A special luncheon was held for World War 1 widows as a lead up to "Legacy Week". Legatees dressed up as waiters to add a bit of humour to the day. Due to its success it was held for a number of years. Kitchen helpers were photographed (from the same roll of film as 00933), including Joan Miller. The WWI group would meet on the 2nd Thursday of each month at 11am at Legacy House for many years until their numbers dwindled.A record of the type of activities Legacy provided as a social outlet for the widows.Colour photo of kitchen helpers preparing a World War 1 widows' luncheon.widows, function

Maize has been grown on the Orbost flats for at least 70 years. When early settlers began to arrive on the Snowy River somewhere in the 1880s, the land was mostly swamps and heavily timbered jungle on the river frontages. The swamps were drained, bit by bit, with short handled shovels working in mud and water. The frontages were cleared by axe and shovel and fire. Several kinds of crops were experimented with such as hops, hemp and maize which grew particularly well and became the main crop of district. The problem then was to thresh and deliver the product to the market. A small single cob machine was brought here and one man turned the handle, while the boy or Mum fed the cobs singly into the machine. A good day’s work would thresh about 50 bushels or about 12 bags (4 bushels). The task then was to cart the maize to market. For a few years this was done by horses and dray carrying about 60 bushels to Mossiface, where it was loaded onto river boats to Lakes Entrance, and then by ocean boats to Melbourne. (information from NEWSLETTER OCTOBER, 2006)The growing of maize in the Orbost district contributed significantly to the economy of the township for many years, The many maize cribs once seen on the surrounding farms have now disappeared and this photograph is a pictorial record of that significance.A small sepia photograph with six men in front of a wooden barn. They are bagging maize. In the foreground are two rows of filled bags. On the right is a lifting machine to take the bags to the top storey. On the far right is a water tank on a stand"on back - "Thrashing Maize"maize-orbost agriculture-maize industry

The songs inside are, "Our Boys at the Front", "The Lions Cubs", " Gallipoli", "The Boys of Australia", "Australia Day"Patriotic Songs flyer, yellowed paper, folds out to four, front has crossed flags at top followed by details in red and blue print, blue edging around, rear page also in blue and red, 5 songs inside all in blue print, main theme on front is "Australia Day July 30th 1915" and words by the Hon J.H. McColl, on rear main theme is "Are you doing your bit".Main item on front, "Proceeds for the Australia day wounded Soldiers fund"patriotic songs, australia day, july 30th 1915, wounded soldiers

Pittock collection: assorted metal items * brass hose spray, 85 mm L * three corner squares, 35 x 35 x20 mm D * one large steel slide bolt, 202 mm L x 30 mm W * two U-bolt brackets * one drill bit 65 mm L Items stored in Pittock coach builder's box, reference 13000.1.

Bendigo Advertiser "The way we were" from 1999. When steam ruled: Holland's foundry at 205 King Street, circa 1913. Pictured from left are: Ernest, Herb,Hazel, Harry and Walter-John Holland, Fred Milne and Rupert Holland. right in front looking for a bit of a scratch is Snider the dog. It is interesting to note that Fred Milne went on to form the farming and industrial business of Milne Bros., in Bendigo.newspaper, bendigo advertiser, the way we were

Colour photograph of Ballarat No. 12 entering the Martin Ave loop in Wendouree Parade, taken from the front of another tram. Photo a bit out of focus and has glass reflections from the other tramcar. No. 12 has destination of Mt. Pleasant and has a Twin Lakes advertising sign on the front of the tramcar. Small portion of Lake Wendouree visible in photo. Photo on Agfa Paper and taken on Friday 14 August 1971.Stamps with faded green ink: "Photo by Chris Jeffrey / Number" with number "104PC/11" in blue ink and date stamp "Friday 14 August 1971" also in faded green ink.wendouree parade, martin ave., tram 12

