Olinda garage on corner of Range Road and Mt Dandenong Tourist Road. Pony Club with 4 horses on grass. ralph Jones was garage owner at this time. Dragster bike on road indicates early 1960s.pony club, olinda garage, garage, olinda, range road, mt dandenong tourist road, ralph jones

Colour photograph, Bert Graham Collection, A big group of people watching other young people in a piggyback race on a grassed area. Possibly members of the Bendigo East Swimming Club, enjoying 'picnic' races.bendigo, clubs, bendigo east swimming club

Colour Photograph. Ruins of two buildings. Rendered bricks. Corrugated Iron rooves. Long grass. Man leaning on post with sign reading: National Trust H B C and Tourists Piss Offphotograph, building, ruins

Four page fold out knitting pattern booklet featuring a colour image on the cover of a man crouching in the grass with a bow and arrow. The man is wearing a green knitted jumper, blue pants and gum boots.front: [printed] Cleckheaton / 8/12 PLY / Design 0051 / 8 Ply Sizes: 89 - 119 cm / 12 Ply Sizes: 86 - 107 cmknitting, pattern, fashion, knitwear, cleckheaton

Four page fold out knitting pattern booklet featuring a colour image on the cover of a man crouching in the grass with a bow and arrow. The man is wearing a green knitted jumper, blue pants and gum boots.front: [printed] Cleckheaton / 8/12 PLY / Design 0050 / Sizes: 86 - 112 cmknitting, pattern, fashion, knitwear, cleckheaton

Steel hand rail from stone steps at house 3/4 recovered from grass near "Eastern Landing" in 2000.Steel tube shaped length bent at middle and curved at one end. 12 metal dowells attached to this rail, but unattached at end. Varying lengths. Rusted with some white paint residue.

A scythe is an agricultural hand tool for mowing grass or reaping crops. It was largely replaced by horse-drawn and then tractor machinery. A scythe consists of a wooden shaft and a long, curved blade is mounted at the lower end, perpendicular. Scythes always have the blade projecting from the left side when in use. Mowing is done by holding the handle , with the arms straight, the blade parallel to the ground and very close to it, and the body twisted to the right. The body is then twisted steadily to the left, moving the scythe blade along its length in a long arc from right to left, ending in front of the mower, thus depositing the cut grass to the left. Mowing proceeds with a steady rhythm, stopping at frequent intervals to sharpen the blade. The correct technique has a slicing action on the grass, cutting a narrow strip with each stroke Mowing grass is easier when it is damp, and so hay-making traditionally began at dawn and often stopped early, the heat of the day being spent raking and carting the hay cut on previous daysEarly settlers and market gardeners used these scythes as they established their farms in Moorabbin Shire c1880A large metal scythe with a wooden handle x 2early settlers, pioneers, market gardeners, moorabbin, bentleigh, brighton, cheltenham, tools, blacksmiths

Students in costume, sitting outside on the grass, c. 1960s. Possibly during Purim. Please contact [email protected] to request access to this record.1960s, purim

Three generations back in Webb family. Colin Webb from Grass Flat's Great Grandfather's. Used for making flowers and decorate leatherwork.Four wooden dies, turned, with holes in the top of varying sizes. Four matching wooden stcks with round ends of varying sizes.

No. P4892 in the "Rose Series" of postcards. For information on Grampian House, refer to "Victoria's Wonderland" pp. 69-75. For information on the Wonderland Range refer to pp.41, 70, 73, 77, 84, 145-146 of "Victoria's Wonderland".Photo of the entrance to Grampian House. There is a grass are and a wire fence in the foreground. A track leads back into a bush area , there is a sign saying "Grampian House" attached to a tree. The peaks of a rocky range (the Wonderland Range) are visible behind.accommodation, guesthouses, scenery, wonderland range

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of two men standing on a grassed area at Newlyn, with trees in the background and the edge of a building on the left side. They are both dressed in long pants, jackets and scarves. The men are Roy Archibald and Frank WrightWritten in pen on back - Roy Archibald 21, Frank Wright 21, Taken, while on a couple of days visit to Newlyn, by Brit Archibald, 23/11/22frank wright, cornet, conductor, ballarat, roy archibald, brit archibald, newlyn

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.This series of photographs were taken in the late 1890s and show scenes from around the island while it was owned by Samuel Amess and his family.Black and white reprint of a photograph from the late nineteenth century showing two men resting in a paddock with a line of trees dividing the field from the water. One man is reclining on the grass while another stands.Catalogue number written in pencil on reverse. amess house, samuel amess, churchill island, photograph, cannon

Colour photograph of boats at Bank Jetty, includes sailing vessel Alathea in foreground, seven other fishing vessels, two identified as Melas Star, Charisma, and sand and grass along foreshore. Lakes Entrance Victoriafishing industry, tourism, jetties

Second photograph showing part of Bullock Island and the entrance.Colour photograph of Bullock Island, after establishment of Pecks Factory and Fishermans Co-op, shows marram grass plantings to stabilise dumped sand. Rough surf breaking on offshore bar. Lakes Entrance Victoriawaterfront, boats and boating

