"The banner has been with the Club since it was created in 1957. Recent research has confirmed that it was made by Joan Eddy, the wife of club member Kevin Eddy and a professional seamstress. Grace Blake’s interview notes record her conversation with Mr Eddy on 24 October 2014: Kevin confirmed that the banner was made by his wife, Joan Eddy, in time for the opening of the new shed after the Olympics (1957). Kevin was the Social Secretary at the time, and co-opted his wife, who had worked as a machinist for Harford Clothing in Carlton before they married. Her mother had also worked there as a sewing hand (hand sewing the linings for jackets). The company was later taken over by Sires. ... It was made at home (Joan had ‘retired’ from work by then)." Excerpt from the 2014 Significance Assessment, p32.Banner Celebrating Albert Park Rowing Club Olympic Representatives, 1956 Statement of significance by Margaret Birtley, October 2014 Harry Gordon, the distinguished Australian sports historian, wrote of the 1956 Melbourne Olympic Games: "When the Olympic Games moved into Melbourne ... it was as if the city had been brushed by a certain magic. Nothing before or since ... has ever evoked such sheer emotional involvement from the whole community." Gordon refers to the large crowds that massed in Melbourne with anticipation and exhilaration on the day before the official opening, ‘with little apparent motive other than just to be there, and be happy’. The hand-crafted banner celebrating Albert Park Rowing Club’s representatives at those Olympic Games seems to exude that same sense of joy and exhilaration. Made by the wife of the club’s social secretary, it testifies to the admiration felt by individuals and organisations for the success of their own on a world stage. The banner has historic significance for its accurate documentation of the great achievement of a single rowing club in contributing six outstanding athletes to the relatively small Australian rowing team. Additional historic significance derives from the fact that this is an unofficial expression of tribute and pride. The banner’s incorporation of the Olympic rings would now be likely to require licensing by the Australian Olympic Committee, a process that can dampen social engagement. While definitely a hand-made item, there is some aesthetic significance in the design and execution of the banner. Good judgement has been demonstrated in the selection of fabrics and the choice of colours. The workmanship is quite skilful. The vertical symmetry and the horizontal balance of the design are pleasing to the eye. The use of red for the heading lines and black for the Olympians names is well-chosen and aesthetically pleasing. The collection holds black and white photographs of the same oarsmen at the Olympic regatta. This banner complements their role in the collection by providing colour and a sense of connection with an affectionate and supportive community. Its social significance transcends the local context for which it was created and used, to become part of the large body of art, craft and memorabilia that are associated with the Olympic movement worldwide. A handmade embroidered banner to commemorate the Albert Park members who were part of the 1956 Olympic Rowing team.A.P.R.C. / REPRESENTATIVES OLYMPIC GAMES MELBOURNE 1956 / R. DUNCAN / R. DICKSON / K. McMAHON / R. LIBBIS / I. ALLEN / J COCKBILL coxrowing, apsm rowing club, olympic games, albert park rowing club, albert park lake, duncan, robert, dickson, bruce, allen, ian, libbis, reg, mcmahon, kevin, cockbill, john

