Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsPin head consists of one eight petaled flower, two seed pods half open and one long leaf connecting leaf with seed pods. pin head and shaft are gold coloured. see KVHS 0351 for a cleaner itemmillinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsElongated pearl on silver coloured pin shaftmillinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoors This item is similar as the one worn by the "Queen Mother" in the film "The Kings' Speech"Silver coloured pin with a thistle shaped head also in silver/chrome colour. Sleek in appearancemillinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsGold coloured pin adorned with two curls. One with fourteen small glass/diamond stones one red/ruby type stone three empty stone clasps gold coloured pin shaftmillinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin has a turquoise glass ball head with a long needle. It is in the same style as items KVHS 0358 and KVHS 0359.millinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin has a yellow/amber glass ball head. It in is the same style to KVHS 0357 and KVHS 0359clothing, millinery, costume, women hat accessory

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsA long hat pin with a royal blue glass head. It is in the same style to items KVHS 0357 and KVHS 0358clothing, millinery, costume, women hat accessory

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis long hat pin is adorned with a flat, oval-shaped, piece of black plastic. A raised pattern of small distinctively dome shaped molded plastic infill together with three larger shaped domes. Identical to KVHS 0361costume, female head wear, accessories hat pin

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis long hat pin is adorned with a flat, oval-shaped, piece of black plastic. A raised pattern of small distinctively dome shaped molded plastic infill together with three larger shaped domes. Identical to KVHS 0360costume, female head wear, accessories hat pin

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin has a shiny black ball head, probably plasticcostume female head ware accessories, hat pin

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin has the letter "J" as its head.costume female head ware accessories, hat pin

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin is adorned with a flat metal circular head. There are two circles of narrow patterns around the outer edge. The centre is decorated with three shiny black faceted shapes producing a spoke like appearancecostume female head ware accessories, hat pin

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin is adorned with a black shiny plastic "tear drop" shape head on a long shaft This is identical to KVHS 0366costume female head ware accessories, hat pin

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorshis hat pin is adorned with a black shiny plastic "tear drop" shape head on a long shaft This is identical to KVHS 0365costume female head ware accessories, hat pin

Situated at 810 Main Road on the corner of John Street. The Church was surrounded by a picket fence and tall pine trees. The Church was built by George Stebbings in the 1850s and is an example of fine craftmanship. Formerly Wesleyan, Methodist then Uniting church; the foundations of the church building were constructed with stone from the walls of the first Eltham State Primary School (No. 209) building which collapsed in 1874 and were purchased by Robert David Taylor. REVISED STATEMENT OF SIGNIFICANCE, CONTEXT, 2010 via Victorian Heritage Database What is significant? The 1880 bichromatic brick church and the surrounding site to the title boundaries. How is it significant? The church is architecturally, historically, socially and spiritually significant to the Shire of Nillumbik. Why is it significant? The church is architecturally significant as a finely detailed example of a brick 19th century rural community church, one of only four in the Shire (Criteria E & B). The church is historically significant as an important link with the time when Eltham was a small, insular country settlement. Also for the historical evolution visible in the complex, with the modest 1880s church and larger red brick rear hall from the early 20th century as a reflection of population growth in the area (Criterion A). The church is historically, spiritually and socially significant because it has played, and continues to play, an important part in the spiritual and social life of the community (Criterion G).Sepia postcard of Eltham Methodist Church, 1909eltham, methodist church, church, state school no. 209, eltham state school, robert david taylor, eltham uniting church, uniting church, wesleyan church

This booklet relates the history of the first 30 years of service by the Rotary Club of Warrnambool. It gives an overview of the many local projects which have been helped over the years and also lists the club office bearers Its significance lies in the list of projects which were happening in the period 1929-1959 such as assistance to Natural disasters and hardship in the post wars and Depression years as well as community projects such as tree planting and overseas aid.. The list of Officebearers is a reflection of community identities and one facet of their contribution to society. In one paragraph state what is significant, the type of significance it holds, and why it is significantWhite Gloss card cover. Front cover has blue text, Rotary Club of Warrnambool 1929-1959, Souvenir Booklet of Thirty Years of Service. Small Rotary International Wheel. November 20, 1929 to November 20, 1959. Back cover Collett &Bain Printers 34 Kepler St Warrnambool. 16 PagesPrinted by Collett & Bain, 34 Kepler St Warrnamboolrotary, rotary club of warrnambool, horace i holmes, charter 3237

This 300 year old book deals with the theory of light and colour and with investigations of the colours of thin sheets, 'Newton's rings', and diffraction of light. Newton uses a wave theory of light and his corpuscular theory to explain his observations. Sir Isaac Newton (1643-1727) was a great figure in the history of optical science. His classic 'Opticks' was first published in English in 1704. This Latin edition of 1706 was published to satisfy a wider scientific audience in Europe. Newton was Lucasian Professor at Cambridge 1669-1693 and a fellow of Trinity College. He achieved fame as a creative mathematician and for his law of universal gravitation which explains planetary motions. He retired from research in 1693 to become a government official in London.This book is highly significant as a milestone in the study of optics. Although not a very rare book, only one other copy is listed by WorldCat in an Australian institution.Latin edition of Newton's 'Optics' translated by Samuel Clarke. This copy is bound in full calf leather of the period, 348 pages, with fold-out figures plus a 24 page appendix 'Enumeratio linearum tertii ordinis' and a 43 page appendix 'Tractus de quadratura curvarum'. It is in outstandingly good condition.Inscribed on the fly leaf in pencil is that this is the 2nd edition, the first in Latin, and that Newton gave Clarke 500 pounds for the translation.refraction, optics, newton, reflection

