The ploughshare cuts grass and soil loosening or turning the soil before sowing seed or planting. Ploughs were drawn by oxen and horses. Now drawn by tractors.Farmers in the Kiewa Valley used ploughs before tractors became available.Formerly KV 060. Made of steel and a component of a plough. It is the cutting or leading edge of a mouldboard which closely follows the coulter wen ploughing. Attached picture shows the ploughshare as part of a plough. Ref. Farmyard Relics by Ken Arnold Page 49ploughshare, agriculture, farming crops

No. P4892 in the "Rose Series" of postcards. For information on Grampian House, refer to "Victoria's Wonderland" pp. 69-75. For information on the Wonderland Range refer to pp.41, 70, 73, 77, 84, 145-146 of "Victoria's Wonderland".Photo of the entrance to Grampian House. There is a grass are and a wire fence in the foreground. A track leads back into a bush area , there is a sign saying "Grampian House" attached to a tree. The peaks of a rocky range (the Wonderland Range) are visible behind.accommodation, guesthouses, scenery, wonderland range

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of two men standing on a grassed area at Newlyn, with trees in the background and the edge of a building on the left side. They are both dressed in long pants, jackets and scarves. The men are Roy Archibald and Frank WrightWritten in pen on back - Roy Archibald 21, Frank Wright 21, Taken, while on a couple of days visit to Newlyn, by Brit Archibald, 23/11/22frank wright, cornet, conductor, ballarat, roy archibald, brit archibald, newlyn

The building in the photograph is the Boiler House which was part of the former Sunbury Asylum. It was built in the 1920s to replace an older boiler. Coal and/or briquettes were burned to produce hot water and steam which was used to heat and supply hot water for the Asylum buildings. Steam attendants monitored and maintained the furnace and boiler seven days a week. It ceased production in October 1992 and since then has served as an Arts and Cultural complex for the local community. A non-digital black and white photograph of a large brick building with a tall chimney overlooking open rural countryside with two women sitting on the grass in the foreground. The image has been photographed from an earlier photograph. sunbury asylum, boiler house, arts and cultural complex, performing arts

Colour photograph of boats at Bank Jetty, includes sailing vessel Alathea in foreground, seven other fishing vessels, two identified as Melas Star, Charisma, and sand and grass along foreshore. Lakes Entrance Victoriafishing industry, tourism, jetties

Second photograph showing part of Bullock Island and the entrance.Colour photograph of Bullock Island, after establishment of Pecks Factory and Fishermans Co-op, shows marram grass plantings to stabilise dumped sand. Rough surf breaking on offshore bar. Lakes Entrance Victoriawaterways, islands

This note wallet has no known local provenance but apparently dates back to the late 19th century.This wallet is retained because of its condition and novelty.This is a note wallet which appears to be made of woven grass. It has two small rectangular bags open at the top , with one fitting into the other to hold paper money. One bag is slightly torn at one edge.vintage accessory

Colour photograph of a muddy creek (probably after a downpour) with plants growing on the water's edge along both banks of the creek, including trees, shrubs, grasses and vines. eltham, creek, vegetation, diamond street, bridge, diamond creek

Photo from grassed area out front that leads to wood walkway to entrance; singnage includes 'Hot Sea Baths Always Ready' 'Mens Swmimming Baths'black and white photograph, copy, unmounted, fair condition[handwritten, faint pencil] Melbourne - Suburbs - St. Kilda, The new St Kilda Baths, St Kilda by the Sea Annual p.58, Season 1915-16, F600:65

View of RVIB building in St Kilda Road, taken from the front lawn. Leaves are scattered across the grass and a single male figure stands outside the building.1 black and white photograph of St Kilda Road buildingroyal victorian institute for the blind, buildings

Cricket Stawell Club 1913. Taken at Central Park with Curators Cottage in background. There is a granite sand bike track outside the grass oval inside a picket fence.B/W Photo: with 16 People in three rows, Back Row Standing, centre row seated, front row laying down man on right is wearing cricket pads and has a bat over one leg, the man on the right has a young child in front of him. 8 of th emen are wearing hats.Stawell Cricket Club 27.1.13stawell sport

The watercolour painting depicts a street scene with a grass hill in the background. The street forms the centre of the foreground and features a row of buildings and cars on both sides of the street. Long shadows extend from the buildings and trees with yellow leaves frame both edges of the work. Across the middle of the work green trees are used to separate the street from the hill in the background. The large grass hill features an outlined shape (Scout symbol) on the side and a building surrounded by trees on top. The work is mounted and framed in a brown and gold frame with glass.Front: Mervyn Hill/95 Back: Framing by W.D. & C.M. Davis RMB 1256 Casterton 3311 Phone (055) 75 3290

Born: The Hague, Netherlands 1861; Arrived: Melbourne, Victoria, Australia 1888; Died: Brisbane, Queensland, Australia 1941NationalismGift of Wooleen Pty. Ltd., 1980Rural landscape with grazing cows and trees. Gold gesso frame.Recto: Signed "J. H. Scheltema" in brown oil in l.r.c of compostion; Not dated; Not titled painting, landscape, pastoral, cows, animals, trees, grass, rural

