Various documents (purchase, registration, insurance) of Patricia Boyd's (now Davies) regarding purchase of Alfa Romeo Coupe, grey, four seater, 1978 model. Registration AGR 818 in one document and IGR 818 in another. Purchased on 3rd September 1978.Four documents

Set of four digital images of tram13 being operated in Wendouree Parade and at St Aidans Drive including the tram controller. Photo by Peter Knife 5/9/2023.Yields information about BTM Operations.Set of four Digital images,tramways, tramcars, btm, tram 13, tram controllers

A postcard with four colour photograph of attractions in an around Marysville in Victoria.A postcard with four colour photograph of attractions in an around Marysville in Victoria. This postcard was produced by Donovan Wilson as a souvenir of Marysville.Tree fern and Alpine Ash/ Goulds Memorial Drive/ Murchison St. Marysville/ Steavenson Falls Donovan Wilson Place/ Stamp/ Heremarysville, tree fern, alpine ash, goulds memorial drive, murchison street, steavenson falls, donovan wilson, postcard, souvenir

Four people standing in front of house with gardenFour people in front of house with garden. 114-10 Identical photo

Four page newspaper containing news from home published in the field Four page cream coloured newspaper with black print and photographs.Guinea Gold Volume 1 No 361 In the Field Sunday November 14, 1943guinea gold, newspaper, ww2

Reckitt's Bag Blue - Four knob pack - Cardboard container with four knobs, each in a paper wrapped bag, and made of powdered ultramarine and baking sodaReckitt's Bag Blue / Four knob pack / Out of the blue comes the whitest wash / Prevents yellowing Keeps your clothes dazzling white Squeeze the bag in the last rinse & stir. This keeps your linen white. Robin starch for better starching.

The black and white photocopy is taken from a photograph of four women during a presentation at the Country Women's Association function at the Sunbury Memorial Hall.A black and white photocopy of a photograph of four women.country women's association, women's organizations, sewing, craft, duggan, mary, anderson, mrs., collett, margaret, sunbury memorial hall, george evans collection

A postcard with four colour photographs of local attractions in an around Marysville in Victoria.A postcard with four colour photographs of local attractions in an around Marysville in Victoria. This postcard was produced by the Murrindindi Shire Council as a souvenir of Marysville.THE HEART/ OF VICTORIA/ #discoverdindi/ @idscoverdindi www.discoverdindi.com.au Murrindindi/ Shire Councilmarysville, murchison street, keppel lookout, black spur, steavenson falls, victoria, murrindindi shire council, postcard, souvenir

The Ballarat School of Mines leased the Oxford Chambers in Lydiard Street South for office premises. The rental was one pound per week, or four pounds, six shillings and eight pence per calendar month.oxford chambers, ballarat school of mines, lancelot austin, newston s. wanliss, ballarat trustees, thomas harris, lease

This exchange note was issued by the Bank of Australasia to Mr N A Coleman for one hundred pounds paid n 14th October 1847 at the Sydney branch. The interest rate was three per cent. This exchange note displays the insignia of the Bank of Australasia, which was incorporated by Royal Charter of England in March 1834. The bank began in Australia on 14th December 1835, opening in Sydney. The Acting Superintendent of the bank at that time was David Charters McArthur. He was Superintendent from 1867-to 1876. The Melbourne branch opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street, where two huge mastiff dogs were used at night to guard the bank. The government also provided an armed military sentinel. Due to the bank's rapid growth, a new building for the Melbourne branch was opened in 1840 at 75 Collins Street West. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street. In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Bank and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank next bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 from investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. The bank exchange note has significance through its association with the Bank of Australasia. The early Australian bank was established in 1834 by Royal Charter and opened in Sydney, Australia, in Sydney in 1835. The bank had many Australian offices in November 1877, particularly on the east and south coasts. Victoria had 45 percent of all Offices. The object is locally significant for its association with the Warrnambool Bank of Australasia, which was established in 1854. It was Warrnambool Council’s first bank. The bank continued to operate until the organisation's merger in 1951 when it became the ANZ Bank Group today. The Bank was an integral part of the growth of local commerce and the community.Bank exchange note for the Bank of Australasia, Sydney, manufactured by Perkins, Bacon and Perch, printed in brown. Insignia depicts a heraldic shield with a lion and unicorn on either side and another insignia with "B of A". Exchange note paid on 14th October 1847. Issued for one hundred pounds and paid to Mr N A Coleman.. Inscriptions include the document number, the date, the amount paid, the receiving person, signatures and a stamp with the interest rate.Handwritten number "15101" "One hundred pounds" "14th October [18] 47" "Mr N A Coleman" Black stamp "ISSUED AT 3 PR CENT PREMIUM" Signatures of [Manager] and [Accountant].flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, banknote, currency, exchange note, commerce, banking, finances, bank of australasia, n a coleman, 1847, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, boa, union bank, australia & new zealand bank, anz bank, david charters mcarthur, d c mcarthur, sydney, new south wales, legal tender

