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Ballarat Heritage Services
Photograph - Photograph - Colour, Ballarat Observatory Stained Glass Windows, Ballarat Observatory window presented by the Sebastopol Cambrian Society and Welsh Residents of Ballaarat, 05/-7/2007
In 1885, at the instigation of James Oddie, the Government reserved three acres (about 1.2 hectares) for an observatory in Cobden Street, Mount Pleasant, originally known as the Ballarat School of Mines Observatory. In March 1886 a committee was appointed for the care, protection and management of the reserve. Captain Baker, a retired sea captain, was invited to become the first Superintendent of the Ballarat Observatory. Six colour photographs of the stained glass windows in the Ballarat Observatory. The first stained glass window was installed from around 1915-16, and were probably associated with John Brittain. By 1929 sixteen stained glass windows had been installed. most the work of Ballarat craftsman W.J. Robson.stained glass windows, sebastopol cambrian society, welsh, ballarat city council, ballarat teachers' college, ballarat local preachers methodist centenary, independent order of ordfellows ballarat, ballarat freemasons, freemasons, masonic, architecture, mount pleasant, john brittain -
Ballarat Heritage Services
Photograph - Colour, Flag of St Alipius', Ballarat East, 2004, 23/09/2004
"Centenary of Fnrst Mass at Ballarat Friday last marked the centenary of the arrival of the first priest and the celebration of the first Mass in Ballarat. The Rev. Patrick Dunne reached the diggings on October 17, and on Sunday, October 19, 1851, in a bark hut near Brown Hill, he celebrated Mass. Worshippers had to kneel on quartz gravel. The weather had been the worst experienced in Victoria for a number of years, and most of the creeks between Melbourne and Ballarat were flowing torrents, but Father Dunne (who came from the Coburg mission), carrying the barest necessities and the sacred vestments, set out for Ballarat on horseback. He had to ford and swim his horse across the creeks. When most of his congregation left for the Castlemaine diggings Father Dunne returned to Melbourne. In August, 1852, Rev. Matthew Downing became Ballarat's first resident priest. He built a large wooden structure with a canvas roof which served as a church, but later erected at the Gravel Pits the first permanent church. This church was the largest of any house of worship on any goldfield in the colony. It cost £ 100, contributed solely by Father Downing and his flock. Soon after he got the authorities to survey a large piece of land at the back of the township as a burial ground and procured a grant of £500 for fencing it. A grant of £250 was also obtained for the improvement of the chapel and fittings of a school, where Michael Campion Carey opened the first school. Rev. Patrick Smyth succeeded Father Downing, who was followed by Rev. P. Madden, who in 1857 began to plan the erection of St. Patrick's Church. The foundation stone of this was laid by Bishop Goold on February 12, 1858, and the church was opened for the first time on November 8, 1863." (Melbourne Advocate 25 October 1951)Two colour photographs showing the St Alipius' Catholic Church flag - a blue cross and border on white. st alipius, church, ballarat east, flag -
Ballarat Heritage Services
Image, Sir Henry Barkly, Governor of Victoria, c1886
... Office goldfields First Published in Picturesque Atlas ...First Published in Picturesque Atlas of Australia. Artist William Macleod, (1850-1929) had an extensive involvement in the 'Picturesque Atlas of Australasia' publication executing many of the portraits and was chairman of its publishing company. Macleod went onto join the Bulletin full time in 1886. (http://adb.anu.edu.au/biography/macleod-william-7419, accessed 28 March 2019)Line drawing of Henry Barkly.henry barkly, portrait, governor barkly, william macleod -
Ballarat Heritage Services
Photograph - Photograph - Colour, Clare Gervasoni, Koroit Post Office, 2015, 21/12/2015
