Showing 20966 items
matching hand-sewn
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Bendigo Military Museum
Uniform - UNIFORM, RAAF, 3) Trent Nathan
RAAF uniform worn by Squadron Leader Ian A. 'Joe' Lyons, Operations Officer for No. 77 Squadron. Part of the Ian A. 'Joe' Lyons MBE Collection. See Catalogue No. 5374P for details of his service record..1) RAAF uniform jacket, dark blue in colour. Black fabric inner lining. Gold coloured buttons. Coat has two button down breast pockets and two button-down side pockets. Dark blue fabric belt with metal buckle is threaded through two belt loops. Three rows of service ribbons including an MBE ribbon and pilot officer's wings on left hand breast. Rank insignia on the bottom of each sleeve. .2) Dark blue fabric trousers with two side pockets, belt loops and button fly. Buttons for braces on the inner waist band. .3) Dark blue fabric tie. Manufacturer's label on keeper loop..1) On label sewn into neck: 'M TX'. .2) On label sewn onto inside waist band: ' M TX'. .3) On keeper: Trent Nathan'.uniform, raaf, ian a. 'joe' lyons -
Orbost & District Historical Society
collars
These items are typical examples showing the skill and craftsmanship of the women in the families of early settlers.Two hand sewn silk and lace collars. They are coffee-coloured with darker brown embroidery. They have ecru silk insets.collars women's-accessories silk hand-made -
Clunes Museum
Flag
Fabric, hand made (sewn) Union Jack World War 1 flag 11/11/1919 used in celebrationsunion jack flag, world war 1 -
Beechworth RSL Sub-Branch
Medal Ribbon Bar WWI
Part of the Dick Nankervis collection item 0048This medal ribbon bar was used by Dick Nankervis before WWII service; Refer to word document for item 0048Medal ribbon bar with three WWI ribbons and the Military Medal Ribbon; wrapped around metal bar and hand sewnmedal, ribbon bar, wwi ribbons, wwi medal ribbon bar -
Kilmore Historical Society
Clothing - Christening robe, 1858
Christening robe first worn in 1858 by William Thomas (Tom) Poulter, eldest surviving child of James & Mary Poulter. Used by several generations of Poulter descendants.Early Christening robe with local family significanceWhite lawn christening robe with embroidery detail to bodice and front skirt. Mostly hand sewn. Very good conditionpoulter, chapman, christening -
Orbost & District Historical Society
night caps, early 19th century
Worn by the grandmother of Marjorie Burton (nee Whiteman) in England early 19th century. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. When she was admitted to Waratah Lodge, Orbost, following a stroke, her daughter Ann Quaadgras donated a number of her mother's personal belongings to the Orbost & District Historical Society. Marjorie died in 2015.These items are examples of the needlework skills of women in the 19th century. They are items which are no longer commonly worn.Two night caps. 2483.1 is a pink lady's night cap, hand sewn and cotton edged in lace. It has been embroidered with pink flowers. the straps are red. 2483.2 is a hand sewn man's night cap of pale striped cotton. It is brown, and grey stripes on a white background with white tapes for tying. night-cap sleepwear burton-marjorie -
Clunes Museum
Footwear - BOOTS
Made especially for the Late Mr. Rickard about 1900.1 & .2 Pair brown bespoke leather lace boots size 8, lace on left boot missingOn sole of each boot Made in Australia Cork filled Waterproof F.A.C. Hand sewn Sticker marked "137"boots, rickard, handsewn boots -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's fine lawn half petticoat, c1900
This lady’s fine lawn cotton half petticoat is an example of the dressmaking and craftwork skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families A lady's hand sewn fine lawn full length half petticoat with elasticised waist and a large band of hand made lace around hem. Ribbon is inserted through the lace.clothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, lacework, underwear -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's lawn slip c1920, c1920
