Style Patterns used by Donor, made up and worn. McCall's - made slacks only and worn by donor.Four Dress Patterns from the 1970s. McCall's Dress Patterns Number one is STYLE 2553 from 1970. Number two is STYLE 1957 from C1970. Number three STYLE 1945 is from C1975 and Number four Style is McCall's 7887 from C1978.STYLE 2553.1957.1945.McCall's 7887handcrafts, dressmaking, domestic items, sewing

The wedding gown was worn by Lucy Kneeshaw Prout for her marriage to John Sommers on 29th November, 1871 at Trinity Church of England and Ireland, Williamstown, Victoria. Lucy was born in Woolwich, Kent, England in August 1850 and immigrated to Australia with her family in 1852 on the 'SS Coromandel'. She was the youngest of five children. Their parents were Edward and Elizabeth Prout (nee Hall). Lucy died in 1940 - 90 years of age. John E. Sommers was born in Glasgow, Scotland in 1846 and emigrated to Australia with his family in June 1853 on the 'Tongataboo'. His marriage certificate shows that he was an engineer. He studied at the National Gallery's School of Design under both Clark and Campbell from 1872 to 1879. He drew a compressed charcoal and pencil portrait of Fred McCubbin in 1876. The portrait was displayed in the Golden Summers exhibition at the National Gallery of Victoria in 1985 and is shown on page 40 of the Golden Summers catalogue. Their grand-daughter, Mrs Marjorie Gibson (born 1910) said he was associated with the Heidelberg School and the Box Hill Artists Camp. He is also noted in the 'Book of Australian Artists'. He exhibited prolifically with the Victorian Artists Society until his resignation in 1898. In 1881 John Sommers took employment with the Education Department at Castlemaine (Ref. Golden Summer catalogue - pages 26 and 40). John died in 1930 aged 84 years. John and Lucy Sommers children John and Dora both studied at the National Gallery of Victoria, so senior was added to John E. Sommers Senior's works. There is a short biography on page 26 of Golden Summers. Researched by Valda and Ted Arrowsmith May 2006.One piece old gold Paper Taffeta wedding gown, stand up collar, piped in green taffeta. Forty covered buttons from neck to hemline. Shaped sleeve with 15cm cuff and three buttons. Two rows of seven cm appliqued green and gold shaped fans along hemline. Two rows of green and gold piping and 8cm deep gold fringe. Back of dress has central panel of pleats and six covered buttons and a square cut hem line for the train at back. Dress bodice is lined and has two 7cm bones in side seam.costume, female ceremonial

The donor Margaret was born in 1944 and grew up at 31 Drummond Street Blackburn. The doll was a gift at 5 years old.A walking doll A child's doll resembling a small child dressed in summer clothes and a straw hat, She has blonde hair plaited and tied with blue ribbons. The dress is floral cotton with white collar and two press studs in centre back. Floral pants match the dress. Cream net socks and cream plastic shoes.|The hat is straw with blue frill around the brim and five blue bows around the crown tied with blue ribbon. Eight items including the doll.Pedigree E#Englandtoys, dolls

Belonged to Kelly Gardener. Brought back from Hong Kong by Myrtle Bennett from a cruise to JapanPlastic doll with brown eyes which can shut and open; long blond hair. Dressed in red and black check skirt with lace trim; blue blouse with red buttons down front; red shoes. Doll can walk and sit up.toys, dolls

Worn by donor at son's wedding.|Jacquard, a complex and intricate weaving process on a power loom invented bt Joseph Jacquard in 1801. It refers to fabrics or textiles woven by this process of punch cards, using damask, twill, silk or plain weave,wool. The design being woven into the material.1960 Apple green dress and matching coat. There is a silver thread through the weave of the material (Jacquard Design - see History). Dress also trimmed with silver braid. Stand up collar. Back zip and self covered buttons.|Matching coat has round neck - two sets of three self covered buttons and loops.costume, female

Belonged to Margaret Ord. She grew up at 31 Drummond Street, Blackburn, in 1946Porcelain head, hands, & half leg. Doll, shoes & socks painted, also painted face.Cotton stuffed body to knees. Long nylon hair. Dressed in black floral cotton dress, lace trimmed with long sleeves. Matching bonnet & cream calico apron. Probably a copy of a much earlier doll.?theatre (use performing arts), toys, dolls