The Bowling Club was founded in 1929, by a group of farmers and businessmen. They set about providing a sporting icon for the town. Six rinks were constructed on the current site using horse drawn scoops and drags. The "Back to Orbost” 1937 book, describes the greens as "a bit rough for the first two seasons but now compare favourably with most country greens". Funds for the construction were raised by the issue of debentures at £5 each, and subscriptions were £1/1s/0d ($2.10). ( info. Margaret Smith)This is a useful research book.A book with a white cover titled Orbost Bowling Club Founded 1929. It contains photocopied pages of extracts from meetings and paper clippings.orbost-bowling-club recreation bowling

The Bowling Club was founded in 1929, by a group of farmers and businessmen. They set about providing a sporting icon for the town. Six rinks were constructed on the current site using horse drawn scoops and drags. The "Back to Orbost” 1937 book, describes the greens as "a bit rough for the first two seasons but now compare favourably with most country greens". Funds for the construction were raised by the issue of debentures at £5 each, and subscriptions were £1/1s/0d ($2.10). (info. Margaret Smith)Lawn bowling” is an outdoor game that has been popular for centuries. Bowling clubs play a significant role in community recreation needs.Wooden lawn bowl with small carved circles at top and bottom.Top-L-V13A 1908lawn-bowl recreation sport

Society members preparing for the parade in Youth Road behind Eltham Railway Station, Eltham Festival, 11 November 1989. Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis Macdonald arranged for some of her friends from the Victorian Folk Music Club to provide appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson was placed in charge of the equipment on the float.Roll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float

Society members preparing for the parade in Youth Road behind Eltham Railway Station, Eltham Festival, 11 November 1989. Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis Macdonald arranged for some of her friends from the Victorian Folk Music Club to provide appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson was placed in charge of the equipment on the float.Roll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float

Society members preparing for the parade in Youth Road behind Eltham Railway Station, Eltham Festival, 11 November 1989. Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis Macdonald arranged for some of her friends from the Victorian Folk Music Club to provide appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson was placed in charge of the equipment on the float.Roll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float

Society members preparing for the parade in Youth Road behind Eltham Railway Station, Eltham Festival, 11 November 1989. Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis Macdonald arranged for some of her friends from the Victorian Folk Music Club to provide appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson was placed in charge of the equipment on the float.Roll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float

This was the finishing point for the parade. The Shire of Eltham Historical Society's parade float featured a gold mining theme - "The Eltham Goldrush" Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis Macdonald arranged for some of her friends from the Victorian Folk Music Club to provide appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson was placed in charge of the equipment on the float.Roll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float

This was the finishing point for the parade. The Shire of Eltham Historical Society's parade float featured a gold mining theme - "The Eltham Goldrush" Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis Macdonald arranged for some of her friends from the Victorian Folk Music Club to provide appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson was placed in charge of the equipment on the float.Roll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float

Society members preparing for the parade in Youth Road behind Eltham Railway Station, Eltham Festival, 11 November 1989. Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis Macdonald arranged for some of her friends from the Victorian Folk Music Club to provide appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson was placed in charge of the equipment on the float.Roll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float

This was the finishing point for the parade. The Shire of Eltham Historical Society's parade float featured a gold mining theme - "The Eltham Goldrush" Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis Macdonald arranged for some of her friends from the Victorian Folk Music Club to provide appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson was placed in charge of the equipment on the float.Roll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float

This was the finishing point for the parade. The Shire of Eltham Historical Society's parade float featured a gold mining theme - "The Eltham Goldrush" Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis Macdonald arranged for some of her friends from the Victorian Folk Music Club to provide appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson was placed in charge of the equipment on the float.Roll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float, opal smith, doug orford, joh ebeli

This brace would be used to drill into timber. A drill bit would be inserted into one end of the brace and then placed on the timber where the hole is to be drilled. The other end of the brace would be placed against the user’s abdomen, with one hand holding the brace firmly then the free hand would be used to turn the centre of the brace and drill the hole. This type of drilling method was used prior to the use of the electric drill. This brace appears to have been made by the firm of Alexander Mathieson & Sons from Glasgow, Scotland.Iron carpenter's brace, metal handle, rotating knob, thumb screw ..... rusted.brace, spofford brace, woodwork, tools, churchill island