This lady’s cotton full length petticoat is an example of the dressmaking and needlework skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the skill and craftsmanship of the women of these families Lady's fine lawn Full Length slip with hand embroidered floral design at centre front bodice and hem and on shoulder straps. The hem has a hand sewn scalloped edge .clothing, underwear combination, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, bentleigh, lacework, moorabbin shire, dairy farms, fruit orchards -
National Wool Museum
Quilt, Bow Wow Bowerbird
Winner of Expressions 2004 Wool Quilt prize. The stitch as a measure of time is explored in this quilt. It is from a series i have been working on about my local environment. Shaped by time and the elements, Bow Wow Gorge us visited by more than 150 bird species.Quilt is a combination of silk, wool, baft, linen, and rayon thread. Two halves of the quilt have been hand sewn together and are a rusty red and grey in colour with small blue patches using plant dyes. Machine stitched, hand sewn, and applique, the quilt has long pockets and panels added to the back.Bow Wow Bowerbird 2004 Pamela Fitzsimonhandicrafts quilting textile, national wool museum, fitzsimons, ms pamela, geelong, victoria, handicrafts, quilting, textile -
Parks Victoria - Mount Buffalo Chalet
Badge
'Souvenirs in relation to the Chalet and Mount Buffalo were first mentioned in December 1912... A large range of souvenirs has since been associated with the Chalet and Mount Buffalo from crafted wooden items, silver spoons, cups etc... The collection includes a broad selection of products that have been sold throughout much of the Chalet's history, each representative of the transient fashions of their period.' (Pg 114. Historica) Manufactured as a souviner of MtBuffalo. Intended to be used, sewn onto a jacket sleeve. Purchased from an opportunity shop and donated.Listed in Draft Inventory of Significant Collection Items . Appendix A.3. Souvenirs. (Pg 168. Historica).White cotton badge in a shield shape. Has blue machine embriodery around edge and sewn in the centre to represent a snowflake. "MT.BUFFALO" is embriodered in red across the top."MT.BUFFALO" -
Orbost & District Historical Society
bow, Burton, Marjorie, 1950's
This item was made and worn by Marjorie Burton. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from middle-class working church-going family. Her mother was a milliner who mademany of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11This item is an example of a handcrafted item and reflects the handcraft skills of women necessary during the 1950's in Great Britain.A hand-sewn pale green velvet bow made as a dress accessory. It has narrow straps and fastens with clear plastic studs. accessory womens-clothing velvet-bow burton-marjorie -
Orbost & District Historical Society
doily, first half 20th century
This item is an example of a handcrafted item and reflects the needlework skills of women in the early 20th century.Small hand-crafted linen doily with embroidered lace-like edging. Flower embroidery and the word "scones" sewn along bottom.Front - "scones"doily handcrafts needlework linen embroidery -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, Lady's crepe negligee, c1920
This lady’s crepe negligee is an example of the dressmaking and lacework skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families A lady's cream crepe full length short sleeved negligee is hand sewn with handmade lacework on bodice, neckline and sleeve cuffs. dressmaking, craftwork, lacework, early settlers, pioneers, market gardeners, moorabbin, bentleigh, cheltenham -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's chemise, c1900
The early settlers were self reliant and made their own clothes. This detachable collar shows the dressmaking and craftwork skills of the women A lady's silk chemise with short sleeves and an open V-line neck. The hem, neckline and cuffs are scalloped and over-sewn by hand .clothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork -
Tatura Irrigation & Wartime Camps Museum
Bodice, Nelly Wied, 1940's
Small girls blue bodice embroidered with flowers on the front. Button holed down the front. Made in Camp 3. Hand sewn.hand made, camp 3, tatura, clothing, embroidery -
Clunes Museum
Domestic object - TABLE LINEN
HAND SEWN, SQUARE, WHITE LINEN TABLE CENTRE, HEMSTITCHED EDGES WITH FINE COTTON CROCHET MEDALLION/MOTIF EDGING IN THE CORNERSNILmanchester, hand sewn, needlework -
