Harry Foster Midgley No 3414 enlisted in the AIF in 11th reinforcements 14 th Batt on 14.7.1915 aged 21 years 4 months. Embarked for Egypt 11.10.1915, hospitalised 14.12.1915 with Dysentry, returned to unit 4.2.1916, transferred to 46th Batt 3.3.1916 then 12th FAB as a gunner 17.3.1916. Embarked for France 2.6.1916, transferred to 11th FAB, WIA GSW to left ear, transferred to 4th Div Ammunition column 25.6.1917, WIA 1.8.1917 with GSW’s to chest, back, right arm, right leg. DOW’s in 41st Casualty Clearing Station Belgium 2.8.1917.Black & white photocopied photograph of soldier, button up uniform from waist up with Rising Sun badges on lapels. Peeked cap with badge in front, faux timber frame with glass front, cardboard back. 3414 Gunner Henry Foster Midgley, Bendigo 11th Field Artillery Brigade on top. Died of wounds - 02 August 1917 at bottom. On back: Brenda Chambers in texta.photography-photographs, military history, midgley

Little owls (also known as the owl of Athena or owl of Minerva) usually prefer the warmer parts of Europe, North Africa and Asia, enjoying open country and agricultural land with high trees to swoop down upon their prey from. Their diet includes amphibians, small mammals, reptiles and insects that they also hunt from small holes in the ground. Little owls are monogamous and while they're usually solitary creatures, pairs who breed together will often stay together past breeding season. An Athene Noctua would usually be slightly smaller than this specimen. The colouring of browns and whites speckling the feathers is an accurate representation however the posture of a typical little owl would be more crouched, not so thin and tall. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Athene Nuctua (The Little Owl) is dark to medium brown with white specks all over the feathers. Large white spots are located on their wings/back. This specimen has some inconsistencies with how it has been styalised by the taxidermist. The tail curls in under itself where it should be straight and flat. There are several feathers which appear disheveled on the chest, shoulder and wing. The specimen is mounted on a wooden stand with paper and metal tags attached to the legs. Swing tag: 41. / Allied to / Diurnal Owl / Catalogue page 53 / Other tag: 31 / Strix Noctua / Holland Metal tag: 4061 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, owl, little owl, athene noctua

About the specimen: The Californian Quail is a highly sociable bird commonly seen in small flocks. They have a distinctive appearance with the black plume on top of their head and white markings on the head and torso. This species reside in open woodland, bushy grassland, roadsides and fringes of urban areas. They are native to western America but have been introduced to areas outside this location including King Island. This species was established as the state bird of California in 1932. Explain how it should look: Copy and paste: This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.Copy and paste this section: This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Californian Quail has a black forward drooping plume on the top of its head. It has a dark brown/black coloured cap on its head and a black face with distinct white markings on the sides of its face and neck. The back of the bird is brown.The belly is a lighter brown colour and the chest and back of the neck is a blue-grey. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing-tag: 46 / (b)? Californian Scrub Quail / Catalogue Page, 30. / Metal tag: 4341 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, californian quail, california, american birds, quail, californain sub wren, wren

Pure wool, tan in colour, fine knit cardigan. Revere collar and five button opening. Two smaller buttons at each wrist. A 10.5cm wide ribbed panel extends from the chest to the lower band. Two rows of this rib also trim the cuffs together with the two small buttons. A flap pocket, also ribbed sits on each rib section on each front. Two cm cuff at wrist and a lower band.John Brown. Made in Australia PURE NEW WOOL M to Fit 38costume, male, cardigan

Two seated young female studio photograph. Family resemblance suggests Sisters. Right hand side. Pleated pale dress buttoned up front, closed neck with silver chain necklace and locket. Left hand side girl. Dark dress , blouse top with bow below chin and one on chest. Buttoned boots of each girl can be seen. Printed on front. Grouzelle et Cie, Melbourne. Monogram on reverse. GFC.Grouzelle et Cie Melbournephotograph, person, female