The town borrows its name from the Koroitch Gundidj people who occupied the area prior to European settlement. (https://en.wikipedia.org/wiki/Koroit, accessed 21 December 2016) Koroit was first surveyed as a township in 1847. Around the 1850 the district had the highest population of Irish immigrants in rural Australia. The Koroit Post Office was designed by architect and engineer John Mason of Port Fairy. (Moyne Shire Heritage Study 2006 Stage 2, Volume 2: Environmental History, Prepared for Moyne Shire Council Helen Doyle in association with Context Pty Ltd, 2006.) Rosebrook Bridge, Rosebrook (1853; replaced) Post Office buildings, Bank Street, Port Fairy (c.1857) The author Henry Handel Richardson lived in the Koroit Post Office as a child after her family moved to Koroit in 1878. Remembering Koroit from her youth, the third volume in her The Fortunes of Richard Mahony trilogy is set in the town. When the author was six, her father Walter died in Koroit on 1 August 1879 and was buried at the Koroit cemetery. (https://en.wikipedia.org/wiki/Koroit, accessed 21 December 2016) In 1878 Mary Richardson was appointed postmistress of the Koroit Post Office at a salary of 72 pounds with free quarters, firewood and kerosene. She lived at the back of the Post Office. (From a Green and Pleasant Land by H. McCorkell and P. Yule.) Photographs showing the bluestone Koroit Post Office, phone box and postbox. It is located at 99 Commercial Road, Koroit. "Historic Area Statement of Significance: The significance of Koroit derives from its role as the urban centre of one of the most concentrated Irish Roman Catholic rural districts in Australia, noted for its mixed livestock and cropping argicultural patterns. This is reflected in two separate and distinctive areas in the town - the administrative/commercial area and the church precinct. The administrative and commercial area (focussing on the Boundary-Commercial Road/High Street intersection and the Koroit Hotel) consists of a number of significant public buildings and leads to a street of relatively intact humble shopfronts and kerbline verandahs, visually punctuated by opposing bank facades. The church precinct is dominated by a group of Catholic buildings larger in scale and more complete in range than those in any comparably sized Victorian town." http://vhd.heritagecouncil.vic.gov.au/places/69338#sthash.ELLuSMvg.dpuf, accessed 21 December 2016."koroit, post office, phone box, payphone, bluestone, henry handel richardson, koroit post office -
Ballarat Heritage Services
Digital Photograph, Library, Supreme Court, London, 2016, 09/2016
The quotations etched on to the library balcony were approved by the first 12 Supreme Court Justices who moved from the House of Lords in October 2009.london supreme court library, library, supreme court london -
Ballarat Heritage Services
Digital photograph, Exterior, Supreme Court, London, 2016, 19/09/2016
1 October 2009 marks a defining moment in the constitutional history of the United Kingdom: transferring judicial authority away from the House of Lords, and creating a Supreme Court for the United Kingdom in the historic setting of the former Middlesex Guildhall on Parliament Square. In this location, The Supreme Court forms part of a pre-existing quadrangle made up of the Houses of Parliament, Westminster Abbey and Treasury. As civil administration developed, it tended to be conducted by the Justices of the Peace and its offices were often co-located with the first tier of the courts. This close association reached a peak in the latter half of the nineteenth century, since when the two activities have tended to separate. In April 2005, all Magistrates’ Court houses were transferred from the care of County Councils to the Department of Constitutional Affairs (DCA). (https://www.supremecourt.uk/about/history.html, accessed 21 September 2016)london, supreme court, law, legal -
Ballarat Heritage Services
Digital photograph, Nose in Admiralty Arch, London, 19/09/2016
Admiralty Arch is a landmark building in London which incorporates an archway providing road and pedestrian access between The Mall, which extends to the southwest, and Trafalgar Square to the northeast. Admiralty Arch, commissioned by King Edward VII in memory of his mother, Queen Victoria and designed by Aston Webb is now a Grade I listed building. In the past, it served as residence of the First Sea Lord and was used by the Admiralty. Until 2011, the building housed government offices, but in 2012 the government sold a 125-year lease over the building to a property developer (Prime Investors Capital, run by Rafael Serrano) for redevelopment into a luxury hotel, restaurant and apartments. (Wikipedia) On the inside wall of the northernmost arch is a small protrusion the size and shape of a human nose. It was placed there by artist Rick Buckley in 1997 as part of a campaign against the "Big Brother" society. The nose is at a height of about seven feet, and sits at waist height for anyone riding through the arch on a horse. Prior to Buckley being unmasked in 2011 by the London Evening Standard, an urban myth grew that the nose is there in honour of the Duke of Wellington, who was known for having a particularly large nose.(wikipedia)admiralty arch, london, nose -
Ballarat Heritage Services
Photograph - Digital Photograph, Bracket from Sir Paul Pindar's House, c1600, 20/09/2016
