These wooden handmade toys were used by young children to play 'House' with their dolls.A lilac and white painted wooden dolls cot with an eight railed drop side, a wooden base with four white slats. The drop railed side has thick wire rungs to slide it up and down with metal clips to engage it up or down. There is bedding in the cot.toys, children's toys, toy accessories, dolls bed, dolls furniture

The photograph printed on this postcard comes from the collection of the Mitchell Library in Sydney. It is sepia in tone and depicts seven men standing and sitting around a mine shaft in the Beechworth region. The photograph has been dated to approximately 1872. This period in history post-dates the Victorian gold rushes which occurred 1852-1853 in Ballarat, Bendigo and Beechworth. During this period, in the 1870s, the surface alluvial gold had been discovered and removed from location. Therefore, in order to reach the deeper and less accessible alluvial gold, diggers began to dig shafts into the earth. These shafts sunk below the ground level by 20 to 30 feet and required timber structures around the entrance and winches to bring the paydirt to the top. The top of this wooden structure is visible behind the man standing in the upper right of the image. This type of mining was highly dangerous as mines often caved in which injured the minors and often resulted in death. Thus, following this period, in the early 1900s, miners opted instead for hydrolic slucing which cut away the earth without the devastating consequences of a mine cave in. This particular group of miners appear to have been unable to afford a horse (then worth around 50 pounds) which were generally used at mines like this to help pull buckets attached to ropes up and down the mine. Instead, this group brought the buckets up and down by windlass. The windlass was a wooden structure mounted over the mining shaft and fitted with a hand-cranked winch which enabled the bucket attached to the rope to be brought up and down.Gold was first discovered in Beechworth in Spring and Reid's Creek in the summer of 1852-1853. At its popularity, this region had approximately 8000 people on the gold fields searching for gold on the banks of these creeks. These periods did not require the use of heavy machinery or the digging of deep mining shafts like the one depicted in this image. Therefore, this image has important connotations for the technologies associated with mining during the approximated 1870s when gold was harder to access. This is a later period in gold history which does not fit into the "gold rush" period. Instead, it occurred after the surface gold had disappeared and therefore, is essential for researchers who are investigating the mining techniques and structures used to reach the alluvial gold which was located deeper under ground in the 1870s. This period predates the use of big heavy machinery used to mine in the 1900s which include dredges. Images such as this one can also impart essential information as to the wardrobe and fashion of men during this period. It also imparts knowledge about the landscape of Beechworth which is useful for people researching the environment and impact of gold mining in the north-east region of Victoria. In addition, since this image is a postcard reproduction of an early Australian image which may date to approximately 1990 it can impart knowledge as to the interests of people during this time period when there may have been an increase into Australian history.A sepia tone facsimile of an early Australian photograph (circa 1872) printed as a postcard.Obverse: BEECHWORTH / Victoria, Australia / Reverse: GM 2 3275 / CORRESPONDENCE / AUSTRALIAN / YESTERYEAR / CARDS / ADDRESS / Published by George Symons (057) 65 3240 / THE MINEHEAD C. 1872 / The easily gleaned gold of the early fields did / not last very long. In order to reach less / accessible alluvial gold diggers began sinking shafts as much as twenty to thirty feet down / and the mines required timbering and winches / to bring the paydirt to the top. / This syndicate has been unable to afford the / luxury of a horse (about 50 pounds) and so everything / must go up and down by windlass and rawhide / bucket. / Photo: Mitchell Library, Sydney / A sepia tone facsimile of / an early Australian photographmining album, gold mine, beechworth, burke museum, mine shaft, postcard, australian yesteryear cards, george symons, the minehead, gold fields, alluvial gold, early australia, c.1872, 1872, gold diggers, north east victoria

Postcards collected after WW1 by R.H. Baron whilst serving with 5th Divisional Headquarters (57 Batt) in Belgium. Part of the "Robert H. Baron (No. 3596) and Cooper Collections. See Catalogue No. 1981P for details of Baron's service.Seventeen black and white postcard scenes of the Battle of Waterloo and surrounds. Each has perforations down the LHS.robert h. baron, cooper collection, postcards, ww1, waterloo

A colour photograph of Steavenson Falls in Marysville in Victoria.A colour photograph of Steavenson Falls in Marysville in Victoria. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson who arrived in Victoria in the early 1860s.Nov. 1992 Stevensons Fallssteavenson falls, waterfalls, marysville, victoria, john steavenson

A colour photograph of Steavenson Falls in Marysville in Victoria.A colour photograph of Steavenson Falls in Marysville in Victoria. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson who arrived in Victoria in the early 1860s.steavenson falls, waterfalls, marysville, victoria, john steavenson

A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of Murchison Street in Marysville in Victoria.murchison street, marysville, victoria, photograph

Canvas container with lid Two Belt Loops Top Hold Down Strap Secured at both Endscanvas, military-equipment

This small can held household lubricant . A list of uses is on back of label.Small metal can with blue and yellow label. Has fold down plastic nozzle for pouring oil.On front label "Golden Fleece Home Lubricant"golden fleece, oil cans, household lubricant

Displayed in History House.Cotton camisole. Bands of lace edging at neckline and wrists. Cloth-covered buttons down centre front.

