CLUNES KNITTING MILL WAS ORIGINAL THE SOUTH CLUNES SCHOOL. SITUATED ON TALBOT ROAD CLUNES - LATER SCHOOL CLOSED AND PUPILS WERE TRANSFERRED TO NORTH CLUNES SCHOOL..1 BLACK AND WHITE POSTCARD PHOTOGRAPH OF CLUNES KNITTING MILL AND EMPLOYEES STANDING IN FRONT OF BUILDING .2 REPRODUCTION COPY OF THE ABOVE PRINTED ON MATTE PHOTOGRAPHIC PAPER.1 Hand written in blue ink on reverse; Clunes knitting mill employees, by May Grant also printed circular stamp in purple ink "Printed by H. Maddicks Daylesford"photographs, schools, 136 knitting mill, south clunes school

P0STCARD SEND BY MRS. L. McLENNAN.PHOTOGRAPH POSTCARDS OF CLUNES BAND AT THE CLUNES CARNIVAL JAN 8,1907 .1 FADED SEPIA .2 BLACK AND WHITE.1 MRS. L. McLENNAN, OLIVE STATION, VIA MARYBOROUGH ROCKHAMPTON, QUEENSLAND .2 On Reverse; OLD JOE ROBERTS HIS CAN BAND AT QUEEN'S GARDEN'S CLUNES VICTORIA DECKER ON THE DRUM FRITZ WEICKHARDT & DODGER HODGE ONLY MEN IN IT, YOURS FAITHFULLY CRITIOlocal history, document, postcard, crick, shrigley, mc lennan & lazarus

POSTCARD SEND TO MRS. McLENNAN FROM OLIVE.1 Sepia postcard/photograph of St Paul's Church, Clunes .2 Sepia postcard size photograph of St. Paul's Church, Clunes1. On Reverse; Wishing you every happiness & prosperity in the coming year. This photo was taken on xmas morning. What do you think of the new work on the altar table? i thought you would like to keep this. Will write to you very soon, with fondest love Olive. Addressed to:- Mrs. L. McLennan, Clive Station Marlborough (sic), Rockhampton, Queensland .2 On front "Interior of St Paul's Church" in white hand written capital letterslocal history, document, postcard, churches -st pauls anglican

POSTCARD/PHOTOGRAPH OF MINERS STANDING ON POPET LEGS WITH ONLOOKERS. LETTER ON REVERSE SIDE.SEPIA POSTCARD OF POPPET HEAD, WORKING MEN ON STRUCTURE, OTHER MEN STANDING BY-1913..CLUNES -GOLD MINES 1913photography, poppet head, mining

THE BUILDINGS IN THE PHOTOGRAPH INCL. R. THOMAS DRAPERY SHOP, DOUBLE STOREY CLUB HOTEL AND DOUBLE STOREY ORIGINAL BANK, NOW R.S.L BUILDING..1 POSTCARD OF CLUNES MAIN STREET. .2 COPY OF .1.1 ON REVERSE - PERSONAL NOTE TO KATIE FROM M C WEICKHARDT, ON FRONT FRASER STREET, CLUNES, VICTORIA REAL PHOTO SERIES M2352local history, photography, photographs, shops, r. thomas drapery, clunes township

PHOTO BY C. WEICKHARDT, CLUNESBLACK AND WHITE PHOTOGRAPH POSTCARD - POSSIBLY A TRAVELLING CONCERT PARTYON REVERSE SIDE 1919 1937 X 2local history, photography, photograph, local entertainment

1 Man - Main Street side of P.O. 1 Man and Girl Wimmera Street Side.Colour - with Post Office 2 sides - Gaslight, Telegraph poleGold Pen - Greetings from Stawell. Gold Pen outling windows, door, balcony, chimneys, roof. Reverse Stamp Franked - Stawell Victoria J A 8 01

Pleasant Creek Hospital with garden nurses standing in garden and at top of steps. Built 1861B/W photgraph of a brick building with wings either side, pine tree on the right. surrounding the picture is a fdrawn wooden frame.Front, Lower Left: Stawell Hospital On reverse: Post Card. This Space used for communication. Address Only On the Left Side: Semco Series. Box 545 G.P.O. Melbourne ( Turn 90 Degrees Clockwise to read)stawell

