John Neeson is a Postwar & Contemporary painter who was born in 1948. Numerous key galleries and museums such as Hill Smith Gallery have featured John Neeson's work in the past.Abstract composition in two panels. Left panel shows areas of three shades of grey. Right panel shows areas of grey, red and yellow. The centre image connects both panels with a triangular shape with red patterning, giving an appearance of flame and embers. Mounted in grey matt. In grey wooden frame with glass.Front: 1/25 (lower left) 73 (centre) John Neeson (lower right) (pencil) Back: (no inscriptions)

Dark timber framed, burgundy, matt board box display of VC winner WO 11 Kevin 'Dasher' Arthur Wheatley. Displays Warrant Officers' peaked cap, L & R sleeves with insignia & cloth badges of AATTV, AMF, rank, photograph & citation. eleven (replica) medals, four badges & a brass plaque.Brass plaque "WO 11 Kevin 'Dasher' Arthur Wheatley, VC 29890. Australian Army Training Team Vietnam. Royal Australian Infantry.medals, vietnam., victoria cross, aattv, wo ka wheatley

Artwork. Norman Penrose collection: pen and ink drawing of ornate double doors of the School of Mines Library. Also has small section plans of various parts. Red and blue colouring where there are masonry walls. Mounted in cardboard with grey matt. Architectural Drawing for Drawing Teachers Secondary Certificate. Norman W. PenroseN Penrosedrawing, pencil, school of mines, norman penrose collection, artwork, school of mines library door

The Republic of Vietnam Cross of Gallantry with Palm Unit Citation was conferred by General Cao Van Vien, Chief of the Joint General Staff, Armed Forces of the Republic of Vietnam on 24 October 1970, and officially presented to the 8th Battalion Royal Australian Regiment by Lieutenant General Do Cao Tri, Commander of II Corps and Military Region 3 Vietnam on 29th October 1970. The citation was awarded for "always displaying high morale while co-operating and assisting the Vietnamese people in their struggle against Communism and to defend peace and freedom .. in Military Region III ... Though fighting under the most difficult conditions, the members of the 8th Battalion, 1st Australian Task Force still fought bravely and determinedly and had many glorious victories. Their most remarkable military operations took place in the area of the Long Hai hills... (They also participated ) ... in the civic action programme to assist the local population ( in Military Region 3) to reconstruct their houses, roads, bridges, markets and schools etc. ... thereby bringing great credit to the Royal Australian Armed Forces."2 X paper documents, one in English the other in Vietnamese (mounted with white matt in timber frame). Each has been printed with a decorative blue border, main text in black, official stamp in bottom right corner is red. A blue medal with red and yellow ribbon is printed in centre top of both documents.Republic of Vietnam/ Gallantry Cross/Chief of the General Staff? Armed Forces of the Republic of Vietnam/ Army Meritorious Commendation/ The 8th Battalion, 1st Australian Task Force/ For the gallantry they displayed under enemy fire./ This Meritorious Commendation ((GALLANTRY CROSS)) is added with (a) palm (leaf)./KBC day 24 month 10 Year 19708rar, koo, arthur koo, citation, gallantry cross, gallantry cross with palm

Newspaper clipping from The Herald Sun 11/4/1994 titled "Pennies before patrons". Interview with PTC CEO Ian Dobbs about the efficiency gains and the changes made after his first 12 months. Written by Peter Mickelburough, photo by Matt Bouwmeester, Looks at the future, issues, patronage, behaviour and management.trams, tramways, ptc, public transport, finances, unions

Blue paper headed Court King of the Forest, No. 3770 A.O.F, B.U.D., dated August 22 1877. To Mr. Lewis, Treasurer. Please pay Matt. Moo? Or Bearer the sum of 40/- for 12 Days Sick Pay on account of this Court. Signed by Wm. Rowe, Secretary. Also signed by Thomas Exeter and Wm Rowe for Moo?societies, aof, correspondence, ancient order of foresters no. 3770 collection - to pay, court king of the forest no 3770, mr lewis, matt moo?, wm rowe, thomas exeter