Northern District School of Nursing trainee nurse's base uniform from 1972Nurse's one piece dress in yellow with yoke and central front chest panel in white. Dress fastens with full back zip to waist and metal hook and eye. There are two pockets at sides below waist. There is a gusset to each side of back to sleeve. There is a long sleeved, waist length jacket, satin lined, with round neck with five buttons and button holes at front. The fabric is of stretch cotton. There is a metal press stud at the top of the jacketDress has a white label with gold embroidered 'House of King, Melbourne' stitched to left rear neck facing. Stitched to the top of this label is another small white label with the name 'Anne Fitzpatrick' in green embroidery. The jacket has a white label stitched to the lining at base of neck with 'Florgale Uniforms, Melbourne, Sydney" in gold. 'SW' and a female figure in long dress is embroidered in navy blue on the label.nurses uniform, northern district school of nursing, dress, jacket

Maurice MONIGATTI No 3914 enlisted in the AIF on 31.7.1915 aged 20 years 2 months in the 12th reinforcements 5th Batt. Embarked for Egypt 23.11.1915, hospitalised 25.1.1916 with Mumps, rejoined unit 9.2.1916, WIA 25.7.1916 GSW to Chest and Arm, rejoin unit 6.8.1916, reported missing 3.3.1917. German records dated 4.6.1917 reported him captured at Thilloy on 2.3.1917 and he was imprisoned at Gefangenen lager Limburg A/Lahn Germany. Maurice arrived back in England on 19.12.1918. He was given leave and decided to make it longer and was let of a charge of AWL. He was discharged from the AIF on 27.7.1919.Medals, set of 3, mounted around a piece of cardboard sewn on re M E MONIGATTI/ 1. 1914-15 Star. 2. British War Medal 1914-19. 3. Victory Medal.“3914 Pte M MONIGATTI 5/BN A.I.F”award, medal set ww1

The Little Friarbird is a migrational bird, moving between northern Australia and the New South Wales/Victoria border in the spring and autumn times. It is primarily found near in forests and near water: rivers, wetlands. They eat nectar, bugs, fruit and seeds. They form monogamous pairs and nest close to water. They are not a threatened species. The Little Friarbird has a brown head, back, wings and tail. Its chest is light brown. Its legs, beak and face are dark grey. It has bright blue patches on its cheeks under the eyes. This specimen does not accurately match how the Little Friarbird looks because the specimen has lost clumps of feathers on its chest, neck and face. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century This Little Friarbird has blue patches on its cheeks, brown head, back and tail. The front and neck are a light brown. Its back is grey. It has serious pest damage to the back of its neck, which has no feathers. Above its eyes shows early signs of pest damage. The front of the bird has ruffled patches of feathers. It stands on a dark wooden stand. It has an identification tag hanging from its left leg. Label: 61a/ Blue faced Honey Eater / See catalogue page 19 taxidermy mount, taxidermy, burke museum, beechworth, little friarbird, australian bird

