Standard issue item as used by Australian servicemen during the conflict in Vietnam. This card was used by Corporal Peter Sims who served in the Royal Australian Army Medical Corps: Headquarters, Australian Force Vietnam (Army Component) 24 Sep 1969 - 24 Sep 1970. Helpful word translation card. Mauve colored card with purple print. 49 words in English and translation in Vietnamese language with "Sounds like" for Vietnamese pronunciation. Three columns headed Word/ Vietnamese/ Sounds like.english to vietnamese pamphlet, english, vietnamese, phonetics, translation, sims, peter sims

Album - Methodist Centenary 1976 Album 14 42 - 493238 - Methodist Church 3238a - Plaque with F.J Cato's Name 3238b - On Horse Rev Max Spry ( In Period Dress), Angie Richards, Alan Pickering 3238c - L to R: Alf Hurnall, Rev. max Spry, Allan Coward, Joe Edwards, Alan Howells, John Glover?, Cliff Davies, Rob McKay. 3238d - Rev. Max Spry, Allan Coward, Joe edwrds, Alan Howels. Cliff Davies, Rob McKay, Eric Jude. 3238e - L to R: John Glover, Rob McKay, recv. Max Spry. 3238f - RE-Enactment Meeting, Methodist Church. Cliff Davies, John Glover, Rob McKay, MaxSpry, Allan Coward, Eric Jude. 3238g - Lil Membry, Dr. Una Porter (Daughter of Fred Cato), Kath McKay. 3238h - Lto R: Rev Max Spry, Alan Coward, Eric Jude, ? , Alf Hurnall. 3238i - Cliff Davies, Meredith Spry. Ray & Kathleen Rickard 3238j - Ivy & Mary Moulden, Andrew Spry & Warren Rickard 3238k - Alan & Gewn Howells, Ivy & Mary Moulden, Alan Howells & Gewn Hunter. 3238l - Jean Langsford, Alf Hurnall, Dawn Scott. 3238m - Mrs. Jean Cox, Edith Cox. 3238n - Gwen Hunter, Mother of Bev Spry. 3238o - Owen Lorensene, Rev. Max Spry 3238p - Campfire 3238q Sluce 3238r - Miner's Tent. stawell

Alan Charles Quinn went to sea at 16 years of age and photographed his work and the places he visited. His collection of photo albums form a pictorial autobiography. The Alan Charles Quinn collection also includes a series of letters written to and from his mother.Black and white photograph of a boats in a harbour in San Francisco. In the background there are hills and the Golden Gate Bridge. The picture shows a large number of small boats and one which is slightly bigger boat. Blue/green ink, handwritten on reverse: "30/9/49 S.F" Handwritten in pencil: "K8/B"san francisco, moorings, boats

This photograph is part of series depicting Allan Quinn's travels through San Francisco in 1949. This photograph shows the Golden Gate Bridge.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the Golden Gate Bridge, in San Francisco.Reverse: 4-12-49 handwritten in blue ink, K9 /B handwritten in pencil sideways below.allan-quinn, photograph, san-francisco, golden-gate-bridge, 1949

This photograph is one of a series taken by Allan while travelling through France in mid-1949. It shows the Saint-Ouen Abbey Church from Rue d'Amiens- Rouen. Rouen, a medieval city was heavily damaged by Allied bombings during the Battle of Normandy. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph taken on the 5th of June, 1949, of Saint-Ouen church built in the 14th century in Rouen, France. The sign to the right of the foreground reads: ROUEN CENTRE / AMIENS PARIS and probably indicates the photograph was taken from Rue d'Amiens (Amiens Street). The photograph shows the level of demolition of the city during World War II.On reverse: PARIS 6-6-49 handwritten in blue ink. below this is a pencil mark, similar to "ItI".allan-quinn, photograph, rouen, france, normandy, ww2, battle of normandy, 1939-1945, saint ouen abbey, amiens, paris

This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the port at Rouen, France, taken on the 5th of June, 1949. There is a narrow white boarder around the image.On reverse: PORT OF ROUEN / 5-6-49 handwritten in blue ink. Below this is the mark "ItI"in pencil.allan-quinn, photograph, port-of-rouen, france

