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National Wool Museum
Photograph - Dyeing Wool, 1960s
One of fifty one photographs originally in a photo album found in the National Wool Museum’s office. The album was water damaged and the images were removed for conservation. The images follow the process of wool. Beginning in a sheep paddock and finishing as a folded fabric. It includes all the steps in between in this process, including shearing, transporting, selling, washing and the many different steps in the process of turning a single thread of wool into fabric.Black and white image showing a man working at vats dyeing wool.AUSTRALIAN NATIONAL PUBLICITY / ASSOCIATION / FLINDERS STREET RAILWAY BUILDING, / MELBOURNE AUSTRALIA / W28 / W28. Dyeing Wool.wool industry, working life, women, boonoke station, farming, sheep farming, agriculture, sheep stations, transport, wool processing, shearing, textile industry, wool -
National Wool Museum
Photograph - From Scourer to Dryer, 1960s
One of fifty one photographs originally in a photo album found in the National Wool Museum’s office. The album was water damaged and the images were removed for conservation. The images follow the process of wool. Beginning in a sheep paddock and finishing as a folded fabric. It includes all the steps in between in this process, including shearing, transporting, selling, washing and the many different steps in the process of turning a single thread of wool into fabric.Black and white image showing a wool moving through machinery.AUSTRALIAN NATIONAL PUBLICITY / ASSOCIATION / FLINDERS STREET RAILWAY BUILDING, / MELBOURNE AUSTRALIA / W11 / W11. From Scourer to Dryer.wool industry, working life, women, boonoke station, farming, sheep farming, agriculture, sheep stations, transport, wool processing, shearing, textile industry, wool -
National Wool Museum
Photograph - Mending, 1960s
One of fifty one photographs originally in a photo album found in the National Wool Museum’s office. The album was water damaged and the images were removed for conservation. The images follow the process of wool. Beginning in a sheep paddock and finishing as a folded fabric. It includes all the steps in between in this process, including shearing, transporting, selling, washing and the many different steps in the process of turning a single thread of wool into fabric.Black and white image showing close up of a hand mending wool textiles.AUSTRALIAN NATIONAL PUBLICITY / ASSOCIATION / FLINDERS STREET RAILWAY BUILDING, / MELBOURNE AUSTRALIA / W39 / Mendingwool industry, working life, women, boonoke station, farming, sheep farming, agriculture, sheep stations, transport, wool processing, shearing, textile industry, wool -
Flagstaff Hill Maritime Museum and Village
Photograph
HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Photograph of Loch Ard Gorge. Photograph taken some distance from the Gorge. Three men in the Gorge and outlines of steps can be seen. Right hand side of the photograph is written "Loch Ard Gorge"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, photograph of loch ard gorge, photograph -
Port Melbourne Historical & Preservation Society
Photograph - Port Melbourne Anti-amalgamation rally, Parliament House, Spring Street, Melbourne, David Thompson, 6 Oct 1993
One of ten photos taken by David Thompson at Port Melbourne Anti-amalgamation protest rally at Parliament House, Spring Street, 6 Oct 1993: Police and demonstrators on Parliament steps (from front)public action campaigns, amalgamation -
Port Melbourne Historical & Preservation Society
Photograph - Port Melbourne Anti-amalgamation rally, Parliament House, Spring Street, Melbourne, David Thompson, 6 Oct 1993
One of ten photos taken by David Thompson at Port Melbourne Anti-amalgamation protest rally at Parliament House, Spring Street, 6 Oct 1993: 'Show of Strength' Police and demonstrators on Parliament stepspublic action campaigns, amalgamation -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Ballarat Law Courts and Grafitti from the Ballarat sitting of the Royal Commission into Institutional Responses to Child Sexual Abuse, May 2015, 30/05/2015
