Showing 5630 items matching "the victorian book"
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Eltham District Historical Society IncBook, St Andrews Primary School Council, St Andrews: A Village Built on Gold : the history to present day of St Andrews and District compiled by St Andrews Primary School Council, 2008
... The School The Church Queenstown Cemetery The Hotels The Police Paddocks The Families Queenstown in the early twentieth century The Queenstown Bush Fire Brigade The 1st Queenstown Scout troop Queenstown, the 1940s and 1950s The Characters Odds and Sods St Andrews - The Present Times The Future St Andres Primary School in 1998 This book is significant in that it documents the history of the St Andrews community from the indigenous presence through its foundation during the Victorian Gold Rush through to local bushfires and predictions of the future by local primary schools students in 1998. ...This history of the Victorian town of St. Andrews (formerly Queenstown) and its surroundings was written to celebrate the 140th anniversary of St Andrews Primary School. Describes the displacement of the Aboriginal inhabitants of the area, European settlement and the Gold Rushes and the Caledonia diggings. Discusses establishment of the school, church and cemetery and various other notable events. The school in 1998 and speculations on the future by primary school pupils. Contents: Introduction The First People Mining- What a rush! The School The Church Queenstown Cemetery The Hotels The Police Paddocks The Families Queenstown in the early twentieth century The Queenstown Bush Fire Brigade The 1st Queenstown Scout troop Queenstown, the 1940s and 1950s The Characters Odds and Sods St Andrews - The Present Times The Future St Andres Primary School in 1998This book is significant in that it documents the history of the St Andrews community from the indigenous presence through its foundation during the Victorian Gold Rush through to local bushfires and predictions of the future by local primary schools students in 1998. It remains the only significant secondary source publication written specifically on this rural community.Reprint edition with index 158 p. : ill., ports ; indexEx Eltham College copy Bendigo bank donation label inside cover Title page with stampings for D.D. Davey Senior Library Rear page date due slip st andrews, queenstown -
Eltham District Historical Society IncDocument - Folder, Pugh, Clifton
... Victorian Branch of the Australian Labor Party...Latrobe's Art Museum...Rudy Komon Gallery...Leonard French...Jon Molvig...Rick Armor...John Olsen...LaTrobe University...Donovan Pugh...Trevor Welshman...Australia Council Visual Arts Board...Lesley Alway...Dailan Pugh...Paul Barnett...Helen Nixon...Helen Lunn...A Year of Orchids book...Clifton Pugh Hurstbridge Adriane Strampp Princess Michael of Kent Arthur Boyd John Brack Charles Blackman Fred Williams Shane Pugh Marlene Pugh Professor Jock Marshall Briar Hill Victoria Cottles Bridge Victoria Turner family of Briar Hill Yandell family of Briar Hill St Helena Church St Helena Road Briar Hill Primary School Eltham High School Dunmoochin Campbell Beardsell David Beardsell Ivanhoe Boys Grammar School National Gallery Art School Hurstbridge Grevillea Montsalvat George Dreyfus Kew City Band Justus Jorgensen Sir Edward "Weary" Dunlop Prue Acton John Howley Fay Dunmore Singers Derryn Hinch Jeff Kennett Tom Uren Dennis Gowing Matcham Skipper Kyra Skipper Gordon Ford Hilary Jackman Peter Graham Robert Marshall John Greaves Jenni Mitchell Rodney Roschollor Gough Whitlam Sir John Kerr Lionel Murphy Manning Clark Arts Policy Committee of Victorian Branch of the Australian Labor Party Latrobe's Art Museum Rudy Komon Gallery Leonard French Jon Molvig Rick Armor John Olsen LaTrobe University Donovan Pugh Trevor Welshman Australia Council Visual Arts Board Lesley Alway Dailan Pugh Paul Barnett Helen Nixon Helen Lunn A Year of Orchids book Campbell Bearsdell David Bearsdell Johnny Young Ian McKimmie Tiwi art Strathewen Hall Rhonda Noble LaTrobe University Art Museum Traudi Allen Clifton Pugh Patterns of a Lifetime book Trust for Nature Randall Robinson Newspaper clippings, A4 photocopies, etc Pugh, Clifton Document Folder ...The artist, Clifton Pugh, grew up in Briar Hill. He served in WWII and settled at Cottles Bridge, building his own house and