Four similar but larger brackets were on the facade of Pindar's house. this is on display at the Victoria and Albert Museum, London. This smaller example was most likely part of a chimney piece from a grand room on the first floor. The crouching minter has a man's head, the chest of a woman and the legs of a goat or horse.Wooden carved bracket at Sir Paul Pindar's Housepaul pindar's house, bracket, timber, victoria and albert museum, london, sculpture -
Ballarat Heritage Services
Digital Photograph, The Cast Courts, 2016, 09/2016
This ornate cross sits at the right hand side of View of Trajan's column, Cast Courts, Room 46a, The West Court, Victoria and Albert Museum, London. Cast Courts: "When the Architectural Courts – or Cast Courts as they are now known – opened in 1873, The Builder magazine compared the experience of seeing them to a first glimpse of Mont Blanc, creating one of those 'impressions that can scarcely be effaced'. Since then, these two enormous rooms and the reproductions they contain have continued to impress and inspire visitors to the Museum. For centuries, antiquarian interest in world architecture and sculpture led to reproductions – or copies – being made of outstanding national monuments and notable sculptures. When the Museum was founded, it collected and displayed reproductions of great art and architecture from across the world in order to offer objects for study and tell a complete story of the history of art and design. Casts are made by placing several plaster moulds upon the surface of the original structure. Once hardened and removed, the moulds are then enclosed in an outer casing, the interior coated with a separating agent and the wet plaster poured in. When set, the pieces are then assembled and the joints and surfaces finished off, to make a complete reproduction of the original work. The finished product – as well as being a formidable technical achievement in its own right – enables admirers to study faithful reproductions of important monuments and works of art." Ref: https://www.vam.ac.uk/articles/history-of-the-cast-courtslondon, victoria and albert museum, cast courts -
Ballarat Heritage Services
Photograph - Colour, Houses, Galway Bay, Ireland, 2016, 09/2016
Some Irish immigrants came from Galway, Ireland. Among them were Patrick Kennedy and Dennis Kinnane who emigrated as Bounty passengers on the Himalaya, arriving in the Port Phillip District in February 1842. Patrick Kennedy was the first person officially to be hanged in 1851 in the newly formed Colony of Victoria.houses, galway bay, ireland, dennis kinnane, patrick kennedy, hanging, colony of victoria, himalaya, port phillip district, kennedy, kinnane, 1842, galway -
Ballarat Heritage Services
Digital Photograph, Stonemason's mark, exterior wall, Durham Cathedral, UK, 21 October 2016
Durham Cathedral is on a World Heritage Site, and the first stones were thought to be laid around 1000 - 1100 AD. Thus many marks in the stones in this cathedral are thought to date from this time. -
Ballarat Heritage Services
Digital Photograph, Vire, Normandie, France, 10/2016
The town of Vire is on a rocky promontory above the Vire River, situated in the south-west of the Calvados department of Lower Normandy, about half way between Caen (north-east of Vire) and Mont-Saint-Michel (to the south-west). Since 2016 the town has been part of the commune called Vire-Normandie. The town suffered quite heavily during bombardments at the end of the Second World War, and much reconstruction and renovation took place in the decade that followed the end of the war. (https://www.francethisway.com/places/vire.php) Julien Hardy, a stonemason and first discoverer of gold at Happy Valley, near Ballarat, Victoria Australia, was born near Vire, France. This photograph was taken by a descendant of Julian Hardy.Two colour photographs of buildings in the town of Vire, Normandie, France.julien hardy, vire, normandy -
City of Ballarat Libraries
35mm Slide, Olympic Games Decorations, Post Office Building, Ballarat 1956
The first section of the Ballarat Post Office was built in 1864, the second (including the tower and offices in Lydiard St) in 1885. The original design had the arched windows on the ground floor (facing Sturt St) forming a colonnade, but these were soon filled in to provide more internal space. Here the Post Office is decorated for the 1956 Olympic Games, when the rowing and canoeing events were held on Lake Wendouree. Mrs Bon Strange and her husband Bert were well known Ballarat residents. When Mrs Strange died some years ago, her extensive slide collection was sorted through and those relevant to Ballarat were gifted to the Ballarat Library. post office building, olympic games, lydiard street north, sturt street, federation university, illuminations -