These medallions were issued after the First World war to the next-of-kin of all British and Commonwealth(Empire) service personnel who were killed as a result of the war. The plaques were made of bronze aand hence popularly known as the "Dead Man's Penny". James Pullar Cameron was killed at Lone Pine during WW1. James Pullar Cameron (Service No 605) enlisted in the 8th Light Horse at Orbost on September 11, 1914 aged 23 years 5 months. His medical was done by Dr James Kerr. He was 6 ft 1 in tall, 11 st 6 lbs, of dark complexion with dark eyes and hair and a chest measurement of 34 ½ / 38 inches. After training, he embarked the Armadale on February 12, 1915. He was shot in the chest at the Dardanelles on May 29, 1915 and taken aboard the HT Neuralia for transfer to Malta. He was admitted to the military hospital ‘Cootenara’ and after 10 days treatment, he re-embarked for Gallipoli aboard the HMT Southland on June 14, 1915. He returned to duty at Gallipoli on June 20, 1915. On August 7, 1915 he was killed in action. His body was not recovered. His name is on the memorial at Lone Pine. His memorial plaque has a wide H and a number behind the back paw of the lion, indicating that this plaque was made at the Acton Factory, one of the later ones cast there.James Pullar Cameron was the son of Robert Cameron one of the earliest settlers on the Orbost flats. He was a trooper in the 8 Light Horse Regiment and died at Gallipoli on 7 August 1915.A bronze commemorative medallion in a wooden frame. The token has an image of Britannia holding trident and standing with a lion. The designer's initials E.Cr.P appear above the front paw. In her left outstretched hand she holds an oak wreath with the name James Pullar Cameron in a rectangle. His memorial plaque has a wide H and a number behind the back paw of the lion, indicating that this plaque was made at the Acton Factory, one of the later ones cast there.Around the picture- He died for freedom and honour.ww1 gallipoli cameron medallion military

The White-throated Treecreeper is a commonly small bird of the Climacteridae family, that has a loud, piping, whistle-like call. Living in permanent territories and rarely seen on the ground, this species is found in forested areas of south-east and southern mainland Australia. The name tree-creeper comes from their foraging patterns, in which they spiral up the trunk of trees (usually eucalypts for their preferrable rough bark) head-first, probing for ants or nectar with their long, curved beak.The females are distinct from males through orange marks on the sides of their face. The colour of these specimens differ from white-throated tree-creepers, whose plummage on the head and back is usually a dark gray-brown. The beaks of these specimens are also an orange-brown colour whereas these birds usually have a black beak. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This mount includes two White-throated treecreepers secured on a stick, one above the other. The top specimen is female, distinguished by a distinctive orange mark on the sides of its face underneath the eyes. Both specimens have white throat, chest and streaks on the flank. The top of the head and back are both a brown to dark-brown colour, with streaks of those colours on the flank as well. The stick and specimens are mounted on a wooden platform and a swing tag is secured around a part of the stick.Swing tag: 67a. / White-throated treecreeper / See catalogue, page 20 / Wooden Mount: 85taxidermy mount, taxidermy, burke museum, beechworth, bird, treecreeper, australian birds, white-throated, white-throated treecreeper, reynell eveleigh johns

The envelopes all relate to George Frederick Pierce DCM. Refer cat No 1891P for his AIF service, award and death..1) Grey envelope “On Active Service” with black print, PO stamp, handwritten in blue ink. .2) Yellow envelope “AIF War Chest Club” with black print and hand written in pencil. .3) Light greyish envelope with PO stamp and a red 1 penny stamp, hand written in blue pen, Rising sun in blue on the rear. .4) Yellow envelope with PO stamp and a red 1 penny stamp, hand written in black pen.All envelopes are to either; “Mr or Mrs J.W.Pierce of Sebastian via Bendigo”envelopes, military, accessories

A Balloon Tennis set, comprising of a chest (.1), with a colour lithographic print across top of lid, featuring the images of men and women playing the game, and inscription: GAME OF BALLOON. Contents include: racquets (.2 - .3); a stand (.4, 7 parts); a scorer (.5, 4 parts); and instructions (.6, 2 parts). Game was U.S. patented in August 1889. Materials: Wood, Cane, Paper, Ink, Paint, String, Metal, Lacquer, Glue, Leathertennis

