The scene on the postcard depicts the Spanish courtyard (or Cloisters) as a space within the Mission to Seafarers Melbourne. The view to the courtyard is from the Celia Little Room. The Spanish mission design was inspired by a need to make the 1917 Mission complex at Flinders st extension distinctive and easily found. (ref Church and Sailor journal) This scene shows the way in which the courtyard leads into the Chapel and that it is a large space for varied uses.Sepia toned scene on front of postcard depicting "The Cloisters" or Spanish Courtyard at Mission to Seafarers Melbourne. There is ivy growing up the pillar to the right of the scene, tall plants in the garden bed in the corner of the courtyard and pots with plants placed between the archways to the rear of the photograph.Label on front of postcard: "No. 9 THE CLOISTERS, MISSIONS TO SEAMEN, MELBOURNE, VIC." Reverse of postcard: "POST CARD/A Real Photograph Produced in Australia" There is also a divided line down the centre of the reverse for writing a message.plants, cloisters, ivy, pillars, archways, seamen's mission, mission to seamen, mission to seafarers, st peter chapel, spanish courtyard, melbourne, flinders street, valentine's postcards, real photo series

This set of 8 photographs was produced by the Rose Stenograph Co. c1913 to be included in photograph albums. The show tourist scenes of Sassafras and surrounds. The photographs were donated by a family in Western Australia whose parents lived in Sassafras c1918.Small b & w photograph from a series of 8 showing scenes from Sassafras produced by the Rose Stenograph Co. c1913.On reverse - Clematis Avenue, Sassafras.sassafras, clematis avenue

This set of 8 photographs was produced by the Rose Stenograph Co. c1913 to be included in photograph albums. The show tourist scenes of Sassafras and surrounds. The photographs were donated by a family in Western Australia whose parents lived in Sassafras c1918.Small b & w photograph from a series of 8 showing scenes from Sassafras produced by the Rose Stenograph Co. c1913.On reverse - Sherbrooke Falls, Sherbrookesherbrooke, sherbrooke falls, sassafras, falls

This set of 8 photographs was produced by the Rose Stenograph Co. c1913 to be included in photograph albums. The show tourist scenes of Sassafras and surrounds. The photographs were donated by a family in Western Australia whose parents lived in Sassafras c1918.Small b & w photograph from a series of 8 showing scenes from Sassafras produced by the Rose Stenograph Co. c1913.On reverse - Sassafras - Olinda Roadsassafras, olinda, sassafras-olinda road

This set of 8 photographs was produced by the Rose Stenograph Co. c1913 to be included in photograph albums. The show tourist scenes of Sassafras and surrounds. The photographs were donated by a family in Western Australia whose parents lived in Sassafras c1918.Small b & w photograph from a series of 8 showing scenes from Sassafras produced by the Rose Stenograph Co. c1913.On reverse - Jacob's Ladder, Sherbrooke.jacob's ladder, sherbrooke, sassafras

This set of 8 photographs was produced by the Rose Stenograph Co. c1913 to be included in photograph albums. The show tourist scenes of Sassafras and surrounds. The photographs were donated by a family in Western Australia whose parents lived in Sassafras c1918.Small b & w photograph from a series of 8 showing scenes from Sassafras produced by the Rose Stenograph Co. c1913.On reverse - The Main Road, Sassafras.sassafras

This set of 8 photographs was produced by the Rose Stenograph Co. c1913 to be included in photograph albums. They show tourist scenes of Sassafras and surrounds. The photographs were donated by a family in Western Australia whose parents lived in Sassafras c1918.Small b & w photograph from a series of 8 showing scenes from Sassafras produced by the Rose Stenograph Co. c1913.On reverse - Tourist Track, Sassafrassassafras, bridge, footbridge, rose series

This set of 8 photographs was produced by the Rose Stenograph Co. c1913 to be included in photograph albums. The show tourist scenes of Sassafras and surrounds. The photographs were donated by a family in Western Australia whose parents lived in Sassafras c1918.Small b & w photograph from a series of 8 showing scenes from Sassafras produced by the Rose Stenograph Co. c1913.On reverse - Tourist Track, Sassafrassassafras