Ballarat Heritage Services
Photograph - Colour, Canonization of Mary MacKillop
Mary MacKillop is Australia's first saint. Colour photograph of the crowd in St Peter's Square, Rome, waiting for the canonization of Mary of the Cross MacKillop. mary mckillop, saint, st peter's, rome -
Ballarat Heritage Services
Photograph - Colour, Canonization of Mary MacKillop
Mary MacKillop is Australia's first saint. Colour photograph of the crowd in St Peter's Square, Rome, waiting for the canonization of Mary of the Cross MacKillop. mary mckillop, saint, st peter's, rome -
Ballarat Heritage Services
Photograph - Image, Thomas F. Meagher
Thomas Francis Meagher was an Irish nationalist and leader of the Young Irelanders in the Rebellion of 1848. After being convicted of sedition, he was first sentenced to death, but received transportation for life to Van Diemen's Land in Australia. (Wikipedia)Portrait of Thomas F. Meagher who was associated with the Young Ireland movement.young ireland, thomas f. meagher, convict, tasmania, van dieman's land -
Ballarat Heritage Services
Photograph - Photograph - Colour, Ballarat Female Refuge front door, 2003
Ballarat Female Refuge was established in 1867 by a group of Ballarat women. It served for accommodating single pregnant women. it was the first such establishment on the Australian goldfields.Postcard size photograph of the door of the former Ballarat Female Refuge.ellis, sarah ellis, ballarat female refuge, ballarat, welfare, town and city mission, women -
Ballarat Heritage Services
Newspaper - Newspaper article, Withers our first Ballarat Historian, 22 November 2003
A series of newspaper articles titled "The Rest is History" were published in The Ballarat Courier every Saturday edition. The authors were Peter Butters, Dorothy Wickham and Anne Beggs Sunter.Newspaper clippingTHE REST IS HISTORY By Peter Butters, Ballarat historianthe rest is history, ballarat courier, peter butters -
Ballarat Heritage Services
Digital photograph, Diorama Hut Exterior Signage, 14 December 1993
Please find 5 photographs taken by me & my wife Brenda, at Ballarat, on 14 December 1993. Unfortunately, I did not take photographs of the building that housed the exhibit, probably because I thought just how sad and pathetic the entire memorial display looked. It comprised a reconstructed slab hut and nearby a partly-rebuilt fence that represented the hastily-built Eureka Stockade. The signage that detailed the events surrounding the Eureka Stockade was affixed to the hut wall beside the entrance to the interior diorama. In the first photograph, you can see the dark, bare timber colour of the slab wood that held the signage plus (on the left side) one of the numerous holes in the slab walls. This made the display very cold and draughty in its interior. Once inside, you were confronted with an earthen, gravel and leafy floor, which became muddy, after rain, as it was on the day of our visit. The diorama was held in a glass and cement display case. with no lights on. It was dark inside the hut so the diorama was not easy to see unless you inserted a coin into a metal pay-box. Then lights would turn on and a recording of shouting and gunfire (representing the battle noise) would play. I remember the whole experience to be short and underwhelming. To get an idea of the scale of the diorama, you can see Brenda’s elbow & part torso to the left of the photograph labeled “diorama- hut exit”. Once outside the diorama’s slab hut, you could walk across to a partial representation of the stockade’s fortifications, complete with two wagon wheels. This space was also graveled to distinguish it from the rest of the green-lawn park. Finally, you walked up the hill, from the hut and outside display, to visit the old Eureka Stockade monument & cannons. This is still in existence today. Digital photographeureka stockade, sign, diorama, jack ford, brenda ford, memorial -
Ballarat Heritage Services
Photograph - Digital photograph, Eureka Diorama entrance, 14/12/1993
The signage that detailed the events surrounding the Eureka Stockade diaroma was affixed to the hut wall beside the entrance to the interior diorama. In the first photograph, you can see the dark, bare timber colour of the slab wood that held the signage plus (on the left side) one of the numerous holes in the slab walls. This made the display very cold and draughty in its interior. Once inside, you were confronted with an earthen, gravel and leafy floor, which became muddy, after rain, as it was on the day this photograph was taken. The diorama was held in a glass and cement display case. with no lights on. It was dark inside the hut so the diorama was not easy to see unless you inserted a coin into a metal pay-box. Then lights would turn on and a recording of shouting and gunfire (representing the battle noise) would play. The Photographer remembers the whole experience to be short and underwhelming. Once outside the diorama’s slab hut, you could walk across to a partial representation of the stockade’s fortifications, complete with two wagon wheels. This space was also graveled to distinguish it from the rest of the green-lawn park. digital photographeureka stockade, diorama, jack ford, brenda ford, eureka stockade memorial -