These type of cigarette silks were included in WD & HO Wills cigarette packets to induce women in particular to take up smoking.|The Word 'Cartophilic?|It is believed that this unusual word was coined in the 1920s by Col. Bagnall, an Englishman, who was the father of the hobby of cigarette card and trade card collecting. It is thought to be a combination of a Latin word, 'carto' meaning 'card and the Greek word 'philic', meaning 'love'.- lover of cards. The term originally related to the collection of the two types mentioned, however, our Society has included postcards in the range of items collected by our members.|The Cigarette Card|The cigarette card began its evolution in the United States of America, in the early 1880s as a plain piece of cardboard used by tobacconists to protect the cigarettes which were sold in that era, not in packets, but loosely. A purchaser would buy his cigarettes then wrap them in paper around the small piece of cardboard, which acted as a stiffener. In fact, for many decades, cigarette cards were known as 'stiffeners' in the USA.|The card depicting 'The Marquis of Lome' is reputed to be the first known cigarette card issued. This is thought to have been in 1879. It did not take long for an enterprising entrepreneur to recognise the advertising potential of the cigarette card, and, very soon, the cards began displaying popular images, often in sets. This had the effect of youngsters, wishing to complete their sets, harassing their fathers to buy a specific brand of cigarettes. The kids who collected cards in the days when they were being issued in the cigarette packets, would hang around outside the local tobacconist's shop, pestering the men who had just bought a packet of cigarette, with the cry: 'can I have the cig can mister?'|It is a proven fact that, here in Australia during the 1930s, at least one set had one card deliberately withheld and issued very sparingly. This card is No. 86 (Mrs Jack Crawford) in the Carreras 'Turf Personality Series'. Thus, in a set of reasonably easy cards to get, this one card is a constant source of frustration for the collector, and as such, commands a premium when it comes to price. It is not hard to imagine the young collector nagging his to Dad to keep buying 'Turf' cigarettes to enable him to finish the set.|From small beginnings the cigarette card soon gave rise to a booming industry in itself. Artists and writers were|employed to produce the cards, which were miniature works of art and served as little encyclopaedia's for the children of the day. By the 1930s cards were being issued in the countless millions. It has been stated, in one book on the history of cards; that 450 million sets of a series produced and issued by the prolific issuer of cards in the United Kingdom, WD & HO Wills. As each set contained 50 cards you would need a calculator with a very long result window to see the answer to how many cards of that series were in circulation.|Australia's involvement would appear to have its beginnings with the English and American firms who shipped their tobacco products here and the cards of American Tobacco Company (ATC) are found in great numbers in early Australian collections; many featuring Australian subjects, e.g. 'Australian Parliament a 1901 issue. Earlier U.S. sets depicting Australians included Goodwin & Co's, so called. 'Australian Series' with cricketers and Australian Rules footballers who were on the sporting scene during the 1880s. The caption of one of theses cards reads:|'W.Hannysee. Captain Port Melbourne Football Club' which enables us to pinpoint the year of issue to either 1889 or 1890.|On the Australian scene the first local manufacturer who issued cards seems to have been The National Cigarette Company of Australia Proprietary Limited, whose 'Tally Ho' packets contained cards from a series of thirteen featuring the touring 'English Cricket Team 1897-8' Of the few Australian manufacturers who issued cards, only two companies issued more the two sets.|Undoubtedly the cards issued by the Melbourne firm Sniders & Abrahams (later Sniders & Abrahams Pty Ltd) are the 'jewels in the crown' of Australian card issues. They issued some thirty-three series, with numerous sub-series and allied issues such as metal badges, metal football shields, celluloid flags etc., which ensured that the hobbyist had a vast range from which to collect. Sporting themes – football, cricket, horse racing – dominate, indicating the Australians' love of sport and the outdoors was as strong in those earlier times as it is today. Military, animals and birds themes were also to the fore, with a touch of culture being provided by 'Shakespeare', 'Dickens', actresses and even classical 'Statuary'. Humour was not forgotten with 'Cartoons and Caricatures', 'Naval and Cricket (double meaning) Terms' and the 'Jokes' series. Art and history were covered by the artist, S.T. Gill's 'Views of Victoria in 1857' while the stereoscopic 'Views of the World' expanded the collectors' knowledge of the world as a whole.