Worn as a day frock by Edith Finger.c 1930s Green floral patterned short sleeved street dress. Round neck with roulet trim at yoke. Long waisted with roulet trim, half belt at waist with buckle doing up at back. Placket with press studs and hooks and eyes. Buttoned at back at neck with four covered buttons and loops.costume, female

Benedictine Monk - From Christian times nursing was not a women's vocation. Hospitals and Monasteries cared for the sick and poor. In 529 an Italian Monk Benedictine set up Monasteries with his fellow monks and Christianity spread across EuropeMiniature Doll - 30cm Dressed in long brown gown with chain belt around middle extending the full length of the gown.Name tag - Benedictine Monknursing uniforms, nursing history, northern district school of nursing

An excellent example of Australian ladies fashion of the time.Exceptional two piece dress with fitted and boned bodice and bustle skirt and train. Bodice features many panels and internal whaleboning with cotton lining. Waist tape to secure. Pointed waistband to the exterior, trimmed in panels of velvet and lace inserts. Pleated sleeves and high, stand up collar with white cotton insert. Row of metal hooks and eyes to secure at the centre front, covered with a row of small metal and enamel buttons with butterfly design (all present) and hand finished button holes. Another row of hooks and eyes over the top. Skirt is full with the gathers focused on the centre back with a row of cartridge pleats and metal hooks and eyes to secure at the waist. Row of cotton tape sits under the hips to be gathered into the desired fullness. Ornamental panels of velvet provide a faux wrap styling to the front. Underskirt of silk faille with a box pleated trim to the hem. Underneath is a third hem finished in a row of white cambric and lace trim. Train falls from the waist and displays the same hem treatments as the dress. The dress has been mostly machine sewn but with large amounts of hand sewn finishing.none

This dress was featured in a fashion editorial in the Herald Sun 2012 for a Jerry Hall style look, and also a fashion parade at the Love Vintage fair in 2011 as well as in the book "Style is Eternal" 2009.This dress is representative of 1930s style fashions created by the House of Merivale in the 1970sHalterneck maxi dress with scooped neckline, and deep lace up back. Flared, bias cut skirt perfectly matches up the pinstriped fabric. Centre back nylon zipper. Labelled the House of Merivale

Studio photograph of wedding of Sydney Norman Till & Evelyn Victoria Maggs, 12 June 1920. His dress is formal & she is wearing a white suit & hat. Mounted sepia photograph of a wedding couple, both standing up.maggs, evelyn, till, sydney clothing & dress

Four women in front of 'Pineview' Yandoit Creek. Some of the girls are playing dress ups. gervasoni, yandoit creek, dress up

A night exposure of Bridge Street looking west. The tram tracks are clear, one set going straight ahead up Victoria St hill, the other set turning along Main Road. Stone's at Stones Corner was a select ladies dress shop for many years. Mrs Bon Strange and her husband Bert were well known Ballarat residents. When Mrs Strange died some years ago, her extensive slide collection was sorted through and those relevant to Ballarat were gifted to the Ballarat Library. bridge street

Dress worn by Kathy in 1965 to a ballroom dancing championship. Made by her mother, Muriel. In 2000 the dress was worn by daughter, Meg for her year 7 formal.New scarf and gloves worn by Meg. Brooch worn with the dress in 1965.The dress spans three generations. Ballroom dancing was an important social activity at the timeOff the shoulder full length sheath sleeveless dress of more velvet shot with blue lurex. Worn with black chiffon scarf fixed with diamete bow-shaped brooch on shoulder. Shoulder length black stretch satin gloves with original packet. Four items make up the outfit Gloves: Dents one size made in Hong Kongsewing

Celluloid Doll with opening & closing eyes. Dress in red & blue knitted overalls and bonnet. Arms & legs can move up & down for lying or sitting positionstoys, children, presents, doll, celluloid

View of Hinkley Guest House on the left where the Post Office occupied a room in the front corner. The post operated from 1912 until 1937 when the building burned down. The Post Office then moved up to one of the Cadby Cottages near Rostrevor. The empty block of land next to Hinkley was where Sassafras School was built a few years later.Black and white copy of GGM photograph showing a group of five well dressed men in the foregroundbehind a large log with the Post Office and Telegraph office on the left.On front - POST OFFICE SASSAFRAS G.G.M.sassafras, post office, post office, hinkley, cadby cottages, sassafras school, rostrevor

A smartly dressed lady speaking with a child during the visit of Edward, Prince of Wales to Sassafras in 1920.Copy of a black and white photograph showing a close up picture of a well dressed lady talking to a child.sassafras, prince of wales