Falls Creek Resort Management produce a range of marketing materials for each season. This publication titled "HERE IT IS!" aims to include everything you need to know about skiing at Falls Creek in one guide. It also included a Ski Trail map. Sections included are:- What's new in Falls Creek for 1995 A little bit of History/fast facts Trail map and skiing tips Falls Creek Ski School Village map and directory A - Z Resort facilitiesThis item is significant because it illustrates how Falls Creek has been marketed and promoted over time.A coloured publication including images, maps and text covering all aspects of Falls Creek for the 1996 season. The cover features an image of a skier in the air. Seven sections are colour coded on the right hand edge of At bottom of page logos are included Left to right;- Alpine Resorts Commission Victoria; Falls Creek: Falls Creek Ski Guaranteefalls creek facilities, falls creek activities, falls creek marketing

Maize,has been grown on the Orbost flats for at least 70 years. When early settlers began to arrive on the Snowy River somewhere in the 1880s, the land was mostly swamps and heavily timbered jungle on the river frontages. The swamps were drained, bit by bit, by men with short handled shovels and working in mud and water. The frontages were cleared by axe and shovel and fire. Several kinds of crops were experimented with such as hops, hemp and maize, the latter grew particularly well and became the main crop of district. The problem then was to thresh and deliver the product to the market. A small single cob machine was brought here and one man turned the handle, while the boy or Mum fed the cobs singly into the machine. A good day’s work would thresh about 50 bushels or about 12 bags (4 bushels). The task then was to cart the maize to market. For a few years this was done by horses and dray carrying about 60 bushels to Mossiface, where it was loaded onto river boats to Lakes Entrance, and then by ocean boats to Melbourne. Later it was taken to Bairnsdale by foot and loaded onto the trains to Melbourne. (more information in Newsletter October 2006)The growing of maize in the Orbost district contributed significantly to the economy of the township for many years, The many maize cribs once seen on the surrounding farms have now disappeared and this photograph is a pictorial record of that significance.A black / white photograph of a man unloading maize from a horse-drawn wagon into a maize crib. Another man is standing by the horse.maize-crib-orbost agriculture maize-corn-orbost

Maize, or corn as it is called in America and New South Wales, has been grown on the Orbost flats for at least 70 years. When early settlers began to arrive on the Snowy River somewhere in the 1880s, the land was mostly swamps and heavily timbered jungle on the river frontages. The swamps were drained, bit by bit, by stout hearted men with short handled shovels and working in mud and water. The frontages were cleared by axe and shovel and fire. Several kinds of crops were experimented with such as hops, hemp and maize, the latter grew particularly well and became the main crop of district. The problem then was to thresh and deliver the product to the market. A small single cob machine was brought here and one man turned the handle, while the boy or Mum fed the cobs singly into the machine. A good day’s work would thresh about 50 bushels or about 12 bags (4 bushels). The task then was to cart the maize to market. For a few years this was done by horses and dray carrying about 60 bushels to Mossiface, where it was loaded onto river boats to Lakes Entrance, and then by ocean boats to Melbourne. ( from NEWSLETTER OCTOBER, 2006) This is a pictorial record of farming practices in Orbost in the early 20th century.A black / white photograph of a horse team hauling a wagon loaded with bags of maize.A man is sitting on the edge of the wagon.farming-orbost agriculture maize corn transport

The Warrnambool Examiner was founded by John Wilkinson and Richard Osburne in 1851. After a gap of a couple of years Richard Osburne resumed publication in October 1853 and continued until 1867. William Fairfax and Henry Laurie then leased the paper (1867 to 1872) before Richard Osburne again became the proprietor from October 1872 to April 1878 and from December 1879 to December 1880 when publication ceased. Richard Osburne was a pioneer settler in Warrnambool, arriving in 1847. He was prominent in community activities in the town and was a most important early historian, publishing his seminal work, ‘The History of Warrnambool’ in 1887, using the Warrnambool Examiner newspapers to assist with the history. Fairfax and Laurie were the proprietors when the papers describe herein were printed. William Fairfax was a member of the Fairfax family which were, and still are, associated with the publication of many Australian newspapers. Henry Laurie later became well-known as a Melbourne University Philosophy Professor.These original newspapers are most important because they contain much information on Warrnambool’s early history and are a primary source for historians. These papers are also of importance because some parts of these papers were not filmed and are not currently available on microfilm. These papers were in a Warrnambool City Council storage area and it is surmised that they have come from the old Warrnambool Museum which no longer exists. These are original copies of the Warrnambool Examiner newspapers from 3rd April 1868 to 29th September 1868 inclusive (two copies of each). They are broadsheets of two pages per newspaper printed on the four sides. Both sets are bound with plain cardboard folders, green binding and string. One set cover is broken and this set is unmarked and a bit crumpled. The other set is marked with the editor’s red and blue pencil marks but otherwise the papers are in good condition.warrnambool examiner, richard osburne, henry laurie