Evolution captures Australian surfing at a pivotal moment in 1969 when the shortboard revolution was in full swing. The old long board era was to be consigned to history as Wayne Lynch, Nat Young and Ted Spencer re-wrote the surfing rule book on a 1969 world tour. Music soundtrack by Taman Shud and Tully.This film had a significant influence on world surfing when it as released. The surfing images of Lynch, Young and Spencer had a profound influence on the way that surfers rode waves and the surfing equipment they used. The film remains a true reflection on a pivitol moment in surfing history.Black and white photograph on cover of Wayne Lynch cutback.Classification (G), movie title and synopsisnat young, wayne lynch, evolution, paul witzig, ted spencer, taman shud, tully

This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. The chosen design of Kookaburra and wattle flowers and leaves reflects the creator's interest in Australian flora and fauna. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework. It is also significant for its reflection on the new Australian fauna and flora.Doily, round, white cotton. Embroidered Kookaburra on a branch, wattle flowers and leaves, and edged with brown crochet. From the Chamberlain Dale Lees Collectionflagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, embroidery, needlework, crochet, handmade, craft, manchester, linen, haberdashery, kookaburra, wattle, australiana

These hat pins represents women's fashion in the late 19thC and early 20thC. As the material used in the construction is not of a high monetary value it can be assumed it was everyday woman's apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important and many women used their craftwork skills to create their own hat pins. This item is a reflection of the fashion mode of the late 19thC and early 20thC when long hair needed to be controlled by hair pins It is also an example of society's mores of tidiness 14 lady's steel hat pins in various styles numbered A -i A) 6x pearl tear-drop ; B) 1x pink metal beads;C) gold ball in 'oyster shell'; D) gold ball; E) pink plastic weave; F) silver metal ball; g) black bead; h) white ball; i) pale blue glass set in brassmoorabbin, brighton, early settlers, pioneers, cheltenham, craftwork, clothing

The Baptist Church was built in 1881 in Tucker Road, in 1916 on land donated by Henry Box, a local market gardener. The wooden Church was moved to the to Vickery Street Bentleigh, the current site of the Bentleigh Baptist Church . The removal was made on a horse drawn jinker.The Baptist Church was integral to the spiritual well being and social life of the early settlers.22 Page typed document which outlines the history of the Baptist Church, Bentleigh.early settlers, parish of moorabbin, city of moorabbin, county of bourke, shire of moorabbin, market gardeners, baptist church bentleigh, vickery street, religion, bentleigh

15 hand written pages on lined paper, written by Bob ( Robert) Carr. Heading ' Some of the special events sporting and otherwise in Bendigo 1920 era.'bendigo, hospital, city history

Paperback book. 360 pages. Photos of Alred Hospital on front and back covers. Numerous black and white photos within. Short biographies of many Alfred Hospital staff and departments. Includes indexnon-fictionincludes over 150 biographies (with Photos) of nursing and medical staff who served the Alfred hospital with distinction between 1945 and 1995. Includes reflections of an administratoralfred hospital, physicians, surgeons, nurses, doctors

p.190.non-fictionA man's reflection of the infamous Burma railwayworld war 1939 – 1945 - prisons and prisoners – japanese, burma - thailand railway

George Meudell was born in Bendigo in 1860, the son of a bank manager. He became a public accountant. He worked for B J Fink. He took up a seat on the Stock Exchange. He later wrote a book, 'The Pleasant Career of a Spendthrift'. The book caused a stir and was withdrawn from sale. There was a later edition where a lot of names were withdrawn from the book.document, names of bendigo pioneers, the meudell mystery, the land boomers, michael cannon, maurice brodzky, george meudell, table talk, bendigo high school, money miller's bank of victoria, grant meudell, hnry miller, isaac pitman, john alsop, melbourne savings bank, andrew lyell, mercantile finance co ltd, b j fink, g w taylor, thomas bent, w l baillieu, stock exchange melbourne, william knox, broken hill proprietary, f m dickenson, historical society of victoria, the pleasant career of a spendthrift, george routledge & sons ltd, routledge & kegan paul ltd, frank campbell, robertson & mullens ltd, j m gillespie, sir matthew davies's mercantile bank, unofficial history of victoria, booksellers' association, the pleasant career, theodore fink, the herald, wilke & co pty ltd, the pleasant career of a spendthrift and his later reflections, lionel robinson, william clark, s m bruce, premier building society, j kitchen & sons ltd

These poetic and moving spiritual reflections, born of the author's experience as an American chaplain in Vietnam and build on the themes of the ambivalent nature of war and the universal elements in the lives of people, Vietnamese and Americans, who live, fight, suffer and die there.veterans - united states - religious life, chaplains, military - united states, vietnam war, 1961-1975 - poetry

In a black frame a coloured photograph of two men sitting on chairs reading on HMAS Sydney. bottom left hand side reads Voyages To Vietnam, bottom right hand side reads Copyright Roger DowntonVoyages To Vietnam. Copyright Roger Downtonphotograph, hmas sydney, cerberus collection

Born: Bradford, Yorkshire, England 1850; Arrived: Victoria, Australia c.1874; Died: Melbourne, Victoria, Australia 1908VictorianGift of Mr S.T.Staughton, 1978Rural landscape with animals at waters edge, trees, packed wagon and figures around a fire. Gold plated gesso on timber frame.Recto: Not signed, not dated, not titledpainting, landscape, figure, animals, wagon, horses, water, reflection, wheels, colonial