These labels come from the Warrnambool chemist business of John Sambell/Sambell and Son/Sambell, Son and Granddaughter. John Sambell opened the Hall of Pharmacy in Fairy Street, Warrnambool about 1890. He was a chemist and dentist with previous business experience in Great Britain and Victoria. By 1919 John Sambell’s son, Herbert had joined the business, trading as Sambell and Son (though John Sambell died in 1906) and the shop was located at 151 Fairy Street. In the late 1930s Sambells moved to 90 Fairy Street and was known as Sambell, Son and Granddaughter. Herbert Sambell died in 1943. These labels show some of the many products sold by the Warrnambool chemist business of John Sambell/Sambell & Son/Sambell, Son and Granddaughter, a prominent 20th century Warrnambool business. The labels also remind us that this business was unusual in that in the 20th century it acknowledged a female proprietor along with the male proprietors (Sambell, Son and Granddaughter).1A sheet of paper pasted on to a thicker card. It has a red border and a red cross and blue printing .2 A sheet of paper pasted onto another sheet with red and blue printing and a red and blue border .3 A sheet of paper with a red border, a red cross and blue printing .4 A sheet of paper with red lines, a red cross and blue and red printing .5 A sheet of paper with a red decorative border and blue and red printing .6 A sheet of pink paper with a black border and black printing .7 A sheet of paper with a gold border and blue and gold printing .8 A sheet of paper with blue printing and a red cross .1 Sambell’s Chest and Lung Mixture .2 Sarsparilla Blood Purifier .3. Sambell’s Restorative Tonic 4. Sambell’s Balsamic Salve 5. Sambell’s Emulsion of Cod Liver Oil 6. Sambell’s White Diarrhoea Mixture 7. Sambell’s Elixir Strengthening Tonic 8. Sambell’s Red Cross Dairy Ointment sambell, chemist,, warrnambool, labels

The Magpie-Lark, also commonly known as a Mudlark, is a carnivorous bird found in many regions of Australia, Indonesia, Timor, and Southern New Guinea. They are a non-migratory species and are extremely adaptable to a variety of environments. These environments include dry forest, savannah, grassland, and even urban areas. Magpie-Larks are typically monogamous and are often found in pairs. They are black and white, with a white underbelly, long legs, and a long, thin beak. The females of this species have a white throat, while the males have a white eyebrow and a black throat. While juveniles have dark eyes, mature adults have light irises. This information helps identify this specimen as an adult male. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Magpie-Lark is a small to medium-sized bird which has distinctive black and white colouring. The bill is long and thin and is a whitish colour which differentiates it to other Magpie species. When mature, like this particular specimen, the Magpie-Lark have distinctive light irises. The glass eyes provided for this specimen are accurate in colour. This male specimen has a white 'eyebrow' marking and a black chest or bib. This Magpie-Lark stands on a wooden mount with a swing tag attached to its leg.Swing-tag: 20a. / Reed Grallina / See catalogue page 10 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, mudlark, magpie-lark

The Long-eared owl is one of the most widely distributed and most numerous owl species in the world. It is a rather slim and long-winged bird with usually prominent erectile ear tufts, which are positioned closer to the center of the head than in many other types of owl. Long-eared owls prefer open landscapes with groups of trees, hedges or small woods, as well as pastureland with rows of trees and bushes, any type of forest with clearings, forest edges, semi-open taiga forest, swampy areas and bogs, orchards with old fruit trees, parks, even gardens and timbered areas in villages, towns or cities. In many parts of the world, Long-eared owls have even adapted to deserts, though more commonly semi-desert, and may nest and roost in available oases and hunt prey over the open desert ground. This particular specimen has been mounted in a correctly stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Long-Eared Owl is a rather slim, long-winged bird with prominent erectile ear tufts. The coloration of this Long-eared Owl is a hue of ochraceous-tawny with a brownish wash. The wings, back and chest are patterned and the facial disc is visibly well developed and light brown in colour. The ear tufts are dusky in front and darter tawny on the back. This Long-eared owl possesses a light-coloured bill and its eyes are yellowish-orange. The specimen stands upon a wooden platform. Swing tag: 33 / Virginian / Bee-boo Owl / Catalogue, page 52 / Other tag: No 19 / STRIX Virginian / N. America / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, long-eared owl

