Hardcover W/ Dust Jacketqueensland pictorial works, walsh st library

Hardcover w/ Dust JacketSigned on title page - "Best Wishes, Geoffrey Blainey" Thank You card inside from Patrick McCaughey, dated 19/7/84australia history, victorian first settlers, murray river, walsh st library

Hardcover W/ Dust Jacket1x Greeting card inside front cover, "Patricia dear, with our love + congratulations. Blessings, Hector + Linda"australia social history, politics government, walsh st library

maps, b&w illustrations, colour illustrations, colour photographsbangerang, bidawal, boonwurrung, dharwurd wurrung, dja dja wurrung, djab wurrung, gunnai kurnai, jardwadjali, jadawadjali, keerray woorroong, latji latji, peek wurrong, taungurung, wathaurung, wergaia, wotjobaluk, wurundjeri, yorta yorta

Comprises twenty-three extracts from the Minutes of Evidence of the Coranderrk Inquiry, accompanied by an analysis of the historical text and context. The book relies strongly on primary-source materials and accurately references historical analysis from scholarly and Aboriginal perspectives. This book is derived from a verbatim-theatre performance in which professional actors portrayed the witnesses who gave evidence before the 1881 Coranderrk Inquiry.illustrations, photographs, facsimiles, maps, portraitswurundjeri, woi wurrung, william barak

John Bradley's compelling account of three decades living with the Yanyuwa people of the Gulf of Carpentaria and of how the elders revealed to him the ancient songlines of their Dreaming.maps, b&w illustrations, b&w photographsyanyuwa, carpentaria

Be Flash Cheeky Show off and Shake a Leg Canoe and Fishing Song Red Kangaroo Dance Reburial Song Dreamtime Love Song Didgeridoo Rhythm Classic Children's Nursery RhymeCDwathaurong

A description of the invasion of Djadja Wurrung land in Central Victoria which began in the mid 1830s.maps, b&w illustrations, b&w photographsdjadja wurrung, dja dja wurrung, dja dja wrung aboriginal association, beembarmin, victorian pastoral leases, franklinford, fernihurst, edward parker, caroline morgan, thomas dunolly, cummeragunja, racial conflict, racism, victorian social history

Contains a general history of the early Port Phillip district, including many references to Aboriginal peoples. Edited version of original 19th century notes by James Bonwick.Maps, b&w illustrationswilliam buckley, john batman, joseph gellibrand, john pascoe fawkner, victorian history, melbourne history, port phillip, religion, merri creek, james bonwick

Summary of proceedings of a conference session on Native Title at the annual conference of the Australian Anthropological Society, University of Sydney, 28-30 September, 1994. Looking at the legal process and roles in Native Title claims.chartsnative title

Investigating the dispossession of Aboriginal people from their lands in Western Victoria. The methods of dispossession (exclusion etc.) and restrictions, with the consequences of this.maps, tables, b&w photographsdjab wurrung, dhauwurd wurrung, bargundidj, djadja wurrung, djagurd wurrung, gadubanud, girai wurrung, gulidjan, jardwadjali, watha wurrung, wergaia, western victoria, land tenure

Hetti Perkins introduces this collection of reproductions of of Western Arnhem Land bark paintings, rock art, woven fibre art and wooden sculpture that was exhibited by the Art Gallery of NSW in 2004, emphasising the cultural foundations of the Kuninjku artists, their beliefs, artistic conventions and innovations. The book includes interviews with traditional rock and bark artists (including some language), and essays describing the connection of the people to the land, their spiritual beliefs and their art. There are also reproductions of works on paper and woven forms and an essay on the role of women in producing these art forms. An essay by Professor Jon Altmann is entitled "Brokering Kuninjku Art: Artists, Institutions and the Market. A chronolgy details the history of aboriginal art in the area, there are biographies of the artists whose works were included in the exhibition, a list of the works themselves, a glossary of place names, art terms, aboriginal, linguistic and anthropological terms, and a select bibliography. The list of contributors includes, as well as the two mentioned above, Dr Murray Garde, Apolline Kohen, Steven Miller, Cara Pinchbeck and Dr Luke Taylor.Colour photographs

Colour photographs, illustrations, mapsbirds, south eastern australia, mallee

Critique of Davis and Prescott Aboriginal frontiers and boundaries in Australia and map, Davis, S. Australias extant and imputed traditional Aboriginal territories; uses anthropological and linguistic evidence to expose inaccuracies and lacunae in book and map; appended are comments on the Davis map by regional specialists.Maps, colour photographsindigenous land boundaries

Gives thorough introduction to the dry-forest area and the plants and animals of that habitat.Maps, colour photographs, b&w illustrationsbox-ironbark forests, deforestation, sustainability, environment, biodiversity

Black & white photographlady walking dog, country road

Rural City of Wangaratta Collection, Wangaratta Art Prize 1983.A pastoral landscape painted in oils using shades of blue, green, white, yellow, and brown.Obverse: L. Pawluk./ (bottom left) WANGARATTA ART SHOW/ GRAND PRIZE WINNER/ 1983/ (plaque mounted on frame)wangaratta art gallery, len pawluk, landscape, painting, pastoral

Glass studied at the Swinburne Technical College under Max Meldrum.

Nillumbik Prize finalist (2018, 2016, 2015, 2014). The artist lives and works in Nillumbik. Abstract sculpture inspired by the artist attending a local ceremony in Nillumbik to harvest tubers of the Murnong (yam daisy), a traditional staple of the Wurundjeri people. Wirth was also inspired by the writing of Bruce Pascoe. Wirth works intuitively with awareness that meaning may be deciphered through the combination of material/mediums/techniques that she uses randomly. Through the process of experimentation and automatism Wirth allows her work to evolve organically. Wirth is represented in public art collections including: Victorian College of the Arts, Victorian Performing Arts Centre and Ararat Regional Gallery. She also completed a residency at Laughing Waters in 2012. Yellow abstract sculpture woven into a vessel with long tentacles using cotton yarn. N/Afinalist, nillumbik prize, abstract, textile, yellow, vessel, yam

First prize exhibition G Kidman PC Goods/ suit lengths/Flannel/ Blazers/wool marketing woollen mills - history textile mills, returned soldiers and sailors mill valley worsted mill, kidman, mr g. l., wool marketing, woollen mills - history, textile mills

Associated documents from Mr R Lloyd provide further informationsheep stations - management wool growing squatters, lloyd, mr robert, sheep stations - management, wool growing, squatters

Huttley and Martin FamilyB/W. Bush track with hourses pulling a dray with 3 People in hats, light, white clothes, surrounding bush?huttley, martin