Orbost & District Historical Society
dickie shirt, c. 1900-1920
Hand sewn by Mrs Marjorie McKeown (nee Ford) who most likely also wore this garment. This item is an example of the fine needlework skills of women in the first half of the 20th century.A silk shirt front with silk collar and decorated with pearl buttons down the front. It has lace insertions on either side of the pearl buttons. The back of this garment is made of plain cotton and has narrow cotton laces which tie around the front. costume-female -
Flagstaff Hill Maritime Museum and Village
Decorative object - Vase, ca. 1970s
This beautiful hand-cut crystal vase was made in Poland by Violetta Crystal Glassworks. Its design is decorative and functional. It reflects vases produced in the late 19th and early 20th century when hand-cut lead Crystalware was popular in England. The lead content in the glass makes the glass softer and easier to hand-cut. The crystal clear glass sparkles in the light. Crystalware was kept for special occasions such as weddings and religious events. The Violetta Crystal Glassworks was founded in 1864 by Franz Losky, at the district of in Stronie Śląskie. Its original name was Oransko-Nassawska Glassworks, then later named Oranienhütte. The Glassworks came under Poland's rule after World War II. In 1950 it was subject to the Central Board of the Glass Industry and Precious Ceramics, with its seat in Sosnowiec, and the Glassworks was called United Glassworks of the Lower Silesia Region – State Crystal Glassworks in Stronie Śląskie.In 1953 it began exporting its products. In 1970 the name was changed to Violetta Crystal Glassworks in the Polish district of Stronie Śląskie. The firm became the major exporter of Polish glass. From 1992, structural changes in the company resulted in the loss of production, which stopped altogether in May, 2008. Minex CEI SA bought the plant in 2011 and operated it until the end of 2018.This hand-cut lead crystal vase design reflects that of vases produced in the late-19th and early-20th centuries. It is representative of decorative domestic items used during that era, particularly for important and special occasions such as weddings and religious events. Crystalware was cherished for its beauty. The vase is also significant for its association with the renowned Violetta Crystal Glassworks established in 1864 by Franz Losky, which was at one time the greatest exporter of hand-cut crystal made in Poland.Vase; clear hand-cut glass, 24 per cent lead crystal. The vase is wide at the top with a scalloped edge. It tapers inwards to a round foot. A clear rectangular label with gold text is attached. It is branded Violetta hand-cut crystal, made in Poland. On the label: "MADE IN POLAND" "Violetta" "Hand cut 24 % lead crystal" "(R)" within a circleflagstaff hill maritime village, shipwreck coast, flagstaff hill, warrnambool, flagstaff hill museum and village, domestic object, decorative object, functional object, vase, crystal vase, cut glass vase, hand-cut glass, violetta, violetta glassworks, polish glassworks, made in poland, vase with scalloped edge, crystal glassworks, franz losky, oransko-nassawska glassworks, oranienhütte, stronie śląskie, hand-cut crystal, crystalware -
Federation University Art Collection
Bookplate, 'Ex Libris John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Print shows an open book with the word ELIDE on the left hand page and a picture of a seated man framed by a circle on the right hand page. An engraving tool and wood block are in the foreground. Foliage protrudes from behind the book. W 90/31 in bottom right hand cornerkeith wingrove memorial trust, bookplate, australian bookplate design awards -
Bendigo Military Museum
Accessory - HAND TOWEL, C.1960’s
Peter Ball collection, refer Cat No 4704Hand towel Army issue green cotton, sewn edging all around, one corner has two white tags with details onOn large tag, “Nile 7210 - 66 - 011 - 5408” On small tag faintly in green, “3796117” On towel edge near tags in black texta, “3796117”towels, hand towel, accessory -
Bright & District Historical Society operating the Bright Museum
Costume, ladies, c.1882
Dark maroon velvet double-breasted two piece costume. Long jacket decorated with braid. Long skirt. Hand and machine sewnladies costume, costume, velvet, jacket, skirt -