Mein's history of Ballarat College, published 1964, records the school's first enrolments this way. "The Ballarat College will be opened on Wednesday morning, 6th July, 1864, at 9 o'clock, in the Rev. Wm. Henderson's Church. Intending students will assemble at that hour" Advertisement in the Ballarat Star. 'Two seven year old boys 'assembled'. They were cousins, and their names were: Samuel Baird and James Brown. On the following Monday....came three more pupils: Charles J Henderson, James W Nicol and William Govan Finlayson. framed item collated after their deaths, possibly for centenary celebrations.Framed item featuring photographs of first four students enrolled at Ballarat College in 1864Ballarat College / First Four Enrolments / 1864 / The Late Mr Sam Baird / The Late Mr J C Brown / The Late Mr W G Finlayson / The Late Mr C J Hendersoncharles j henderson, william govan finlayson, james w nicol, samuel baird, james brown, ballarat college, 1864

2 Pounderammunition, 1941

112 poundammunition, 1918

The four scenes are 1) Venus Baths [top left],2) Mackenzie Falls[top right],3) The Grand Canyon[bottom left],4)Bridge and Road at Halls Gap[bottom right]. A centre view in an oval frame is The Pinnacle and a scroll with 'Views of the Grampians' written on it appearing below the frame. A scrolled frame runs top and bottom of the four scenes.Photo is a copy of a postcard, depicting four scenes in the Wonderland Range.scenery, grampians ranges

These four photographs show the construction of the Princes Freeway on the eastern edge near the cemetery. of the Orbost township. The road is from the eastern entrance to the cemetery.These photographs are pictorial records of the construction of roads in Orbost.Four black / white photographs of road construction machinery.road-construction-orbost roadwork-orbost-cemetery

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

The Warrnambool Regatta was held on the Hopkins River on Sunday 27 December 1891. B. Laing rowed for the Warrnambool Rowing Club. A trophy was given to each member of the Maiden Four crew- A. Lumsden (bow), B. Laing (2), D. Rowan (3), J. Rowan (stroke), A. Geilhofer (cox). B. Laing was also a steward in the St John's Lodge.Brass bell shaped dome with a 4 cm circular hoop containing a tree motif.Warrnambool Regatta Boxing Day 1891 Maiden Four. Warrnambool Rowing Club. B. Laing No 2.trophy, warrnambool, 1891, rowing, hopkins river

Military issue waist belt with four pockets to carry money or other sundry items Manufactured by HOLDEN Leather waist belt with four pockets for carrying other sundry small items Nilmilitary, money belt

This book belonged to Charity Lamerton Phillips and may have belonged to her parents before her. On the inside front cover are the names of George Phillips and Jessie Kerr, giving their marriage date and the birth dates of four of their children. Charity Lamerton Phillips (1872-1942) was the daughter of George and Jessie Phillips of Nirranda and she married Frederick Bonnett and farmed in the Mepunga district. This book is of interest because of its age and because it contains family information on the Phillips family of Nirranda. Many 19th century people recorded family information in a Bible or other old book kept in the home. This is a hard cover book of 325 pages. The cover is brown leather with some sections eroded away. The spine has gold lettering. The book contains several black and white illustrations. Some of the pages are stained and torn at the edges. There are two loose sheets – an undated newspaper cutting and a notice regarding an anniversary service at the Westdown Congregational Chapel. The inscriptions are handwritten in black ink. There is also pencil scribble on some pages. Inside front cover: Details of the marriage of George Phillips and Jessie Kerr and the birth dates of four of their children. charity phillips, george and jessie phillips of nirranda, history of warrnambool

The tins were used by the Colonial Sugar Refining Co. to store and sell treacle which is a by-product of cane sugar and molasses. The tin is labelled with the imperial pound measurement so it preceded metric weights and measures.A green, red and gold tin used to sell and store treacle. Two stick of sugar cane decorate the front and the back of the round tin. The tin lid on the top of the tin needs to be levered open. The tin's capacity is 2 pounds. The word 'treacle' is written in bold red capital letters.THE COLONIAL SUGAR REFINING CO. LTD / TREACLE / 2 LB NET / MADE FROM CANE SUGAR ONLYcolonial sugar refining co., treacle, sugar cane, food, canning, sugar mills, george evans collection, commercial packaging

This Sandhurst gold mine was registered in 1864 although its head office was in Melbourne. The first manager was Edwin Chaplin. It had an initial nominal capital of 11,200 pounds raised through 224 shares of 50 pounds each. It was liquidated and delisted on the stock exchange in 1951.Two typewritten letters, one dated 8th May 1925 and the other 22nd June 1925. Both letters are addressed to Mr. M. Kelly, Beehive chambers, Bendigo. The first one advising that enclosed is a statutory declaration in connection with the scrip certificates for 200 shares that have been lost. The second one advising of two cheques for 25 pounds enclosed as payment of dividends. Both letters are signed by the manager of the Hercules Gold Mining Company Mr. Stanfield.hercules gold mining company, shares