forming Dunmoochin artist colony. He married three times and had two sons. He painted the portraits of many eminent people. Contents Newspaper article: "This is the house that Cliff built", The Age, 2 May 1964. Description of Clifton and Marlene Pugh's house.. Folder: Brief biography Clifton Pugh. Photocopy section of "Clifton Pugh: Patterns of a lifetime", Traudi Allen, Nelson, Melbourne 1981. Magazine article: "Clifton Pugh: His home is a work of art", Woman's Day, 16 January 1894. Describes Clifton Pugh's house at Hurstbridge. Newspaper article: "A guide to our orchids", Diamond Valley News, 14 February 1984. Clifton Pugh contributed to the book "A Year of Orchids". Newspaper article: "A family tradition is continued". Diamond Valley News, 28 February 1984. Clifton Pugh's childhood and career. Magazine article: "Clifton Pugh's bush paradise", Home Beautiful, May 1989. Clifton Pugh's house and studio. Clipping: "Clifton Pugh award winning artist". Clifton Pugh currently working on illustrations for a book, with Pam Blashki, on wood chipping ["A Kingdom Lost: A Story of the Devastation of Our Wilderness", published 1989]. Newspaper article: "Funeral drama shows the Pugh touch", The Age, 19 October 1990. Clifton Pugh's funeral at Montsalvat. Newspaper article: "Friends bid farewell to Pugh". Herald-Sun, 19 October 1990. Clifton Pugh's funeral at Montsalvat. Newspaper article: "Friends paint a lowing portrait". Herald-Sun, 19 October 1990. Funeral and obituary of Clifton Pugh. Newspaper article: "Montsalvat mourns passing of a great". Diamond Valley News, 23 October 1990. Clifton Pugh's funeral at Montsalvat. Newspaper article: "Loner who was a fair dinkum mate". Diamond Valley News, 23 October 1990. Obituary of Clifton Pugh. Newspaper article: "Pugh's last works", Tempo, The Age, 17 July 1991. Clifton Pugh was illustrating Helen Lunn's book 'The Digger's Mate' when he died. Newspaper article: "Dunmoochin's rich tradition to live on", Diamond Valley News, 29 October 1993. Dunmoochin Foundation Board to advertise lease of studios. Newspaper article: "Clean up for Cliff", Herald Sun, 8 December 1993. Preparation for exhibition of Clifton Pugh's work at LaTrobe University Art Museum. Flier: Exhibition "Clifton Pugh: A Retrospective", Montsalvat, 12 to 14 November 1999. Newsletter: "Dunmoochin: an edited version of the history prepared for the Heritage Study by David Bick", Eltham District Historical Society newsletter 140, September 2001 Newspaper article: "Hail rising of Phoenix", Diamond Valley Leader, 20 July 2005. Dunmoochin Foundation and official opening of buildings Phoenix I and Phoenix II after the 2001 bush fire. Newspaper article: "Legacy to the arts", Diamond Valley Leader, 10 August 2005. Dunmoochin Foundation and the rebuilding after the 2001 bush fire. Newspaper article: "Tiwi art to go on show", ?publication, ?2002. Shane Pugh, Johnny Young and Ian McKimmie organising exhibition of Tiwi art to mark 100th birthday of Strathewen hall. Flier: Exhibition "Clifton Pugh AO: Reflections of Dunmoochin". Briar Hill Primary School, 23 to 25 November 2007. Printout: "Dunmoochin", http://www.standrews.vic.edu.au/dunmoochin.html. 19 May 2004. Newspaper article: "Hail rising of Phoenix", Diamond Valley Leader, 20 July 2005. Rebuilding at Dunmoochin after bushfire. Newspaper article: "Legacy to the arts", Diamond Valley Leader, 10 August 2005. Rebuilding at Dunmoochin after bushfire. Newspaper article: "Artist's legacy on show". Dunmoochin one of four Cottles Bridge sites for a tour by Trust for Nature, 2 and 3 October no year. Newspaper clippings, A4 photocopies, etcclifton pugh, hurstbridge, adriane strampp, princess michael of kent, arthur boyd, john brack, charles blackman, fred williams, shane pugh, marlene pugh, professor jock marshall, briar hill victoria, cottles bridge victoria, turner family of briar hill, yandell family of briar hill, st helena church, st helena road, briar hill primary school, eltham high school, dunmoochin, campbell beardsell, david beardsell, ivanhoe boys grammar school, national gallery art school, hurstbridge grevillea, montsalvat, george dreyfus, kew city band, justus jorgensen, sir edward "weary" dunlop, prue acton, john howley, fay dunmore singers, derryn hinch, jeff kennett, tom uren, dennis gowing, matcham skipper, kyra skipper, gordon ford, hilary jackman, peter