Ballarat Heritage Services
Photograph - Digital photograph, Eureka Diorama exit, 14/12/1993
The signage that detailed the events surrounding the Eureka Stockade diaroma was affixed to the hut wall beside the entrance to the interior diorama. In the first photograph, you can see the dark, bare timber colour of the slab wood that held the signage plus (on the left side) one of the numerous holes in the slab walls. This made the display very cold and draughty in its interior. Once inside, you were confronted with an earthen, gravel and leafy floor, which became muddy, after rain, as it was on the day this photograph was taken. The diorama was held in a glass and cement display case. with no lights on. It was dark inside the hut so the diorama was not easy to see unless you inserted a coin into a metal pay-box. Then lights would turn on and a recording of shouting and gunfire (representing the battle noise) would play. The Photographer remembers the whole experience to be short and underwhelming. Once outside the diorama’s slab hut, you could walk across to a partial representation of the stockade’s fortifications, complete with two wagon wheels. This space was also graveled to distinguish it from the rest of the green-lawn park.digital photographeureka, diorama, 1993, jack ford, brenda ford, eureka monument, memorial -
Ballarat Heritage Services
Photograph - Digital photograph, Eureka Stockade Replica, 14/12/1993
Please find 5 photographs taken by me & my wife Brenda, at Ballarat, on 14 December 1993. Unfortunately, I did not take photographs of the building that housed the exhibit, probably because I thought just how sad and pathetic the entire memorial display looked. It comprised a reconstructed slab hut and nearby a partly-rebuilt fence that represented the hastily-built Eureka Stockade. The signage that detailed the events surrounding the Eureka Stockade was affixed to the hut wall beside the entrance to the interior diorama. In the first photograph, you can see the dark, bare timber colour of the slab wood that held the signage plus (on the left side) one of the numerous holes in the slab walls. This made the display very cold and draughty in its interior. Once inside, you were confronted with an earthen, gravel and leafy floor, which became muddy, after rain, as it was on the day of our visit. The diorama was held in a glass and cement display case. with no lights on. It was dark inside the hut so the diorama was not easy to see unless you inserted a coin into a metal pay-box. Then lights would turn on and a recording of shouting and gunfire (representing the battle noise) would play. I remember the whole experience to be short and underwhelming. To get an idea of the scale of the diorama, you can see Brenda’s elbow & part torso to the left of the photograph labeled “diorama- hut exit”. Once outside the diorama’s slab hut, you could walk across to a partial representation of the stockade’s fortifications, complete with two wagon wheels. This space was also graveled to distinguish it from the rest of the green-lawn park. Finally, you walked up the hill, from the hut and outside display, to visit the old Eureka Stockade monument & cannons. This is still in existence today. digital photographeureka, diorama, 1993, jack ford, brenda ford, eureka monument, memorial, eureka stockade, eureka diorama -
Ballarat Heritage Services
Newspaper - Newspaper article, Rewards for Gold Discovery - Julien Hardy
Julien Hardy was the first discoverer of gold at Happy Valley and he and his party were rewarded handsomely by the government.digital copy of articlejulien hardy, gold, discovery of gold, happy valley -
Ballarat Heritage Services
Naturalisation certificate, Julien Hardy's Naturalisation Certificate
Julien Hardy was the first discoverer of gold at Happy Valley. Born in France he was naturalised in 1867.Image of a certificate belonging to Julien Hardy.julien hardy, happy valley, gold discovery, france, franco-australian -
Ballarat Heritage Services
Newspaper - Newspaper article, Newsclipping Relating to Stonemason Julien Hardy
