24 June 1883 is recognised as the establishment of St John Ambulance in Australia. St John Ambulance is a community-driven organisation with a 140-year history of providing First Aid in Australia.St John's Ambulance Association triangular fabric bandage with a number of illustrations of entire bodies or faces, showing how this bandage could be used in the event of injuries to various body parts. The fabric is labelled (black capital letters) BASE / ENDX / SIDEx2? POINT and two drawings of face and body read "FRONT VIEW and BACK VIEW. Numerals indicate different bandaging techniques and full figure or partial figure drawings that show how these bandages are applied to injured limbs or torso.Symbol of St John's Ambulance Association in dark black on top point of bandage.first aid, bandage, st john's ambulance

The Royal Warrant assigning the Armorial Bearings to Victoria was signed on the 6th June, 1910 by King George V. The motto Peace and Prosperity was the first to be in English among the Arms of any Public Authority in Australia. In 1958 the Pink Heath was proclaimed as the floral emblem of Victoria. This led to a request to have it included somewhere in the Armorial Ensigns of the State. The solution was to have the plant shown growing from a grassy mound. On the 28 March 1973 Queen Elizabeth II signed a further Royal Warrant which added the mound. This shield is the official emblem of the State of Victoria. It can only be displayed in limited place such as Law Courts and Victorian Government offices with permission of the Victorian Government.2 Victorian Coat of Arms from the Victorian State Government offices in Wodonga. The kangaroo at the top holds a crown. The shield also features the Southern Cross. Two female figures represent Peace and Prosperity. The figure on the left wears a laurel wreath crown and carries a sprig of olive in her hand, representing Peace. The other figure wears a crown of golden cereal and holds the horn of cornucopia, representing abundance or Prosperity. The first one is mounted on a wooden, varnished board.At the bottom of each shield "'PEACE AND PROSPERITY"shield, heraldry, victorian state government

This metal plaque was dug up in a Warrnambool garden in the early 1980s. It appears to be an item that would have been attached to a wall or building and is possibly a representation of a British military figure involved in military campaigns or colonial administration in a British Empire outpost in the 19th century or early 20th century, perhaps in the Middle East or in north Africa. It could also be a non-British military figure from the same areas. This item is of minor interest as an object found in Warrnambool but with no known details of what it represents. . It is retained pending further research. This is a metal plaque showing the head and shoulders of a man wearing a fez and a military uniform. The back is slightly hollowed out.warrnambool, metal plaque, military plaque

Items collected by Albert Edward Corrie VX47191 2nd AIF. Refer Cat No 4847 for service history.1) medallion brass round shape with small ring at top. Face shows a human figure over a map of Australia. .2) medallion brass round shape showing Egyptian figures with one seated..1) one side, “1945, opposite, “Victory”.medallions, 1945 victory, eygyptian

Soft cover book, title on front, spine & back. Small photos of escape, red Japanese Rising Sun, soldier figure with camp in background & description of title on back cover. 129 illustrated pages.books, military, history

Glen Isla Homestead. Home of Robert Anderson.Close up of back entrance to Glen Isla Homestead. Figure of unidentified woman at back door. bush on right. Out-building semi attached to house, shed door open. Dog-leg path.local history, photography, photographs, slides, film, buildings, historic, glen isla homestead, phillip island, coloured photograph, mrs emma anderson jacobs

Limestone carving of human figure standing on solid base, knees slightly bent, hands resting on hips. Narrow torso with protruding genitals. Facial features clearly defined. Mouth Wide and lips pouted.

Awarded to participant L Stephenson of GWCC in 1951 on completion of the Melbourne to Warrnambool Road Race.L Stephenson is recorded from the late 1920s to 1951 and beyond as a successful racing cyclist with the GACC and GWCC. Awards of such medallions reflects the recognition given to the competitors of the Melbourne-Warrnambool road race over 163 Miles.Small enamelled medallion. It has a black background with green wings coming from a red centre figure. There are inscriptions on the black background and on a green header at the top of the badge. There are also inscriptions on the reverse side of the badge."Healing 1951 Melbourne-Warrnambool 163 Miles" "Jubilee Year 10/KC Luke Melbourne"geelong west cycling club; l stephenson; melbourne warrnambool road race; medallion; 1951;

Small blue rectangular booklet with blue typed Japanese text. Also a card with an image of robed male figure carrying a staff. Yellow ink. Item has been stored in a green plastic sleeve.Japanese printed text.