graham, robert marshall, john greaves, jenni mitchell, rodney roschollor, gough whitlam, sir john kerr, lionel murphy, manning clark, arts policy committee of victorian branch of the australian labor party, latrobe's art museum, rudy komon gallery, leonard french, jon molvig, rick armor, john olsen, latrobe university, donovan pugh, trevor welshman, australia council visual arts board, lesley alway, dailan pugh, paul barnett, helen nixon, helen lunn, a year of orchids book, campbell bearsdell, david bearsdell, johnny young, ian mckimmie, tiwi art, strathewen hall, rhonda noble, latrobe university art museum, traudi allen, clifton pugh patterns of a lifetime book, trust for nature, randall robinson -
Eltham District Historical Society IncPhotograph - Digital Photograph, Marguerite Marshall, Art Gallery at Clifton Pugh's Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge, 5 February 2008
... Dunmoochin inspired Pugh for such paintings as in a book on orchids and the Death of a Wombat series.1 But his love for the bush was accompanied by the fear that Europeans were destroying it and much of his painting illustrated this fear and his plea for its conservation.2 However it was his house rather than the surrounding bush that was to be destroyed. Tragically in 2002 Pugh’s house, with its treasure of art and library of 20,000 art books, was destroyed by fire. Traces of the beauty of Pugh’s home still remain, however, in the magnificent Victorian...Dunmoochin inspired Pugh for such paintings as in a book on orchids and the Death of a Wombat series.1 But his love for the bush was accompanied by the fear that Europeans were destroying it and much of his painting illustrated this fear and his plea for its conservation.2 However it was his house rather than the surrounding bush that was to be destroyed. Tragically in 2002 Pugh’s house, with its treasure of art and library of 20,000 art books, was destroyed by fire. Traces of the beauty of Pugh’s home still remain, however, in the magnificent Victorian ...Art Gallery with mural painted by Clifton Pugh (1924-1990) at his Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge. Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p153 It’s not surprising that artist Clifton Pugh was drawn to Cottles Bridge to establish his artists’ colony Dunmoochin. Undisturbed by the clamour of modern life at Barreenong Road, Pugh was surrounded by the Australian bush he loved, and where his ashes were later scattered. The 200 acres (81ha) of bushland, broken by glimpses of rolling hills, has more than 50 species of orchids and Pugh shared his property with native animals including kangaroos, emus, phascogales, wombats, and diverse bird life. Pugh encouraged these creatures to join him in the bush by creating, with Monash University, a holding station where the animals were raised. Dunmoochin inspired Pugh for such paintings as in a book on orchids and the Death of a Wombat series.1 But his love for the bush was accompanied by the fear that Europeans were destroying it and much of his painting illustrated this fear and his plea for its conservation.2 However it was his house rather than the surrounding bush that was to be destroyed. Tragically in 2002 Pugh’s house, with its treasure of art and library of 20,000 art books, was destroyed by fire. Traces of the beauty of Pugh’s home still remain, however, in the magnificent Victorian doorframe archway with leadlight of intricate design procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. Now in place of Pugh’s house, are two double-storey mud-brick artists’ studios topped with corrugated roofs curved like birds’ wings, with accommodation for seven. The original studios, gallery and other buildings remain.3 Pugh grew up on his parents’ hobby farm at Briar Hill and attended the Briar Hill Primary School, then Eltham High School and later Ivanhoe Grammar. At 15 he became a copy boy for the Radio Times newspaper, then worked as a junior in a drafting office. Pugh was to have three wives and two sons. After serving in World War Two in New Guinea and Japan, Pugh studied under artist Sir William Dargie, at the National Gallery School in Melbourne.4 Another of his teachers was Justus Jörgensen, founder of Montsalvat the Eltham Artists’ Colony. Pugh lived on the dole for a while and paid for his first six acres (2.4ha) at Barreenong