Australian Rules football had been played in the Bacchus Marsh area from at least the 1870s. The first meeting to form a club was held in Bacchus Marsh in 1874 but it was not until the 1880s that regular matches were played in the district. In 1912 it was decided by representatives from a number of football clubs in the district to form a football association to better organize and promote the development of the game in the district. Hence by 25 May 1912 the Bacchus Marsh District Football Association was formed comprising the following clubs: Bacchus Marsh, Deer Park, Melton, Parwan, and Maddingley. This image shows the delegates from the various clubs to the newly formed association. The individual people in the image have been specifically identified but the clubs they represented have not. The unnamed umpires in the image have been identified by the honorary historian and statistician of the Australian Football League Umpires Association, David Flegg. Left, Fred Lucas (Goal Umpire), centre, Evan James (Field Umpire), and right, James Smith (Goal Umpire). The date of this image is 9th August 1913. Newspaper reports in the Bacchus Marsh Express on 9th August confirm the participation of these umpires in a Bacchus Marsh versus Melton match on this date. The match took place at Maddingley Park, which appears to be the location where the picture was taken.This item has historic and social significance as an image of one of the early sporting administrators of Bacchus Marsh and District. It is a typical example of group photographs of this era. It is evidence of the transition of football from a social informal setting to an organised activity and signals the growth of importance of sport, in this case Australian Rules football, as a cultural and social activity central to the Australian ethos. It reflects the pride local districts invested in their local sporting clubs. A sepia photograph mounted on a cardboard mat, showing a group of sixteen men arranged in three rows in a park setting. Twelve men are dressed in suits, collars and ties, a thirteenth man is wearing a uniform coat with epaulettes. Several of the men are wearing ribbons which may indicate their membership of the Association, and/or their status as delegates. In the front row, three men are crouched, two wearing white coats over their suits, and holding white flags, denoting their role as goal umpires. The middle man, the field umpire, is wearing long-sleeved top, shorts, socks and laced-up athletic shoes. On the front, under the photo, hand-written, the words: Delegates 1913. Bacchus Marsh District Football Association. Beneath the title: Top Frank Winderlich. H Connors (s deleted). G.Coburn. P. McDonald. McKenzie? Grant Morton. Edgar Smith. Mid: Roy Edwards. J.J.Barry Snr. Ross. Robert Dugdale. Cunningham. J.B. Doherty. Bottom Row. Not inscribed but have been identified as VFL accredited umpires. Left, Goal Umpire Fred Lucas, centre Field Umpire Evan James, right Goal Umpire James Smith. On the back: Hand-written: Executive members of the First Football League (formed 1912). Given by E.Kight. E. Kight Grant Street Bacchus Marsh. On a white label: Miss Gwynne Moore. australian rules football, bacchus marsh district football association

Portrait of King George V (Duke of Kent) 1935Presented to the 6th Battalion Royal Melbourne Regiment by an Allied Battalion the Royal Fusiliers as a toke of friendship and esteem. This Portrait would have hung pride of place in the officers mess from 1935-? The portarait is also signed by the artist, an M.C reciepient, as well as the the reigning monarch, and colonel in chief of the presenting unit. It is supported by a letter from the colonel of the Presenting unit, Maj Gen Hill CB.CMG.DSO, and as such is hghly provinanced Colour print of His Magesty King George V wearing the unaiform of the the Royal Fusilliers, Read coat with decorations and blue sash under a navy blue over coat. The print is signed in lead pencil by the artist and by King George V on the lower edge. A regimental badge is present in the top right of the image. The picture is framed in a pewter coloured frame with ornate leaf mouldings in the corners. On the lower edge of the frame is a plaque which states " From the Colonel and Officers of the Royal Fusilliers 1935" Also included with the portait is a letter on Royal Fusiliers letterhead dated October 23 1935 " From - Maj-Gen. W.P.H. Hill. CB. CMG. DSO., Colonel. The Royal Fusiliers Dear Armstrong I am forwarding to you under a separate cover an engraving of a portrait of His Majesty, King George V, Colonel - in - Chief, the Royal Fusiliers, in the uniform of the Regiment, This portrait was painted by Captain Oswald Birley, M.C., late Royal Fusiliers, and presented to the Regiment by Lord Wakefield to commemorate the 250th anniversary of the raising of the Regiment of Fusiliers at the Tower of London in 1685. His Majesty has graciously signed this copy for presentation to your Regiment from the Corps of the Royal Fusiliers, and we trust that you will accept it as a token of friendship / and esteem .... and esteem we feel for our Allied Battalion, the 6th Battalion, the Royal Melbourne Regiment Yours Sincerely W.F.H. Hill Lieutenant-Colonel C.E. Armstrong , Comdg. 6th Bn. The Royal Melbourne Regt., Carlton, Victoria, Australia" This letter is supported by framing card , which has some water damage on the lower right corner and right side signed by King George and the artist From the Colonel and Officers of the Royal Fusilliers 1935" 5/6 rvr, officer's / sergeant's mess, 6th battalion, royal melbourne regiment, king george v, royal fusiliers