Ribbons are = Reserve Forces Medal 2 Rosettes (15 years plus 2 x 5 year extras) and National Medal. "Joseph Thomas Jones" was in the Bendigo CMF Unit for many years. 6 Coy RAASC - 15th TPT Sqn.1. Jacket Black. Four pockets. Top pockets held shut with brass buttons. Gold Sgts stripes on arms. Sleeve cuffs have two brass buttons each. Chest parts held shut 5 brass buttons. Epaulettes have a brass button each. The vertical type collar has an RACT badge on each side. Ribbons - Qty 2. 2. Trousers, black. Two white stripes down outside of leg. Fly is zipper type.Jacket has "Jones" written in it. Trousers have "J.T. Jones" .cmf, transport corps, 15 tpt sqn, j. t. jones, passchendaele barracks trust

Oval shaped portrait of chest and head of a WW1 soldier. The photo is mounted on a cardboard backing. The soldier is hatless. He wears glasses. He is wearing a Sam Brown belt over his army uniform. He is wearing two ribbons that appear to be WW1 issue. On his left upper arm is part of a triangular shape colour patch. On his eppaulettes are the copper "Australia" badge. He has a small diameter lanyard over his left shoulder. No name on portrait.Nilww1, bendigo, portrait

Clothing. Suit coat, part of a man's three piece suit.Pure wool tweed suit coat. Three button front. Three buttons on each cuff. Rear split. Taffeta type fabric lining. Brown with fine black and red stripe to form a plaid type design 7 x 5.5 cms.''Cut away'' shaped front, two front pockets, one chest pocket, two inside pockets in lining. Some slight insect damage.The ''Buckleigh'' Exclusive to Buckley's, 36R, Pure wool.costume, male suit, tweed suit coat

Hand knitted, long sleeved jacket. A 3.5 cm moss stitch band at the wrists, at the centre front opening, and around the chest, where eyelets provide for a ribbon insert ( no ribbon present). A 7 cm deep stocking stitch back yoke. Front also has a stocking stitch yoke, but at the front, there are two bands of the pattern across the centre of the yoke.(Pattern has a 10 row repeat). A .4 cm wide ribbon is threaded through eyelets in the neckband. Set-in sleeves.costume, children's, baby jacket

This is a German made figurine, attributed to Jaschke Pretzl. Loosely translated, the label text on the figurine says 'Gynaecologist' and 'Commit to the women tenderly!'. Stamp printed on underside of base says that this is a hand-carved figure.Carved wooden figurine. Depicts a man in a white coat, with grey trousers, a red vest, blue tie, and white shirt collar, standing with his right hand in his pocket. He is holding a document in front of his chest in his left hand. The figure is atop a small wooden base, one side of which carries handwriting that reads 'Frauenarzt/Kommit den Frauen zart entgegen! ' The underside of the plinth is printed with a stamp that reads 'Figur/Handgeschnitzt/hand-carved'. 'Frauenarzt/Kommit den Frauen zart entgegen!'obstetrics

TPI 1973; Australia Remembers 1995; RSL ; Returned from Active Service; Ex POW Assn; War Chest; Life Member Rinfwood RSL blood donor; WW1 Women's Badge with two bars; The Royal British Legion; Women of Australia badge WW2 with one star; RSL Women's Auxilliary; Australian Women's Army Srevice Assn Vic; Australia Lapel badge; 12th Bn Assn badge; TB Sailor, Soldier Airman Assn Vic.