This set of 8 photographs was produced by the Rose Stenograph Co. c1913 to be included in photograph albums. The show tourist scenes of Sassafras and surrounds. The photographs were donated by a family in Western Australia whose parents lived in Sassafras c1918.Small b & w photograph from a series of 8 showing scenes from Sassafras produced by the Rose Stenograph Co. c1913.On reverse - Panorama of Sassafrassassafras, jacob's ladder, sherbrooke

This photo was taken somewhere in Europe during World War I. It shows some of the equipment the soldiers had to carry and wear into battle. You will also notice that not all soldiers were not issued with metal helmet to protect them. The conditions that they had to survive under can be seen.Photograph,glass plate. It depicts two miliary scenes from World World I. Skillfully amagulmated on the one negative. In the top half there are soldiers on horseback with tents in the background, lower half a large group of soldiers, two trucks and a car in a trench.Printed on the top of the image. "Australians off to the trenches". On the edge "15" is written. car, world war one, military, , soldiers, trench, truck, world war i, scene, horses

Three colour photos of Pioneer Walk located between Main & Church Streets Stawell, photos taken in November 1992. One photo is of Big Hill and the other two of people and scenes and mining in Stawell.Three colour photos of collages decorating a walkway. The scenes are of people, building and landscapes. Copies also found in Album 4, p.49-50.151 Stawell History Mural, eft panel. Nov. 1992 151 Stawell Mural in Pioneer Walk Nov/92 151.1 Stawell Mural, center section Big Hill view. Nov.1992stawell

Upper Main Street Reefs looking East towards Big Hill taken from front of Joyce's Hibernian Hotel . Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. This scene was taken in 1866 in Main Street from in front of Joyce’s Iberian Hotel on the left, the site of the present townhall. It is looking uphill and eastward with Big Hill in the far background. The Hibernian Hotel was built on Commercial Street Pleasant Creek Goldfields in 1858 and was moved to Main Street Reefs, the present site of the Town Hall by Mr. & Mrs. Joyce. It was later destroyed by fire and the Town Hall built on its location. Street scene with buildings in distance and Big Hill in far distance.stawell streetscape

Also black and white copy 16.5 x 25 donatedBlack and white photograph of a postcard of the punt, two men and early model motor vehicle on punt. Johnsonville, Victoria.Scene on the Tambo River waterways, transport

Sepia toned copy of postcard showing waterway with mountains in distance at Buchan Victoria. Also a second identical photographScene near Buchanagriculture, topography

Dimitri Cah, a young Italian migrant, painted eighteen murals throughout the Glenara Motel while employed by the proprietors, Frnk and Nancy CreaColour postcard of one of the eighteen murals decorating the internal walls of the Glenara Motel, Lakes Entrance, Victoria. This one shows the artists stylised idea of an Aboriginal camp.Aboriginal Lifelike Sceneaboriginals, motels, arts, rsl clubs

Based in the Wales county of Montgomery Shire, Edward and Maureen Ann Story Jones produced crafted silver plated on pewter giftware under the range name The Silver Scenes in 1984. Well made, high quality and durable they produced items from 1984 - 2005. These items were probably gifts from visiting council representatives. Desk set of magnifying glass (0447.1) and paper knife (0447.2) with ornate handle, both sides featuring grapes and vines motifs.Both pieces are signed by hand 'MASJ © 93' (?) at top of handle. Paper Knife has 'Silver Scenes' engraved on blade.city of greater bendigo corporate gift

Scene from a theatre production done in internment Camp 13 during WW2Black and white photograph of theatricals. Adolf Wilkie and L. Gernoti (seated) in "Die Nibelungs" by Hebbel. Adolf Wilkie (Dietrich) is standing with a sword perpendicular whilst Gernoti (Hagan) has his sword horizontal in a rather dramatic scene. On corefluepow's, adolf wilkie, l. gernoti, die nibelungs, camp theatres, camp 13 theatre, dietrich, hagen, hebbel, gustav pohlig, internment camp theatre

A photo of the Annual demonstration from October 1954. This photo shows the senior girls on stage performing the Dutch scene with windmills. It was printed in the newsletter in June 1955. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo of the senior girls performing the Dutch scene of the demonstration from 1954. junior legatees, demonstration, annual demonstration, girls classes

A photo of the Annual demonstration from October 1954. This photo shows the senior girls on stage performing the Dutch scene with windmills. It was printed in the newsletter in June 1955. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo of the senior girls performing the Dutch scene of the demonstration from 1954. junior legatees, demonstration, annual demonstration, girls classes