Maori Miss (Grand Monarch NZ P 2.9.2 - Yendarra Hall NZ - (Loreto)) Brown Mare. Foaled 1960 (2nd Foal). Breeder/Owner: R McD Healy. Trainer G Gath. Maori Miss raced from 1963 (2yo) through to 1967 (6yo). Career: 20 wins 12 seconds 10 thirds 63 starts 2.10.6 Winning Drivers: G Gath (13) Neville Gath (6) BR Gath (1). Won on 8 Tracks: Melbourne Showgrounds (6) Harold Park NSW (2) Ballarat (4) Warragul (3) Geelong (2) Bendigo (1) Stawell (1) Cranbourne (1)2014 Victorian Harness Racing Hall of Fame Inductee Maori Miss. Australian Broodmare of the Year in 1977, 1978 and 1979. Dam of: Maori's Gift, Maori's Pride, Maori Monarch, Maori's Wonder, Maori's Idol, Maori Mara, Maori Way, Maori Mia, Maori Maid, Maori Trump, Maori Meadow. Gold Column shaped Trophy on a Wooden BaseSEW / Eurodrive / Victorian Harness Racing / Hall of Fame / Maori Miss / Inducted 2014maori miss, hall of fame, 2014, inductee, victoria harness racing, g gath, george gath, ric healy, neville gath, ng gath, r healy, r mcd healy

This was an invitation to celebrate 25 years of the founding of the Footscray-Sunshine branch of Melbourne Legacy. This branch was formed due to the increase in the number of widows and children in need of assistance from Legacy. The first branch formed in the area was the Williamstown/Werribee branch in 1956. Refer item 001086. Inside the front page is a list of foundation members, page 2 sets out the evenings programme and the last page lists the Past Chairmen.Significant in that the members could reflect back, with pride, on the help that the members had given to those in need.White A4 paper, black type, folded in half.MELBOURNE LEGACY / FOOTSCRAY - SUNSHINE BRANCH / 25th ANNIVERSARY DINNER / FOOTSCRAY RSL 10th NOVEMBER 1984footscray sunshine history, branch

The card for the Civic Reception at Williamstown Town Hall for the ‘Back to Williamstown’ celebrations – the centenary from date of first settlement in 1834. It belonged to James and Kate Tyrrell, the paternal grandparents of the Donor. The donor is the third generation of her family to live in Williamstown. Having a photo of the Gardens in the reception card is evidence of the community pride of the Gardens. The photo is evidence of plantings in 1934 A folded sepia look card. The front has an embossed border, the City of Williamstown Shield, date in the right bottom corner and an inscription as described. The left fold inside demonstrates the reverse of the embossed border and details of the City of Williamstown and Councillors. The right side fold inside is a photo of people walking along ‘The Main Walk, Williamstown Gardens’. The back has space for ‘Autographs.’williamstown botanic gardens, hobsons bay city council, city of williamstown, williamstown gardens, 1934, councillors, james taylor gray, henry johnston harvey, william gordon gray, walter stuart menzies, james adolphus nelson, evan charles owens, john robert bell, john anthony dennis, allan john deacon, oliver prettie chanter, william roberts, george alexander paine, james hocking, harold rose, norman hodgson

I felt a weak pride n the fact that we combed our har, did not cry, joked, and most of all, were prepared to the the consequences of what each of did or did not do.vietnam war, 1961-1975 - prisoners and prisons, vietnam war, 1961-1975 - campaigns - cambodia, kate webb, phnom penh, pieh nil pass

The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centrepiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 metres tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace.The Jade Buddha for Universal Peace was carved from a rare boulder of translucent gemstone-quality jade (“Polar Pride”) that was discovered in Canada in the year 2000. The plaque was presented to Ian Green from Ngoc Hoa Temple in appreciation and acknowledgement for making the Jade Buddha for Universal Peace.jade buddha, memorabilia

The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centrepiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 metres tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace.The Jade Buddha for Universal Peace was carved from a rare boulder of translucent gemstone-quality jade (“Polar Pride”) that was discovered in Canada in the year 2000. This plaque is honoring Ian Green, The Great Stupa Chairman, for exemplary leadership, generosity and commitment in promoting the belief of Jade Buddha toward Universal Peace around the world.jade buddha, memorabilia

