The tape has not been played from the label it is Legatee Grat Grattan talking about Legacy House. Legatee Grattan was very important member of Legacy for many years. He was well placed to tell the story of the donation towards Dureau House as L/ Grattan was pivotal in it's story. BG Corporation of New York used 'Brown and Dureau' as agents in Melbourne for their spark plug manufacturing (for the American aircraft based in Australia during the war). A royalty of two shillings and sixpence was agreed. The entrepreneur President of BG Corporation was Richard Goldsmith. L/ Grat Grattan had a friend Mr Edwards who was managing director at Brown and Dureau and heard of the desire by Goldsmith to leave a permanent memorial to ex-servicemen in Australia (Children's Hospital was considered). Grat took Edwards to Market St and showed him the inadequacy of the building. It was agreed if Melbourne Legacy could come up with a purchased building in 10 days they would get the money needed. The property purchased was 'Storey Hall' in Swanston St (also called Hibernian Hall in other documents). After the war it turned out not to be suitable and a new building was required. Contents TBC 'Perhaps his most lasting monument is Melbourne Legacy House. Through his friendship with one of the principals of the firm, Brown and Dureau, Legacy was given a donation of 30,000 pounds in 1944. A condition of the donation was that Legacy had only eight days in which to buy a building. A building across the road from the Royal Melbourne Institute of Technology was bought for 18,000 pounds and the balance invested. The building was sold in the early '50s and the proceeds plus the invested money enabled Legacy to buy its headquarters, Dureau House, in Swanston Street in 1955."It may be confirmed when played but it is likely a significant recording of the history of the acquisition of Dureau House.Clear plastic cassette tape in a cardboard box.Cardboard box, rainbow, C20, Tape a letter. Cassette, side 1 - Legacy Week by Legatee Grat Grattan, 1, Rainbow, Tape a Letter. 10 minutes per side. side 2 - as above.legatee, grat grattan, dureau house

Lt-Colonel J.H.P. Eller was the second President of the Melbourne Legacy Club and followed H.E Cohen, the Foundation President. Eller's year of office was devoted chiefly to the consolidation of membership and is notable as a period when new ideas regarding the Club's future began to be entertained. The principle of "Preference to Returned Soldiers" and finding employment for them was no longer so important and it was recognised that a wider meaning might be given to the term "Legacy" by the undertaking of active work amongst the children of deceased soldiers. (Blatchford, Claude. 'Legacy: the story of the Melbourne Legacy Club'. Melbourne, W.D. Joynt, 1932. p.22)Presented to Peter Eller in recognition of his presidential service, a tradition which has continued to the present day for all retiring presidents.Rectangular in shape, clear glass, cardboard fawn coloured border, certificate white cardboard, black metal frame. Back, brown paper, brass coloured hanging wire."Melbourne Legacy Club, Presidents' [sic] certificate, J.H.Peter Eller, Year of Office 1924-1925 In commemoration of your service to Legacy, more especially in the office of president, this Certificate is presented with the sincere regard and thanks of fellow Legatees." Thomas W. White President Frank J. Doolan Secretary Written in black ink. Legacy badge at top centre.service award, past president

A Legacy ceremony at the Shrine of Remembrance, during one of the annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to ANZAC Day. The photo shows school students and veterans around the statue of "The Man with the Donkey". From an article in The Answer in May 1992, the caption reads 'Norm Stewart (right) of Yarra Valley relates the moving story of Simpson and his Donkey.A record of a ceremony at the Shrine and a Legatee speaking to the school children.Black and white photo of school children at the "The Man with the Donkey" statue.anzac commemoration for students, wreath laying ceremony

Newspaper clipping from The Ballarat Times, 20 December. 2018 with an article titled "Santa on the tracks despite weather" featuring a story on the Museum's Santa Tram on Saturday 15 December 2018. Written by Carol Saffer reporting on the event and interviews with a passenger - Sonya White and children. Has a photo of No. 40 with the Santa Tram banner and Roger Salen. Also notes the making of flowers for a flower tram during the 2019 Begonia Festival.santa tram, btm, passengers

Has a strong association with a former Ballarat Tram Conductresses - gives here story about working on the trams, having children and the working after the trams.Newspaper clipping from The Courier, 28/1/2008, titled "Trams were Jeanne's life". Gives details of Jeanne Ward working for the Ballarat tramways, having children and working another job at the same time. Written by Karen Keast, photograph by Narelle White. In the Monday Profile Section.conductresses, world war i, ballarat, conductors