John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the district working from an original settlement map in an effort to cover all areas. Edward John Price (Ted)(1899-1974) was the third child of Edward Joseph and Annie Price. He lived a very industrious life in the area. When the new CRB road cut through the family land Edward John established a Corn and Produce store on a level area adjoining the new road . Along with his brother Charlie, Ted took up road contracting and formed Grange Road in 1923. They also took up contracts to metal the CRB road between The Gap and Olinda. Edward John married Myra Wilson in 1930. They lived in the first brick home built in the district. They had two sons, Edward Joseph 2nd and Alan.Black and white photograph showing an old man dressed in a jacket holding the reins of a horse. Reverse of photograph has handwritten description by John Lundy-Clarke.Edward John Price 1973. Son of Edward Joseph & Annie Ada nee Ross. Born 1899 died 1974. Farmer, Carrier, Sawmiller, Contractor, Quarry Owner, Shop Proprietor (Kew Junction 1935). Father of Alan & Edward J.edward john price, myra wilson, edward joseph price, annie price, alan price, charles price, grange road, crb road

Photograph shows a young Ivy Child, possibly 5 or 6 years old posing for a photograph in the bush. Ivy is very well dressed and groomed. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Ivy married Henry William Burgess (1906 – 1968) in 1944.Black and white photograph of a young girl with long hair posed beside a tree in a bush setting. The girl is wearing a long sleeved velvet dress with a white collar and cuffs.ivy child, ivy may child, bush

Toddler in photograph appears to be Ivy Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Ivy married Henry William Burgess (1906 – 1968) in 1944.Black and white photograph shows a toddler wearing a lacy dress and bonnet posed in a garden beside a large dog and plant.dog, garden, ivy child, ivy may child

The photograph shows Ivy May Child standing with her father Ted Child at the Silvan Dam worksite. The construction of Silvan Dam took place between 1926 and the 1932 opening. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph showing a man and woman standing in a cutting. The woman is in a dress and wearing a shady hat. The man is wearing a jacket and jodhpur like trousers with leather gaiters. He is holding a wide brimmed hat.Written below photo in album: IN THE CUT SILVAN DAMivy child, ted child, silvan dam

The photograph is from the album of Ivy Child. The homestead depicted belongs to Ivy's parents Ted and Ethel Child. It was part of the Child Family land at Kalorama. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph showing two women wearing sun hats and dresses walking down a pathway to the gate of a homestead.ivy child, ted child, ethel child, homestead, kalorama, child

The photograph is from the album of Ivy Child. The woman standing LHS is Ethel Child, wife of Ted Child and mother of Ivy. The woman with her hands in her pockets would be the mother of the two boys as she has appeared with them in other photographs. The building is the Child Family Homestead in Childs Road, Kalorama. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia coloured photograph showing two womwn and two young boys standing alongside a weatherboard wall and surrounding bushes. The boys are wearing shorts with long sleeved shirts and the women casual dresses.Handwritten below photograph in album: DOLLIEethel child, ted child, childs road, ivy child, kalorama

The photograph is from the album of Ivy Child. Everyone in the photograph is well dressed for a day of visiting. The woman without the hat standing to the LHS appears to be Ethel Child.The location is most likely the road outside the Child Family Homestead of Ted and Ethel Child - Childs Road. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia coloured photograph showing a group of people on a dirt road. A motorbike with side car is in the foreground with a woman and baby in the side car and a young woman standing beside it. Another motorbike is behind this with a young man wearing a cap sitting on it. A man wearing a hat is at the rear of the motorbike with side car and a woman without a hat is standing to the LHS. ethel child, motorbike, side car, child family homestead, kalorama

Photo of a worker bringing in a log on a dray with what appear to be narrow steel wheels. Dray is being pulled by eight or ten steers or small bullocks. Heavy bush and tall, straight timber on side of the road. Most likely Sherbrooke Forest. Road bends to left behind team then possibly to the right, going up a small rise. The man could be well-known bullocky Bill Martin. He is dressed in a wellworn hat, a pale shirt with sleeves rolled up, and darker pants, and is carrying a long, slender stick or possibly a whip in his right hand.

Colour photo showing two children (or possibly more) playing in an open-sided shed. A girl about 6 years old stands looking at the camera, her hands clasped above her head. She is wearing a light blue patterned sleeveless dress. Behind her, a younger boy is climbing up a wooden frame. He is wearing dark trousers, a reddish jacket and a pale check shirt. There are wooden crates stacked to one side. An adult may be standing on the left.