|The Sniders & Abrahams series began in 1904 and by 1919 the company was in decline and was eventually taken over by G.G. Goode & Co. Ltd. This company produced one set only, the highly collectable 'Prominent Cricketer Series' issued in 1924. During the early to mid-1920s, J.J. Schuh Tobacco Pty Ltd issued eight series, again containing the popular subjects of sport and war. At least two provincial tobacconists, Lentens of Bendigo and Baillies of Warrnambool, issued private football series. The last series of cards issued by a truly Australian firm was Dudgeon & Arnell's '1934 Australian Cricket Team'.|The Australian market was not neglected by the English companies with WD & HO Wills, Godfrey Phillips and Ogdens all making their contributions. By far the most active issuer was the long-established company Wills, whose 'Cricketers' of 1901 heralded the flood of Australian series, which continued into the mid-thirties.|The onset of the 1939-45 World War sounded the death knell of the cigarette card and very few post-war issues were made, certainly not here in Australia.|The Trade Card|The Trade Card is a non-tobacco item used by manufacturers to promote and advertise their products, in the same way that cigarette cards were. It is uncertain exactly when they were first produced, but in the USA, non-collectable cards were issued by firms in the early 1800s. These were more akin to a latter day 'business card'. It was not until the 1850s, when coloured and pictorial cards were issued to advertise and promote products that the Trade Card|became a collectable item. Many beautiful lithographic cards were produced in this early era and they are very mu sought after by collectors. By the 1870s the issues of Trade Cards became more prolific and it is from this era that more cards are seen.|Again, it is difficult to pinpoint the exact date of the first Australian Trade Card and it may be that the highly collectable and extremely rare 'American Candy Co's' - 'Pure Caramels' Australian Rules football card, issued i 1891, is the earliest series. This confectionery firm was located in Fitzroy, a Melbourne suburb. To date only two subjects have been seen.|Another early set was 'Flags', issued by F.H.Fauldings & Co. It featured testimonials of seven English cricketers who toured Australia with the 1894/5 Test team. Fauldings was an Adelaide based firm which manufactured medicinal toiletries, soaps and oils, using the distinctly Australian eucalyptus oil. During the 20th century a multitude of Australian businesses issued trade cards, with confectionery manufacturers such as Hoadleys, Allens, Sweetacres and Australian Licorice producing the majority of them. Again sporting themes dominated with the ever popular Aussie Rules football cards being the most numerous. Cricket issues ran a close second.|Apart from sporting cards, almost every subject imaginable was covered by the Trade Card, making it the most diverse and interesting branch of cartophilly. In contrast to the Cigarette Card, which had its demise prior to the Second World War, the Trade Card is still alive and well.|We all are aware of the long running 'Birds of Australasia' series put out by Tuck-fields Tea and 1 doubt if there is a kitchen drawer in Australia that has not got one or two of these informative and attractive cards floating about in it. These cards were first produced in the early 1960s and are still being inserted in that company's packets of tea. Such is also the case with Sanitarium Health Foods, manufacturers of the well known Weetbix, who began issuing cards, with a wide range of subjects, in the early 1940s and continue to do so.|The 1940s and 1950s saw the two breakfast food giants, Kornies and Weeties dominating the card scene. Kornies footballers were in production fora decade from 1948 to 1959. Four years later in 1963, we saw the start of four decades of Scanlens bubble-gum card issues, both football and cricket. In the mid 1990s, with the end of the Scanlens/Stimorol cards, the Trading Card came on the scene. These cards do not fit under the umbrella of the Trade Card, having been produced and marketed purely as a 'collectable' with no connection whatsoever to any product, which of course is necessary for an item to be classified as a Trade Card.|The earliest British postcard was issued in 1870 and was designed to send short messages; the stamp was printed on the card, therefore it did not require an envelope. It was considered by many to be lowering the postal standards because the texts were no longer private. However the cards were a great success as on the first day of issue in 1870, half a million passed through the London postal centre.