Set of three items produced for the 2000 Begonia Festival. .1 - Full colour advertising the 2000 festival, with details of the event, activities and fast facts on how to get there, contact details, produced 10/1999. .2 - Single colour pamphlet or brochure produced on grey colour paper for the Begonia displays at the Robert Clark Centre, gives details of the story of the Begonias, The Robert Clarke Centre and displays at the centre. Produced 2/2000. .3 - Book of family ticket (2 Adults & 2 Children) $25, for various events within the gardens and discounted entry at other locations. Has been stamped complimentary on a number of tickets.trams, tramways, begonia festival, tickets, ballarat

This is a collection of stories and newspaper clippings that relate to the women of the Colac district during the 19th and early 20th centuries. Over 300 women, some with a lot of information, others only covering a few lines, have been recorded. Many often would have had overwhelming issues to face in their day-to-day lives, with loneliness, lack of close communication and medical help, bad or unmade roads and harsh living conditions, ensuring that their children were fed. Pioneering days: a woman's life. Colac & District Family History Group Inc (comp.). 1st ed. Colac (Vic); Colac & District Family History Group Inc; 2013. vi, 284 p.; illus. ISBN 978 0975 0679 1 8 Soft cover.colac; otways; families; articles;

Bendigo Operatic Society White Paper Cover Black & White Text Programme Booklet Production 'South Pacific' Opening 10th August 1962 for six nights. Does not state where performed. With the permission of Chappells Ltd Bendigo Operatic Society presents 'South Pacific.' A Beatrice Oakley Production. Music & Lyrics Rogers & Hammerstein II. Book Hammerstein II & Joshua Logan. Musical Director Mr Max O' Loghlen. South Pacific's plot is based on James A. Michener's Pulitzer Prize-winning 1947 book Tales of the South Pacific and combines elements of several of those stories. Rodgers and Hammerstein believed they could write a musical based on Michener's work that would be financially successful and, at the same time, would send a strong progressive message on racism. South Pacific focuses on an American nurse stationed on a South Pacific island during World War II, who falls in love with a middle-aged expatriate French plantation owner but struggles to accept his mixed-race children. A secondary romance, between a U.S. lieutenant and a young Tonkinese woman, explores his fears of the social consequences should he marry his Asian sweetheart. The issue of racial prejudice is candidly explored throughout the musical, most controversially in the lieutenant's song, "You've Got to Be Carefully Taught". Supporting characters, including a comic petty officer and the Tonkinese girl's mother, help to tie the stories together. Because he lacked military knowledge, Hammerstein had difficulty writing that part of the script; the director of the original production, Logan, assisted him and received credit as co-writer of the book. Cast: Ray Austin, John Boromeo, Ruth Lyon, Carol Crane, Roger Sprawson, Patricia McCracken, John Stephens, Patricia Lyon, Kenneth Nicholls, Victor White, Alfred Annison, Brain Whetstone, Fred Trewarne, Peter Houston, John Gow, Ian Beckwith, Gerry Gleeson, John Reed, Roy Cronin, Reginald Boromeo, Len Carr, Denis Cremen, Daryl Walker, George Steele, Barry Washington, Joan Crane, Dawn Beckwith, Annette Wilson, Emily Houston, Jill Angwin, Carole McKenzie, Greta Smyth, Rhonda Scott, Lorraine Brennan, Mary Speedy, Katherine Alexander, Bronwen Townsend, Ferd. Lorenz. Songs Include: ''Bali Hai'', ''I'm in Love with a Wonderful Guy,'' ''Younger Than Springtime,'' ''This Nearly Was Mine,'' '' Some Enchanted Evening,'' ''There is Nothing Like a Dame,'' ''I'm Gonna Wash That Man Right Out of My Hair,'' and many others.Arthur Hocking Press.clubs and associations, theatre, bendigo operatic society

Red Hard Covered Book with Gold & Black Title & Illustration. 'Chatterbox' founded by J. Erskine Clarke EMA. London: Published for the Proprietors by Wells Gardner Darton, & Co; 3 Paternoster Buildings 1903. Contents include fiction and nonfiction; short stories, poetry, illustrations and puzzles. Pages 444. Markings & Inscriptions: Madge from Ruby January 1904. Inside Cover London: Printed by Strangeways & Sons Tower Street Cambridge Circus W.C. Orignal Authors of Pieces Various.Variousbook, childrens picture story

A damaged book of verses titled 'Round About Stories' compiled by McLoughlin Brothers 890 Broadway New York. Markings & Inscriptions: The Misses Berges School Prize awarded to Ralla Mitchell for writing & tables.. M. Berges Principal Xmas 1902. Pages 140.book, childrens picture story book