This note wallet has no known local provenance but apparently dates back to the late 19th century.This wallet is retained because of its condition and novelty.This is a note wallet which appears to be made of woven grass. It has two small rectangular bags open at the top , with one fitting into the other to hold paper money. One bag is slightly torn at one edge.vintage accessory

The building in the photograph is the Boiler House which was part of the former Sunbury Asylum. It was built in the 1920s to replace an older boiler. Coal and/or briquettes were burned to produce hot water and steam which was used to heat and supply hot water for the Asylum buildings. Steam attendants monitored and maintained the furnace and boiler seven days a week. It ceased production in October 1992 and since then has served as an Arts and Cultural complex for the local community. A non-digital black and white photograph of a large brick building with a tall chimney overlooking open rural countryside with two women sitting on the grass in the foreground. The image has been photographed from an earlier photograph. sunbury asylum, boiler house, arts and cultural complex, performing arts

This is a grass roots history of the Rhymney district with its major emphasis on the people who have resided here for some time since first settlement.white Card cover with brown writing and photograph of a poppet head and wooden building Rhymney Reef Glimpses of the Past from Shea's Flat in 1865stawell ararat

The watercolour painting depicts a street scene with a grass hill in the background. The street forms the centre of the foreground and features a row of buildings and cars on both sides of the street. Long shadows extend from the buildings and trees with yellow leaves frame both edges of the work. Across the middle of the work green trees are used to separate the street from the hill in the background. The large grass hill features an outlined shape (Scout symbol) on the side and a building surrounded by trees on top. The work is mounted and framed in a brown and gold frame with glass.Front: Mervyn Hill/95 Back: Framing by W.D. & C.M. Davis RMB 1256 Casterton 3311 Phone (055) 75 3290

This photograph shows a member of the Roy/Hooper family sitting in the grass in the gully behind Main Street. This is now the site of Watermarc (previously Greensborough Pool site).Digital copy of black and white photograph.hooper family, roy family, greensborough pool, watermarc

The ploughshare cuts grass and soil loosening or turning the soil before sowing seed or planting. Ploughs were drawn by oxen and horses. Now drawn by tractors.Farmers in the Kiewa Valley used ploughs before tractors became available.Formerly KV 060. Made of steel and a component of a plough. It is the cutting or leading edge of a mouldboard which closely follows the coulter wen ploughing. Attached picture shows the ploughshare as part of a plough. Ref. Farmyard Relics by Ken Arnold Page 49ploughshare, agriculture, farming crops

Originally owned by a Warren family, being the local baker. Warren's daughter, Ida, married Robert Greer, who continued with the bakery until retirement.Side view of cream cottage. Veranda with broken railing. Red iron roof,dark chimney and small 4-paned window on side. small tin fence at side. Autumnal tree in background. Expanse of grass in foreground. Greer's Holiday cottage (rental) c1990's. written in pencil on back.buildings, houses

The Church of St Michael and All Angels dates from the 15th century and is the Parish Church for Ashton under Lyne. It is believed there was a church on this site before the Norman Conquest as the Domesday Book mentions a St Michael's Church in the east of the ancient parish of Manchester. Much of the structure was re-constructed in Victorian times. The church with large windows in Perpendicular style. Buttresses were required with this type of building as the large window area reduced the strength of the walls. The church boasts boasts some of the best examples of fifteenth century stained glass left in Britain. There are eighteen panels illustrating the life of St. Helena. The church tower is 145 feet high and has a peel of thirteen bells. (From ashton-under-lyne.com) .1) Sepia photograph mounted onto card showing St Michael's and all Angels church and graveyard in Ashton-Under-Lyne. The gravestones shown in the photograph are no longer evident today. The cemetery area is now covered with grass.cemetery, st michael s and all angels, ashton under lyne, j w mellor, church

Black and white photograph, girl laying in the grass with soccer ball staring at the camera, Sarah Poyser. Bendigo Advertiser description: 13/7/93 Sarah Poyser (Klyear in Australian Soccer Team (Youth under 16)recreations, sports, soccer

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph includes Valda Treadwell.Sepia photograph white narrow white border of two women sitting amongst the grass and trees on Churchill Island, one looking at the camera Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans, valda treadwell

Woodlands Park complex which includes 'Cumberland' and 'Dundonald' ruins and the Gellibrand Hill Quarries was acquired by the Victorian State Government in 1978 and is managed by Parks Victoria.A view taken from Gellibrand Hill looking northwest. The open grassed area in the foreground is dotted with a number of rocky outcrops with conifers and cypress trees in the background. There are a few buildings in the distance.Coloured photograph with rounded corners and matt finish.woodlands park, gellibrand hill, greene, william pomeroy, anne, george evans collection

Painting of Schwerkolt Cottage by Barbara Rogalski, member of WHS "Autumn" is one of 4 paintings.Oil painting of end of building in treed setting with autumn tree in foreground on grass. Schwerkolt Cottage - Mitcham Painting mounted on beige fabric with inner beige plastic frame. Outer frame of brown wood with gold rim.Signed by B. Rogalskipainting, schwerkolt cottage - autumn, barbara rogalski

Colour photograph distant view of boats at Eastern Wharf, includes boat on slip, other fishing boats tied at jetty, buildings on Esplanade in background, grass on sand opposite side of Lake, in foreground. Lakes Entrance Victoriafishing industry, ships and shipping, jetties