Road by working as an egg packer for the Belot family. Pugh accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in the 200 acre property. They, too, purchased their land from the Belot family by working with their chickens. Around 1951 Pugh felt he had ‘Done moochin’ around’ and so the name of his property was born. Pugh bought some used timber from architect Alistair Knox to build his house on the crest of a hill. Inspired by local goldminers’ huts it was a one-room wattle-and-daub structure with a dirt floor. It was so small that the only room he could find for his telephone was on the fork of a tree nearby.5 Over the years the mud-brick house grew to 120 squares in the style now synonymous with Eltham. It had thick adobe walls (sun-dried bricks) made from local clay, high ceilings and stone floors with the entire structure made of second-hand materials – most found at wreckers’ yards. Pugh’s first major show in Melbourne in 1957, established him as a distinctive new painter, breaking away from the European tradition ‘yet not closely allied to any particular school of Australian painting’.6 Pugh became internationally known and was awarded the Order of Australia. He won the Archibald Prize for portraiture three times, although he preferred painting the bush and native animals. In 1990 not long before he died, Pugh was named the Australian War Memorial’s official artist at the 75th anniversary of the landing at Gallipoli. Today one of Pugh’s legacies is the Dunmoochin Foundation, which gives seven individual artists or couples and environmental researchers the chance to work in beautiful and peaceful surroundings, usually for a year. By November 2007, more than 80 people had taken part, and the first disabled artist had been chosen to reside in a new studio with disabled access.1 In 1989, not long before Pugh died in 1990 of a heart attack at age 65, he established the Foundation with La Trobe University and the Victorian Conservation Trust now the Trust for Nature. Pugh’s gift to the Australian people – of around 14 hectares of bushland and buildings and about 550 art works – is run by a voluntary board of directors, headed by one of his sons, Shane Pugh. La Trobe University in Victoria stores and curates the art collection and organises its exhibition around Australia.2 The Foundation aims to protect and foster the natural environment and to provide residences, studios and community art facilities at a minimal cost for artists and environmental researchers. They reside at the non-profit organisation for a year at minimal cost. The buildings, some decorated with murals painted by Pugh and including a gallery, were constructed by Pugh, family and friends, with recycled as well as new materials and mud-bricks. The Foundation is inspired by the tradition begun by the Dunmoochin Artists’ Cooperative which formed in the late 1950s as one of the first artistic communes in Australia. Members bought the land collaboratively and built the seven dwellings so that none could overlook another. But, in the late 1960s, the land was split into private land holdings, which ended the cooperative. Dunmoochin attracted visits from the famous artists of the day including guitarists John Williams and Segovia; singer and comedian Rolf Harris; comedian Barry Humphries; and artists Charles Blackman, Arthur Boyd and Mirka Mora. A potters’ community, started by Peter and Helen Laycock with Alma Shanahan, held monthly exhibitions in the 1960s, attracting local, interstate and international visitors – with up to 500 attending at a time.3 Most artists sold their properties and moved away. But two of the original artists remained into the new millennium as did relative newcomer Heja Chong who built on Pugh’s property (now owned by the Dunmoochin Foundation). In 1984 Chong brought the 1000-year-old Japanese Bizan pottery method to Dunmoochin. She helped build (with potters from all over Australia) the distinctive Bizan-style kiln, which fires pottery from eight to 14 days in pine timber, to produce the Bizan unglazed and simple subdued style. The kiln, which is rare in Australia, is very large with adjoining interconnected ovens of different sizes, providing different temperatures and firing conditions. Frank Werther, who befriended Pugh as a fellow student at the National Gallery Art School in Melbourne, built his house