The Royal Commission into Institutional Responses to Child Sexual Abuse is investigating how institutions like schools, churches, sports clubs and government organisations have responded to allegations and instances of child sexual abuse. It is the job of the Royal Commission to uncover where systems have failed to protect children so it can make recommendations on how to improve laws, policies and practices. The Royal Commission is about creating a safer future for children. It can look at any private, public or non-government organisation that is, or was in the past, involved with children. This includes where an organisation caring for a child is responsible for the abuse or for not responding appropriately, regardless of where or when the abuse took place.(http://www.childabuseroyalcommission.gov.au/about-us, accessed 30/05/2015)A number of colour photographs that show chalk grafitti drawn onto the steps and paving outside the Ballarat Law Courts during the May 2015 sitting of the Royal Commission into Institutional Responses to Child Sexual Abuse.ballarat, ballarat law courts, royal commission into institutional responses to child sexual abuse, graffiti -
Stawell Historical Society Inc
Photograph, Soldiers’ Memorial World War 1 in Main Street -- Different angle
Soldiers’ Memorial World War 1 with wreaths at base. The "Girl's Remembrance League" worked to raise money for the memorial to be built. Cost was 643.0.0 pounds. The memorial was unveiled on Saturday 10th Nov. 1923, by Archdeacon T.P. Bennett, (a respected pardre and old Stawell boy). Photo was copied from original donated by Mrs. L Matthew's whose mother Mrs. A. V. Cornish was a member of the Girls Remembrance League. Memorial was partly built by Robson & Grey, when partnership dissolved Mr. G.M. Robson completed the work. The Borough Council donated the land for the memorial.Black & white photograph of a World War 1. memorial. The fallen soldier statue is on a tiered granite base with flowers and wreaths around the base and steps of the memorial. There are two black & white photos one an enlargement. stawell ww1 -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Photograph - School 78 1971
1971 - School 78 - Student Nurse Cathryn Lillee standing at entrance of NDSNOne main black and white photo of nurse holding step rail standing on steps outside school building. Three proof photos of nurse at entrance of school building. - Student nurse Cathryn Lillie.Photographer name on back. Name of nurse. Numbers 7014 - 43.44.47 nursing history, nursing information -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Photograph - Training School 13,14,15
The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.Black and white photograph of eleven second year nurses on the steps of Lister House. Family crest of Dr. Neptune Scott former owner of the house on the left. Third years Mary McGregor, J Thorpe. Names attachedndsn, lister house, pts13, pts14, pts15, diane -
Kew Historical Society Inc
Photograph - 'Raheen', 96 Studley Park Road
Raheen was constructed as a two-storey house in the Italianate style with a four-storey tower over the entrance and single-storey extension. It was designed in an asymmetric and arcaded form, and is built of red brick with cement render. The property retains its garden layout, including an Italianate garden, outbuildings, fence and gates, and internal features including the original stairwell, library, ballroom and cast iron tower stairs. (source VHD)View of the upper and lower eastern loggias of 'Raheen' at 96 Studley Park Road, Kew from the eastern garden. The colour photo shows the pedestals and urns above the steps and the plantings in the garden c.1980. raheen -- 96 studley park road -- kew (vic.), historic houses -- studley park, mansions -- kew (vic.) -
Lakes Entrance Historical Society
Photograph - Housing, 1999 c
Image used by King and Heath, Estate Agents: 'Home for Sale $199,500. (Lakes Post 29.9.1999)A colour photograph of a brick dwelling at 6 Henderson Road. House has hipped roof, veranda over front and side, five steps from the garden at front and carport at side. Toorloo Arm Victoriahouses, architecture -
Bendigo Historical Society Inc.
Plan - MARKS COLLECTION: PLAN FOR NEW ENTRANCE VESTIBULE TO FORTUNA VILLA FOR GEO. LANSELL ESQ
Fortuna Villa was owned from 1855 to 1871 by Christopher and Theodore Ballerstedt, Australia’s first mining magnates. In 1871 it was purchased by George Lansell (The Quartz King) being one of Australia’s most successful and adventurous nineteenth century gold mine owners and speculators. Lansell made numerous alterations extensions to the building and remained in the Lansell family until 1935plan for new entrance vestibule to Fortuna Villa for George Lansell Esq. coloured plan detailing new entrance vestibule and open recess across the verandah, and entry steps RHS of page damaged/ tornfortuna villa, geo.lansell esq., building plan, c & t ballerstedt -
Lakes Entrance Historical Society
Photograph - Mitchell River Bairnsdale Victoria, 1910 c
Copy of old hand coloured postcard of Mitchell River showing St Johns Church top right, rowing club boat shed bottom right with steps down to river and landing Bairnsdale VictoriaMitchell River Bairnsdale Gippsland Victoriabridges, rivers, churches -
Greensborough Historical Society
Book, Greensborough RSL Sub-branch: a proud history, 1919-2015
A short history of the Greensborough RSL Sub-Branch, with first steps to its founding in 1919 and first official recognition as a sub branch in 1934.71p. col. illus.greensborough rsl -
Melbourne Tram Museum
Document - Laminated, "Tram Ready for Road/Running In", 1980s
Details the process for getting a tram ready to run out from or back for W class trams. Lists the steps required to be done by the driver.Yields information about getting a tram ready for the road and returning to a depot.Plastic clear laminated sheet - double sided tramways, drivers, depots, w class tram, training -
Stawell Historical Society Inc
Photograph, Pleasant Creek -- Stawell Hospital & Benevolent Asylum
Pleasant Creek Hospital and Benevolent Asylum. Stawell Hospital looking from hospital steps to front gate. Four nurses on lawn near fountain.stawell hospital medical -
Vision Australia
Letter - Text, Letter advising that a Medal of the Order of Australia will be awarded to Neil Maxwell
Letter from Government House advising that Neil Maxwell will be awarded a Medal of the Order of Australia, congratulating him on this achievement and outlining the steps of his investiture.A4 white page with Governor-General letterheadnon-fictionneil maxwell, awards -
Stawell Historical Society Inc
Photograph, "Oban" House witha close up of Eastern front Verandah in Scallan Street Stawell
B/W photo. Close up of Eastern front Verandah of Oban in Scallan Street Stawell showing verandah details front door and steps.stawell houses -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Queen Elizabeth II and Prince Phillip, 1970, 1970
From the records of Glenelg Shire CouncilBlack and white photo, Queen Elizabeth II at bottom of steps from plane at Portland airport. Prince Phillip at top of stairs, about to disembark. Mayor and Lady Mayoress of Portland walking towards Her Majesty.royal visit, queen elizabeth ii, prince phillip, portland airport, 1970 -
Bendigo Historical Society Inc.
Document - BENDIGO EASTER FAIR COLLECTION: CITIZEN SHIP FLOAT
Photocopy of Bendigo Advertiser photo: image shows float in Easter Parade ( 1950's?) Written on end of float '6th Bendigo' and on side 'steps to citizenship' Appears to be scouting or guides float. Poor quality copy.bendigo, bendigo easter fair, float in parade -
Lakes Entrance Historical Society
Photograph - Floods, 1934
Severe flooding all over Gippsland in August 1934. All low lying areas of Lakes Entrance flooded.Black and white photograph of flood waters around the Mechanics Hall. Shows external stairway to bio-box addition for film projector. Mr Syd Allen projectionist seen at lobby steps. Lakes Entrance VictoriaOn Back Old Cat No 77floods, halls, houses, roads and streets -
Lakes Entrance Historical Society
Photograph - Housing, 1999
Former Metung Post Office business was conducted from this building.Colour photograph of a weatherboard dwelling at 15 Stirling Road, corrugated iron hipped roof, fenced veranda at front with decorative turned veranda posts, wide timber steps from driveway to veranda. Metung Victoriahouses, heritage study -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, 8 Hale Crt., Burwood E, 2003
A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 8 Hale Crt., Burwood East in 2003 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. This property is listed as sold for $385,000 in 2003 Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 9 Tainton St., Burwood. A brick single story house with steps up to front door, with a driveway leading past a gate, to a garage in the background.8 Hale Crt., Burwood E Margaret Picken © 2003 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden, burwood east -
Warrnambool and District Historical Society Inc.
Book - Terang WWI soldiers, They served with courage: the history of Terang WWI soldiers and nurses on our war memorial, March 2020
This book records the 400 soldiers listed on the Terang War Memorial and provides the only comprehensive documentation of these soldiers and their WWI military experiences and life beyond the war.A4 sized soft bound book with image of obelisk war memorial on three steps with name plaques on the faces of the obelisk which is framed by green trees; title in white, sub-title in white on black stripmilitary history, world war i, soldiers, terang, war memorials -
Lakes Entrance Historical Society
Photograph - Eastern Pier Lakes Entrance Victoria, 1920 c
Also a similar photograph showing section of eastern pier showing brick rocket shed far left and another small shed and board walk up to the flagstaff 05295.1 7 x 11.5 cmBlack and white photograph of end of eastern pier looking out to sea showing steps down from board walk onto concrete end of pier and green light beacon on end Lakes Entrance Victoriawaterways, piers -
Ballarat Tramway Museum
Negative - Set of 2, Wal Jack, 2/06/1935 12:00:00 AM
.1 Negative of a black and white photograph of Ballarat No. 28 near the SEC depot in Wendouree Parade, has Lake in the background. Tram in the ESCo colour scheme of Red and Cream/yellow - shows high bumper and small door and single step that was provided on opposite corners. Photo 2-6-1935. Alan Bradley advised in an e-mail 27/9/2006 that According to the rolling stock cards No. 28 was altered to the final one-man style and re-painted from red to green on 12/3/1938, the last Ballarat car to be so treated. 3566.2 - Digital image from the Wal Jack Ballarat Album of the same photograph as 3566.1 Rear of photo, image i2, dates the image as 2.6.1935. Image btm3566i3.jpg made from negative (N705) from within Wal Jack papers ex Keith Kings - (3200dpi - 19MB) scan - added 19/7/2019. Record Revised to updated for better images etc. 19/7/2019. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negative. On rear of .1 in ink "SEC Ballarat 5241, "No. 28 (read and cream) altered with steps at opposite corners only. Wendouree Parade 2.6.35" and has the number T5, within the Wal Jack stamp.trams, tramways, sec, esco, livery, colour schemes, tram 28 -
Kew Historical Society Inc
Equipment, Handheld Directional Compass, 1960s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Circular compass, marked by degree to 360. Metal case with cracked glass upper surface. Metal ? with brass pivot. North marked by an exterior metal knobInterior labelled with N,S,E, and W in large print. NW, NE, SE and SW in smaller print. Outer circle marks the degrees, notated in 20 degree steps Numbered KH311compass, handheld compass, dorothy rogers -
Melbourne Tram Museum
Document - Technical pamphlet/s, Melbourne & Metropolitan Tramways Board (MMTB), E1 Motor Omnibus - Nos. 600 - 624, c1960
Set of three public transport vehicles photograph sheets in the style of those supplied by Los Angeles (See Reg Item 370). .1 - Class E1 Motor Omnibus - Nos. 600 - 624 - provides a front three quarter view, two interior views and front and rear steps. .2 - ditto - copy of above on heavy paper. .3 - Class W7 - tramcar - three quarter view, interior - saloon and smoker and entrance steps - copy of an original document. Not known when made - 1960c?On rear in pencil: .1 - (8) .2 - (12) .3 - (11)trams, tramways, mmtb, w7 class, buses -
Halls Gap & Grampians Historical Society
Postcard - B/W
This is a photo of the Comfort Station at the Halls Gap Camping Reserve. The Camp Kitchen (see record 375) can be seen in the right, rear of the photo .The photograph shows a building, constructed from logs and stone. Steps lead up to the door and the building has small, paned windows alond the front. There is bush in the background and a smaller stone building can be seen at the right rear. "...or Series No. 8. Comfort Station, Camping Reserve, Hall's Gap, Grampians, Vic." on bottom of postcard.buildings, comfort stations