Blue paper headed Court King of the Forest, No. 3770 A.O.F, B.U.D., dated August 8 1877. To Mr. Lewis, Treasurer. Please pay Matt Moss or Bearer the sum of 40/- for 12 Days Sick Pay on account of this Court. Signed by J. Davidsen, C.R., Wm. Rowe, Secretary. Also signed by Thomas Exeter.societies, aof, correspondence, ancient order of foresters no. 3770 collection - to pay, court king of the forest, mr lewis, matt moss, j davidsen, wm rowe, thomas exeter

Blue paper headed Court King of the Forest, No. 3770 A.O.F, B.U.D.,dated October 31 1877. To Mr. Lewis, Treasurer. Please pay Matt Mo?s or Bearer the sum of 40/- for 12 Days Sick Pay on account of this Court. Signed by James W. Long, C.R.,and Wm. Rowe, Secretary. Also signed by A. Christensen.societies, aof, correspondence, ancient order of foresters no. 3770 collection - to pay, court king of the forest, mr lewis, matt mo?s, james w long, wm rowe, a christensen

Blue paper headed Court King of the Forest, No. 3770 A.O.F, B.U.D.,dated October 3 1877. To Mr. Lewis, Treasurer. Please pay Matt Mo?s or Bearer the sum of 40/- for 12 Days Sick Pay on account of this Court. Signed by James W. Long, C.R. and Wm. Rowe, Secretary. Also signed by A. Christensen.societies, aof, correspondence, ancient order of foresters no. 3770 collection - to pay, court king of the forest, mr lewis, matt mo?s , james w long, wm rowe, a christensen

Blue paper headed Court King of the Forest, No. 3770 A.O.F, B.U.D.,dated Sept 19 1877. To Mr. Lewis, Treasurer. Please pay Matt ? Or Bearer the sum of 40/- for 12 Days Sick Pay on account of this Court. Signed by James W. Long, C.R. and Wm. Rowe, Secretary. Also signed by Thomas Exeter.societies, aof, correspondence, ancient order of foresters no. 3770 collection - to pay, court king of the forest, mr lewis, matt ?, james w long, wm rowe, thomas exeter

Blue paper headed Court King of the Forest, No. 3770 A.O.F, B.U.D., dated November 28 1877. To Mr. Lewis, Treasurer. Please pay Matt Hy. Long or Bearer the sum of 30/- for 9 Days Sick Pay on account of this Court. Signed by James Long, C.R.,Wm. Rowe, Secretary. Also signed by A. Christensen.societies, aof, correspondence, ancient order of foresters no. 3770 collection - to pay, court king of the forest, mr lewis, matt hy long, james w long, wm rowe, a christensen

Blue paper headed Court King of the Forest, No. 3770 A.O.F, B.U.D., dated November 28 1877. To Mr. Lewis, Treasurer. Please pay Matt Mofs? or Bearer the sum of £1/6/8 for Days Sick Pay on account of this Court. Signed by James Long, C.R.,Wm. Rowe, Secretary. Also signed by A. Christensen.societies, aof, correspondence, ancient order of foresters no. 3770 collection - to pay, court king of the forest, mr lewis, matt mofs?, james w long, wm rowe, a christensen

Blue paper headed Court King of the Forest, No. 3770 A.O.F, B.U.D., dated November 14 1877. To Mr. Lewis, Treasurer. Please pay Matt. Hy. Long or Bearer the sum of 30/- for 9 Days Sick Pay on account of this Court. Signed by James Long, C.R.,Wm. Rowe, Secretary. Also signed by A. Christensen.societies, aof, correspondence, ancient order of foresters no. 3770 collection - to pay, court king of the forest, mr lewis, matt hy long, james long, wm rowe, a christensen

Blue paper headed Court King of the Forest, No. 3770 A.O.F, B.U.D., dated November 14 1877. To Mr. Lewis, Treasurer. Please pay Matt Mofs? Or Bearer the sum of £2/0/0 for 12 Days Sick Pay on account of this Court. Signed by James Long, C.R.,Wm. Rowe, Secretary. Also signed by A. Christensen.societies, aof, correspondence, ancient order of foresters no. 3770 collection - to pay, court king of the forest, mr lewis, matt mofs?, james long, wm rowe, a christensen