Tatura Irrigation & Wartime Camps Museum
Sewing Basket, 1940's
Used by internees at Camp 3Top wooden frames shaped into handles. Slots at bottom of handles allow material bag to be threaded hrough and hand sewn back on to bag.sewing basket, bissinger g, wied k & n, camp 3, tatura, ww2, domestic, sewing -
National Wool Museum
Clothing - Suit, 1987
Hand spun, hand dyed, hand woven and hand sewn suit which won best garment in the 1987 Geelong show. Size 12 in a design by Chanel. It was spun with variegated natural greys on a Sheridan horizontal spinning wheel. It was then dyed pink using natural dyes. The jacket had commercially brought warp and hand spun weft in twill on a 24” loom. All spinning, dyeing and weaving was by Jean Inglis of Geelong. The suit was sewn by Caroline Mogic of Geelong, with iron on interfacing, commercially brought trim. It was worn only once in the parade at the Geelong show. The pink suit jacket has four pockets with gold buttons on front, size 12. The jacket has a checker-plate pattern in which the predominate pink is always present and is accompanied in areas which have grey or white showing through the pink. This checker plate pattern continues down the sleeves of the jacket. The edge of the jacket has a lighter pink trim. A pink skirt accompanies the suit jacket. It has horizontal lines with pink as the predominate colour and areas of grey and white showing through in sections. geelong show, hand spun, hand dyed, hand woven, hand sewn, channel -
Montmorency/Eltham RSL Sub Branch
Uniform - RAAF Service Dress Bow Tie, 1992
Donated by Cpl Bramley who was in charge of our Catafalque party ANZAC Day 2006 Blue cotton, Black elastic strap. Sewn Tag Noone Image Wearclothing -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Greatcoat, abt 1940
Not of particular significance to this collection. Available for "swaps" with other collectionsWorld War 2 pattern greatcoat. With Australian Military Forces buttons and colour patch of 6 Division Engineers on each sleeveOn label sewn inside " M TX"clothing, uniforms, greatcoat -
Stawell Historical Society Inc
Banner, NORWELLAN
Norwellan Now Closed. Evan Evans Flags & Promotional Products 2 Albert Street Preston Vic 3072 Phone: 03 9480 6611 Fax: 03 9480 6411 North Western Woolen Mills became Norwellan Textiles then AUNDEWhite material with Norwellan sewn in black. Logo sewn in red.NORWELLAN - and Logostawell industry -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, bow tie, white , elastic clip, 20thC
The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied Bow ties are available, in which the distinctive Bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable Bow tie. Bow ties are worn by magicians, country doctors, paediatricians, lawyers, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A pre tied white Bow tie sewn on a neckband with an elastic clip fastenermenswear, clothing, bow ties, cheltenham, moorabbin, bentleigh, early settlers, pioneers, market gardeners, male neckwear -
Montmorency/Eltham RSL Sub Branch
Uniform - Blouse, Khaki, Patt.'49 Battle Dress, 1949 Battle Dress, 1988
Pattern 1949 Khaki woollen battle dress blouse. Five front buttons. Two front pockets, one on the left and one on the right.Two buttoned epaulets with embroidered crowns signifying rank of Captain.Royal Australian Regiment patches sewn on the left and right shoulders. Belted at the waist..Two red patches on each shoulder embroidered with Royal Australian Regiment. Identification tag sewn on the inside at the back of the neck - Docket number - 39614-14. Size - J K + M Serge KH. Garment no. - 209. Remarks - Vanzwol or Vanswol, J handwritten on tag. Tag sewn inside left front panel - A.G.C.F. VIC 1988 ARMY NO. NAME B34 handwritten. Care states - dry clean only, crease upper half of lapels only.battle jacket, royal australian regiment, van swol, van zwol, vanswol, vanzwol -
Tatura Irrigation & Wartime Camps Museum
Handkerchief holder, 19640's
made by Gertrud Hermann an internee in camp 3Beige linen sachet embroidered with blue flowers and border. Drawn thread work along hem. Hand sewn to form a pocket to hold handkerchiefs.gertrud hermann, camp 3 internees, camp 3 hand crafts