Penny Stevenson uses her white cane and dog guide to walk down from Talbot Road and around the grass between the path and the blind cricket club house.11 digital images of staff member Penny Stevensonvision australia, staff, penny stevenson

The photograph shows VR tram 6 on an outside track in long grass with trolley pole raised. In the mid ground are cylindrical wooden cable drums, trees and other tramcars.Yields information about the outside yard and VR tramcarsBlack and white photograph with notes on the rear.In biro and pencil on the rear "#6 at Elwood Depot 1-1-51 Brighton Line Copyright K McCarthy Photo No 783"tramcars, tram 6, vr tram, elwood depot, outside track

Originally owned by a Warren family, being the local baker. Warren's daughter, Ida, married Robert Greer, who continued with the bakery until retirement.Side view of cream cottage. Veranda with broken railing. Red iron roof,dark chimney and small 4-paned window on side. small tin fence at side. Autumnal tree in background. Expanse of grass in foreground. Greer's Holiday cottage (rental) c1990's. written in pencil on back.buildings, houses

The Church of St Michael and All Angels dates from the 15th century and is the Parish Church for Ashton under Lyne. It is believed there was a church on this site before the Norman Conquest as the Domesday Book mentions a St Michael's Church in the east of the ancient parish of Manchester. Much of the structure was re-constructed in Victorian times. The church with large windows in Perpendicular style. Buttresses were required with this type of building as the large window area reduced the strength of the walls. The church boasts boasts some of the best examples of fifteenth century stained glass left in Britain. There are eighteen panels illustrating the life of St. Helena. The church tower is 145 feet high and has a peel of thirteen bells. (From ashton-under-lyne.com) .1) Sepia photograph mounted onto card showing St Michael's and all Angels church and graveyard in Ashton-Under-Lyne. The gravestones shown in the photograph are no longer evident today. The cemetery area is now covered with grass.cemetery, st michael s and all angels, ashton under lyne, j w mellor, church

Black and white photograph, girl laying in the grass with soccer ball staring at the camera, Sarah Poyser. Bendigo Advertiser description: 13/7/93 Sarah Poyser (Klyear in Australian Soccer Team (Youth under 16)recreations, sports, soccer

Woodlands Park complex which includes 'Cumberland' and 'Dundonald' ruins and the Gellibrand Hill Quarries was acquired by the Victorian State Government in 1978 and is managed by Parks Victoria.A view taken from Gellibrand Hill looking northwest. The open grassed area in the foreground is dotted with a number of rocky outcrops with conifers and cypress trees in the background. There are a few buildings in the distance.Coloured photograph with rounded corners and matt finish.woodlands park, gellibrand hill, greene, william pomeroy, anne, george evans collection

Painting of Schwerkolt Cottage by Barbara Rogalski, member of WHS "Autumn" is one of 4 paintings.Oil painting of end of building in treed setting with autumn tree in foreground on grass. Schwerkolt Cottage - Mitcham Painting mounted on beige fabric with inner beige plastic frame. Outer frame of brown wood with gold rim.Signed by B. Rogalskipainting, schwerkolt cottage - autumn, barbara rogalski

B&W photo showing Jack Breen and a horse. They are standing in long grass with bushes in the background. Jack is wearing dark jodhpurs, a check shirt, a pale jacket with dark sleeves, and a hat. The horse is dark with a white face.

Colour print of No. 661 near St Aidans Drive, with one black swan and two cygnets in the grass adjacent to the Lake area. Photo taken by Austin Brehaut, on Kodak Royal Paper with a label giving details on the rear.On a label on the rear of the card: "One and two halves, please." "Near St Aidan's Drive 23.9.04"st aidans drive, lake wendouree, swans, tram 661

Yields information about the condition of Lake Wendouree following a prolonged drought, photographed with some water in it during the winter of 2009.Digital Image of BTM Tram No. 14 at the St Aidans Drive terminus, 1/8/2009 with an almost dry Lake Wendouree in the background and green grass on the lake bed. There is some water in the lake after a long drought..trams, tramways, lake wendouree, drought, st aidans drive, tram 14

Social, eve of WWIB/W photo Buninyong Botanic Gardens with three girls standing centre in calf-length dresses, straw hats 1914. Three more girls lying on grass to left. Tall trees behind, wooden bridge.buninyong, botanic gardens, people, 1914

18 boys and girls sitting and standing in the long grass in the grounds outside the brick building building. Two trees are up against the brick building with the outside staircase leading to a doorway. A number of girls are wearing bows in their hair.Kinder at Wyclif / Win Jacobs / Kind Teachurches, buildings, structures and establishments, children, wyclif church, norfolk road, architectural features, trees, surrey hills, pre schools, stairs, jacobs, win (miss), yarnold, win (mrs)

Colour photograph distant view of boats at Eastern Wharf, includes boat on slip, other fishing boats tied at jetty, buildings on Esplanade in background, grass on sand opposite side of Lake, in foreground. Lakes Entrance Victoriafishing industry, ships and shipping, jetties

Image printed from 35mm slideColour photograph of Bullock Island showing cleared and grass planted south eastern area in preparation for relocation of Public Works and fishing industry facilities. Traffic access to island via humpy bridge. Lakes Entrance Victoriabridges, waterways, topography