The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centrepiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 metres tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace.The Jade Buddha for Universal Peace was carved from a rare boulder of translucent gemstone-quality jade (“Polar Pride”) that was discovered in Canada in the year 2000. The plaque was presented to Ian Green, chairman of The Great Stupa, commemorating the Jade Buddha viewing at the Phap Hoa Temple.jade buddha, memorabilia

The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centrepiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 metres tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace.The Jade Buddha for Universal Peace was carved from a rare boulder of translucent gemstone-quality jade (“Polar Pride”) that was discovered in Canada in the year 2000. This plaque was presented to Ian Green from International Buddhist Meditation Association Chan Khong Monastery in appreciation for the outstanding contribution to world peace and tranquility through boundless generosity.jade buddha, memorabilia

The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centrepiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 metres tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace.The Jade Buddha for Universal Peace was carved from a rare boulder of translucent gemstone-quality jade (“Polar Pride”) that was discovered in Canada in the year 2000. The plaque represents a world of thanks and has imagery of the Jade Buddha, world and temple.jade buddha, memorabilia

The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centrepiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 metres tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace.The Jade Buddha for Universal Peace was carved from a rare boulder of translucent gemstone-quality jade (“Polar Pride”) that was discovered in Canada in the year 2000. The certificate from the City of Santa Ana is proclaiming Saturday, October 23, 2010, as Jade Buddha for Universal Peace Day.jade buddha, memorabilia

The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centrepiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 metres tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace. The Jade Buddha for Universal Peace was carved from a rare boulder of translucent gemstone-quality jade (“Polar Pride”) that was discovered in Canada in the year 2000. This certificate confirms its origin and quality and details its dimensions and weight in support of the claim that it is the largest Buddha carved from gemstone-quality jade in the world. jade buddha, memorabilia