off Barreenong Road in 1954. Werther is a painter of the abstract and colourist style and taught art for about 30 years. Like so many in the post-war years in Eltham Shire, as it was called then, Werther built his home in stages using mud-brick and second-hand materials. The L-shaped house is single-storey but two-storey in parts with a corrugated-iron pitched roof. The waterhole used by the Werthers for their water supply is thought to be a former goldmining shaft.4 Alma Shanahan at Barreenong Road was the first to join Pugh around 1953. They also met at the National Gallery Art School and Shanahan at first visited each weekend to work, mainly making mud-bricks. She shared Pugh’s love for the bush, but when their love affair ended, she designed and built her own house a few hundred yards (metres) away. The mud-brick and timber residence, made in stages with local materials, is rectangular, single-storey with a corrugated-iron roof. As a potter, Shanahan did not originally qualify as an official Cooperative member.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, art gallery, clifton pugh, dunmoochin, cottlesbridge, cottles bridge, barreenong road -
Eltham District Historical Society IncPhotograph - Digital Photograph, Marguerite Marshall, Doorway of Clifton Pugh's former house at Dunmoochin, Barreenong Road, Cottles Bridge, 5 February 2008
... Dunmoochin inspired Pugh for such paintings as in a book on orchids and the Death of a Wombat series.1 But his love for the bush was accompanied by the fear that Europeans were destroying it and much of his painting illustrated this fear and his plea for its conservation.2 However it was his house rather than the surrounding bush that was to be destroyed. Tragically in 2002 Pugh’s house, with its treasure of art and library of 20,000 art books, was destroyed by fire. Traces of the beauty of Pugh’s home still remain, however, in the magnificent Victorian...Dunmoochin inspired Pugh for such paintings as in a book on orchids and the Death of a Wombat series.1 But his love for the bush was accompanied by the fear that Europeans were destroying it and much of his painting illustrated this fear and his plea for its conservation.2 However it was his house rather than the surrounding bush that was to be destroyed. Tragically in 2002 Pugh’s house, with its treasure of art and library of 20,000 art books, was destroyed by fire. Traces of the beauty of Pugh’s home still remain, however, in the magnificent Victorian ...Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p155 It’s not surprising that artist Clifton Pugh was drawn to Cottles Bridge to establish his artists’ colony Dunmoochin. Undisturbed by the clamour of modern life at Barreenong Road, Pugh was surrounded by the Australian bush he loved, and where his ashes were later scattered. The 200 acres (81ha) of bushland, broken by glimpses of rolling hills, has more than 50 species of orchids and Pugh shared his property with native animals including kangaroos, emus, phascogales, wombats, and diverse bird life. Pugh encouraged these creatures to join him in the bush by creating, with Monash University, a holding station where the animals were raised. Dunmoochin inspired Pugh for such paintings as in a book on orchids and the Death of a Wombat series.1 But his love for the bush was accompanied by the fear that Europeans were destroying it and much of his painting illustrated this fear and his plea for its conservation.2 However it was his house rather than the surrounding bush that was to be destroyed. Tragically in 2002 Pugh’s house, with its treasure of art and library of 20,000 art books, was destroyed by fire. Traces of the beauty of Pugh’s home still remain, however, in the magnificent Victorian doorframe archway with leadlight of intricate design procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. Now in place of Pugh’s house, are two double-storey mud-brick artists’ studios topped with corrugated roofs curved like birds’ wings, with accommodation for seven. The original studios, gallery and other buildings remain.3 Pugh grew up on his parents’ hobby farm at Briar Hill and attended the Briar Hill Primary School, then Eltham High School and later Ivanhoe Grammar. At 15 he became a copy boy for the Radio Times newspaper, then worked as a junior in a drafting office. Pugh was to have three wives