Small Christmas greeting card of 1941 with Malayan scene on front, sent to Harold Black from Ron Mill. This card had to have been sent just before the Japanese invasion of Malaya in December 1941.Small Christmas greeting card of 1941 with Malayan scene on front, printed in black on white card, with A. I. F. Australian Army Pay Corps colour patch.From Ron Mill. All the best for 1942 Paddy. Remember me to the boys. Ronworld war 2. malayan campaign, mill, ron, black family

A photo of the Annual demonstration from October 1954. This photo shows the senior girls on stage performing the Dutch scene with windmills. It was printed in the newsletter in June 1955. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo of the senior girls performing the Dutch scene of the demonstration from 1954. junior legatees, demonstration, annual demonstration, girls classes

This album is possibly a collection printed from newspaper files. It has a wide variety of local scenes from haymaking, sports, social functions, beach scenes. Some names have been written in greylead, identifying some of the people in the photos and others are recognizable backgrounds such as the Peterborough Golf ClubWhile these images are not of true photographic quality, they do provide images of local scenes and activities which were relevant to the area in the mid 20th century. Some such as lifesaving carnivals, bike riding and golf continue to this day, others showing the hand raking of hay are long gone.Green card cover with red binding. This album contains printed copies of local scenes and people. The photos are numbered in purple pencil from1 to 312. The first photograph in the book is The Needle at Childers Cove and the last page is a group of people behind a picket fence.warrnambool, photographs of warrnambool, newspaper photographs warrnambool

A fascinating script of a scene in a Pageant by the Intermediate Legacy Club. Each state or city that had a Legacy Club was represented by a performer in costume that displayed some aspect of their city - for example Mildura was represented as Citrus, by wearing a pickers apron. The dialogue is worth reading and the central character is Peace, who welcomes all the Legacy Clubs to the stage. The final line is that "Legacy is Comradeship". A folder of documents about the history of Legacy. Appears to have been mostly compiled by Legatee Cyril Smith as he has many hand written notes on miscellaneous pieces of paper (some are envelopes addressed to him). The notes were typed up into a summary of the History of Legacy. Also documents relating to the first time Legacy approached the public for donations in September 1956, including newspaper articles that were reprinted, a schedule of information that was approved to be released to the press, and a list of potential donors that was circulated to Legatees in the hope they could contact the ones they knew personally or professionally. The call for public donations was partially due to the purchase of the Dureau building and the need to modify the building for Legacy's needs. The documents from this folder have been added in seperate records (see 01262 to 01281). The folder was part of an attempt to capture history of Legacy, generally from the 1950s.The documents provide an insight into the working of Legacy, especially in the 1950s. Legatee Cyril Smith and others were detailing their experiences and knowledge for the future.Four pages of a scene performed at the 1935 Pageant.history, ilc, concert

One of a collection of photographs donated by Bruce BennettColoured copy of a postcard showing a man and dog on beach near McHaffie's Reef."Scene McCaffey's Reef, Cowes"mchaffie's reef phillip island, coastline phillip island, bruce bennett

Part of a collection of Rose and Valentine postcards. Copied by John Jansson 1984Black and white postcard. Copy. View of McHaffie's Reef with a man on the beach.Scene McCaffeys Reef Cowesblack & white postcard copy, mchaffie's reef phillip island, phillip island coastline

This postcard is part of an album of postcards which date from late 19th century to mid 20th century. It depicts a romanticized bush scene with two lines of A. B. Paterson poem, 'Black Swans', underneath. A. B. Paterson 1864-1941 was a famous Australian bush poet most notable for writing 'Waltzing Matilda' and 'The Man from Snowy River'. 'Black Swans' was first published in 1893. As this postcard is glued to the album, other information is unavailable, but this postcard is likely to have been printed in the late 19th or early 20th centuries.This postcard is in an album of postcards dating from the late 19th century to mid 20th century. It reflects the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920. Postcard of Australian bush scene with two lines of A. B. Paterson poem, Black Swans, underneath picture. On front, printed underneath photograph: ' "From the northern creeks with the reeds and rushes, / Where the hills are clothed with a purple haze." / A. B. Paterson'postcard, photography, 1900s, buildings, , beechworth