Newspaper Clipping 09 April 1987 Bendigo Advertiser Historian Mr Cliff Binks descendant of some of the original Bendigo Pioneers calls for a monument to honour and remember those who were buried in The Old Sandhurst Burial Grounds.bendigo, history, old bendigo cemetery

Photograph - black and white. A photograph of a Junior Fire Brigade, Bendigo Easter Fair, 1937. 'First Prize - Section 10'. Cliff Hughes is the gentleman in the centre of the back row and Bruce Heider is fourth from the left of the sitting row.organization, public utility, fire brigade, bendigo east junior fire brigade. bendigo easter fair 1937. cliff hughes. bruce heider.

B/W Photograph of W.E. Coward Carpenter & Joiner shop with O. Anderson Welding Shop next door - Jack & Cliff Earle & Pop & Fred Coward 1935-1936 - Scotland Place. Young man in background with a pushbike. streetscape

Black and white postcard taken from elevation on Jemmys Point, showing Reeves Channel, Gippsland Lakes, including Kalimna Jetty and Sawmill Flat at entrance to Maringa Creek, timbered cliffs above lake. Lakes Entrance VictoriaKalimna at Lakes Entrance boats and boating, waterways, topography

Ansonia Clocks were made by a clock manufacturing business which started in Ansonia, Connecticut, in 1851 and which moved to Brooklyn, New York, in 1878. An enormously successful business, it turned out thousands of clocks in a large number of styles.This Ansonia clock was owned by the pioneer family of Miss Carol Green in Moorabbin Shire c 1887This Ansonia clock was owned by the pioneer family of Miss Carol Green in Moorabbin Shire c 1887A small ANSONIA clock. c1887 with a winding key and pendulum and a hinged front glass door This Ansonia clock was restored by Mr Frank M. Gowan.c 1960damaged label on back : AWARD PARIS..... / SMALL SHAR..... / ANSONIA CLOCK / none genuine without ' ( symbol) ' / factories at ANSONIA Conn. Brook / Salesroom .....19 Cliff Street ....../ansonia clock company, connecticut, america, phelps anson, terry theodore, andrews franklin, brighton, moorabbin, furniture, pioneers, clocks, market gardeners, early settlers, green carol, gowan frank

Strampp lived and worked at Clifton Pugh's artist colony Dunmoochin from 1980 to 1985. 'Into the Night' is Strampps' "own marriage painting". The wedding dress and horse, "a symbol of virility and passion" represents Strampp and the background landscape was inspired by her stay in Somerset, England. The cliff edge on the left symbolises "an audacious step into the future." The painting "is of a bride, passionate yet absent, about to embark upon a new journey in life, and of the voyage ahead. It is about acknowledging the past, and having the courage to move forward. To take risks". Strampp was largely influenced by both the new German Neo-Expressionists of the time and by English artist John Walker, which is evident in this painting. Her work took on popular stylistic trends and themes of the time, which included a painterly aesthetic and an energetic application of the medium, which transferred to an emotional and or personal connection to subject matter that was communicated symbolically. Strampp is an artist of national significance. This work encompasses themes and a style of painting (Neo - Expressionism) that was prevalent during the time of its making in the eighties. This work represents a transition from Strampp's highly regarded early paintings of heroic horses in the mid to late 1980’s to her highly regarded paintings of contemporary wedding and/or armour-like bodices dresses of the 1990s. Both the 'horse' and 'dress' were often set in empty backgrounds or dreamy/foreboding landscapes. Painted in oil on linen (x2) in a 'Neo-Expressionist' style, 'Into the Night' depicts a ghostly white horse to the right of the painting looking away from a ghostly white wedding dress to the left of the painting. The dress has sprouted white wings and is adorned with bows on the bottom edge of the dress and roses on the sleeves. The dress seems full bodied although there is no figure. The dress and horse are placed in the foreground on a stage like platform with a white curtain framing the picture to the right, and a black ladder and brown cliff edge framing the picture to the left. The background depicts a foreboding and dark cloudy sky and seascape with a firery red landscape burning on the horizon. Signed low right (1988.7b VA) with brush in purple (light) 'Adriane Strampp 87'. into the night, neo expressionism, wedding dress, horse, symbolism, painting, seascape, dramatic, emotional, poetic, strampp

also identical print, poor quality 7 x 8.5|also black and white 10 x 12.5|also copy sepia tone 10 x 15|also poor quality black and white 12.5 x 17.5Black and white small format postcard of three jetties at Kalimna Gippsland Lakes Victoria. It shows tents of campers on lake edge, steep cliffs in background, small boats at jetties, person fishing from jetty. Lakes Entrance VictoriaKalimna Lakes Entrance jetties, waterways, boats and boating

Black and white large format postcard of Kalimna Jetty Gippsland Lakes. It shows the shed on the approach to the jetty and landing, Rigby Island and Entrance in background, steep cliffs at eastern edge of lake. Pioneer Dredge in channel. Lakes Entrance VictoriaKalimna and Entrancejetties, boats and boating, dredges

Original in possession of descendant of Arthur Seagrove, teacher at Johnsonville School c1920.Black and white photograph of Reeves Channel, Gippsland Lakes, showing a launch in the Narrows below Jemmy's Point, Rigby Island and a distant view of Fraser Island and Flannagan Island opposite the steep cliffs of the mainland shore. Lakes Entrance Victoria'To Rit with love from Arthur' on backislands, waterways, topography

Black and white photograph of Kalimna Jetty, showing jetty, storage shed, boat shed, navigation light on end of jetty, and a launch slipped beside boathouse, steep cliffs bordering shoreline, sign on jetty for Kalimna Hotel, Lakes Entrance Victoriawaterways, jetties