and two sons. After serving in World War Two in New Guinea and Japan, Pugh studied under artist Sir William Dargie, at the National Gallery School in Melbourne.4 Another of his teachers was Justus Jörgensen, founder of Montsalvat the Eltham Artists’ Colony. Pugh lived on the dole for a while and paid for his first six acres (2.4ha) at Barreenong Road by working as an egg packer for the Belot family. Pugh accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in the 200 acre property. They, too, purchased their land from the Belot family by working with their chickens. Around 1951 Pugh felt he had ‘Done moochin’ around’ and so the name of his property was born. Pugh bought some used timber from architect Alistair Knox to build his house on the crest of a hill. Inspired by local goldminers’ huts it was a one-room wattle-and-daub structure with a dirt floor. It was so small that the only room he could find for his telephone was on the fork of a tree nearby.5 Over the years the mud-brick house grew to 120 squares in the style now synonymous with Eltham. It had thick adobe walls (sun-dried bricks) made from local clay, high ceilings and stone floors with the entire structure made of second-hand materials – most found at wreckers’ yards. Pugh’s first major show in Melbourne in 1957, established him as a distinctive new painter, breaking away from the European tradition ‘yet not closely allied to any particular school of Australian painting’.6 Pugh became internationally known and was awarded the Order of Australia. He won the Archibald Prize for portraiture three times, although he preferred painting the bush and native animals. In 1990 not long before he died, Pugh was named the Australian War Memorial’s official artist at the 75th anniversary of the landing at Gallipoli. Today one of Pugh’s legacies is the Dunmoochin Foundation, which gives seven individual artists or couples and environmental researchers the chance to work in beautiful and peaceful surroundings, usually for a year. By November 2007, more than 80 people had taken part, and the first disabled artist had been chosen to reside in a new studio with disabled access.1 In 1989, not long before Pugh died in 1990 of a heart attack at age 65, he established the Foundation with La Trobe University and the Victorian Conservation Trust now the Trust for Nature. Pugh’s gift to the Australian people – of around 14 hectares of bushland and buildings and about 550 art works – is run by a voluntary board of directors, headed by one of his sons, Shane Pugh. La Trobe University in Victoria stores and curates the art collection and organises its exhibition around Australia.2 The Foundation aims to protect and foster the natural environment and to provide residences, studios and community art facilities at a minimal cost for artists and environmental researchers. They reside at the non-profit organisation for a year at minimal cost. The buildings, some decorated with murals painted by Pugh and including a gallery, were constructed by Pugh, family and friends, with recycled as well as new materials and mud-bricks. The Foundation is inspired by the tradition begun by the Dunmoochin Artists’ Cooperative which formed in the late 1950s as one of the first artistic communes in Australia. Members bought the land collaboratively and built the seven dwellings so that none could overlook another. But, in the late 1960s, the land was split into private land holdings, which ended the cooperative. Dunmoochin attracted visits from the famous artists of the day including guitarists John Williams and Segovia; singer and comedian Rolf Harris; comedian Barry Humphries; and artists Charles Blackman, Arthur Boyd and Mirka Mora. A potters’ community, started by Peter and Helen Laycock with Alma Shanahan, held monthly exhibitions in the 1960s, attracting local, interstate and international visitors – with up to 500 attending at a time.3 Most artists sold their properties and moved away. But two of the original artists remained into the new millennium as did relative newcomer Heja Chong who built on Pugh’s property (now owned by the Dunmoochin Foundation). In 1984 Chong brought the 1000-year-old Japanese Bizan pottery method to Dunmoochin. She helped build (with potters from all over Australia) the distinctive Bizan-style kiln, which fires pottery from eight to 14 days in pine