Mr JH Quinton of Olinda, Victoria had the unusual hobby of carving coconut shell. Over a 50 year period he carved thousands of curios and household articles. Supplies of coconuts were sent to him by his brother in Singapore. Known in the Dandenong Ranges as "The Coconut King", he carved many series, including Australian animals, likenesses of hundreds of men prominent in public life, tableaux of sporting activities, including a series depicting cricket strokes, a coconut tea set, butterflies, buttons and boxes. Mr Quinton was an engraver and his considerable can be seen in the fine detail and sense of movement he was able to capture in his carvings. A collection of figurines carved from coconut shell, brown in colour including animals, sporting activities, tableaux of everyday life and prominent people. Each figure is attached to a thin, wooden base to enable it to stand.jh quinton, coconut shell, carving

A black yearbook with a full page drawing of a superhero-like figure holding up a pencil, with a green, yellow and blue striped background. at then top colourful text says Wangaratta High School Magazine 1996Wangaratta High School Magazine I-Mac 1996 batl '96

Original sepia photographic print in cardboard mount. Two unidentified make players, and unidentified figure in background. Photographer's stamp states"Edwin G. Adamson...Melbourne'. Materials: Cardboard, Paper, Photographic emulsiontennis

Photocopy of a set of two drawings showing the "Duwag Articulate Joint" for B class trams - Fig 1, plan view of floor connections and figure 2 - roof connections. Used for training and maintenance purposes.trams, tramways, preston workshops, b class, articulated trams, maintenance

Small signboard advertising 3RPH. To th left of the sign a figure speaks into a microphone beneath a curved arc of lines representing sound waves.Black and White 3RPH sign with two holes in top cornersAssociation for the Blind 3RPH 1629 Radio for the Print Handicapped 3rph radio station, signs and signboards

Front view of Glen Isla Homestead. Two cars and figure in front, Gum tree on right front. Fallen board and stakes at bottom of Photograph.Front aspect of Glen Isla Homesteadlocal history, photography, photographs, slides, film, buildings, historic, glen isla homestead, phillip island, black & white photograph, mrs emma anderson jacobs

Postcard, WW1, B&W photo of 3 graves with crosses on top of a sandy hill sihouetted against the sky. Wire fence in foreground. Possibly a lone figure stands on top between the crosses. Location not known.postcard, postcard, ww1, france, graves

Postcard, WW1, B&W image of the ruined Lille Gate entrance to Ypres. Causeway leading to the gate. Small boat with an indistinct figure on water at left. Part of the city wall on right. Copy Z 1postcard, postcard, ww1, lille gate, ypres, france

Ceramic plaque painted with scene of male figure playing tennis. Plastic mount adhered to back. Cloth tape threaded through hole for hanging. Materials: Ceramic, Pigment, Cloth tape, Plastic, Adhesive tapetennis

Cardboard Cover: with a watercolour painting of bushland with a figure in foreground to the right. Picture Painted by Georgina McCrae . at the top is a black rectangle with White writing at the bottom is a logo in green below which is "National Trust in Black PrintAt The top Over a Black Background in white print 'Our Mountain Home' 'The McCraes of Arthur's Seat'. Ath the Bottom in Black Print "National Trust"stawell, victorian history, journal

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). The black swan cloak refers to the black swan of Geelong and Ballarat were the swan has had its own fight to survive during the early colonial years where white swans were introduced by colonisers and the black swan fought back as they do not naturally get along. The wave pattern is taken from a traditional shield pattern held in the Melbourne Museum, South Eastern archive collection of shields. The wave refers to the water and travelling across water to fish, hunt and survive. This cloak is about survival, water, and the swan living on the water. It also refers to a contemporary dance of Kunuwarra the black swan, which was performed by a group Wadawurrung women (including artist Deanne Gilson) for Tanderrum (Melbourne – Naarm) in 2016. The dance is available to watch on youtube.Black swan, heart motif with water design on outer cloak, female figure and red native flower design on lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, first nations art, wadawurrung dja

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future. The murnong was one of the main food sources for First Peoples before colonisation as it grew right across Wadawurrung Dja. The introduction of the sheep and cattle saw the murnong eaten roots and all and it quickly became less plentiful. The tubers were eaten raw or roasted on a fire. Water could be added to make a paste for small children to eat. The woman’s wooden digging stick that was used to gather and harvest plants was often buried with the woman for her afterlife and is considered sacred women’s knowledge. All parts of the plants and trees were and still are honoured as sacred medicine, healing plants and bush food knowledge.Yellow flower and female figure motif on black background on outer cloak, black and white diamond, and circle design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak, murnong