A hardcover book titled Sunday Sunshine edited by Catherine Shaw. London John F Shaw & Co. 48, Paternoster Row. A collection of short stories & illustrations. 147 pages. Markings & Inscriptions 'To Madge from Doris July 15th, 1902.John F Shaw & Cobook, childrens picture story book

Collection of newspaper articles and colour photo of Violee Davey, who was a student at Golden Square Laurel St. 1189. Violee was born on 10th June, 1906, to David and Margaret Davey, one of 16 ? Children. She was a volunteer at the Bendigo Easter Fair for 81 years. She received the Order of Australia Medal for services to community. Violee was the oldest living ex pupil at the 125h. Anniversary celebrations in 1998. Photo shows Violee cutting the 125th. Centenary cake, with Zac Allen, the youngest student. Photo is entitled 'youngest and oldest student' Article 'Happy days recalled' tells the story of Violee's days at Golden Square Primary and the celebration of her 100th. Birthday.Bendigo Advetrtisereducation, primary, golden square laurel st p.s.

Photo of Joshua Clough beside a model of a mine. A banner of the school is in the background. Story about an exhibition focusing on minerals and mining. The children learnt about the different aspects of mining and made models.education, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, joshua clough, central deborah gold mine, james lerk

Photograph Copy, E.W.Hands, Butcher & Poulterer, Refrigerating Chambers on the Premises, Corner of Forest & Barnard Sts., Bendigo.This is a two story building. Seven Men dressed in butcher's aprons at front of building and some children in background.photograph, streetscape, bendigo

In 1977, artist Annette Meikle undertook a commission to illustrate a book recording stories of places and people in the Bayside area. It was published in 1978 as Sandringham Sketchbook, with text by Elizabeth Waters. The sketches were intended to record remaining examples of Bayside’s early architecture and environment, as well as reflect newer architectural changes. Meikle went on to donate 22 of these sketches to Bayside City Council in 2003. This red brick building in Balcombe Road, Black Rock, was constructed in the inter-war period (1939) as a holiday home for State wards and neglected children who were placed in the care of the Sisters of Mercy.Annette Meikle, St Vincent de Paul's Children's Home 1977, ink and watercolour, 35.7 x 25.6 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2003annette meikle, sandringham sketchbook, elizabeth waters, st vincent de paul's children's home, balcombe road, black rock, sisters of mercy

Pages 123-4, of a book, featuring a story entitled: HAPPY HOLIDAYS. Recto features text, verso features a coloured print image of children playing tennis, with parents sitting in background. Materials: Paper, Inktennis

117 pp : illustrated : Appendices Chapters: Preface / Robert Baker p4. The collection / Robert Baker p5. Cartwheel penny / Robert Baker p6. Creek and old watering stage / David White p10. John Carson: Mayor 1863–4 1 / Julie King p4. Wedding dress / Suzanne McWha p18. Back to Kew 1875 / Judith Scurfield p22. Barnard’s clock / Margaret Robinson p26. Denbigh quilt / Suzanne McWha p28. Fragments of art decoration / Robert Baker p32. Mr Richardson’s sock / Felicity Renowden p36. Kew Volunteer Fire Brigade / David White p38. Kew Where We Live / Judith Scurfield p42. [MMBW} Detail Plan No. 1580 / Judith Scurfield p46. Adeney Avenue / Suzanne McWha p50. Young Workers’ Patriotic Guild / Margaret Robinson p54. Roll of Honor [Thomas Rand] / Robert Baker p56. Alice Anderson in her tourer / Felicity Renowden p60. Kew War Memorial / David White p62. Beaded dance dress / Suzanne McWha p 66. The great flood of 1934 / Desley Reid p68. Depression-era toolbox / Robert Baker p72. War Savings Street / Julie King p74. Kew Public L.ibrary / Suzanne McWha p78. Signature supper cloth / Desley Reid p82. View from the garden of Rockingham / Desley Reid p86. Cr Marie Dalley / Felicity Renowden p90. Centenary of Kew / Robert Baker p94. Doris Dickinson’s gown / Julie King p98. [Model Dairy] Milk bottles / Robert Baker p100. Kew Civic Centre / David White p102. Bicentennial tapestries / Margaret Robinson p106. Crest of the City of Kew / Desley Reid p110. Town Crier [outfit] / Desley Reid p112. Acknowledgements p114. List of works p115.non-fiction'Stories They Tell : A history of Kew through objects' explores diverse narratives from European settlement to the first decades of the twenty-first century. These stories use as their starting point artworks, texts and artefacts from the nationally significant collection of the Kew Historical Society. Limited to 100 copies.collection -- kew historical society, museum catalogues, henty family, cartwheel pennies, kew lunatic asylum, patchwork quilts, john carson, george bouchier richardson, gb richardson, coombs family, james dannock, back to kew 1875, francis barnard, denbigh family, cullis hill & co, ordsall, southesk, kew volunteer fire brigade, jfc farquhar, henry kellett, mmbw detail plan 1580, william nicholls anderson, young workers patriotic guild, roll of honor -- town of kew, alice anderson, kew war memorial, flapper dresses, fairfield bridge, chandler highway bridge, warren trestrail, furniture -- 1930s, war savings streets, kew library, children's libraries, voluntary aid detachments - kew (vic.), rockingham, james govett, centenary of kew, mayoresses -- kew (vic.), model dairy -- kew (vic.), doris dickinson, crests -- city of kew (vic.), town criers -- kew (vic.), joy stewart, australian bicentennial -- kew (vic.), kew civic centre, ak lines mcfarlane marshall, adeney avenue -- kew, wwi

