Other characteristic features include stilted segmented arches, bracketed eaves, stucco wall finish and cast cement ornamentation. A room has been added on the north-facing verandah in sympathetic style and finish. Internally the rooms are substantially intact with original marble fireplaces and intricate ceiling roses and cornices. An entrance toward the rear of the southern side of the house is said to be where the stable hands, jockeys and other staff lined up for their meals. In the southeast corner of the property, backing directly on to Caulfield racecourse, is a substantial late Victorian timber stable, probably constructed in the 1890s but first appearing on the property title in 1910. The stable has 12 stalls, a loft and brick pavement and jerkin head roof form with varnished pine-lined ceiling carried on a chamfered timber frame. It has an original roof lantern. The doors of the stalls are not the original sliding doors but swing doors obtained from a barn at Epsom Racecourse in Mordialloc prior to demolition. Outside the gambrel roof has fretted barges but the building is otherwise utilitarian. Timber throughout the stalls has been worn by chewing and rubbing of horses over the century of its use. In the southern half of the property are open day yards where the racehorses are kept during the day. The red brick, single storey jockeys' quarters to the rear of the villa were probably built around 1950. A small brick, possibly late Victorian structure on the eastern boundary thought to have originally been a gardening shed, has been converted to a stable of two stalls. Modern concrete brick stables fill the northeast portion of the property. At the front of the property two Moreton Bay Figs (Ficus macrophylla), probably planted in the late 19th century, provide shade for horses in the day yards. In the 1890s John Leek sold the property, relocating his training facility to one of the newly established racecourses at Mentone or Mordialloc (Epsom). By 1899, the property was owned and occupied by Alfred Merrill, a dentist, who named the property 'Andover'. In 1910 it was purchased by Leslie McDonald, a gentleman, and renamed 'Moidart'; sold in 1910-1911 to John Robertson; and again in 1926 to John Arthur, a racehorse owner. The Victorian Amateur Turf Club purchased the property in the late 1930s and since this time has been leased to racehorse trainers. It is unclear whether the property operated as a training facility between 1899 - 1926. Several notable trainers and jockeys are associated with Lord Lodge. The best known is Arthur 'Scobie' Breasley, Australia's most successful jockey who was apprenticed to trainer Pat Quinlan at Lord Lodge (then 'Moidart') from 1928 - 1935. Breasley rode winners of the Caulfield Cup in four successive years 1942-45 and again in 1952. John Leek, the original owner of Lord Lodge trained Ingliston, the 1900 Caulfield Cup winner. Along with 'Lord' a number of well known racehorses including Sobar, Havelock, Proud and Future were trained at Lord Lodge .....Page 40 of Photograph Album with three landscape photographs of the exterior of this house.Handwritten: 30 Booran Road [top right hand corner] / 40 [bottom right]trevor hart, jenny o'donnell, booran road, mansion, caulfield east, ingliston, sobar, havelock, proud, future, lord, andover, moidart, lord lodge, grace darling, caulfield racecourse reserve, victorian amateur turf club, historic buildings register, national estate register, caulfield cup, horses, stables, horse racing, racehorses, outbuildings, racehorse trainers, depression, 1890s, brick houses, mansions, towers, verandahs, stained glass, italianate style, victorian style, architectural features, architectural styles, john leek, leslie macdonald, john arthur, john robertson, alfred merrill, jenny odonnell

Copy of black and white line image of Aborigines, settlers, emus, trees, canoe, and coroboree. (from 'The Aborigines of Australia' by R. Brough Smithaboriginal, aborigine, bark canoe, canoe, emu, coroborree, tommy barns, g.h. poole

A grey spiral bound book titled 'Collector's Choice of traditional music for Country dances, Quadrilles and Cotillions in Australia.' Vol. 2. Companion to 'Take Your Partners' by Shirley Andrews. Published by the Victorian Folk Music Club Incorporated. Box 2025S, G.P.O., Melbourne, 3001. Presented to the Royal Historical Society of Victoria, Bendigo Branch, with kind regards from Peter Ellis 3/12/1988.entertainment, dance, bush dance, peter ellis, collection, dancing, folk dancing, dance, dances, music, country dances, quadrilles, cotillions, australian history, australian folk dancing, colonial dancing, bush dancing, barn dancing, shirley andrews

Cane wheelchair with small metal wheels. Curved arms supported on each side by single strut. Decorative scroll top centre of backrest. Hole in wickerwork of seat. Diamond pattern in backrest. Fold-away solid footplate under seat.churchill island, early wheelchair, amess barn

