Free standing, dark stained wood and metal gramophone cabinet. The gramophone has a lift up top over the turntable. Underneath are three shelves for records. The bottom shelf has 4 shelves for records. The cabinet is on castors.Model "Bungalow".

Bendigo Pottery tobacco jar in shape of dogs head, pressed earthenware, blue and tan majolica glaze with blue ribbon around neck, head lifts off for lid. No makers mark & lid has been repaired.domestic equipment, containers, tobacco

In their original form these smoothing irons were filled with hot coal or charcoal and used to remove creases from garments.Brass smoothing iron most likely produced for the souvenir industry. The original would have held coal or charcoal. The lid can be lifted and there are openings to allow smoke to escape. The lid can be fastened to the main body with a hook. .

Jan Senbergs was born in Riga, Latvia, in 1939 and came to Australia when he was ten. Senbergs’ work has been characterised by a simple and bold aesthetic. From lush landscapes to barren urban spaces, his body of work signifies an artist who has continually experimented with shape, form and motif, a fundamental humanist vision, a finely-honed sense of the absurd, and a rigorous studio practice spanning printmaking, drawing and painting. Senbergs is Baldessin's exact contemporary. He was also born in Europe and fled his homeland because of the war, arriving in Melbourne in 1950. Like George, Senbergs also worked at the RMIT and in 1973 represented Australia at the Bienal de Sao Paulo. Senbergs first met George when he was living in St. Kilda. George asked if he could screen print his 'Argus' catalogue for a show at the gallery in the Argus building. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971. The bluestone studio was hand built by George, his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'New Jersey - rust belt' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print finds its' origins in the time Senbergs spent at Harvard in America in 1989-90. In the context of Baldessin it explores an industrial urban surreal vision that was common to both artist. The image captures the life force of the city revealing the keen and observant eye of Jan Senbergs. Similar in sensibility to his large scale charcoal drawings of the 1990s, the artwork is not only a record of what the artist sees, but of what interest him. By following the movement of each line the viewer can witness the artist's eye travelling through, over and around each element of the urban landscape. The scale is deceptive with the image bled to the full-size of the sheet of paper like a microcosm of a much bigger whole. sugar lift etching of an urban (cityscape - New Jersey) scene - bridges, roads, buildings, in thick black brushstrokes. The image is busy; full of energy and movement. A bleed print in which the paper barely contains the city scape. In pencil (handwritten): top centre: left '14/25' (edition); centre 'New Jersey-Rustbelt' (title); right 'Jan Senbergs' (signature); print, sugarlift etching, urban landscape, ekphrasis2018, new jersey, line, rust belt

Piece of embroidery owned by Adele Grey from the collection of the late Jenny Lang. Jenny was a member of the Embroiderers Guild of VictoriaOne Old Gold personal handkerchief sachet piped in burgundy cotton surrounded by floral braid. Lift up centre piece of red silk, with diamond shaped embroidered flannel flowers in cream and green and citrus leaves.costume accessories, female

Made by Duncan and Fraser for fitting to horse-drawn tramcars and possibly other products of their Adelaide workshops. See also items 2172 and 8744 for other examples.Tramcar component, Duncan and Fraser, Window lifter Cast brass window lifter, with raised letters - "DUNCAN & FRASER" on outside &"ADELAIDE S.A." inside circle. Has three mounting holes & rolled top edge to give a finger hold. Of type used on horse trams.DUNCAN & FRASER ADELAIDE S.A.windows, duncan & fraser, ballarat, tramways, tramcars, horse trams, window furniture, tramcar component, btm, ballarat tramways

Bibliog., 101 p. 23cm and 1 booklet (18p) This book covers specifically the problems encountered in small museum collections, including a lift-out supplement listing possible chemical and equipment suppliers in various Australian States.Front page: stamp of : Dr. W. R. C. Bennett / Director of Radiology / another stamp: RADIOLOGY DEPARTMENT /PRESTON & NORTHCOTE COMMUNITY HOSPITALmuseum conservation methods, suppliers-chemical and equipment