Replica of the historic immigration ship Success built in India. It was deserted at Geelong by the crew rushing to the gold fields 1853. Purchased by the Victorian Government to house prisoners until Pentridge prison was built. Internally it was given over to prison cells. On the deck it was reduced to one mast and small huts were placed to house warders and wives. Two children were known to have been born in these deck huts- one of these was Bella Guerin. She became the first Australian women to gain a Melbourne University BA and MA degree . Replica of the famous Success sailing shipWooden model 3 masted barque fully rigged, brown hull, white bulwarks, varnished deck, masts and spar, three life boats up turned over deck, figure head lady in redsuccess model ship hulk prison

Mr James Irvine II was described as the "grand old man of Peterborough", significant local figure within this small town. There is a granite monument to his memory.History of a significant local figure.4 page photocopy of a history of James Irvine II compiled from books, newspaper articles, periodicals and lettersjames irvine ii, peterborough

This tin which once contained coffee with chicory was purchased in a period when the importation of coffee beans into Australia was quite expensive and to counter that local distributors of coffee mixed it with Chicory, a blended coffee, flavoured slightly milder depending on the amount of coffee(percentage) per serve. This provided a cheaper cup of "coffee" drink. This mixture was a spin off from the 1930's Great Depression and the naval blockages of World War II (imports from India and other regional coffee growers) and the scarcity of secure ship supplies. As supplies became more secure "pure" coffee as a drink became available at reasonable costs. This "insignificant" coffee/chicory tin is very significant as it demonstrates that the Kiewa Valley was becoming more accessible to reliable coffee supplies and general food items.This was brought about through reliable roads and an ever increasing population The need for travelling supply caravans to the area, and with the establishment of grocery stores in Tawonga and Mount Beauty the supply of previously "hard to get" groceries vanished. This transition was precipitated by the SEC Vic Hydro Scheme of the 1940's to 1960's which increased the valley population two fold.This container of McKenzie's Coffee and Chicory is made from pressed steel and has a tight fitting lid (steel with a protruding lip to allow finger pressured removal). The tin has one pressed seem (holding the cylinder together). The backdrop of the outside of the tin is "grained" brown painted with dark brown (worn) lettering and central between McKenzie's/Coffee is a figure of an eagle with its wings outstretched. All the letters and figure have been embossed into the tin surface. The weighted contents are listed at a capacity of 1Ib Net.On one side (front) "McKenzie's Coffee and Chicory 1lb Net". On the other side "COFFEE & CHICORY" underneath "Guaranteed under the Victorian Pure Food Act 1905" "No. 1000 guaranteed under the Pure Food Act 1908, N.S.W. by Jas F. McKenzie & Co. Pty Ltd., No. 1000." "No 22 Guaranteed under the Food and Drugs Act 1910 by Jas F. McKenzie Pty. Ltd No. 22 (Tasmania)." Further "No. 1000 Guaranteed under the Health Acts by Jas. F McKenzie & Co. Pty Ltd No. 1000 (Queensland) "Containing not less than 50 percent of coffee." And at the bottom Jas.F. McKENZIE & Co. Pty Ltd Melbourne and Sydney"tin food/drink mild steel containers, food/drink storage containers

The toy soldier is a relic from the shipwreck of the LOCH ARD in 1878. It has a companion piece in the Flagstaff Hill collection. The toy soldier is unpainted, but the style of uniform, and the weapons carried (a musket and a basket-handled cutlass), indicate it is a representation of the Napoleonic Wars period from the beginning of the nineteenth century. Mass-produced toy soldiers made of cast metal (lead or tin) became popular during the 1800s. Heyde of Germany manufactured silhouette-shaped ‘flats’ early in the century; then Mignot of France released three-dimensional ‘solids’; and later (1893) Britain of England made ‘hollow cast’ figures. These innovations were designed to make sets of toy soldiers more affordable for middle and lower-class children, extending the market beyond the intricately made and hand-crafted replicas that were the preserve of the rich in the eighteenth century. Wooden military figures, specially carved and unpainted ones, were therefore not particularly common at the time when the LOCH ARD went down on Victoria’s southwest coast. Mignot was the first to sell unpainted soldiers, leaving their customers to fill in the colours according to their own patriotic preferences. If a similar attitude is assumed for the two virtually identical figures in the Flagstaff Hill collection, it is possible they were part of a new set intended for sale, rather than part of a passenger’s existing collection. A similarly light composite material of sawdust, glue and linseed oil (press-moulded onto a metal frame) was used by the German firm O & M Hausler to create toy soldiers, but this type of modelling was not commercialised until after 1912. The first heat-moulded plastic toy soldiers did not become available until after 1945.The toy soldier represents a 19th century child's interest in military history. The item is one of two toy soldiers recovered from the Loch Ard that are in Flagstaff Hill's collection. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history.An unpainted replica or toy soldier, presented in a Napoleonic Wars era uniform. The moulded figure is in a standing posture and is bearing a musket at the slope-arms position, with a sabre or cutlass slung behind. It wears a plumed helmet, short-fronted coat with longer buttoned tails at the back, button-fastened bib-front trousers, a pair of crossed bandoliers, and tasselled shoulder epaulettes. The figure is a creamy colour with red-brown stains on the head and shoulder. There is a hole in the end of the musket. The model is detailed and sharp. It was recovered from the wreck of the Loch Ard.Cataloguing numbers: “6599” on the rear of the left trouser leg “PWO 2308” on the sole of the left boot, (partially obscuring “R122” written in biro) “2218” on the sole of the right boot.flagstaff hill, warrnambool, loch ard, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, napoleonic uniform, toy soldier, replica soldier

