A chat collected at the museum residence during the Heart Maps project with Amy Tsilemanis, covering memories of Apollo Bay harbour, foreshore, dances, and being secretary of the Historical Society. apollo bay

The Australian Deaf Citizen was a quarterly magazine owned and edited by John Patrick Bourke dedicated to the interests of the Deaf in Australia.The Australian Deaf Citizen, was a magazine owned and edited by John Patrick Bourke. It is historically significant as it gives an alternative view of the Adult Deaf and Dumb Society at that time including the role played by Ernest J. D. Abraham.Blue Cover 26.5cmHx21cmW, 18 pagesOwned and Edited by J. P. Bourke, No. 1 Acre Place, Malvern, S.E. 4 Victoria Australia

1992, 268, diana nicol, youth production

Bookplate with a ring of coloured flowersbookplate, john gartner, zelda gartner, myra gartner, jan garner, flora

Maps, p.47.non-fictionAn atlas illustrating the war up to January 1943world war 1939-1945 - atlases, world war 1939-1945 - history

Unknown year

Victorian Government Gazette.Green cloth cover with mid-brown leather spine & corners, worn at extremities, cloth lifted in some areas. Foxing to front & rear pages. Fair condition.Nil.victoria, government, gazette, kilmore court house library

TBC and add transcript Similar speech at 01211 from before 1953White A4 paper x 11 pages of a speech by Legatee Kemsley.shrine of remembrance, kem kemsley

Ink on paperSigned and dated

Photos of a garden party at the home of Val Dyke on 26 January 1992. It was a social event for widows which shows the comradeship between the widows. Names are not known. Photos were in a photo album from the early 1990s.A record of the type of activities Legacy provided as a social outlet for widowsColour photo x 6 of a social event for Legacy widows in 1992 and a yellow paper label.widows, events

Ballarat historyballarat, ballaraat, whitfield, grundy, sea scouts, 1955

Ringwood East State School No 4180-Pupil Register Images. A searchable transcript of all these images can be found as a pdf in VC Record 7509. Note: For a high resolution copy of one or more images, contact Ringwood and District Historical Society (RDHS). The original Registers are held at Public Records Victoria (PROV). Scanning of these was commissioned by RDHS and undertaken by Mark Grealy, Archival Access in 2013. (https://www.archivalaccessvictoria.com/). The registers were transcribed in 2021-2022 by Sue Breese, Archivist at RDHS.

Radio transcript - 3 foolscap sheets, typed, untitled with a hand written note "Broadcast 3/9/1928" on top edge about Safety around trams. Refers to a talk during Dec. 1927, by Mr. T. Reynolds, now President of the National Safety Council of Australia. Notes the brakes on tramcars, driver training, human factors, Swanston St prior to conversion and post, accidents, numbers, no. of persons knocked down (could also include step accidents), pedestrians, traffic lights, and gives a list of don't's - passenger behaviour. Person who presented the talk not noted.hand written note "Broadcast 3/9/1928" in pencil on top of the page.trams, tramways, radio stations, accidents, behaviour, driver training, brakes

Seven colour photographs of mine in bush settingmining

jewellary

Geelong is famous for its bollards. Created by local artist Jan Mitchell, the colourful bollards spot the foreshore, representing a fascinating and fun chronicle of the city’s past. Few people know that Mitchell planned for a flock of sheep to be part of her public art project. The wool industry is an important part of Geelong’s history, so Mitchell thought what better than a flock of sheep to welcome people to the city. The flock (and a Shepard) were to be placed out on the Melbourne-Geelong highway, near Lara, to welcome travellers to the city. The sheep would then be scattered along the road as a wayfinding signal to bring people to Geelong. When traffic authorities heard the plan for bollard sheep along the road, they squashed the project as a potential distraction for drivers. Another flock was also suggested for the hills of the eastern gardens, overlooking the bay. This was also disapproved; so Mitchell only ever partially completed four sheep bollards. The bollards are remnants of Jan Mitchell’s flock of sheep. The sheep also show the evolution of one of Geelong’s most iconic art installations. From the first sheep showing the raw timber of the old Yarra Street pier, to the sheep without a face, through to the completed sheep, it is possible to trace Mitchell’s process in the preparation of the bollards. The lost bollards form part of the National Wool Museum’s unique collection. The first bollard is the least complete, still in its original timber colour. From the central cylindrical shape, an additional wedge protrudes. This unpainted wedge forms what would have been the face of the sheep, with an ear present on either side that would have been painted white. Presently they are a bare metal. No legs are present on this bollard. The second and third bollard are completed to a similar level. They have a central cylindrical shape with an additional wedge protruding from the front of the timber. This wedge forms what would have been the face of the sheep, with an ear present on either side. The face and ears have been painted white but the finer details such as the eyes have not been added. These bollards bodies have also been painted white and have their legs attached. The legs are thin metal cylinders, approximately 50mm in diameter and 500mm long. The fourth bollard Is complete. It has the same central cylindrical shape with an additional wedge protruding from the front of the timber. This wedge forms the completed face of the sheep, with an ear present on either side that has been painted white. The face also features completed painted eyes. This bollard has its legs attached. The legs are thin metal cylinders, approximately 50mm in diameter and 500mm long. geelong, bollards, geelong's bollards, jan mitchell