Gold frame, blue matt board. with two replica medals, one hat badge, one infantry combat badge and one US Armt Meritorious Unit Commendation badge. the document outlining operational service during 1st Battalion, the Royal Australian Regiment (1 RAR) in vietnam 1965 - 66 and Vietnam 1968 - 69.1 rar, document, 1st battalion

Black and white photograph on back of photo: one boy chasing after another boy who has a Soccer ball, Golden City, Eaglehawk Bendigo Advertiser description: Golden City v Eaglehawk (KM) 26/9/93 EL Won 1-0 Golden City's Matt Umino(a) in front of ELH's Ben PengellyKMrecreations, sports, soccer

'Tiles from the Boomerang Studio' is a prototype of the work 'Year 2052', created while Mooney was an Artist in Resident at Laughing Waters in the Boomerang studio in 2002. Records of flora were collected in and around the Gordon Ford garden in Laughing Waters Road. The work 'Year 2052' is made up of '77' tiles and was acquired by Geelong (Regional) Art Gallery in 2003. Whilst working at the Boomerang studio, local based artist Mooney noticed that “a battle raged in the bush between non-indigenous plants and indigenous plants”. She also noticed how humans “invade” land, changing the surrounding environment and causing irreversible damage. This work is an interpretation of the fragility and value of Nillumbik’s indigenous flora and of its conflict with introduced species. The title of the work (Year 2052) and look of these ‘fossilised specimens’ asks viewers to cast themselves into the future and to look back at today. “These tiles have been found; an incomplete record of flora collected in and around the Gordon Ford garden in Laughing Waters Road. The tiles appear to have been made at the beginning of the millennium. The viewer is asked to contemplate which species are missing”. Mooney works with collected indigenous items to emphasis the beauty of their natural shapes, while at the same time introducing selected materials of contrast or sympathy. Her work creates a great sense of “stillness and peace, of simplicity and connection with the natural world as well at the vanishing Australian bush.”This work is made up of seven handbuilt earthenware oval/round clay 'tiles' - (eight pieces - with one tile intentionally broken), brown in colour and bisque and blackware fired, giving a matt black ash coating on each of the tiles' surface. Each tile has an imprint of a floral specimen indigenous to the Laughing Waters area in Eltham. Each tile has an imprint of the following specimens: tiles, earthenware, flora, indigenous, bisque, boomerang, ford, laughing waters

Yields information about the Sebastopol terminus, the tram liveries in 1963.Black and white print on heavy matt photographic paper of No. 35 at the Sebastopol terminus with the conductor pulling the pole down. The tram has the destination of Sebastopol. In the background are homes. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "35 Sebastopo1963", 2nd copy has label "Reference 6/113/8 Photo by Ron Hann" and another label "Ballarat 01.63"tramways, trams, sebastopol, tram 35

Yields information about the exterior view of the depot, with the overhead tower truck in the depot building.Black and white print on heavy matt photographic paper of an exterior view of the SEC Depot, Wendouree Parade Ballarat, c1963, with No. 32 at the front of No. 3 road and the SEC tower truck on No. 2 road. Shows the general layout of the depot. Source of photo - same as Reg item 3841 - Ron Hann, note added 2/2010.On rear in pencil "Depot 1963"tramways, trams, depot, sec depot, tram 32

Yields information about the interior arrangement of the Bendigo tram depot and the tramcars.Black and white print on heavy matt photographic paper of the interior of the southern section of Bendigo depot with No. 29 sitting at the front of the road and another Birney behind. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "Bendigo 1963" 2nd copy has label "Reference 6/212/33" Photo by Ron Hann" and another label "Bendigo Depot 01.63"tramways, trams, bendigo, depot, tram 29

Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Framed drawing of cutting, flower and leaf details of plant with brown stem, pointy green leaves and white bud flowers. Six drawings include one cutting, two flower details and three leaf details. The work is mounted in a double matt (off-white on sage green) under glass in a gold and green-grey frame.Front: CEW/82 (signature, lower left in image, next to stem) (brown pencil) Melichrus urceolatus Urn Heath (lower right) (pencil) Back: 6 (upper left) (pen)cema, botanical, collin woolcock