timber, to produce the Bizan unglazed and simple subdued style. The kiln, which is rare in Australia, is very large with adjoining interconnected ovens of different sizes, providing different temperatures and firing conditions. Frank Werther, who befriended Pugh as a fellow student at the National Gallery Art School in Melbourne, built his house off Barreenong Road in 1954. Werther is a painter of the abstract and colourist style and taught art for about 30 years. Like so many in the post-war years in Eltham Shire, as it was called then, Werther built his home in stages using mud-brick and second-hand materials. The L-shaped house is single-storey but two-storey in parts with a corrugated-iron pitched roof. The waterhole used by the Werthers for their water supply is thought to be a former goldmining shaft.4 Alma Shanahan at Barreenong Road was the first to join Pugh around 1953. They also met at the National Gallery Art School and Shanahan at first visited each weekend to work, mainly making mud-bricks. She shared Pugh’s love for the bush, but when their love affair ended, she designed and built her own house a few hundred yards (metres) away. The mud-brick and timber residence, made in stages with local materials, is rectangular, single-storey with a corrugated-iron roof. As a potter, Shanahan did not originally qualify as an official Cooperative member.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, art gallery, clifton pugh, dunmoochin, cottlesbridge, cottles bridge, barreenong road -
Eltham District Historical Society IncPhotograph, Fay Bridge, Toe-hold tree, Heritage Excursion, Killeavey, Laughing Waters Road, Eltham, November 2016
... Heritage Excursion - Killeavey Walk and Talk - Saturday 5th November Jane Woollard’s book Laughing Waters Road Art Landscape and Memory in Eltham devotes several chapters to the property Killeavey situated on the Yarra River at the end of Reynolds Road, Eltham. Jane has written about the natural history and indigenous history of the area and stories of the family who lived at Killeavey for many years. Killeavey was the home of Sir William Irvine, Victorian...Heritage Excursion - Killeavey Walk and Talk - Saturday 5th November Jane Woollard’s book Laughing Waters Road Art Landscape and Memory in Eltham devotes several chapters to the property Killeavey situated on the Yarra River at the end of Reynolds Road, Eltham. Jane has written about the natural history and indigenous history of the area and stories of the family who lived at Killeavey for many years. Killeavey was the home of Sir William Irvine, Victorian ...This scar or 'toe hold' tree fell over 50 yrs ago. It had died 50yrs before it fell and is estimated to be around 400 years old. It has a diameter of 1.3 m and is the only 'toe hold' tree in Nillumbik. Heritage Excursion - Killeavey Walk and Talk - Saturday 5th November Jane Woollard’s book Laughing Waters Road Art Landscape and Memory in Eltham devotes several chapters to the property Killeavey situated on the Yarra River at the end of Reynolds Road, Eltham. Jane has written about the natural history and indigenous history of the area and stories of the family who lived at Killeavey for many years. Killeavey was the home of Sir William Irvine, Victorian and Federal Parliamentarian and Supreme Court Judge. Later it was the home of his daughter Beatrice Morrison, a significant figure in the Eltham community. The original house was destroyed by fire and its replacement was demolished by Parks Victoria. Its sits high above the Yarra River and contains significant garden remnants. The surrounding bushland is valued for its significant plant communities. In September 2011 we visited Killeavey but without the benefit of the information more recently available from Jane’s research. We are fortunate that Jane will be joining us on this walk. There will be an extended stop at the house site for a discussion on the environment and history of the area. Inside the cover panels of Jane’s book is a reproduction of the complete artwork from ‘The Symbiogenesis Project: Laughing Waters 2011 by Aviva Reed and Paul Kalemba, as displayed in the Eltham Town Centre. This walk will start at 2 pm on Saturday 5th November at the corner of Laughing Waters and Overbank Roads. - EDHS Newsletter No. 230 October 2016fay bridge collection, 2016-11-05, activities, eltham, eltham district historical society, heritage excursion, kileavey, laughing waters road, parks victoria, cameron beardsall -