The Children's Cottages at Kew were first opened in 1887 as the "Idiot Ward" of Kew Asylum. Located on the asylum's grounds, the children's cottages were established to provide separate accommodation for child inmates who had previously been housed with adult patients. Although the Cottages only admitted children as patients, many of those children remained in residence at the Cottages as adults. The function of the institution was to provide accommodation and educational instruction for intellectually disabled children. Some Wards of the State and other various "difficult" children were also admitted.Shortly after opening, the Idiot Ward began functioning separately from the Kew Lunatic Asylum, and became known as the Kew Idiot Asylum from 1887 until c.1929. From 1929 they have been known as the "Children's Cottages, Kew" or alternatively "Kew Cottages Training Centre". The institution was finally closed in July 2008. [Source: Wikipedia, 2016]One of a series of framed historical photographs of the Kew Cottages that once formed part of the collection of the Kew Cottages Historical Society, founded by Dr. Cliff Judge and Fran Van Brummelen in the 1980s. The set contains both copies of originals in other collections such as the Public Record Office Victoria and photographs taken by Dr Judge for his books on intellectual disability in Victoria. The significance of the set of framed photographs is that they provide a curated collection of images of the development of the Cottages over a one hundred year period.Framed photograph, forming part of the Kew Cottages collection, donated by Dr Cliff Judge in 1993. Dr. Judge was a consultant psychiatrist at the cottages for 14 years, as well as an author and vocal advocate for the intellectually disabled and their families. [Conservation note: Glass to be replaced]"Kew Cottages - Old Ward 21 (The Nursery). Old Ward 21, previously the 'nursery', and demolished in 1973 to make way for units 4 and 5. "kew cottages, dr cliff judge, kew cottages historical society 1987-1993

A small collection of draftsman's nibs used by Cliff Lowerson (dec.).Collection of miscellaneous draftsman's pen nibs, in "Strepsils" tin.Feb 86 (tin)pen nibs

Cliff Earle - Radio and Electrical Contractor vehicle . 1949 snow stawell

Cliff and Iris Lowerson celebrated their 50th wedding anniversary in 1999Text and black and white imagecliff lowerson, iris lowerson

Black and white photo - 2 photos joined together. Ship on left. Ship at Pier. Fishermans wharf. Railway pier. Long pier. 3rd baths in foreground. Van on road below cliff. 2 cypress trees in foreground. 2 people on beach.fishermens wharf, portland baths, railway pier, portland harbour

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 7 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. This photograph reveals the cliffs and the remnant bush in 1924."Studley Park / Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, yarra river -- geology, studley park

Black and white postcard of the man made entrance through the hummocks, taken from the cliff top at Kalimna. Shows an indistinct distant view of the entrance, natural vegetation in foreground behind simple timber and chicken wire boundary fence. Lakes Entrance VictoriaLakes Entrance from Kalimnawaterways, topography, islands

Also another copy print 8 x 13, both printed as though framedBlack and white photograph of Reeves Channel, Gippsland Lakes. It shows Rigby Island opposite the steep cliffs of mainland shore. Small island off Rigby was known as the Doughboy. Taken from Jemmys Point, natural vegetation in foreground. Lakes Entrance VictoriaReeves River from Kalimnaislands, waterways, topography

The Children's Cottages at Kew were first opened in 1887 as the "Idiot Ward" of Kew Asylum. Located on the asylum's grounds, the children's cottages were established to provide separate accommodation for child inmates who had previously been housed with adult patients. Although the Cottages only admitted children as patients, many of those children remained in residence at the Cottages as adults. The function of the institution was to provide accommodation and educational instruction for intellectually disabled children. Some Wards of the State and other various "difficult" children were also admitted.Shortly after opening, the Idiot Ward began functioning separately from the Kew Lunatic Asylum, and became known as the Kew Idiot Asylum from 1887 until c.1929. From 1929 they have been known as the "Children's Cottages, Kew" or alternatively "Kew Cottages Training Centre". The institution was finally closed in July 2008. [Source: Wikipedia, 2016]One of a series of framed historical photographs of the Kew Cottages that once formed part of the collection of the Kew Cottages Historical Society, founded by Dr. Cliff Judge and Fran Van Brummelen in the 1980s. The set contains both copies of originals in other collections such as the Public Record Office Victoria and photographs taken by Dr Judge for his books on intellectual disability in Victoria. The significance of the set of framed photographs is that they provide a curated collection of images of the development of the Cottages over a one hundred year period.Framed photograph, forming part of the Kew Cottages collection, donated by Dr Cliff Judge in 1993. Dr. Judge was a consultant psychiatrist at the cottages for 14 years, as well as an author and vocal advocate for the intellectually disabled and their families. [Conservation note: Broken glass to be replaced]"Kew Cottages - Wards 11,12,13 & Old Conference Room. Left to right - Wards 11, 12 and 13. Old Conference Room - Wards 23, 22 and 21."kew cottages, dr cliff judge, kew cottages historical society 1987-1993

Displayed in History House. Time capsule was interred in George V. Memorial, Memorial Triangle, Cliff Street. For history of object, see details in object file. Time capsule found to be roached during relocation works in the Memorial Triangle, Cliff Street in 1984.Glass jar with fragments of paper inside. Paper is in wads, with no evident ink on them. Fragments of yellow-stained glass also inside. Clay traces on jar. Paper is believed to be the signature paper interred in capsule on June 19th, 1911.Front: (no inscriptions)

Mr and Mrs Morrell and Mr Cliff Bush of "Yallambie", Lower Plenty.Reproduction of black and white photographcelebrations, clay nuneham, cliff bush, john harcourt, morrell, yallambie