These type of cigarette silks were included in WD & HO Wills cigarette packets to induce women in particular to take up smoking.|The Word 'Cartophilic?|It is believed that this unusual word was coined in the 1920s by Col. Bagnall, an Englishman, who was the father of the hobby of cigarette card and trade card collecting. It is thought to be a combination of a Latin word, 'carto' meaning 'card and the Greek word 'philic', meaning 'love'.- lover of cards. The term originally related to the collection of the two types mentioned, however, our Society has included postcards in the range of items collected by our members.|The Cigarette Card|The cigarette card began its evolution in the United States of America, in the early 1880s as a plain piece of cardboard used by tobacconists to protect the cigarettes which were sold in that era, not in packets, but loosely. A purchaser would buy his cigarettes then wrap them in paper around the small piece of cardboard, which acted as a stiffener. In fact, for many decades, cigarette cards were known as 'stiffeners' in the USA.|The card depicting 'The Marquis of Lome' is reputed to be the first known cigarette card issued. This is thought to have been in 1879. It did not take long for an enterprising entrepreneur to recognise the advertising potential of the cigarette card, and, very soon, the cards began displaying popular images, often in sets. This had the effect of youngsters, wishing to complete their sets, harassing their fathers to buy a specific brand of cigarettes. The kids who collected cards in the days when they were being issued in the cigarette packets, would hang around outside the local tobacconist's shop, pestering the men who had just bought a packet of cigarette, with the cry: 'can I have the cig can mister?'|It is a proven fact that, here in Australia during the 1930s, at least one set had one card deliberately withheld and issued very sparingly. This card is No. 86 (Mrs Jack Crawford) in the Carreras 'Turf Personality Series'. Thus, in a set of reasonably easy cards to get, this one card is a constant source of frustration for the collector, and as such, commands a premium when it comes to price. It is not hard to imagine the young collector nagging his to Dad to keep buying 'Turf' cigarettes to enable him to finish the set.|From small beginnings the cigarette card soon gave rise to a booming industry in itself. Artists and writers were|employed to produce the cards, which were miniature works of art and served as little encyclopaedia's for the children of the day. By the 1930s cards were being issued in the countless millions. It has been stated, in one book on the history of cards; that 450 million sets of a series produced and issued by the prolific issuer of cards in the United Kingdom, WD & HO Wills. As each set contained 50 cards you would need a calculator with a very long result window to see the answer to how many cards of that series were in circulation.|Australia's involvement would appear to have its beginnings with the English and American firms who shipped their tobacco products here and the cards of American Tobacco Company (ATC) are found in great numbers in early Australian collections; many featuring Australian subjects, e.g. 'Australian Parliament a 1901 issue. Earlier U.S. sets depicting Australians included Goodwin & Co's, so called. 'Australian Series' with cricketers and Australian Rules footballers who were on the sporting scene during the 1880s. The caption of one of theses cards reads:|'W.Hannysee. Captain Port Melbourne Football Club' which enables us to pinpoint the year of issue to either 1889 or 1890.|On the Australian scene the first local manufacturer who issued cards seems to have been The National Cigarette Company of Australia Proprietary Limited, whose 'Tally Ho' packets contained cards from a series of thirteen featuring the touring 'English Cricket Team 1897-8' Of the few Australian manufacturers who issued cards, only two companies issued more the two sets.|Undoubtedly the cards issued by the Melbourne firm Sniders & Abrahams (later Sniders & Abrahams Pty Ltd) are the 'jewels in the crown' of Australian card issues. They issued some thirty-three series, with numerous sub-series and allied issues such as metal badges, metal football shields, celluloid flags etc., which ensured that the hobbyist had a vast range from which to collect. Sporting themes – football, cricket, horse racing – dominate, indicating the Australians' love of sport and the outdoors was as strong in those earlier times as it is today. Military, animals and birds themes were also to the fore, with a touch of culture being provided by 'Shakespeare', 'Dickens', actresses and even classical 'Statuary'. Humour was not forgotten with 'Cartoons and Caricatures', 'Naval and Cricket (double meaning) Terms' and the 'Jokes' series. Art and history were covered by the artist, S.T. Gill's 'Views of Victoria in 1857' while the stereoscopic 'Views of the World' expanded the collectors' knowledge of the world as a whole.|The Sniders & Abrahams series began in 1904 and by 1919 the company was in decline and was eventually taken over by G.G. Goode & Co. Ltd. This company produced one set only, the highly collectable 'Prominent Cricketer Series' issued in 1924. During the early to mid-1920s, J.J. Schuh Tobacco Pty Ltd issued eight series, again containing the popular subjects of sport and war. At least two provincial tobacconists, Lentens of Bendigo and Baillies of Warrnambool, issued private football series. The last series of cards issued by a truly Australian firm was Dudgeon & Arnell's '1934 Australian Cricket Team'.|The Australian market was not neglected by the English companies with WD & HO Wills, Godfrey Phillips and Ogdens all making their contributions. By far the most active issuer was the long-established company Wills, whose 'Cricketers' of 1901 heralded the flood of Australian series, which continued into the mid-thirties.|The onset of the 1939-45 World War sounded the death knell of the cigarette card and very few post-war issues were made, certainly not here in Australia.|The Trade Card|The Trade Card is a non-tobacco item used by manufacturers to promote and advertise their products, in the same way that cigarette cards were. It is uncertain exactly when they were first produced, but in the USA, non-collectable cards were issued by firms in the early 1800s. These were more akin to a latter day 'business card'. It was not until the 1850s, when coloured and pictorial cards were issued to advertise and promote products that the Trade Card|became a collectable item. Many beautiful lithographic cards were produced in this early era and they are very mu sought after by collectors. By the 1870s the issues of Trade Cards became more prolific and it is from this era that more cards are seen.|Again, it is difficult to pinpoint the exact date of the first Australian Trade Card and it may be that the highly collectable and extremely rare 'American Candy Co's' - 'Pure Caramels' Australian Rules football card, issued i 1891, is the earliest series. This confectionery firm was located in Fitzroy, a Melbourne suburb. To date only two subjects have been seen.