|The first illustrated postcards are said to be those introduced by a French stationer in 1870. He realized that French troops fighting in the Franco-Prussian War needed to be able to send short messages to their families and designed a 'postcard' to suit the purpose. As many of the soldiers were illiterate they decorated their cards with sketches of their many activities at the front rather than writing; thus creating a picture postcard. Private enterprise soon saw the great financial possibilities of this new easy and attractive way of communication by post; also sending a postcard cost less than postage for letters. It was correctly assumed that postcards were likely to overtake letter writing in many instances.|Between 1875 and 1882 every state in Australia introduced official postcards, N.S.W. first and Tasmania last. Each state produced a simple type of postcard with a pre printed stamp allied to that state. The stamp side stated 'The Address Only To Be Written On This Side'; the reverse side sometimes carried a simple illustration or decoration with space fora short message, each state extolling their own state's virtues. In 1901, with the advent of Federation, the new Government became responsible for all postal services in Australia and produced postcards for sale in every state. With several mail deliveries each day in most towns, postcards were used for many purposes. One 1906 postcard, with an illustration of fruit, was sent from Mrs X in the morning to her greengrocer ordering her fruit and vegetables to be delivered that afternoon. Another lady asks her charlady to 'come this afternoon'.|Australian private enterprise also began selling pictorial postcards, most companies using the very experienced German printing works who were the worlds best in the field of lithography and fine detailed colour-printing. Many of these beautiful German cards still exist today, 100 years later. Australia did have a few fine printers but they were in the minority. Black and white postcards printed in Australia in the early 1900s were often of good quality e.g. postcards printed by 'The Bulletin', illustrating the works of 'The Bulletins' top artists.|Between c1903-09 The Melbourne company Osboldstone and Atkins etc. printed coloured reproductions of 46 J.A. Turner bush/rural life paintings, which were generally of good quality and became hugely popular and still sought after today. Like thousands of homes in Europe, Britain and U.S.A., many Australia homes had albums of cherished postcards, which were given pride of place for visitors to see and enjoy.|Postcard collecting remained popular but was changing with the times. About 1912 the Australian photographer George Rose of Melbourne began to produce topographical B/W real photographic postcards covering most of Australia and other photographers began to do likewise. These cards soon found their way into collections as well.|WWI and the horrors of war suddenly changed the world; postcards were still in great demand but the subject matter was far more serious. Thousands of postcards from the trenches in European war zones arrived in Australia to be included in family albums. Propaganda and recruitment messages were produced to encourage enlistment. Australian postcard producers began to create cards decorated with gum leaves, boomerangs, wattle etc., which were designed for sending to Australian troops serving overseas. Very few 'pretty' cards were available, as access to the Gentian printing works was no longer possible and exporting of postcards from Britain was very limited. By the end of WWI people had other more serious problems to contend with and the avid postcard collecting hobby declined, fold greetings took over and topographical photographic postcards became a small but steady income for the producers and newsagents etc. in every town.|Fortunately many of these old postcards still exist and are avidly collected by a new generation or postcard collectors. The Australian Cartophilic Society Inc. is one of four postcard/cigarette card organizations in Australia. They are, N.S.W. Post Card Collectors Society; Queensland Card Collectors' Society Inc. and West Australian Card Collectors|Society, and across the Tasman there is a New Zealand Postcard Society.|References:|Picture Postcards of the Golden Age A Collector's Guide by Toni & Valmai Holt. Picture Postcards in Australia 1898 - 1920 by David CookBox of Cigarette Silks ( 10 ) depicting animal motifs, which were placed in cigarette packets as an incentive for women in particular to smoke.|WD & HO Wills|Produced 1911 - 1917personal effects, smoking accessories, recreations, collections