In a letter accompanying the donation, the donor writes "I am enclosing a photograph ... I have now established that Emma Murray has a daughter Alma who was also a librarian and probably took the photo."A rare image of the Kew Library in Walpole Street after it had been renovated. The Library was situated beside the Town Hall.Black and white print made from an original in the possession of the donorOn reverse of original: "5/4/49, MIRI DICKINSON, MARIE DICKENS, BERYL OAKES AT KEW LIBRARYmunicipal libraries - kew, kew municipal library - walpole street *(kew)

Set of two typed reports detailing Preston Workshops. .1 - Report - marked draft, dated 24/11/1926 - 4 foolscap pages with marks, corrections, changes outlining the need for a workshop, refers to the Malvern depot, acquisition of the land, design, capacity, description of the various shops. Gives a description of the operation, construction of trams in the future, notes the cable repair shops at Nicholson St, cranes, employee numbers, costs, paint and body shop. Notes the mess room and that an ambulance room will be provided. .2 - Report - 3 quarto pages - undated - but based on the first sentence, c1929 - titled "Tramway Workshops Preston". Gives a description of the workshops, the main groupings, building sizes, cranes, floors, building and maintenance capacities, tracks, admin block, employment, sub-station and power supplies.In top right hand corner of each sheet of .1 "Reference RS 49/1" stamp and handwritten.trams, tramways, preston workshops, malvern depot, nicholson st, workshops, workplace conditions

Advertisement for Ashril Theatre, screening "Camelot", 49 Main Street GreensboroughDigital copy of newspaper advertisement.ashril theatre, main street greensborough

Contains a detailed article on both the VR lines by Jim Seletto, featuring photos of 39, 30, 53, 49, MMTB 675 and a colour photo of VR 49 on the rear. Contains maps and diagrams of St Kilda Station. Includes Sandringham and Black Rock line. Published by the ARE.Provides a light hearted record and view of the VR Railway trams with plenty of stories..Magazine - "Australian Railway Enthusiast - Vol 31, No. 1, March 1993", 24 pages, centre stapled,vr trams, st kilda - brighton tramway, sandringham, black rock, maps, st kilda, tramways, railways

The City Cycle Shop built bicycles to order.Ten invoices relating to the Ballarat School of Mines. .3) John King and Co., grocers .5) Crocker's Hall of Commerce .9) Printed invoice from F. Mitchell's City Cycle Works of 49 Lydiard Street.city cycle works, letterhead, f. mitchell, cycle, bicycle, william gooch, r. collie & co., daily telegraph, john king & co., arnall & jackson, george crocker

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘The Bend of the Yarra at Studley Park’ : Views of Victoria (General Series) No.49 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: The subject of the present illustration is taken from near the Kew Road, on the Park-hill side of the Yarra. The curve of the River at this and other parts of the Park represents a gigantic letter S. It is a remarkable fact that the hilly side of the River is covered with a mass of foliage of various descriptions, from the stately gum tree to the stunted wattle, whilst the opposite side of flat country has scarcely a shrub to be seen any where.’nicholas caire (1837-1918), studley park, yarra river, kew, landscape photography - victoria

Letter from the Victorian Society for Crippled Children to Mrs B. G. Turner of 49 Old Violet St. Bendigo, thanking her for her donation to their August Appeal. Dated 14th September 1948. Sheet is torn in two.organization, society, victorian society for crippled children

Document: MCCOLL, RANKIN AND STANISTREET: DEBORAH MINES PAPERS. Brown manila folder containing 3 copies of chairman's address to shareholders at annual meeting 25/10/49. ' Sundry papers Deborah Gold Mines NL' on cover.organization, mining, mccoll, rankin and stanistreet, bendigo, mccoll, rankin and stanistreet, deborah mines, chairman's address.

