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Greensborough Historical Society
Photograph - Photograph - Digital Image, The Mates by Leigh Conkie, 18/03/2014
The Mates. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.3 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, The Pilot by Leigh Conkie, 18/03/2014
The Pilot. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, The Sea Captain by Leigh Conkie, 18/03/2014
The Sea Captain. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Flagstaff Hill Maritime Museum and Village
Ceramic - Teapot, First half of the 20th century
Lusterware is a type of pottery or porcelain with a metallic glaze that gives the effect of iridescence. The technique on pottery was first developed in Mesopotamia (modern Iraq) in the early 9th century. It is produced by metallic oxides in an overglaze finish, which is given a second firing at a lower temperature in a "muffle kiln", or a reduction kiln, excluding oxygen. The Lusterware effect is a final coating applied over the ceramic glaze, and fixed by a light second firing, applying small amounts of metallic compounds (generally of silver or copper) mixed with something to make it paintable (clay or ochre). This is then fired in a reducing atmosphere at a temperature high enough to "soften" the glaze from the first firing, and break down the metallic compounds, leaving a very thin ("perhaps 10 or 20 atoms thick") layer that is fused with the main glaze, but is mainly metal. Lusterware normally only uses one colour per piece, and the range is limited a "gold" derived from silver compounds was historically the most common. The process has always been expensive and rather unpredictable, always requiring two firings, and often the use of expensive materials such as silver and platinum. The very thin layer of luster is often delicate, and many types of Lusterware are easily damaged by scratching removing the metallic layer, or by contact with acids. Lusterware has therefore always been for display and occasional use, although by the 19th century it could be relatively cheap. Many pieces show the luster effect only working correctly on parts of the surface, or not at all. An item probably made in Staffordshire UK where this type of pottery was popular in the late 19th century by unknown pottery as the subject item has no marks. The teapot at this time cannot be associated with a historical event, person, or place, provenance regards manufacture is unknown, item assessed as a collection asset given it was produced before 1950.Teapot ceramic ornate copper lusterware abstract floral design handle has a protruding sculptured bird for thumb grip. Nonewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, teapot, tea set, kitchen ware, ceramic, lusterware, pottery, staffordshire uk, pottery finishes -
Federation University Historical Collection
Object- trophy, World globe trophy from Shenzhen Polytechnic
Glass sculpture with world globe on top. Given in memory of 12 year collaboration between the University of Ballarat and Shenzhen Polytechnic In Memory of 12-year collaboration between the University of Ballarat and Shenzhen Polytechnicresin, trophy, shenzhen polytechnic, university of ballarat, collaboration -
Hepburn Shire Council Art and Heritage Collection
Public Art Work, 'Memory of Place' - Petrus Spronk. 2000, 2005
Local Artist CV Artist StatementSignificant artwork by nationally renowned local artist Petrus Spronk.Large Scale Outdoor Sculpture made up of a bronze chair with an open book, a bronze shadow and 6 story rocksArtist signature - underneathlocal artist, petrus spronk, sculpture, public art, victoria, daylesford, mineral springs reserve, environmental art, hepburn shire public art collection, hepburn shire, hepburn springs, hepburn springs mineral reserve, bronze, granite, tourist attraction, art, clare gervasoni, joan mcewen, marie butler, laurie sullivan, bonnie howell, vera, lutea, merv keating, silent -
Montsalvat
Photograph, Matcham Skipper Jewellery and Sculpture
Black and white promotional photograph for Matcham Skipper jewellery and sculpture displaying a bracelet, pair of cufflinks, a ring and pendant necklace.Nonematcham skipper, photograph, jewellery, bracelet, ring, cufflinks, necklace -
Federation University Art Collection
Sculpture, Malcolm, Andrew, 'For Sale, Sold' by Andrew Malcolm
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Sculpture of a human form in timber. If you can provide information on this artist or artwork please use the email link below. art, artwork, andrew malcolm, sculpture, horsham campus art collection -
Federation University Art Collection
Sculpture - Artwork - sculpture, [Sculptural Forms]
Four soapstone sculptures on plinths. If you can assist with information on this artist or artwork please use the comments box below. artwork, artist, gippsland campus, churchill, sculpture, alumni -
Greensborough Historical Society
Photograph - Photograph - Digital Image, The Three crosses of sacrifice by Leigh Conkie, 18/03/2014
The Three crosses of sacrifice. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, The Writer (Billy Turner) by Leigh Conkie, 18/03/2014
The Three crosses of sacrifice. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Ringwood and District Historical Society
Booklet, Official Opening - Ringwood Cultural Centre (Karralika Theatre), 1980