Reina Jansson later married Bill West. WWI history.Two hand written letters. One from Bob White to Reina West nee Jansson, written in France 14/1/1918. Also envelope from Field Post Office, dated January 18, 1918. Passed by Censor No. 4577. Second letter a bit unclear who it is from and also who to although looks like "Roheina". Writing is different from 1st letter so doesn't seem to be from Bob White. Envelope addressed to: Miss Reina Jansson, Rhyll, Phillip Island, Westernport, Victoriawwi, bob white, reina jansson, anne davie, bill west, reina west

Pipe smoking has been in vogue for centuries, and in Australia it was a symbol of the "discerning smoker" such as the landed gentry or men of professional status. This pipe, of the cherrywood style, would have suited the young professional of the mid and late 1900s. It is the type of pipe well suited to the rural backdrop. In the late 1900s, with the health related restrictions placed on public smoking, these tobacco pipes were not immune from the legislation, and even though the pipe smoke was not as offensive as cigarette smoke it still came under the umbrella of smoking. Pipes were also used in the process of inhaling illicit drugs i.e. marijuana, but this use was limited to a very few. Smoking in the second millennium is being phased out as a social habit in Australia but may affect the few "private" smoker and has, as the United States prohibition era (alcoholic drinks) did, spawn an illicit trade in cheap contraband tobacco.This type of pipe lends itself well to the rural setting of the Kiewa Valley and although it is a bit more bulky in shape its wooden barrel blends into the environment. The Kiewa Valley region was up until the late 1900s part of the Australian Tobacco Industry and the levels of men smoking pipes was enhanced by the readily supply from "off the fields", of tobacco leaves.This pipe has a bent stem and its style is cherrywood. The pipe has a permanent filter and a narrow tin band. The bowl is well pronounced (curved both top and bottom). The stem screws into the bowl , mid way up the bowl (similar to KVHS 0423 and KVHS.0425 and the stem is also made from bakelite (dark brown in colour). This stem is the same length as KVHS 0425 but the bit (mouth piece) has a gentler curve.tobacco, pipe smoking, smoking accessories

Pipe smoking has been in vogue for centuries, and in Australia it was a symbol of the "discerning smoker" such as the landed gentry or men of professional status. This pipe, of the cherrywood style, would have suited the young professional of the mid and late 1900s. It is the type of pipe well suited to the rural backdrop. In the late 1900s, with the health related restrictions placed on public smoking these tobacco pipes were not immune from the legislation, and even though the pipe smoke was not as offensive as cigarette smoke it still came under the umbrella of smoking. Pipes were also used in the process of inhaling illicit drugs i.e. marijuana, but this use was limited to a very few. Smoking in the second millennium is being phased out as a social habit in Australia but may affect the few "private" smoker and has, as the United States prohibition era (alcoholic drinks) did, spawn an illicit trade in cheap contraband tobacco.his type of pipe lends itself well to the rural setting of the Kiewa Valley and although it is a bit more bulky in shape its wooden barrel blends into the environment. The Kiewa Valley region was up until the late 1900s part of the Australian Tobacco Industry and the levels of men smoking pipes was enhanced by the ready supply, "off the fields", of tobacco leaves and the attitude to city based smoking restrictions was one of resentment.. This pipe has a bent stem and its style is cherrywood. The pipe has a permanent filter and a narrow tin band. The bowl is well pronounced (curved both top and bottom). The stem screws into the bowl , mid way up the bowl (similar to KVHS 0423 and KVHS.0424) and the stem is also made from bakelite (dark brown in colour). This stem is the same length as KVHS 0055.001 but the bit (mouth piece) has a gentler curve.tobacco, pipe smoking, smoking accessories