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The cast iron gates (manufactured in Glasgow) introduced at the North West entrance in 1907. The gates were purchased from ‘Fairlie” corner of Acland and Anderson Streets, South Yarra at the cost of 72 pounds and cost 60 pounds to install. They had originally cost the owners of ‘Fairlie’ 1200 pounds. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The image in this postcard shows the gates intact and as installed in 1907. The current layout of this area still reflects the change of design, which followed the 1907 removal of the first gardener's residence and the subsequent re-organisation of this quarter of the gardens. This postcard is evidence of the placement of one of the cannons relocated from Fort Gellibrand in 1906. They were removed from the Gardens in the 1960s. These same cannons remain a feature on the Williamstown waterfront in 2013. Postcard in colour of main entrance gates, one of the cannons can be seen through the pedestrian gate on the right. The gates are cast iron, double carriage gates with single pedestrian gates on either side and supported by four cast iron posts with ornamental finials. Front: ‘Gates, Williamstown Gardens’. Reverse: Vertical on left side of card ‘O Rippon Se..es’ [name of the publisher is unclear]. Top centre of card: ‘POST [logo of card publisher] CARD’. Left side of card: ‘This space may be used for communication.’ Right side of card: ‘for Address only.’ Left bottom corner: ‘Printed in ……..’ [name unclear]. Top right hand corner: a red one penny Tasmanian stamp with a depiction of Mount Wellington. Bottom right corner in pencil ‘1908’ believed to be inserted by the vendor. The card is dated 15.5.10 by the sender. It is addressed to Miss E G Holford of Launceston, Tasmania and sent by Addie.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, entrance gates, entrance-gates, cast iron, finials, cannon, 1910, 1908, tasmania, tasmanian-stamp

Ownership history of 4 Austin Street, Mitcham between 1873 to 2019, including the plan of the Mellorton Estate, Mitcham (1923), showing some lots priced at one hundred and forty-five pounds and the Charlesworth Estate ((1913). The Austin Street house was purchased by Martin and Shirley Gleeson 1956 and sold in 2019. Subdivision map of area south of Burnett Street to Harrison Street. non-fictionOwnership history of 4 Austin Street, Mitcham.drake real estate, charlesworth estate mitcham, mellorton estate mitcham, austin street mitcham no4, ainger frank

Photographs of four framed black and white drawings attributed to Percy Leason (1889 - 1959). He was a painter and cartoonist renowned for his depictions of Australian society in the 1920s and 1930s. He lived in Eltham from about 1924 to 1938 when he moved to the USA. Bicentennial/Heritage Week Display, "The Eltham Tradition", Eltham Shire Office, 17-22 April 1988 Four colour photographsactivities, eltham shire office, heritage display, heritage week, percy leason, bicentenary, exhibition

The cast iron gates (manufactured in Glasgow) introduced at the North West entrance in 1907. The gates were purchased from ‘Fairlie” corner of Acland and Anderson Streets, South Yarra at the cost of 72 pounds and cost 60 pounds to install. They had originally cost the owners of ‘Fairlie’ 1200 pounds. Lee Heap Furniture Warehouse of Williamstown used the postcards to advertise. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The image in this postcard shows the gates intact and as installed in 1907. The current layout of this area still reflects the change of design, which followed the 1907 removal of the first gardener's residence and the subsequent re-organisation of this quarter of the gardens. This postcard is evidence of the placement of one of the cannons relocated from Fort Gellibrand in 1906. They were removed from the Gardens in the 1960s. These same cannons remain a feature on the Williamstown waterfront in 2013. Black and white image of main entrance gates which are open. Through the gates can be seen a man in waistcoat standing in front of a cannon. The gates are cast iron, double carriage gates with single pedestrian gates on either side and supported by four cast iron posts with ornamental finials. Front: ‘The Entrance Gates, Williamstown Gardens. Vic.’ ‘0457/2’ ‘THE CROWN STUDIOS, SYDNEY’. Reverse: Centre top ‘POST CARD’ with a logo in the middle of the words. Left top corner a drawing of an artist’s board and brushes with a camera in the centre. Left side ‘MESSAGE ONLY.’ Right side ‘ADDRESS ONLY.’ Top right corner inside a dotted rectangle ‘STAMP HERE’. Bottom on card ‘BY THE CROWN STUDIOS, SYNDEY.’ Under the vertical line down the middle line ‘Neither the Address not the Message must cross this line’. In ink ‘With Compliments / from’. An oval stamp with scalloped rim ‘LEE HEAP FURNITURE MANUFACTURER’ inside inner oval ‘FURNITURE WAREHOUSE, / WILLIAMSTOWN’.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, entrance gates, entrance-gates, cast iron, finials, cannon, crown studios, lee heap furniture warehouse

Light cardboard folder in mainly mustard colour with woman on cover. Opens to hold pockets for negatives and printed photosKodak 20,000 pound world competition. You may win 3300 pound with one simple snapshot.phpotograph folder, kodak