Programme booklet - Official Opening of The Ringwood Cultural Centre by His Excellency, The Honourable Sir Henry Winneke, K.C.M.G., K.C.V.O., O.B.E., Q.C. Governor of Victoria - Saturday 19th April 1980. Includes Ringwood Arts Festival week of entertainment to be presented in the Ringwood Cultural Centre Karralika Theatre, Saturday 19th April 1980 to Sunday 27th April 1980.Mayor's Welcome Message - Cr. P. Gotlib. Sculpture: "Cassini" - Created by sculptor Charles O. Perry of Norwalk, Connecticutt, U.S.A.rinx -
Women's Art Register
Book, Whitney Chadwick, Women, Art and Society, 1990
Illustrated feminist overview of women artists from the Middle Ages to the late 20th century, practising predominantly in Europe, United Kingdom and the United States.Booknon-fictionIllustrated feminist overview of women artists from the Middle Ages to the late 20th century, practising predominantly in Europe, United Kingdom and the United States.painting, sculpture, performance, feminism, collage -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Digger Two - My Dad Charlie, 18/03/2014
Digger Two - My Dad Charlie. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Federation University Historical Collection
Photograph - Photograph - Colour, Federation University Mount Helen Campus, 2012, 2012
Federation University Australia was established on 1 January 2014. Formerly known as the University of Ballarat, its enabling legislation was the University of Ballarat Amendment (Federation University Australia) Act 2013. Although formally created as a University in 1994, the University of Ballarat has a lineage back to 1870 with the establishment of the School of Mines Ballarat, making it the third institution of higher learning to be established in Australia and the first to be established in regional Australia. On 1 January 1994, Ballarat University College became the University of Ballarat and in 1998 the University merged with three TAFE Institutes to become a dual sector institution with multiple campuses. On 1 January 2014, the University of Ballarat amalgamated with the Monash University Gippsland Campus to form Federation University Australia. The Gippsland Campus also had a long lineage dating back to 1928 with the establishment of the Yallourn Technical School which became a predecessor institution to the Gippsland College of Advanced Education formed in 1968. In 1990, it was renamed the Monash University College and in 1993 became the Gippsland Campus of Monash University. In 2016, Federation University Australia announced plans to take possession, over a two-year period, of Monash’s Berwick Campus in the south-east corridor of Melbourne. Federation University Australia, or FedUni, is headquartered in Ballarat and offers programs in Higher Education and Vocational Education and Training to regional Victoria and beyond. The University’s commitment to educational and social equity, teaching excellence, research distinction, environmental sustainability and regional capacity building has enabled it to develop in a way that draws on its proud heritage to inform its future. Its regional character sets a framework for the University’s priorities but does not constrain it from serving wider community interests, nationally and internationally. The name Federation University Australia was chosen to convey the scope and capacity of an expanded regional university with a federated network of campuses.Colour photograph of Federation University Australia Mount Helen campus in Autumn. It features the area known as 'The Flags' and the Peter Blizzard sculpture.mount helen campus, federation university australia, peter blizzard, flags -
Wangaratta Art Gallery
Sculpture, Cheryl Kennedy et al, Thirst, 2019
Yearn Hunger Thirst Always on the edge of oblivion, craving sustenance in a dry land. McLean and Kennedy have collected dry materials: hollow pipes, old hoses and worn metal hose fittings. The materials were then wrapped with dyed, frayed fabric, string and yarn to create a piece that expresses the collective longing for rain.Wangaratta Art Gallery Collection. Winner of the Wangaratta Contemporary Textile Award 2019.A sculpture made out of recycled hoses and irrigation fittings that have been wrapped and tied in overdyed yarn, string, fabric stripswangaratta art gallery, wcta, sculpture, cheryl kennedy, linda mcclean -
Wangaratta Art Gallery
Sculpture, Rose Wedler, Milagros, 2006
Milagros is inspired by the Mexican tradition of pinning ‘ex-votos’ or ‘milagros’ onto the robes of Patron Saints when requesting a miracle. Ex-votos or milagros are votive offerings of small metal shapes which represent a visual form of people’s prayers. The central question in this piece is:If the creatures of the river could, which ones would be asking their Patron Saints for a miracle or two? Most of the wetland and river fauna which are depicted in Milagros are listed as endangered or vulnerable and are recorded as belonging to the area of the Ovens River stretching from Wangaratta to the Murray.Wangaratta Art Gallery CollectionA rectangular sculpture that features a light wood beam with a brown fabric hang from it, with small golden animal pendants attached to the fabric.rose wedler, sculpture, milagros -
City of Ballarat Libraries
Glass Slide, The Statuary Pavilion, Ballarat Botanic Gardens
This pavilion is a major feature of the Ballarat Botanic Gardens and is unique in Victoria and possibly Australia.Previously unknown image of Ballarat. The set and its subjects indicate these images were produced to promote Ballarat and were perhaps aimed at tourists.The Statuary Pavilion, erected in 1887, houses classically derived sculptures donated to the city by Mr James Russell Thompson. Image not dated. -
Robin Boyd Foundation
Slide, 1956-1957
Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Sculpture garden, Museum of Modern Art, New York, New York, USA. (Architect: Philip Johnson.)Made in USA / 3 / Encircled 15F (Handwritten) / B (Handwritten) / 04819mit bemis professorship, mit, robin boyd, slide -
Montsalvat
Photograph, Sculpture
Black and white photograph of five metalwork sculptures by Matcham Skipper resembling wind turbines with decorative mandalas inside. Location unknown. Nonematcham skipper, photograph, sculpture -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Sculpture - Boot Sculpture, Royal order of the Boot
An old boot made into a sculpture, there are papers inside the boot as required to keep the books out, the boot is fixed onto a piece of wood -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Digger One, 18/03/2014
Digger One is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.3 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
University of Melbourne, Burnley Campus Archives
Newspaper - Newspaper Cutting, Don't miss this show!, 1991
Page 3 from Progress Press (an eastern suburbs newspaper), October 2, 1991. A short article about the centenary celebrations with a photo of the principal, Dr Greg Moore sitting alongside a sculpture of a man sited in the Native Garden. The caption reads: "Manager of the VCAH Greg Moore with one of the 40 sculptures celebrating the college's centenary."dr greg moore, vcah, centenary, progress press, sculpture, principal, victorian college of agriculture and horticulture -
Federation University Historical Collection
Photograph, Perseus, 28/01/2004
Perseus is the work of J. Cranari who was sctive in the 1880s. It was presented to the National Gallery of Victoria by James Chapman in 1885, before being de-accessioned and transferred to Ballarat in 1943. It was Perseus is the work of J. Cranari who was sctive in the 1880s. It was presented to the National Gallery of Victoria by James Chapman in 1885, before being de-accessioned and transferred to Ballarat in 1943. In 2008 it was removed from its Camp Street location and underwent conservation treatment, Pegasus was moved to the Robert Clark Centre at the Ballarat Botanical Gardens.Various photographs of a marble sculpture of Perseus when at Camp Street. Perseus was the son of Zeus who was the most supreme Greek god of all.perseus, statue, marble -
Federation University Art Collection
Ceramic - Artwork- Ceramic, (Untitled) Cubes, 1984
This item is part of the Federation University Art Collection. The Art Collection features over 0200 works and was listed as a 'Ballarat Treasure' in 2007.Slip cast raku fired cube sculptures. If you can assist with information of this artist or artwork please use the comment link below. art, artwork, ceramics, slip cast, raku -
Federation University Art Collection
Artwork - Ceramic, [Ceramic Sculpture]
This work was completed by a male Diploma student at the Gippsland Centre for Art and Design (GCAD). Ceramic sculpture features an anvil shape on wheels. If you can assist with information on this artist or artwork please use the email link below.ceramics, gippsland campus, anvil, sculpture -
University of Melbourne, Burnley Campus Archives
Album - Colour slides, Installation of a Sculpture, 1987-1989
Collection of 21 slides showing the installation of a large sculpture at Burnley? Mar 89. 1 of 2 people looking at azaleas Oct 87sculpture, azaleas, installation -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, Kew Historical Society, Grip of Time, 1982
Various partiesReference, Research, InformationSecondary Values (KHS Imposed Order)Subject file containing both primary and secondary sources relating to the sculpture by Peter Schipperheyn (b.1955) - Grip of Time (1979) - installed on the north wall of the Kew Town Hall (now the Kew Library) in 1983. Mrs Laurel Abercrombie, a Kew resident, donated the sculpture to the City of Kew in 1982, and it formed part of the ‘municipal collection’ of the former City of Kew (now City of Boroondara). A note in the file records that prior to its installation on its current site; it was attached to a brick wall at the side of Abercrombie Galleries, Johnson Street, Collingwood. It was restored by the sculptor c.1996. The file contains two colour photographs of the sculpture and newspaper articles recording controversy at the time of its installation. The file also contains correspondence between the Society and the City of Boroondara relating to the plaque that was beside the sculpture.kew historical society - archives, kew library, kew civic hall, kew town hall, grip of time, peter schipperheyn (1955-), artworks - kew (vic), city of kew - municipal collectionkew historical society - archives, kew library, kew civic hall, kew town hall, grip of time, peter schipperheyn (1955-), artworks - kew (vic), city of kew - municipal collection -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Plaque accompanying chainsaw statues by Leigh Conkie, 18/03/2014
Plaque accompanying chainsaw statues by Leigh Conkie. These chainsaw sculptures were in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.1 Colour digital photograph.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
National Wool Museum
Sculpture - Cocoon Sculpture, 2018
Handmade cocoon sculpture made from wool. The sculpture appeared in Kathy Holowko's exhibition "Spidergoat and the Insect Electro" on show at the National Wool Museum from 4th May to 29th July 2018. the sculpture is representative of the other pieces that appeared in the exhibition.The cocoon is constructed with armature wire and pure wool from the National Wool Museum. The wool was looped over the armature wire and hand sewn at each intersecting wire ring.kathy holowko, 2018