Made by Duncan and Fraser for fitting to horse-drawn tramcars and possibly other products of their Adelaide workshops. See also items 565 and 2172 for other examples.Demonstrates Duncan and Fraser's workshop practice of putting their name on some fittings.Cast brass window lifter, with raised letters - "DUNCAN & FRASER" on outside &"ADELAIDE S.A." inside circle. Has three mounting holes & rolled top edge to give a finger hold. Of type used on horse trams.DUNCAN & FRASER ADELAIDE S.A.tramways, tramcars, horse trams, duncan & fraser, window furniture, tramcar component, btm, ballarat tramways

.1) Base covered with brown contact with wooden model of HMAS Bataan attached with blu tack. Model painted grey, black & red. Warship wooden stand attached below ship. .2) Perspex lift off cover.“HMAS BATAAN 1945 - 55” printed label attached. “HMAS BATAAN” black print under gold writing. “K MOORE 2001” printed label attached.military history - navy, maritime technology - model ships, bataan

This book is part of the collection donated by Leon Garner. It provides information relating to the dairy industry covering topics such as planning, breeding, choosing dairy cattle, feed crops, care of milk and cream and herd health. It covers all areas of Australia. This book is an early manual for Australian dairy farmers.Grey hard cover book with full colour picture of a jersey cow and title printed in black on the front cover. The inside back cover contains a paper lift-up model of a cow showing its skeleton and internal organs.639 (stamped on front page)noel garner, dairy industry, allansford, dairy cattle, cattle breeding, herd health

Used by donor's familyElectric cooker - slow - cylinder shape - orange with brown and yellow stripes. Glass lid - knob on lid. Controls - Off/High/Low. 'Crock - Cooker'. Two handles for lifting and three legs to support cooker off bench.Made in Japan. General Electric Model No. SC10domestic items, cooking

This is one of a series of 17 black and white undated photographic proofs donated to the Kew Historical Society in 2013 by the Queenscliffe Historical Museum. The series includes images of individuals, tea rooms, ferries, motor launches, ocean liners and tugs. The subject of the photograph is a Hicks Bros ferry, which from circa 1921 operated a ferry service from Princess Walk (Melbourne) to Studley Park.Faded black and white photographic positive proof of a worker or employee standing on an engine as it is being lifted towards a Hicks Bros launch (tourist ferry) which is docked in an unidentified location. The undated photographic positive was probably taken in the 1950s.melbourne, motor launches, ferries, hicks bros, boat engines

Newspaper clipping from The Courier, ?/4/1973 of five members of the BTPS lifting a rail onto sleepers along the position of the access track. Features from Left (W. A. Doubleday, ? (behind a person), ?, L. Bounds and J. Bounds)date in pencil of "12?/4/73" in top right hand corner of cutting.trams, tramways, btps, track laying, museum establishment

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of two South Vietnamese rangers sharing a joke as they are lifted into an operation by the 135th Assault Helicopter Company. The Unit was unique in South Vietnam in that it consisted of both Royal Australian Navy Pilots and US Army pilots.photograph, south vietnamese rangers, 135th aslt helicopter co. emus, ran, us army pilots, gibbons collection catalogue, australian navy pilots, denis gibbons, royal australian navy

Set of 9 digital images of BTPS moving tram 33 from Hamilton to the Sebastopol depot or store - 28/4/1988 .1 - 33 stored in the building at the Hamilton Pastoral Museum - 24/4/1977 .2 - 33 moved out ready for lifting .3 - ditto .4 - being lifted by a Barry James crane - 28/4/1977 .5 - on the truck .6 - leaving the Hamilton Museum ,7 - on the road .8 - ditto .9 - placed outside the Sebastopol store - was placed in the shed soon after the sheet of metal was removed.trams, tramways, btps, hamilton, moving trams, tram acquisition, sebastopol, tram 33

The item is a Plaque struck in 1951 to celebrate the Centenary of Government in Victoria and the Centenary of the discovery of gold.A round bronze medallion set in a green baize lift out in a black presentation case. It is a 1951 Commemorative Plaque to mark the Centenary of Government in Victoria and Centenary of the Discovery of Gold. There is a printed insert card describing the obverse and reverse sides of the Medallion."Presented to the Shire of Ballan 1951" is engraved on the reverse side. "1851" and "1951" are marked on the lining of the cover of the box.medallion, plaque, shire of ballan, centenary of government