|Another early set was 'Flags', issued by F.H.Fauldings & Co. It featured testimonials of seven English cricketers who toured Australia with the 1894/5 Test team. Fauldings was an Adelaide based firm which manufactured medicinal toiletries, soaps and oils, using the distinctly Australian eucalyptus oil. During the 20th century a multitude of Australian businesses issued trade cards, with confectionery manufacturers such as Hoadleys, Allens, Sweetacres and Australian Licorice producing the majority of them. Again sporting themes dominated with the ever popular Aussie Rules football cards being the most numerous. Cricket issues ran a close second.|Apart from sporting cards, almost every subject imaginable was covered by the Trade Card, making it the most diverse and interesting branch of cartophilly. In contrast to the Cigarette Card, which had its demise prior to the Second World War, the Trade Card is still alive and well.|We all are aware of the long running 'Birds of Australasia' series put out by Tuck-fields Tea and 1 doubt if there is a kitchen drawer in Australia that has not got one or two of these informative and attractive cards floating about in it. These cards were first produced in the early 1960s and are still being inserted in that company's packets of tea. Such is also the case with Sanitarium Health Foods, manufacturers of the well known Weetbix, who began issuing cards, with a wide range of subjects, in the early 1940s and continue to do so.|The 1940s and 1950s saw the two breakfast food giants, Kornies and Weeties dominating the card scene. Kornies footballers were in production fora decade from 1948 to 1959. Four years later in 1963, we saw the start of four decades of Scanlens bubble-gum card issues, both football and cricket. In the mid 1990s, with the end of the Scanlens/Stimorol cards, the Trading Card came on the scene. These cards do not fit under the umbrella of the Trade Card, having been produced and marketed purely as a 'collectable' with no connection whatsoever to any product, which of course is necessary for an item to be classified as a Trade Card.|The earliest British postcard was issued in 1870 and was designed to send short messages; the stamp was printed on the card, therefore it did not require an envelope. It was considered by many to be lowering the postal standards because the texts were no longer private. However the cards were a great success as on the first day of issue in 1870, half a million passed through the London postal centre.|The first illustrated postcards are said to be those introduced by a French stationer in 1870. He realized that French troops fighting in the Franco-Prussian War needed to be able to send short messages to their families and designed a 'postcard' to suit the purpose. As many of the soldiers were illiterate they decorated their cards with sketches of their many activities at the front rather than writing; thus creating a picture postcard. Private enterprise soon saw the great financial possibilities of this new easy and attractive way of communication by post; also sending a postcard cost less than postage for letters. It was correctly assumed that postcards were likely to overtake letter writing in many instances.|Between 1875 and 1882 every state in Australia introduced official postcards, N.S.W. first and Tasmania last. Each state produced a simple type of postcard with a pre printed stamp allied to that state. The stamp side stated 'The Address Only To Be Written On This Side'; the reverse side sometimes carried a simple illustration or decoration with space fora short message, each state extolling their own state's virtues. In 1901, with the advent of Federation, the new Government became responsible for all postal services in Australia and produced postcards for sale in every state. With several mail deliveries each day in most towns, postcards were used for many purposes. One 1906 postcard, with an illustration of fruit, was sent from Mrs X in the morning to her greengrocer ordering her fruit and vegetables to be delivered that afternoon. Another lady asks her charlady to 'come this afternoon'.|Australian private enterprise also began selling pictorial postcards, most companies using the very experienced German printing works who were the worlds best in the field of lithography and fine detailed colour-printing. Many of these beautiful German cards still exist today, 100 years later. Australia did have a few fine printers but they were in the minority. Black and white postcards printed in Australia in the early 1900s were often of good quality e.g. postcards printed by 'The Bulletin', illustrating the works of 'The Bulletins' top artists.|Between c1903-09 The Melbourne company Osboldstone and Atkins etc. printed coloured reproductions of 46 J.A. Turner bush/rural life paintings, which were generally of good quality and became hugely popular and still sought after today. Like thousands of homes in Europe, Britain and U.S.A., many Australia homes had albums of cherished postcards, which were given pride of place for visitors to see and enjoy.|Postcard collecting remained popular but was changing with the times. About 1912 the Australian photographer George Rose of Melbourne began to produce topographical B/W real photographic postcards covering most of Australia and other photographers began to do likewise. These cards soon found their way into collections as well.|WWI and the horrors of war suddenly changed the world; postcards were still in great demand but the subject matter was far more serious. Thousands of postcards from the trenches in European war zones arrived in Australia to be included in family albums. Propaganda and recruitment messages were produced to encourage enlistment. Australian postcard producers began to create cards decorated with gum leaves, boomerangs, wattle etc., which were designed for sending to Australian troops serving overseas. Very few 'pretty' cards were available, as access to the Gentian printing works was no longer possible and exporting of postcards from Britain was very limited. By the end of WWI people had other more serious problems to contend with and the avid postcard collecting hobby declined, fold greetings took over and topographical photographic postcards became a small but steady income for the producers and newsagents etc. in every town.|Fortunately many of these old postcards still exist and are avidly collected by a new generation or postcard collectors. The Australian Cartophilic Society Inc. is one of four postcard/cigarette card organizations in Australia. They are, N.S.W. Post Card Collectors Society; Queensland Card Collectors' Society Inc. and West Australian Card Collectors|Society, and across the Tasman there is a New Zealand Postcard Society.|References:|Picture Postcards of the Golden Age A Collector's Guide by Toni & Valmai Holt. Picture Postcards in Australia 1898 - 1920 by David CookBox of Cigarette Silks ( 10 ) depicting animal motifs, which were placed in cigarette packets as an incentive for women in particular to smoke.|WD & HO Wills|Produced 1911 - 1917personal effects, smoking accessories, recreations, collections