A wooden chest (.1) containing badminton and lawn tennis equipment, specifically: net posts (.2 - .3, two parts each); tennis net (.4); and, a badminton net (.5). A colour lithographic print, by Cahrles Hart, displaying mixed doubles playing on a lawn, with a small pavillion & large house in the background, features on the inside of the lid. Inscription across litho.: HORSMAN'S/CELEBRATED/LAWN TENNIS/... Materials: Wood, Metal, Lacquer, Rope, Cloth, Ink, Cord, Papertennis

Gilbert Noah Turner enlisted in the 3rd Reinforcements 8th Batt AIF on 23.11.14 No 1605. Embarked for overseas 19.2.15. Landed Gallipoli 8.5.15. Transferred to 60th Batt 24.2.16 then 25th Howitzer Bde 27.3.16 and finally 45th Batt on 2.6.16 as No 1410. Awarded Military Medal on 22.2.17. WIA 3.6.17 GSW to face and chest. WIA 2nd occasion 5.5.18 Gassed and then shortly after he got Pnuemonia. Discharged from the AIF 30.3.19. He enlisted again in WW11 on 12.8.41 No V18372. He served in Australia only and on discharge on 29.11.45 he was serving in 12 Garrison Battalion. Refer 1294P, 1039P, 1173.Medal set, court mounted, set of (6) re G Turner. 1. Military Medal. 2. 1914-15 Star. 3. War Medal 1914-1919. 4. Victory Medal. 5. War Medal 1939-45 6. Australian Service Medal.1. Military Medal is stamped "Duplicate". 2, 3, 4. "1410 Cpl G Turner 8 Bn AIF" 5, 6. "V18372 G Turner"medals, military, bravery

Vest used by Artillery.DCPU (Disruptive Pattern Camouflage Uniform) Work Dress vest. Colours - light to dark green through to light to dark brown, nylon fabric. Stand up collar, two front pockets, front fastening - nylon and plastic zipper. Vest lining - light green nylon fabric.Manufacturers Information on label - black ink print. "WALKABOUT/ TRADITIONALLY AUSTRALIAN/ NSN 8415-66-136-4647/ 94/ SIZE 105 CM CHEST/ NAME/ SERVICE NO./ MACH. WASHABLE WARM WATER ONLY/ DO NOT BLEACH/ DO NOT IRON/ DO NOT STEAM PRESS/ NYLON INNER/ OUTER - POLYESTER FILLED/ MADE IN AUSTRALIA." uniform, army, work dress, dpcu, vest

Ektachrome slide. Photograph by Barry John Cairns of building with coffins stacked up beside the building.The surgean had almost finished repairing the visible abdominal damage when a blood vessel in the soldier's chest perforated catastrophically. He died on the treatre table. He was the only soldier they lost in theatre in the twelve months Jan was there. (Extract from "Our Vietnam Nurses" F35071 Janice McCarthy RAANC May 1968 - May 1969)1st australian field hospital, nurses - vietnam, raanc

The jacket is indicative of the dress jacket worn by a sailor of the rate of Naval Police Petty Office who has completed 12 years service.Jacket Double Breasted Service Dress Navy Blue with gold embroided insignia, [Naval Police Coxswain Petty Officer] on right upper arm; gold embroided rank insignia [Petty Officer] above three gold embroided chevrons indicating 12 years service on the left upper arm; shoulder flashes with gold embroided word, "Australia" on both shoulders. 8 gold button with embossed Australian Navy Emblem and the word "Australia" in parallel columns of 4. Size 111S (short fit) with 2 small gold button with embossed Australian Navy Emblem and the word "Australia" the cuff of each arm.Manufacturer's identification label on inside right breast.Manufacturers label measuring 4omm x 80mm showing company logo ADI / 1999 / arrow pointed up /NSN: 8405-66-132-2309 / Wool polyester / size 111S / matching / trouser size 101S / chest 112 / waist 102 / inside leg 78 / No / Name / Dry Clean Only / Made in Australia