Mr. and Mrs. Tabulo, who owned the house between 1945 and 1965, created Fairyland in the 1940s. Fairyland was open to the public, especially children, who were invited to write their names in visitors’ books. These are now in the possession of the Kew Historical Society. Following the sale of the house after Mrs. Tabulo’s death, the garden and content of the house was cleared of its previous adornments. Grace Tabulo died in 1965. "CHILDREN LIVING IN THE ONE STREET soon find out which house will welcome them and which house to avoid. Few children in few streets have ever had such a find as those who live in Malmsbury st, Kew. At 56 Malmsbury st they all belong. It is their house. There are no young children who are actual residents, but they are to be found there all day long. Mrs J. Tabulo is chatelaine of 56, but few children know her by this name. To them she she is the Fairyland Lady. In her pocket handkerchief front garden there are few flowers; there isn't room, for it has been turned into a children's dream. Cement, tiles, old broken pieces of priceless china, miniature bottles, leadlights, and strange and beautiful little statues have been welded into a grotto which Mrs Tabulo says is only appreciated and understandable to children. It started off in a small way three years ago with a few odd statuettes, but with a street full of children ready and eager to build, it now has hardly room for even a miniature. Like the children, the Fairyland Lady knows and values each mosaic-like piece. Many a wedding present, succumbed at last to the ravages of time, holds a vantage spot in the grotto. The children bring along their broken bits and each is found a spot and cemented into the fairy story picture. In the cottage itself the children are also welcome. There is no spot, from skirting board to ceiling, that is not crowned with some gem or another. Fans, plaques, and china, some of it more than 300 years old, is handled daily by tiny but careful hands. "Children," said Mrs Tabulo, "should be allowed to love and handle beautiful things. They are much more careful than adults. Bless them!" -H.S (The Argus, 22 January 1949)A photograph of Mrs. Grace Tabulo in the garden of ‘Fairyland’ in 57 Malmsbury Street, Kew. fairyland, malmsbury street, kew, tabulo, grace tabulo

[Sydney] Angus and Robertson [1966] xxi, 262 p. illus., maps, ports. (part col.) 24 cm. non-fictionThis diary tells the Australian story as it has never been told before and can never be told again. The journal consists mainly of entries in her diary made by Georgiana day by day as events took place. p.91; Brief mention of natives, fear of comet; p.100; Custom of exchanging names; plate facing p. 201 : portraits of Aboriginal people from Arthur's seat; p.204; Account of formation of Port Phillip Bay; p.213; Burial described; p.243; Words of songs of Goulburn blacks tribe; p.245; Description of a corroboree of men, and one of children; Place of women; p.247-253 is An Essay hostorical, geographical, anthropological and zoological taken from Georges Cahier dEcriture 1846; P.250; Description of the natives of New Holland - physical appearance, way of life, dances, shelters, food, weapons, method of stretching opossum skins; Vic. (S) - 6/9, 5/7, 5/5, 5/6, 4/7, 8/1.mcrae, georgiana, georgiana mccrae, woman on victorian goldfields

Adapted, produced and acted by members of the HTC Youth Group, Heidelberg Theatre Company Youth Workshop, The group was formed under the umbrella of the Heidelberg Theatre Company. A Saturday morning Acting Workshop for children aged 7 to 14 years was organised and run by Alice Bugge at the Theatre and a production was mounted bi-annually under her direction.from the 1980s until 2001. All items in good conditiondirector alice bugge, cinderella, youth workshop, htc, heidelberg theatre company