A photograph of Melynda Hardie, Club Champion from 1975 to 1978, highlights a period of excellence for Broadmeadows Amateur Swimming Club. Her consecutive wins reflect the club's strong competitive spirit and dedication to nurturing local talent.A photograph of Melynda Hardie, Club Champion from 1975 to 1978, is significant as it captures a period of exceptional achievement for Broadmeadows Amateur Swimming Club. Her consecutive victories underscore the club's dedication to fostering local talent and highlight a legacy of competitive excellence and community pride.A colour portrait of club champion Melynda Hardie (1975-78) on glossy card stock, featuring a black border and white writing.broadmeadows amateur swimming, broadmeadows amateur swimming and life club, club champion, melynda hardie, 1975 to 1978

The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centrepiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 metres tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace.The Jade Buddha for Universal Peace was carved from a rare boulder of translucent gemstone-quality jade (“Polar Pride”) that was discovered in Canada in the year 2000. The framed image of the Jade Buddha reflects the dates for the exhibition held at Kim Quang Temple.jade buddha, memorabilia

The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centrepiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 metres tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace.The Jade Buddha for Universal Peace was carved from a rare boulder of translucent gemstone-quality jade (“Polar Pride”) that was discovered in Canada in the year 2000. The image of the Jade Buddha was taken at Phap Vuong Monastery, Escondido.jade buddha, memorabilia

The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centrepiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 metres tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace.The Jade Buddha for Universal Peace was carved from a rare boulder of translucent gemstone-quality jade (“Polar Pride”) that was discovered in Canada in the year 2000. The image was taken at Phat Tich Temple during the Jade Buddha Tour.jade buddha, memorabilia

The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centrepiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 metres tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace.The Jade Buddha for Universal Peace was carved from a rare boulder of translucent gemstone-quality jade (“Polar Pride”) that was discovered in Canada in the year 2000. The image was taken at the opening ceremony of the Phat Tich Monastery in Bac Ninh Vietnamjade buddha, memorabilia

The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centerpiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 meters tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace.The Jade Buddha for Universal Peace was carved from a rare boulder of translucent gemstone-quality jade (“Polar Pride”) that was discovered in Canada in the year 2000. The proclamation presented by Ron Roberts is honoring the Jade Buddha for Universal Peace.jade buddha, memorabilia

A stapled, card-covered, forty-eight-page book with loose card cover. Oil stain bottom right of page 11 and bottom left of p.12.non-fictionSchool yearbook, presenting details of the events and students of Salesian College, Rupertswood, Sunbury.salesian college, rupertswood, sunbury, yearbook, "certantes in vita", 1975

The photograph shows front view of PCC 1041 likely at entrance to workshop shed with destination 'Depot'. A blue uniformed driver and suited man pose in front of car. iYields information about pride in this new car.Colour photograph, no notestrams, pcc 1041, 1041, prototype, preston workshops, publicity