Newspaper clipping from The Courier, 6/7/2017 titled "Safer Street Crossing" about the installation of a set of traffic lights at the rear of the Museum Depot. Photo looking north along Gillies St. Included in the photo is Samantha McIntosh, VicRoads Ewen Nevett and MP Sharon Knight. Tram depot in the background. Note the traffic light installation resulted (a bit of accident and good talking by Neville Britton) of a crossing into the depot. Was not included in the drawings.gillies st, traffic lights, ballarat specialist school

Yields information about the trams used by the AETA for a Ballarat tour to celebrate the Golden Jubilee of electric trams.Digital image from the Wal Jack Ballarat Album of the AETA Ballarat Golden Jubilee tour of 20/8/1955, of Specials 21 and 38, and service car 31 at the Sebastopol Terminus. Photo Wal Jack. The shelter on image i4, a bit wider view than that for the prints. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeOn rear of photograph in ink "SEC Ballarat AETA Specials Nos 21 & 38, Service car No. 31, Sebastopol terminus 20-8-55, 50 years of electric traction in Ballarat". Has Wal Jack stamp in top right hand corner with number "T182" written in.trams, tramways, aeta, tours, golden jubilee of trams, sebastopol, shelters, tram 21, tram 38, tram 31

Portrait photographs of royal figures were hung in government offices and buildings. In some cases they were also displayed in homes. There are numerous portraits of Queen Elizabeth II most of which have been widely reproduced.Framed portrait photograph of Queen Elizabeth II, taken June 2, 1954, by Cecil Beaton. Although the image appears at first glance to be set in Westminster Abbey, the photographer actually employed a theatrical backdrop for the photo, which was taken in a drawing room at Buckingham Palace. Her Majesty wears the imperial state crown, created for Queen Victoria’s 1838 coronation, and holds the orb and scepter, looking every bit the picture of reigning British royalty.queen elizabeth ii, cecil beaton, royal portraits

The story of this item is unknown. It may have been part of a man’s watch chain, with the watch missing. Its weight suggests it is an item of good quality, one owned by a person of substance and a common item for a wealthy man to have in the 19th and early 20th centuries.This item, in our collection for many years, has no known provenance and is kept for display purposes. This is a silver chain with silver links with a metal match holder at one end, a silver container in the shape of a ship’s wheel in the middle and a locket or coin holder at the other end.. The match holder is heavily patterned, the ship’s wheel container may have held coins in the past as it is recessed at the back and the locket or coin purse is ornamented and contains what looks like a coin, perhaps a threepenny bit from the time of George V or V1. The coin could be Australian or English. warrnambool history, men’s accessories

The paddle steamer P. S Pevensy appears to still be a working steamer in this photograph. The boat seems a bit dishevelled and the workers are doing repairs on her, while she is still steaming up the river. If this photograph was taken in 1950, that would have been well before the development of the Tourism Industry in the Murray Darling area. This would explain the number of workers and the fact that they were doing maintenance while the Paddle Steamer was still working. She does not appear to be towing a barge, but a large tarpaulin could be covering a load for transport. This picture holds significance because it shows a paddle steamer in use before the Tourism Industry had developed in the Murray Darling region. The paddle steamer which now carries passengers every day has been renovated to cater for passengers cruising up and down the river. Here is this photograph the P.S Pevensy looks a bit dishevelled and untidy.This is a black and white rectangular photograph of the P.S Pevensey. Four people can be seen painting the wall of the cabins on the upper deck. A person can also be seen kneeling on the back deck working on something lying on the back deck. A wooden boat is nearby, also on the back deck. The boat is steaming and appears to be moving upstream. There is along pole at a 45 degree angle attached to the very front of the paddle steamer.On the front of the photograph written on the paddle steamer can't be seen the words "PEVENSEY. Melbourne." Written on the back of the photograph in lead pencil " M4414-17. K4". p.s pevensey, paddle steamers