Used for straight cutting along the grain of thick timber, rip saws were typically 24 to 28 inches long with 3 to 6 points (ripsaw teeth) per inch along the length of the steel blade. The saw’s closed timber handle is positioned above the heel of the saw and the blade tapers along its length to a narrow toe. The cut made by the saw, the ‘kerf’ is wider than the thickness of the blade as the bent teeth take out small pieces of wood, or sawdust. The kangaroo brass stamp indicates the saw originated from Robert Sorby and sons’ Kangaroo Works, in Sheffield, UK. The kangaroo brand emerged in the early 1800’s and was used extensively until the 1980’s.Tapered steel blade with corrugations and scalloping on cutting edge, affixed to a sturdy wooden handle by brass rivets. Some surface rust and borer holes.KANGAROO [on plaque on handle]rip saw, woodworkers tools, churchill island, amess barn

Cast steel straight edged blade affixed to a walnut handle with brass rivets. NONPARIEL [on plaque] [elephant trade mark on handle and blade] W.T. JACKSON SHEFFIELDtennon saw; churchill island; amess barn

The earliest known photograph of Patrick Cummings barn - the Primitive Methodist Church and School and the Diamond Creek Gold Mine both established in the early 1860's.Black & white photographnoneprimitive methodist church, methodist church, diamond creek school, nillumbik school

Black and white photo of Smokehouse and Smithy at Schwerkolt Cottageschwerkolt cottage, smithy, smokehouse

Copy of a postcard titled "Looking Towards Healesville". View taken from "Cherry Farm" hill looking across farm (now the Kalorama Memorial Reserve), which was the property of Thomas and Eliza Hand. Location recognised because of likeness to a painting.eliza hand, mountain grange, thomas hand

Colour photograph. Dance couples in period style dress.entertainment, dance, barn dance

Four newspaper cuttings featuring the Wedderburn Old Timers. The first is a photo of people dancing with the band in the background at the Bendigo Psychiatric Centre (no date). The second is a page from the Loddon Times - Wednesday, May 15, 2002 with photos of Kevin and Averyl Fry, Moira Clarkson, Danni Devlin, Andrea Hollier, Don Manypenny. Lyn Lynlsing, Betty Jackel and a photo of four members of the band playing their instruments.The third is a photo in The Mercury 29/1/1981 of the band with their instruments. (The full page of this paper is part of the Collection). One member mentioned was Lindsay Holt and the fourth is a page from The Bendigo Advertiser 27/8/1988 telling the history of the band and an old man named Ted Noonan who taught the violin to a farmers daughter named Daisy in Wehla. There is also a photocopy of this article.Bendigo Advertiserentertainment, dance, barn dance, peter ellis collection, wedderburn old time ball, kevin & averyl fry, maira clarkson, danni devlin, andrea hollier, don manypenny, lyn lynlsing, betty jackel, campbell holmes, the loddon times 15/5/2002, bendigo psychiatric centre, wedderburn old timers, lindsay holt, ted noonan, elma ross, grummy ross, bendigo advertiser 27/8/1988, dr donald topley

Colour photograph. Couples dancing. Wooden floor boards. Coloured light globes.entertainment, dance, barn dance

Colour photograph. Four couples dancing in a cross.entertainment, dance, barn dance

oil on boardmargaret baskerville, landscape, bush, children, farm, barn, fence, tree

The small French village of Vignacourt was always behind the front lines. For much of the First World War it was a staging point, casualty clearing station and recreation area for troops of all nationalities moving up to and then back from the battlefields on the Somme. Remember me: the lost diggers of Vignacourt tells the story of how one enterprising photographer took the opportunity of this passing traffic to establish a business taking portrait photographs. Captured on glass, printed into postcards and posted home, the photographs made by the Thuillier family enabled Australian soldiers to maintain a fragile link with loved ones in Australia. The Thuillier collection covers many of the significant aspects of Australian involvement on the Western Front, from military life to the friendships and bonds formed between the soldiers and civilians. The exhibition showcases a selection of the photographs as handmade traditional darkroom prints and draws on the Memorial's own collections to tell the story of these men in their own voicesapprox 4000 images were discovered in the attic of a barn Vignacourt, of soldiers and other life in WW1.An exciting story about the discovery of the plates of Vignacourt

Donated by Lyn Piggott, 2016Aquatint on papergippsland, artwork, permanent collection