Date of issue confirmed on TROVE.Black and white photographic reproduction of an article to accompany three illustrations of Olive Hill, Mount Prior, and All Saints vineyard homesteads, taken from the Australasian Sketcher with Pen and Pencil, Thursday, 18 April 1889, page 49wineries, homesteads, olive hills, mount prior, all saints

The photograph is part of a series of six, depicting the Fenris in dry docks in at Finn Boda ship yards, in Stockholm, Sweden, between the 4th and the 27th of May, 1948. This photograph shows the front and side of the ship while in the dry dock.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the M/S Fenris in dry dock, in Stockholm.On reverse: STOCKHOLM / 18-5-49 handwritten in blue ink. There is also an indecipherable mark handwritten in pencil below this.allan-quinn, photograph, fenris, dry-dock, sweden, stockholm, 1949

This photograph is one of a series taken by Allan while travelling through France in mid-1946. It was taken in the medieval city of Rouen, a city heavily damaged by the Allied bombings during the Battle of Normandy in May 1944 and shows a cob house, typical of the period. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Black and white photograph of a historical building and street scape in Rouen.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is a mark "ItI"in pencil, written sideways.allan-quinn, photograph, rouen, france, ww2, battle of normandy, normandy, cob house, middle ages, medieval

This photograph is one of a series taken by Allan while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of a narrow laneway in Rouen, France, taken on the 5th of June, 1949. There is a narrow white boarder around the image.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is a mark "ItI"in pencil, written sideways.allan-quinn, photograph, rouen, france

This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of an inn door, in Rouen, France, taken on the 5th of June, 1949. Two small wooden monks are have carved into either side of the eaves.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI" written sideways in pencil.allan quinn, photograph, rouen, france, normandy, ww2, wwii, world war two, 1939-1945, half-timbered houses

This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of a house "from the Middle Ages". The framework of the walls are exposed, and there are two pot visible at the bottom of the photograph. There is a narrow boarder of white around the image.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI" written sideways in pencil.allan quinn, photograph, rouen, france, normandy, ww2, wwii, world war two, 1939-1945, half-timbered houses

This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the Great-Clock fountain (corner of Rue du Gros-Horloge and Rue des Vergetiers) in Rouen, Normandy, France, taken on the 5th of June, 1949.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI" written sideways in pencil.allan quinn, photograph, rouen, france, normandy, ww2, wwii, world war two, 1939-1945, fountain, gros-horloge, great-clock

ScreenprintSigned in lower right under printed image. Edition 49/85 lower left under printed image.

Bendigo Tram No. 2. Photographer :I.K. Winney, tram displaying a white disc on the front dash that indicates a following tram in the same single line section.Yields information about SEC tramway operations.Black and white photograph on plain paper"BENDIGO No2 on EAGLEHAWK Route" "Taken by I.K.Winney 4/49" "N.J. THORPE NEG." "15 154/88"bendigo, bendigo tramcar 2, eaglehawk

Kew Primary School is the oldest school in Kew and was established on November 1, 1870. It predates the commencement of State education with its genesis lying in the year the colony was founded, namely, 1851. Nicholas Fenwick was recognized as the founder of Kew when he purchased an area of 122 acres (Lot 87) on which Kew Primary School now stands.Undated original black and white photograph, mounted on card, of students in grade 3B of Kew State School. Wal Ives is identified in blue ink at the left of the group of students.WALTER CHARLES IVES / KEW SCHOOL / 49 PUPILS / KEW (PEEL ST) STATE SCHOOL / GRADE 3Bwalter charles ives, kew primary school, kew state school

Diggers & mining. The gold era. View From The Geelong By. Geelong in 1857. Shows the Geelong buildings in the background and the many sailing ships on Geelong Bay as well as a row boat. Markings 49 994.031 GOL:5. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Book. ALEC H CHISHOLM COLLECTION. 49 page hardback book of verse by Ian Mudie. Published in 1959 by Angus and Robertson with the assistance of the Commonwealth Literary Fund. Printed by Halstead Press, Sydney. Catalogue sticker ''2006 MUD'' on spine.Ian Mudiebooks, collections, poetry, alec h chisholm collection, ian mudie, poetry