Personal postcard album with letters on reverse from a soldier and relatives.Cardboard and paper post card album containing souvernir cards sent during the First World War and later to Gertrude (Gertie), (Mrs C Hodgett). Cards range from scenes of Egypt, England, country Victoria and France. Also cards written by family members to Gertie. Back page of album contains abituaries and newspaper cuttings for Hodgetts, Burton, Atkinson, Cam. Cover is embossed with art nouveau decoration.Inside front cover Cards, Sent to Gertie/ From Cazzie Hodgett/Year 1916

Postcard: Black and white photograph of Whitehorse Road, Mitcham looking east from Station Street corner shops on eastern side and white heading 'Whitehorse Rd Mitcham, Vic.'Message written on reverse: see Media image.whitehorse road, mitcham, roads and streets, markham

Evelyn Victoria Maggs, married Sydney Norman Till in 1920Black & white studio postcard photograph of Evelyn Maggs in a white dress. Dated 1919. Inscription on reverse side ' To the Bloom family with loving Xmas wishes & fondest love for 1919 from Eve.maggs, evelyn

Postcard has long personal message on reverse.Colour postcard taken at a bend in the Princes Highway approaching Lakes Entrance, showing a car travelling downhill, two cars parked with five people viewing the entrance from Bass Strait. Lakes Entrance Victoriawaterways, dredging, islands

Small format black and white postcard of Esplanade, Lakes Entrance, looking west showing buildings from picture theatre westward. Motor car on roadway. Lakes Entrance VictoriaThe Esplanade, Lakes Entrance (on reverse)township, waterfront, memorials, jetties

Four black and white small format postcards 6 x 8.5cm, slightly different view of the boat coming down the waterway.Black and white small format postcard showing Peels Tourist Ferry MV Blackbird leaving Comer's North Arm Jetty. Steep wooded banks, reeds along the shore. Lakes Entrance VictoriaNorth Arm Launch Trip, Lakes Entrance (on reverse)waterways, restaurant, boats and boating, tourism

Black and white small format postcard showing Peels Tourist Ferry MV Blackbird leaving Comer's North Arm Jetty. Steep wooded banks, reeds along the shore. Lakes Entrance VictoriaNorth Arm Launch Trip, Lakes Entrance (on reverse)waterways, restaurant, boats and boating, tourism

Omeo passing Sale bridge, Sale Victoria.This is some of Bernard's photography, One penny stamp on reverse.bridges, waterways

Also, two enlargements, 10 x 15 cm, and one enlargement 17 x 25 cm, all purchasedSmall format postcard showing the first observation lookout erected on Jemmys Point, Lakes Entrance, Victoria, showing a timber structure about 30 feet high with a fenced platform on top, narrow ladder leading straight to top from ground. Five people on ground, three on platform. Old LookOut Tree standing in background.On reverse, 'LookOut Jemmys Point, Lakes Entrance'historic sites, navigation, fences

Also sepia toned photographic print 10cmx15cm, good condition old cat No 310 or 318? (Club Hotel and Hummocks area cropped from top) also Black and white photographic print 12.5cmx18cm, good condition- 2 copies 'Original T-Beam bridge opened Sept 1917 on reverse P01151-3.Black and white photographic miniature postcard showing the concrete bridge over the North Arm, showing the extended abutments, and shortened bridge length compared to previous bridge, causing restriction of waterway. Two walkers and horse drawn vehicle, buggy, on bridge. Remaining piles of wooden bridge upstream of bridge, telegraph poles upstream of bridge and across mudflats. Bridge to Bullock Island from mudflat, Club Hotel, Cunninghame Arm, and sand hummocks in distance. Lakes Entrance Victoriabridges, waterways, coast, transport, hotels

Black and white postcard of young Harold Robert Todd known as Tommy seated on a white horse wearing boots, long socks, knee length trousers, jacket, shirt and tie and a straw boater hat. Lakes Entrance VictoriaTom on our pony Dandy on reverseclothing, genealogy

The tourist track running alongside the creek from Sassafras Mechanics’ Hall to Emerald. In the early 1900s the track started at Rostrevor Guest House.Black & White postcard P1501 from the Rose Series. Shows a log bridge along a tree fern lined section of the Tourist Track.On reverse - POST CARD A Real Photograph. Produced in Australia.rose series, sassafras, track, postcard, mechanics' hall