Japanese Surrender Ceremony at MOROTAI on 9 Sept 1945. Japanese Officer in the dark uniform is Lieutenant General Fusataro TESHIMA, Leader of the Japanese 2nd Army. The second man is a Japanese Naval Officer Captain Toru OYAMA. The Australian Officer at the table is Lieutenant General Frank BERRYMAN, a member of Blamey's staff. An audible recording of the ceremony is apparently on the internet including Blamey's speech.Four black and white photos. 1. This image shows at least 5 Japanese Senior officers standing to attention. At their front is a Senior Australian Officer wearing a pistol belt. He has his slouch hat with slouch part down. The Australian Officer is wearing small gaitors and boots. 2. General Blamey standing to attention on left of picture. A Japanese officer is signing some paperwork. In the background can be seen a large body of troops watching. The ground they are on has been covered in some white crushed rock. 3. A senior Japanese Officer in darkish uniform with a white shirt is signing some papers using a fountain pen. He has 4 rows of ribbons on his left chest.. On the front of his hat is star. 4. A senior Japanese Officer, lighter uniform, wearing a lanyard, is signing some papers using a fountain pen. He has 3 rows of ribbons on his left chest. On his lapels are a rectangle with 3 stars on it. On the front of his hat is a light coloured badge, possible an anchor on it. ww2, japanese surrender, morotai, blamey

As one of Geelong's finest forwards, Lloyd Hagger was relatively tall and possessed the ability to take high-flying, spectacular finger-tip marks at chest height as he tumbled over packs. His accurate punt and drop kicks resulted in many goals for the team. He became well known for scoring many acute angle goals. A mobile performer who could kick effectively with either foot, he played with equal effectiveness at centre half-forward and full forward. His durability was remarkable. During his 12 seasons he only missed eight matches. He was never short of a word on the field. - Col Hutchinson GFC HistorianHand drawing on paper card. Drawing of a black cat with one paw holding on to it's bow. At the bottom of the sketch in blue pen states "SKETCH BY LLOYD HAGGER, 1925". Lloyd Hagger was the original artist behind the cats logo and a Geelong player."SKETCH BY LLYOD HAGGER, 1925"cats mascot, gfc black cat, lloyd hagger, geelong cats

Pictorial book contains the names of Victorians K.I.A 1914 - 1916 and those who enlisted during the same period. Also stories and a list of bravery awards. Each book has a place for a photo inside The MULLER Brothers. Two of the three boys photos are in the book, Albert & Edgar. They All came from Nhill Victoria. Albert Herbert Muller No 448 enlisted in the 4th L.H.Regt C Sqd on 19.8.1914 age 21 years 7 months. Embarked for Egypt 19.10.14 and then to Gallipoli on 20.5.15, KIA by a sniper on 1.8.1915 at Gaba Tepe Gallipoli. Buried Shell Green Gully 2.8.1915. John Herman Muller No 1102 enlisted in 8th reinforcements 8th L.H Regt on 2.7.15 age 22 years, embarked for Gallipoli 20.8.1915, hospital with Mumps 25.10.15, return to unit 17.11.1915, embark for Alexandria 25.12.1915, hospital 16.9.1916 with Tonsilitis, WIA 19.4.1917 GSW to chest, left leg & arm, hospital 28.11.1917 with Diarrheoa, hospital 1.9.1918 (unclear), promoted T/Sgt 13.3.1919, discharged from the AIF 9.12.1919. Edgar Percy Muller No 3227 enlisted in 26th reinforcements 8th L.H.Regt on 9.11.1916 age 18 years 7 months. Attended Signal School 10.11.1916 to 14.2.1917, embarked for Egypt 20.2.1917, hospital 26.6.1917 with Debility, return to unit, WIA 1.12.1917 GSW to Chest, return to unit 9.1.1918, hospital 4.6.1918 with Malaria, return to unit 31.7.1918, hospital again 9.8.1918 (appears to be Malaria severe), return to unit 29.10.1918, discharged from the AIF 20.10.1919.Memorial Book Australia's Roll of Honour 1914 - 1916. History, Heroes and Helpers. Includes illustrations, photos, drawings, maps, portraits, personal records. Includes fold out pictures inside front cover. Photo and details of A. H. MULLER pasted onto first page. Gilt edged pages. Leather bound cover.books - military - reference, memorials