The donor, Ada Barclay, was a member of the Flying Angel Club, Missions to Seamen (which is now Mission to Seafarers) in Townsville and Sydney. One of the badges connects her with the Ladies' Harbour Lights Guild in Queensland. The Sanctuary Window and other items at Flagstaff Hill Maritime Village are part of the St Nicholas Seamen’s Church Williamstown Collection. The window is dedicated to the seamen from the Merchant Navy and was organised by a group of women, some of whom were also in the Ladies’ Harbour Lights Guild, dedicated to the care of seafarers across the world. The Sanctuary Window above the altar in Flagstaff Hill Maritime Village's St Nicholas Seamen’s Church’ is titled "Christ Showing the Helmsman the Way". This round, stained glass window was originally installed in the St Nicholas Seamen's Church at 139 Nelson Place, Williamstown, Victoria. The window was donated to St Nicholas Seamen’s Church as a memorial to the members of the Merchant Navy whose lives were lost in the Second World War, 1939-1945. The donor was the Williamstown Lightkeepers Auxiliary, an independent ladies association working with the Williamstown Missions to Seamen. Some of the members of this Auxiliary were also members of the Ladies’ Harbour Lights Guild. This set of badges is significant historically for its connection to the Merchant Navy organisation, the Ladies’ Harbour Lights Guild and the Flying Angels Club. Through this connection, the badges are also connected to the history of the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The connection of this set of badges to the Ladies’ Harbour Lights Guild and what is now the Mission to Seafarers, highlights the strong historical and continuing community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Set of four metal and enamel badges pinned in a vertical row to a red ribbon. Each badge is connected with seafarers. Three badges have a crown on the top of a circular badge, a wreath around the circle and the letters "MN" in the centre. One of these also has "Australia" below the circle. The remaining badge has the words "The Ladies' Harbour Lights Guild" around the border on a blue background, and a blue flag in the centre on a gold background. The flag has a gold angelic figure on it. The figure has wings and is holding a book. "MN" "AUSTRALIA". "THE LADIES' HARBOUR LIGHTS GUILD" Badge 02 - "ANGUS & COOTE / SYDNEY" Badge 04 "MANAFOLD / BRISBANE"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, sailors rest, bethel sailors’ church, bethel floating church, ladies’ harbour lights guild, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seamen's church williamstown collection, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, anglican church, ethel godfrey, alice sibthorpe, pin badge, lapel badge, merchant navy, flying angel mission sydney, angus & coote sydney, manafold brisbane

Small bronze medal made by Stokes & Son issued to Australian schoolchildren in 1919 at the end of WWI. Small bronze medal. The obverse has a figure of Victory, a female figure with flowing robes and hair, with doves flying around her head; there are two supine figures at her feet, and they appear to be breaking the chains of war. The reverse depicts a soldier and a sailor with a crown and laurel wreath. The laurel wreath encloses the inscription. The figures stand near a scroll. There is a small metal loop at the top of the medal to allow it to be attached to a ribbon or hung on a chain.

A dark wooden plaque with the Victorian coat of arms in metal relief of two female figures standing on a mound of grass on either side of the Southern Cross shield. The figure on the left represents Peace and holds an olive branch, while the figure on the right personifies Prosperity and holds a cornucopia. Above the shield is a knight's helmet and a kangaroo holding an Imperial crown. The motto 'PEACE AND PROSPERITY' is on a banner below the shield and under that a banner read's 'VICTORIA'S 150th YEAR' and the dates 1834 and 1984. The plaque is numbered 59 of 1,000 on the reverse.victorian coat of arms, plaque, shield, coat of arms, peace and prosperity, victoria's 150th year, heraldry