The Davis family are the group in the photograph. The two young boys standing in the back row are identified as Alfred Davis and Percival Davis on RHS.A photo of a family posed in a garden setting. The group comprises a man & woman, 3 young women, 3 young men & 2 girls. The dress is consistent with the late 19th century.The photo is mounted on a grey cardboard matt with areas of foxing, 2 top central pin holes and an area of residual staining from sticking tape.Matson and Frazer 264 Collins Street Back cover: Eric Boardman Collectiondavis family, davis, alfred, percival, george evans collection

UnknownAbstract print. Yellow underlayer with brown layer of ink on top. Darker pigmentation towards the centre of the print. At the top right and bottom centre there are two thin crosses. The entire surface is thickly built up, creating an undulating surface to the image with variation in pigmentation. Mounted in cream matt. Framed in natural wood frame with perspex glazing.Front: Robert Grieve (lower left) Composition (centre) 4-10 73 (lower right) (pencil)

Part of 'The Woolcock Galery Collection" Exhibited CEMA 1989.Pen and ink drawing of stem with many large rippled leaves, with dark upper sides and paler undersides. Stem has small hairs. At mid-stem are two branched stems with multiple flowers with small heads and large sepals. Work is mounted in double matt (white on grey), framed in a wooden frame with silver edging, under glass.Front: Bedfordia arborescens (Blanket Leaf) (lower left) (pencil). Back: 34 (upper left) (pen)collin woolcock, woolcock collection, botanical drawings, bontanical, cema

This publication accompanied the exhibition of UB Bachelor of Visual Arts (Graphic Design) graduate students which ran from 23 November to 2 December 2012. Foreword by Professor John McDonald, Dean, School of Education and Arts, and by "Inkahoots" design studio. Student list: Christopher Frith, James Croft, Jesse Mason, Andrew Cox, Daniel Roache, Jenna Locket, Aaron Croft, Emily Phillips, Caitlin Heimeier, Maddy Collicoat, Brayden Waight, Elisa Micallef, Danii Zecevic, Zoe-Lee Scriven, Carla Ellis, Bryce Holywell, Lindsay Sewart, Megan Sutherland, Steven Fiume, Brianna Wines, Matt Sullivan, Alyssa Roberts, Hayley Burman, Jacqui Leutenmayr, Jessica Weston, Kimberley Wilson, Georgia Clarke, Josh Fry, Breanna Dignan, Lucy-Ann Moore, Tom Miatke, Daniel Howard, Matt Watts. 33 students. Inside back cover, thanks supporters, lecturers and sponsors. Lecturers: Ben Mangan, Chrissie Smith, Gavin Nash, Luke Keys, Glen Bellman, Travis Price, Sam Harmer, Damian Lentini, Jennifer Jones-O'Neill, Jimmy Pasakos, Pete Swan and Peter Pilven. Book layout and design by Aaron Croft, James Croft and Daniel Howard. Note: "Multimedia" has been removed from the degree title here.Promotional catalogue created by University of Ballarat, Bachelor of Visual Arts (Graphic Design) third year, graduating students, 2012. 40pp text pages (printed orange, silver and black) and 4pp saddle stitched cover (printed orange and silver), uncoated stock.university of ballarat, federation university, graphic design, multimedia, bachelor, degree, camp street campus, arts academy, christopher frith, james croft, jesse mason, andrew cox, daniel roache, jenna locket, aaron croft, emily phillips, caitlin heimeier, maddy collicoat, brayden waight, elisa micallef, danii zecevic, zoe-lee scriven, carla ellis, bryce holywell, lindsay sewart, megan sutherland, steven fiume, brianna wines, matt sullivan, alyssa roberts, hayley burman, jacqui leutenmayr, jessica weston, kimberley wilson, georgia clarke, josh fry, breanna dignan, lucy-ann moore, tom miatke, daniel howard, matt watts, ben mangan, chrissie smith, gavin nash, luke keys, glen bellman, travis price, sam harmer, damian lentini, jennifer jones-o'neill, jimmy pasakos, pete swan and peter pilven

Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions)