Relph Peak, named after A.U. Relph of the Government Tourist Department. See P67 of Bridging the Gap, by Ida Stanton. Steep rocky escarpment, valley down below, smaller range opposite, mountain rising higher in background.scenery, wonderland range

Black and white photograph looking down on orchards. House in centre of photograph, mountains in background. (3 copies)Written on back of one photograph, "Pollards tank stand" (centre)

Used by the Percy Uebergang family of Tooram Park, Allansford. Cheeseworld museum has a photograph (P0127)of Ray Uebergang, aged approxiamately six months, sitting in this bowl. His twin Joyce is sitting in a striped bowl, also in the collection. Large white china bowl with fluted rim. The scalloped design dips down the sides and into the centre of the bowl.H1809 Trademark: crouched archer R Fowler Ltd Australiauebergang, allansford, tooram park, ablutions, toilet sets, bowls, fowler r

A colour photograph of Magic Creek Nursery in Marysville in Victoria.A colour photograph of Magic Creek Nursery in Marysville in Victoria. Magic Creek Nursery was located along Falls Road in Marysville and offered its customers the opportunity to play a round of mini golf.magic creek nursery, marysville, victoria

Printed plan with text down right side and black border, 4 holes top edge and repairsplan, underground survey, robert allen, w. langtree, prince of wales and bonshaw united, bonshaw, south plateau, north plateau, sebastopol plateau, sebastopol star, star of the east, south star, band and albion, owen's freehold, leigh river, yarrowee creek, robert allan, gay's freehold

Blue wooden hammer with steel face plate and two bolts, used for battening down ships' hatches.transport - shipping, piers and wharves - waterside workers

Dr Mitchell Henry O'Sullivan worked in the Victorian country town of Casterton as a general practitioner from 1919 until his death in 1977. He also practiced obstetrics. His son, Dr David More O'Sullivan donated his obstetric bag and its contents to the College in 1999. The bag and contents are a unique time capsule of the type of instruments and pharmaceuticals used in the inter-war period.Chamois bag originally used for obstetric forceps. The bag is sewn down the centre to form two compartments.obstetric delivery

A group of forward detachment medic were stood down to enjoy a relaxing cold drink CIRCA 19688th field ambulance, photograph

In 1941,as part of the war effort, the Mayor, Councillors and Citizens of Prahran provided over 2000 money belts for soldiers and sailors leaving Prahran for active service overseas. These were included in parcels of comforts made up and presented by the Prahran Patriotic Society. Brown leather belt with four pockets with press down stud closings, possibly for money, on the inside of belt.On the inside of belt, printed in gold "With Best Wishes from the Mayor, Councillors & Citzens of the City of Prahran 1941"money belt, world war 2, prahran patriotic society

A metal hanging scales with ring on one end and hook for weighing with spring scale measured down frontPocket balance (MP) productdomestic items, weighing

Coloured photo of Basil Fiddian's house, 28 Burnett Street, Mitcham. Knocked down for unit developmentland subdivision, burnett street, mitcham, no. 28, fiddian, basil

A photocopy of the Train K181 travelling down Melville Street Numurkah. National Bank building is visible in the background

Shows horse-drawn vehicles and one electric tram arriving at the terminus, late in the evening. Shows the little shed at the terminus, and buildings on either side of the Sturt St. People waiting around the tram stop. The tram seems to have a "color" light indicator above the driver. Titled "Sturt Street, Ballarat" in red ink in the top left-hand corner. On the rear of the card, has the stamp "R. M. Noy, Postcard collection", cancellation stamp of Ballarat East, 23.5.07, 1d Victorian stamp. Written to Miss Victoria Kemsey? of 225 Victoria Parade, East Melbourne, wishing her many happy returns on the day. Has the logo of WTP." in the top centre of the card. Divided back type. On rear of 2nd copy is a letter to Mrs Spronston of Skelton Cottage Avoca - date stamp not readable. 2nd copy has the publisher "JE" on the rear upper centre.Yields information about Sturt St Ballarat and demonstrates Australian printed colour photo postcards.Colour postcard of Sturt St taken from Grenville St looking down at the Grenville St terminus.Has in pencil $12 along top edge on rear and two stickers "P/U Ballarat" and "Ballarat Vic Tram" both of which had become loose by the time the item was stored.trams, tramways, postcards, sturt st, ballarat, grenville st

During construction of the railway in 1901 a ballast siding was originally opened 4.5 km south of Barongarook but the ballast proved inferior and a new ballast siding was opened 4 km south of Gellibrand to provide material for track construction. A spur siding, with points facing Beech Forest and a capacity for six trucks, was cut into the side of a slope. Above this was erected a loading bin and chute. This stone was of durable quality so the siding continued in commission after 1902 for periodic track re-ballasting. By the mid-1920s Victoria Railways found it more economic to use ballast from elsewhere so the siding was closed by 1925 and the rails lifted.B/W. Gellibrand Ballast Siding loading ballast down the slope, with five workmen watching at the base.gellibrand; ballast; railways;

Franco Liburti was wearing this coat when he farewelled his wife Assunta in Naples, Italy in 1957, the day she departed for Australia. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Men's coat featuring a charcoal herringbone weave, with three buttons down the front and on each sleeve cuff.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community, naples