Court House Patrick Street with photo taken on angle Flanked by metal fence with stone base. Slate roof with ventilators chimneys. Parapet round roof on the single story. Arched windows and entrance. Three children sitting in Gateway.B/W Photgraph of a Substrantional Stone Building - Flanked by a metal Fence on a stoone base - Slate roof, with ventalators, Chimneys - Parapets on the single story Arhed windos and enterance. three young boys sitting in front of the gate, the one to the left is wearing a cap.stawell building, court house

Author was a Surrey Hills resident. 288p; illus. This is a story of the War Widows' Guild and the story telling of energy released through grief, of women fighting for their children and their spouses.288p; illus. This is a story of the War Widows' Guild and the story telling of energy released through grief, of women fighting for their children and their spouses.war widows' guild of australia, societies and clubs, women, widows, (ms) mavis thorpe clark

Bought with funds generated by cemetery tours , presented to SHNCHC by SHHS following a presentation to the Society by the author. Graeme Davison has lived in Surrey Hills for many years. A family history by historian Graeme Davison - A widow and her 8 older children are uprooted from their Hampshire farm in 1850 and thrown together on an emigrate ship with 38 distressed needlewomen from London. How they came to be on the boat, and what happened on the high seas and afterwards in Australia , is a vivid tale of family ambitions and fears, successes and catastrophes. The Hewetts were not famous or distinguished, but their story reveals much about the foundations of Australia. Inscriptions: A family history by historian Graeme Davison - A widow and her 8 older children are uprooted from their Hampshire farm in 1850 and thrown together on an emigrate ship with 38 distressed needlewomen from London. How they came to be on the boat, and what happened on the high seas and afterwards in Australia , is a vivid tale of family ambitions and fears, successes and catastrophes. The Hewetts were not famous or distinguished, but their story reveals much about the foundations of Australia. Inscriptions: Title Page : (signed by author) :Graeme Davisonfamily history, hewett family, (mr) graeme davison

In 1895, the Burwood Boys' Home was instituted as a 'home for neglected, orphaned and fatherless boys'. Robert Campbell Edwards was vividly aware of homeless boys and decided to do something to alleviate their problems. This book tells the story.In 1895, the Burwood Boys' Home was instituted as a 'home for neglected, orphaned and fatherless boys'. Robert Campbell Edwards was vividly aware of homeless boys and decided to do something to alleviate their problems. This book tells the story.burwood boys' home, child care, orphanages, (mr) robert campbell edwards, tea merchant, burwood children's home

Erin McCUSKEY Erin is a filmmaker, photographer and digital media artist with a bent on ‘difference’. She is the Creative Director at Yum Studio where she has forged a national reputation for delivering innovative and unique creative media projects, using projection, media, social media and social broadcasting. Ern McCuskey has a passion for producing projects with human rights at their core. Her short films, installations and commissions have screened at Museum of Australian Democracy at Eureka (MADE), Melbourne International Film Festival (MIFF), Flickerfest, Indiefest, Gertrude St Projection Festival, Ballarat International Foto Biennale, numerous exhibitions, performances and collections. Erin’s work is informed by the knowledge that difference is a necessary part of society and the core of a healthy one. She is passionate about creating media that is thought provoking, possibly controversial and also entertaining. Media creation is a group pursuit and those behind the camera are more often control the balance of power, therefore she is committed to unique collective story development. “I believe that art is in the everyday, that we all can, should and do, create. My work is informed by the moving images of my siblings as children recorded by my father, the houses and homes, spaces and events, which live on as objects themselves in various homes as photos, archives, projected and loved. These flickering images were embedded and now I spend time creating more.” (Central Highlands Art Atlas, http://www.artsatlas.com.au/erin/) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Three photographs mounted side by side (portrait orientation). #1 image of curtains #2 image of sculpture of man reflected in a mirror #3 light reflecting through crystal door handle. Slight scratching on front bottom of frame. art, artwork, erin mccuskey, mccuskey, photography, foto, available

256 p., [8] leaves of plates : ill. ; 19 cm.non-fictionJuvenile Fiction held in Reference Section. Illustrated by J. Macfarlane. lillian pyke, country life -- queensland -- juvenile fiction., railroads -- construction -- juvenile fiction., children's stories., railroad construction workers -- queensland -- juvenile fiction., railroads -- design and construction -- juvenile fiction., australia -- social life and customs -- juvenile fiction., target audience, book