This item is situated in the gardens of the Bendigo District RSL Sub Branch Inc Havilah Road Bendigo.Bomb 1000 lb Aerial, metal construction, cylindrical shape, on top are two lifting lugs, rear tapers down with 4 fins inside a circular cover, the nose tapers sharply then forms a smaller impact point. Item is on a stand.On side of the bomb, “No.37 - IMC 1000 LB R&M 9/43”bdrslinc, smirsl, brsl, bomb, 1000

Photo taken on the day of the Wattle's removal from the River Yarra by two mobile cranes, the vessel is suspended above the river. A very significant moment in the life of the Wattle as this was the first day of the major restoration project that continues from 2009 through 2012 aiming to finish in mid 2013. Prior to this restoration project there was a long lead up to find funding and resources to restore the Wattle and ensure that Wattle was not scrapped. The majority of this preparation and restoration work was and continues to be completed by volunteers.Colour photograph in a gilded wooden frame. S.T. Wattle being lifted by two cranes from the Yarra River onto 24 South Wharf. A number of crew can been seen wearing safety attire assisting with the manouvering of the vessel.photograph, wattle, river yarra, mobile crane, crane, steam tug, volunteers, bay steamers maritime museum, 2009

This photograph was taken during the upgrade of the Bendigo Railway line at Sunbury Station. The upgrade of the rail track took over twelve months to complete and during that time buses replaced the train services.A coloured photograph of construction on the site of the Sunbury Railway Station. The photograph has been taken from the end of the Melbourne platform and shows the various pieces of machinery, which included an excavator, a fork lift and trucks, that were used in the work on the line.railways, bendigo line, railway stations, bridges, sunbury railway station, george evans collection

Possibly cannon from sailing ship 'Nelson'. Cannons were removed to Bendigo. Photograph. Harry Biggs Collection. Black and white photo of a cannon and many ropes on a ship. It is on a pulley, perhaps ready to be lifted off the ship. -1 black & white photo on card backing of cannon on the ship. The deck can be seen in the background. military, maritime, harry biggs collection, cannon, nelson

First timber road bridge over the Tambo River at Swan Reach officially opened 20 December 1905, after which punt was removed to BairnsdaleBlack and white postcard of the lifting bridge over the Tambo River at Swan Reach, Victoria. Man on horse standing on dirt road to Metung beside the river. Punt previously used to cross river visible against western bank of river.Tambo River (16 miles from Bairnsdale)bridges, waterways

Colour photograph, printed using a laser printer onto off white paper of the construction of the LRV jacking system to lift trams at Preston Workshops during 1987. Show the depth of the excavation and the nature of the construction. Not known who made the print.In ink on the top left hand or the print "LRV Jacks go in @ PWS 1987"trams, tramways, mmtb, preston workshops, delivery of tramcars, maintenance, construction

Schuss was advertised as Victoria’s Official Ski Journal It was issued monthly from 1935 to 1961 except during the war when summer issues covered two months. This continued after the war, but it averaged 10 issues annually over its 25 year life. Schuss was published by the Ski Club of Victoria which had a membership of 38 Ski Clubs and demanded to be recognised as the prime authority on skiing in the state. The other 30 ski clubs with 85% of the members disagreed and the politics of skiing became heated. These clubs formed the Federation of Victorian Ski Clubs with their own journal, Ski Horizon. With the establishment of the Victorian Ski Association, Ski-Horizon published its last issue in Nov - Dec. 1955 and the role of the official journal was fully taken over by “Schuss”. This item is significant because it contains stories, images and information documenting the development of the ski facilities at Falls Creek.The journal includes stories and events chronicling developments in Victoria and internationally. The cover features a photo of the top station of the Bourke Street Ski Lift after the first snowfall of the season.. Page 186 announces the formation of the Wagga Alpine Ski Club.schuss journal, bourke street ski lift, wagga alpine ski club

Used by farmers and truckies to lift and stow heavy bags and wool bales.Large steel hook with wooden handlerural industry, agriculture