This trophy was awarded to William Kermode of Mona Vale for the best pair of Merino ewes exhibited at the Southern Tasmanian Agricultural and Pastoral Society in October, 1879. William Kermode formed the Mona Vale flock in 1829 with VDL C. Saxons. In the early 1870s under Kermode, Ercildoun rams were tried, as was a St Johnstone ram. It is well documented that the famous Steiger-blood ram, Sir Robert (out of a Mona Vale ewe), had considerable impact on a number of Tasmania's influential studs. At its height in the late nineteenth century, Mona Vale was regarded as "... one of Tasmania's leading and parent studs, producing robust fine-wool sheep with quality, long-stapled and dense wool." (Massy 1990: p.406). The first agricultural society in Australia was formed in Hobart on 1 Jan. 1822. The trophy was retailed by Walsh Brothers, Melbourne in c.1875. The cup has no makers marks, but has been attributed by Christie's to Edward Fischer, a local Geelong silversmith. This attribution is based upon stylistic criteria. However, Ms Veronica Filmer of the Geelong Art Gallery (curator of "Geelong's Colonial Silversmiths", Geelong Art Gallery, 1988), has suggested that the lack of stamps is unusual (most of Fishcher's work was stamped) and also that it is somewhat heavy for Fischer's work. The trophy originated from the collection of Edward Clark, an antique dealer. Prior ownership of the trophy is uncertain, but it is believed that Clark purchased it in the mid 1990s from descendants of the original prize recipients.Trophy, sterling silver. Circular, stepped base and tapering stem decorated with cartouches of leaves on a matt background. The bowl of the trophy has an applied belt cartouche with an inscription. Within the belt cartouche is an engraved and embossed panel of two sheep with a cottage in the background. There are ribbon tied floral swags on either side of the cartouche, and a presentation inscription with a beaded border on the reverse of the bowl.SOUTHERN TASMANIAN AGRICULTURAL & PASTORAL SOCIETY Presented / to / Joseph Clarke Esq / and awarded to / W.A. Kermode Esq / of Mona Vale / for Best Pair Merino Ewes, / October 1879southern tasmanian agricultural and pastoral society, logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001), fischer, mr edward - silversmiths and jewellers kermode, mr william - mona vale stud clarke, mr joseph, mona vale stud, tasmania

Yields information about the interior arrangement of the Bendigo tram depot and the tramcars.Black and white print on heavy matt photographic paper of the interior of the northern section of the Bendigo tram depot with No. 17 on the northern most track. Shows the pit arrangements and cross planks. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "Bendigo 1963" 2nd copy has label "Reference 6/212/31" Photo by Ron Hann" and another label "Bendigo Depot 01.63"tramways, trams, bendigo, depot, tram 17

The 8th Light Horse Regiment was raised at Broadmeadows Camp in 1914 and served at Gallipoli, Sinai, Palestine, Transjordan and Syria. At Gallipoli the regiment took part in the ill-fated charge at the Nek on 7 August 1915 and suffered horrendous casualties including the Commanding Officer Lieutenant Colonel Alexander White. Following the evacuation the regiment was brought up to full strength under the command of Lieutenant Colonel Leslie Maygar VC and went on the participate in all the major actions of the desert campaign culminating in the capitulation of Turkey in October 1918. The regiment was in reserve at Beersheba and came under air attack resulting in the death of Lieutenant Colonel Maygar. The post-war regimental association met regularly until the late 1970s when dwindling numbers brought about its closure.A rare document relating to a Victorian mounted regiment of World War 1 (1914-1918) with the thank-you cards providing a unique method of recording the passing of this proud regiment into history.Blue hardback scrap book containing a roll of members of the 8th Light Horse Regiment AIF Association, some newspaper clippings about Light Horse in the Middle East campaign, collection of return-thanks cards for deceased members of the regiment pasted in, and hand written letter to Matthew (Matt) Maynes thanking him for his sterling service as secretary of the association.8th light horse, association, wwi, world war one

Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Framed drawing of two plant cuttings. Two drawings include one cutting of grey-green multiple stems with green leaves and white and yellow flowers and one single stem cutting with green leaves (grey-green underside) and a large white, yellow and orange flower. Mounted in a double matt (grey on apricot) in a gold painted wooded glazed frame.Front: Helichrysum obtusifolium (Blunt Everlasting) Helichrysum dealbatum (Silver " " ) (lower left) (pencil) CEW 84 (signature, left left in image) (green pencil) Back: 14 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings