The daybed cover here is same fabric as the curtains (item F111) and some of the cushions (items F088-F092 and F099-F103) located on the Suzy's bed.Mustard and white stripe cotton made to fit single bed (item 105), with calico lining. Has a curved edge.walsh st furnishings, robin boyd

British Army Red with Blue stripe double buckle Stable Belt with metal length adjuster. Ceremonial Military wear.No Markings Insciptions.

This tin contained waterproof wax vestas, a short match with a wax shaft. On the bottom of the tin there is a rough surface which was struck to light the match.A small brown with dark blue and aqua stripes on the front of a rectangular tin. Three lines of print on the front hinged lid.BELL'S/WATERPROOF/WAX VESTAShouston, william, houston, joan, george evans collection, commercial packaging

Issued by the SECV in July 1954 with some 1955 updates as "Personnel Regulations Safety & First Aid" for its employees. Has a table of contents, covering the general safety items or matters at the time, including clothing, managerial instructions, first aid, first aid kits, and equipment. See item 8292 for the 1947 version. Item collected by the donor from the Ballarat Tram Depot at the time of closure.Yields information about the Safety Practices of the SEC in 1954 and its methods of educating its workforce.Book - manila cover with green and yellow striping on the spine, secured with Arnos binder holding about 114 duplicated sheets.secv, safety, handbooks, secv rules, first aid

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. This garment was owned and worn frequently by Assunta herself, as part of an ensemble. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Forrest green long sleeved crew neck jumper with black horizontal stripes on lower half. Button at the back of neck. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

A book of maps of region 16 for use by the CFA in bushfires Clear Plastic cover with wire spiral binding, over pruple paper with CFA Logo and White Stripes in the lower halfRegion 16 Rural Directory Second Edition 1992 Published by The Country Fire Authority Mapping Association INc. Sold by Country Fore Authority Regio 16 Headquarters 390 Barkly Street Ararat 3377stawell map

Michael Sydney Boyle No 3464 enlisted in the AIF in 8th reinforcements 21st Batt AIF on 12.7.15 age 26 years 2 months. Embark for Eygpt 29.12.15, transfers to the 60th Batt 26.2.16, promoted to Sgt 22.3.16, hospital 15.4.16 (unclear), embark for France 22.6.16, WIA 19.7.16 GSW to left elbow. Transfers to 17th Field Ambulance, embarks for France again 28.11.17, appointed acting CSM 19.1.18, transfers to No 1 A.C.D and reverts in rank to Sgt 18.4.18, discharged from the AIF 14.7.19. Frank Vincent Boyle No 3463 enlists in 8th reinforcements 21st Batt AIF on 17.7.15 age 20 years 8 months. Embarks for Eygpt 29.12.15, transfers to 60th Batt 26.2.16, promoted to Sgt 25.3.16, embark for France 22.6.16, WIA 19.7.16 GSW right ankle and left thigh, returns to Australia 22.2.17, discharged from the AIF 25.5.17. James (Jim) Munro Matheson Boyle No 5955 enlisted in 12 reinforcements F.A.B 2 on 12.7.15 age 25 years 2 months. Embarks for Eygpt 9.11.15, transfer to 5th Battery F.A.B 19.1.16, embark for France 22.3.16, promoted Bombadier 5.11.16, hospital 25.6.17 with Bronchitis, promoted CPl 30.10.17, promoted Sgt 5.11.17, hospital 11.3.18 with Haemoptysis, returns to Australia 6.6.18 classed with Mediastinal tumour, discharged from the AIF on 21.2.19. .1) Syd Boyle standing in uniform, Sergeant stripes. On light brown card backing with darker brown scroll work around. Crown at top left side, lion at bottom centre. Sepia colour, .2) Oval shape re Frank Boyle in peak cap, Sergeant stripes. On brown card backing with raised relief around photo. Sepia colour, .3) Jim Boyle in uniform, peak cap, Corporal stripes, garden background. Black & white. On light fawn backing with ornate edging & ribbon at top..1) “To Mrs Ferguson from yours sincerely Syd Boyle” .2) “To Mrs Ferguson from yours very sincerely Frank Boyle” .3) “To Mrs Ferguson from yours sincerely Jim Boyle”photography - photographs, boyle brothers

Officers Tunic complete with shirt and tie on half mannequin. Rank of Colonel. Colour patches indicate service in WW1 and WW2. 3 blue service stripes on right sleeve and one red wound stripe on left sleeve. Possibly tailor made and not army issue. Shirt and tie from 1990's period.Inside tag M. TX

Winter Olympics, Innsbruck, Austria. This uniform was donated to the Falls Creek Historical Society by Dr. Howard W. Farrow who was appointed as a Medical Officer for the Australian Olympic Games Team of 1976. Dr. Farrow's father, Dr. Claude Farrow was a founding member of the Edelweiss Ski Club of Australia which was formed in 1947. He was also the Founding President of the Federation of Victorian Ski Clubs (F.O.V.S.C) which produced the Ski-Horizon journal. Dr. Howard Farrow reported that "the Europeans laughed at us and called us the prisoners". Australia sent a team of eight athletes to Innsbruck, five men and three women. The team consisted of alpine skiers Kim Clifford, David Griff, Robert McIntyre, Joanne Henke and Sally Rodd; figure skaters Billy Schober and Sharon Burley and speed skater Colin Coates, who was competing in his third Winter Olympics. This uniform was designed by famous fashion designer Pru Acton OAM, in response to a request by athletes for a more colourful uniform than the standard green blazer previously worn by the Australian team at the Opening and Closing Ceremonies of the Games.This uniform is significant because it was a modern development of Australian Winter Olympic team uniforms created by a famous Australian fashion designer.The Australian Ski Suit for the 1976 Winter Olympic Games. It has patches of big bold black and white stripes, set horizontally and vertically, with panels of yellow. The Australian emblem of Olympic circles and a kangaroo are placed on the back and front of the jacket and on the arm and leg. A bib-and-brace overall in matching stripes was worn under the jacket.1976 winter olympics, australian winter olympics uniforms, pru acton, dr. howard farrow

This apron was made by Marjorie Burton's Mother, Mrs Whiteman, in the 1920's and would have been worn when entertaining at home.. This item is an example of a handcrafted item and reflects the handcraft skills of women in the 1920's.A cream coloured crocheted apron. It has two bands of stripes at the bottom in green, pink, blue,purple, blue, pink and green.crochet handcraft apron

This is the twenty-eighth issue of the annual Orbost High school magazine. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east. 2223,1 belonged to Mary Gilbert, a former teacher at the school.This is a useful reference tool.Two copies of Croajingolong 1975, It has a cream cover with dark blue print. There is a blue and yellow stripe on the left hand side.croajingolong orbost-high-school

An ornate silver cup with leafy features and upward stripes in the middle part of the cup. It has two bulges and has two handles.The inscription is at the base of the cup. "Britannia Trade Mark / Philip/ Ashberry & Sons/ Sheffield/ 1/ 2931/ R

These badges were issued to members of the Gallipoli Legion Badge 802 was issued to Sig. Henry Claude Roussac V23533 a veteran of Gallipoli 25Bn.. G.L. over ANZACS means it is a "Gallipoli Legion"badge. Any person who> served there, not just at the landing, was eligible to join the legion and receive the badge. Brass badge with enamel face Recto vertical stripes red white and blue with crown over Verso brass with tab for pinObverse 68 within crown G.L/ ANZACS Reverse 802gallipoli legion, gallipoli, badge, a.n.z.a.c., roussac henry claude, anzac gl, gallipoli legion, gallipoli, badge, a.n.z.a.c., roussac henry claude, anzac gl

Jacket made in 1969 for use by Australian army personal.Black Dress Jacket with sergeant stripes on the sleeves.Has a signal corps badge on each lapel.Also six brass buttons on front of Jacket.

Short sleeves knee-length white dress with light blue, yellow, red and navy stripes detail on the left side and neckhostess, flight attendant, stewardess, ansett

Photograph: WW1 male soldier seated, wearing army uniform, gaiters, spurs, sergeant stripes. Written on front ' Mina Moors'Mina Moors, auditorium building, Collins Street, Melbourneorganization, military, male portrait, ww1, soldier, sergeant

Brass casing - smoke round. Stripes of green, red and small black colours leading up to the fuse. No.3 on information sheet.smoke round, shell, artillery