Event photography, at a Naval and Military Club function.Unframed, coloured photograph printed on photo paper, of Normie Rowe and Jan McCarthy at a Naval and Military Club function. "Normie Rowe Jan McCarthy" [Written in pen on the back of the photo]normie rowe, jan mccarthy

Set of five colour slides taken the SEC Bendigo depot, Jan. 1969. .1 - inside depot, show two bogies and one Birney on one road and the pit arrangements. .2 - ditto, slightly different exposure .3 - trams 21, 24 and 5 at the front of the depot .4 - Scrubber tram by the depot extension. .5 - Looking across the depot yard with the scrubber in the foreground and depot in the background. Kodak cardboard mount slide, taken by Peter Moses, Jan. 1969. On the rear of all the slides "P. Moses" in black ink .1 - "Jan 1969 Bendigo / Depot" in blue ink and on the opposite side of the slide in red ink “28” .2 - "Jan 1969 Bendigo / Depot" in blue ink and on the opposite side of the slide in red ink “27” .3 - "Jan 1969 Bendigo / Tram Depot" in blue ink and on the opposite side of the slide in red ink “29” .4 - In red ink "31" .5 - "Jan 1969 Bendigo / Depot" in blue ink and on the opposite side of the slide in red ink “30”. tramways, trams, bendigo, depot, scrubber tram, tram 21, tram 24, tram 5

Yields information about the appearance of an ex Adelaide tram in Ballarat early 1945.Black and white photograph of No. 22, Sturt St, Jan. 1945. Photo by Wal Jack. The Post Office building can be seen in the background - just. Image rescanned from copy neg and updated 1/6/2020.On rear in ink. "No. 22 "Gardens via Drummond Nth", Sturt St, Ballarat, Jan. 1945."tramways, trams, sturt st, tram 22

Upon approval of the construction of the new bridge, there was a move to retain the old bridge. It was a very significant connection to the world when first built and it was hoped that all or part of the old bridge could be retained. Town meetings were held and the National Trust approached to enlist their financial support. Significant as it demonstrates the efforts by the townspeople to retain the old bridge.Three and half column newspaper article from the Cobden Times Jan 16th 1985Handwritten at the top is "Cobden Times Jan 16th 1985". With handwritten corrections of names in the article.peterborough, peterborough old bridge, curdies river bridge

Handwritten letter from Jan Downman (nee Macauley). Typed biography of John Thomas Macauley, Manager/Curator of Poultry Testing Unit/Egg-laying Competition. Photocopies of photographs: (1) "John Thomas Macauley," as a child. (2) "J T Isobel Macauley." (3) "Picture appeared in 'The Weekly Times'." (4) "Macauley family c.1921." (5) "July 1942 3 generations" "J.T, Barry & W.E. (Bill) Macauley." (6) "c 1923." (7) "at Blackburn c.1946." Also Obituaries and a Memorandum for the Agricultural Superintendent from Mr. Jessep recommending that he continue to be employed after his retirement.jan downman (nee macauley, john thomas macauley, manager, curator, poultry testing unit, egg-laying competition, j t isobel macauley, barry macauley, w.e. (bill) macauley, obituaries

Set of four photographs on slides of the timetable boards in the waiting shelter at the City terminus at the intersection of Sturt and Lydiard St. Jan. 1966. 2031.1 - Timetable board for the Gardens, Victoria St and Mt Pleasant routes. .2 - ditto, not as well exposed. .3 - Timetable board for the Sebastopol and Lydiard St. North routes - over exposed, especially the left hand side. .4 - ditto, but better exposed on sides, but not perfect. Kodak cardboard mount slide, taken by Peter Moses January 1966.On back of slide in blue ink descriptions as below and on the bottom "P. Moses". 2031.1 - Ballarat City Terminus Jan. 1966 / 30-f5.6 .2 - Ballarat Jan. 1966 / 30 f4.0 .3 - Ballarat Jan 1966 / 30 f4.0 .4 - Jan. 1966 Ballarat / 30 f2.8tramways, trams, timetables, city terminus, shelters, timetable boards

Jan FEDER ( - 1981) Jan Feder is an alumna of Federation University having studied ceramics at the Gippsland Institute of Advanced Education (now Federation University Gippsland campus). Jan Feder was respected by all students for her diligence and technical ability. Her tragic death in 1981 evoked an immediate response from her peers for a memorial. Students discussed a number of memorial options, such as funds for equipment, scholarships and awards. The decision to commence a collection was made based on the idea that all future students could benefit from the availability of a collection, whereas only a very few individuals could benefit from a scholarship. Students immediately set about raising money by selling 'seconds' called 'Junque Sales'. a total of $760.00 was raised and the first two works purchased were by Victor Greenaway and Victoria Howlett. Ceramic works were purchased from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Gippsland Campus. The Artist in Residence Program assisted the collection, with many resident artists contributing to the Collection (ie Robin Welch, Anna Zamorska, Sandy Brown), as well as international guests. Ceramic events such as 'Strzelecki Spotkanie 1984' and 'Woodfire 86' also resulted on major contributions to the collection. Jan Feder Memorial Ceramics Collectionjan feder, jan feder memorial collection, ceramics, gippsland campus