Julien Hardy was the first discoverer of gold at Happy Valley. A stonemason, he was born at Vire, Normandy, France. He established a stone quarry on the Melbourne Road, near Warrenheip (on the site now occupied by Shady Acres Caravan Park). From here, he quarried blocks that were used in the Ballarat Town Hall.Newsclippingjulien hardy, stonemason, gold, happy valley, shady acres, warrenheip, ballarat town hall -
Ballarat Heritage Services
Book - digital copy, Ballarat East High School School Magazine 1967, The Lion, 1967
Ballarat East High School is situated in Fussell Street, Ballarat East. In the year 1967 the headmaster Mr O'Connor retired after 13 years at the school. He was there from its inception in the early 1950s, when classes only ran to Form 3 (Year 9). He saw it grow into a viable High School, instigated the musical program and saw excellence in sports.27 double page spreads, plus cover pageBryan Dunkley-Smith on top right hand corner of first page behs, ballarat east high school, a. b. o'connor, mr o'connor -
Ballarat Heritage Services
Photograph - Photograph - Colour, Greenwich Chapel and Museum, England
Greenwich Palace no longer exists however archaeology had added greatly to our understanding of life at the Tudor Court at Greenwich. Since 1971 there have been well over 20 digs on the site. Many wonderful and intriguing items from gold coins to tiled floors and human skeletons have been found. The first major dig uncovered the structure of the royal apartments next to the river. Not only did it clarify the floor plan but finds included some rare Tudor ceiling decorations, a hoard of gold coins and many personal items such as dice used for gaming. Perhaps the most revealing excavations have been the most recent. In 2005 while monitoring the digging of a drainage trench archaeologists found brickwork and tiles that formed the floor of the east end of the Tudor Chapel Royal where the altar once stood.Photograph of stained glass windows at Greenwich Chapel and Museum, Englandgreewich, stone, museum, chapel, stained glass -
Ballarat Heritage Services
Photograph - Colour, Greenwich Chapel and Museum, England, Mason's Mark on stonework
Greenwich Palace no longer exists however archaeology had added greatly to our understanding of life at the Tudor Court at Greenwich. Since 1971 there have been well over 20 digs on the site. Many wonderful and intriguing items from gold coins to tiled floors and human skeletons have been found. The first major dig uncovered the structure of the royal apartments next to the river. Not only did it clarify the floor plan but finds included some rare Tudor ceiling decorations, a hoard of gold coins and many personal items such as dice used for gaming. Perhaps the most revealing excavations have been the most recent. In 2005 while monitoring the digging of a drainage trench archaeologists found brickwork and tiles that formed the floor of the east end of the Tudor Chapel Royal where the altar once stood.greenwich, stone, museum, chapel -
Ballarat Heritage Services
Photograph - Colour, Greenwich Chapel and Museum, England, Mason's Mark on stonework
Greenwich Palace no longer exists however archaeology had added greatly to our understanding of life at the Tudor Court at Greenwich. Since 1971 there have been well over 20 digs on the site. Many wonderful and intriguing items from gold coins to tiled floors and human skeletons have been found. The first major dig uncovered the structure of the royal apartments next to the river. Not only did it clarify the floor plan but finds included some rare Tudor ceiling decorations, a hoard of gold coins and many personal items such as dice used for gaming. Perhaps the most revealing excavations have been the most recent. In 2005 while monitoring the digging of a drainage trench archaeologists found brickwork and tiles that formed the floor of the east end of the Tudor Chapel Royal where the altar once stood.greenwich, stone, museum, chapel -
Ballarat Heritage Services
Photograph - Colour, Greenwich Chapel and Museum, England, Mason's Mark on stonework
Greenwich Palace no longer exists however archaeology had added greatly to our understanding of life at the Tudor Court at Greenwich. Since 1971 there have been well over 20 digs on the site. Many wonderful and intriguing items from gold coins to tiled floors and human skeletons have been found. The first major dig uncovered the structure of the royal apartments next to the river. Not only did it clarify the floor plan but finds included some rare Tudor ceiling decorations, a hoard of gold coins and many personal items such as dice used for gaming. Perhaps the most revealing excavations have been the most recent. In 2005 while monitoring the digging of a drainage trench archaeologists found brickwork and tiles that formed the floor of the east end of the Tudor Chapel Royal where the altar once stood.greenwich, stone, museum, chapel