The tourist track running alongside the creek from Sassafras Mechanics’ Hall to Emerald. In the early 1900s the track started at Rostrevor Guest House.Black and white Rose Series postcard P. 4832 showing a section of the Tourist Track in Sassafras surrounded by tree ferns and bush.On Reverse POST CARD A Real Photograph. Produced in Australia.sassafras, rose series, postcard, track

Panorama of Sassafras in the 1950s taken from Wallaby Avenue looking down onto the Sassafras Cabaret building. Rostrevor can be seen at centre top.Black and white Rose Series postcard P. 10220 showing a view from high down the Main Street of Sassafras looking north towards Olinda.On reverse POST CARD. A Real Photograph. Produced in Australia.rose series, postcard, sassafras, cabaret, wallaby avenue, rostrevor

View of Sassafras showing many dead trees c1920s.Sepia coloured Rose Series postcard P. 153 looking down across Sassafras.On reverse REAL PHOTO POST CARD. THE "ROSE' SERIES DELUXE. PRODUCED IN AUSTRALIA. PUBLISHED BY 'THE ROSE STENOGRAPHS" Armadale. Victoriasassafras

View down the Main Street of Sassafras looking south with the Mechanics Institute in the centre of the picture. The raspberry patch in the foreground belonged to Woniger Hansen who built Mountain Rest (Rostrevor). The land was subdivided after his death in 1923. The raspberry patch is in the area of the current Mason Grove.Black and white Rose Series postcard P. 4765 looking south down the Main Street of Sassafras with buildings either side and berry patches in the foreground.On reverse POST CARD. THE "ROSE' SERIES DELUXE. A REAL PHOTOGRAPH PRODUCED IN AUSTRALIA. PUBLISHED BY 'THE ROSE STENOGRAPHS" Armadale. Victoria sassafras, rose series, rostrevor, woniger hansen, hansen, mechanics' institute, raspberry, raspberry crop, mountain rest, mason grove

John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas. The building in the centre of the photograph is 'Kia-Ora' guest house. Situated on Barber’s Road, ‘Kia-Ora’ was built in 1912 by George Barber. It was later leased by a Mrs Pemberthy. “Kia-Ora’ was one of four places connected when the telephone was brought into the district in 1912. The other places were ‘Mountjoy’, ‘Cherry Farm’ and ‘Callum House’. ‘Kia-Ora’ was burnt down in 1924. Black and White copy of section of a Rose Series postcard. Shows view up the valley at Kalorama with a decorative building centre middle of photograph. Handwritten description by John Lundy-Clarke on reverse.View up valley at Kalorama from near junction of Barbers and Doughty’s Rds. “Kia Ora” guest house in centre. Paynter’s “Iona” top left with “Kalorama” to its right. About 1912. Rose Series copied by JLC 1973.kalorama, kalorama valley, john lundy-clarke, barbers road, george barber, kia-ora, guest house, iona

Harry Walker's property would have been run by his son William in 1922. When the CRB Road cut through the property William planted plum trees on the opposite side. These are visible in this photo. An extensive raspberry crop is in the foreground. The building over the road on the left hand side is the corn and produce store built by Edward John Price (son of Edward Joseph Price) to capitalise on the CRB Road cutting through the Price farm. John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas.Small black and white postcard showing a crop in foreground with a house to the right. A road passes through the centre with a house on the left on the opposite side of the road. A view to the ranges in the distance. A handwritten description on reverse by John Lundy-Clarke.View at Kalorama. View over LOT 2 (Walkers) 1922.harry walker, william walker, crb road, raspberry, edward john price, edward joseph price, produce store, store

John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas. Harmony Vale was the name of the homestead built by early pioneer Jabez Richardson. The whole of the valley took on this name. The building lasted until 1933. The Silvan Dam was completed in 1932 and was full when this photograph was taken.Black and white photograph looking down over a forested area with a dam in the background. Copied from a Rose Series postcard c1933. Handwritten inscription on reverse by John Lundy-ClarkeRose Series photo of 1933 showing “Harmony Vale” still standing. Copied 1973 JLCharmony vale, silvan dam, jabez richardson