Eltham District Historical Society IncBook, State Government of Victoria, The Middle Yarra Concept Plan: Burke Road to Watsons Creek, July 1991
... Jointly produced by staff from the Victorian Department of Planning and Housing. July 1991. The Middle Yarra Concept Plan: Burke Road to Watsons Creek Book State Government of Victoria ...A draft concept plan developed for the Middle Yarra River between Burke Road and Watsons Creek which includes planning controls, developed and managed to meet the recreation and landscape objectives whilst protecting the natural resourcesa nd cultural heritage. It established a broad framework for more detailed plans and guidelines. Jointly produced by staff from the Victorian Department of Planning and Housing. July 1991.non-fictionA draft concept plan developed for the Middle Yarra River between Burke Road and Watsons Creek which includes planning controls, developed and managed to meet the recreation and landscape objectives whilst protecting the natural resourcesa nd cultural heritage. It established a broad framework for more detailed plans and guidelines. Jointly produced by staff from the Victorian Department of Planning and Housing. July 1991.recreation areas, regional planning, yarra river, watsons creek -
Eltham District Historical Society IncPhotograph - Colour Print, Eltham Community Festival Grand Parade, 12 Nov. 1988
... Hospital equipment was kindly loaned by the Judge Book Village and in what has become something of a tradition, members of the Victorian Folk Music Club accompanied the Society for the Parade. ...Hospital equipment was kindly loaned by the Judge Book Village and in what has become something of a tradition, members of the Victorian Folk Music Club accompanied the Society for the Parade. ...In 1988 the assembly point for the Parade changed from previous years from Cecil Street to Youth Road behind the Eltham Station for the start of the parade at 12.00. The Shire of Eltham Historical Society's float in the Eltham Community Festival Parade won the award for the best display for the second year running. We received a trophy donated by the Billabong Family Bistro, Lower Plenty. The theme of the float was the Eltham Bush Nursing Hospital. The float was prepared by Bruce Ness with some help from other members. A number of members contributed with costumes and other props. Hospital equipment was kindly loaned by the Judge Book Village and in what has become something of a tradition, members of the Victorian Folk Music Club accompanied the Society for the Parade. Their music was again a welcome addition to the float.1988-11-12, eltham community festival, eltham festival, grand parade, best display, bush nursing, shire of eltham historical society -
Warrnambool RSL Sub BranchBook, BOOK: Remember Them - A Generation of Victorians at the Great War
... Warrnambool RSL Sub Branch Cnr Merri & Liebig Streets Warrnambool great-ocean-road Author: Katrina Hedditch Publisher: Katrina Hedditch, Mount Gambier. 2010 BOOK: Remember Them - A Generation of Victorians at the Great War Book ... -
Glen Eira Historical SocietyBook - Ormond Amateur Football Club
... Victorian Amateur Football Association Districtclub Smith L. E. President Organizations Sporting Clubs Emblems Sports Uniforms Johnson Alex Ormond Park Smith Mr. Stevens Mr. Gunn E. E. Elliston Mr. Hogan Mr. Coffey Mr. Skates Mr. Gymnasiums Jasper Road Junior Club Smith East Suburban Football League Ormond Junior Football Club Kingston Jack Australian Rules Football Football Clubs Sports Officials Clubs and Associations Book Ormond Amateur Football Club ...This file contains 2 items: 1/An 83 page book titled ‘The First Fifty Years. Ormond Amateur Football Club.’ The book details why it was written and by whom. It then goes on to describe the playing years from 1931-1981, missing the 6 years from 1940-1946 during WWII. Includes 11 photographs, Presidents’ history, captains and Premiership coaches, Best and fairest winners, life members. 2/A responsible drinking poster distributed in 2013.ormond amateur football club, burdekin e., donaldson e., foulsham c., kingston j., rowe g., scott d., sheehan j., bray j., dart s., godfredson r., hassed m., johnston m., yewdall m., dalton fine paper, sponsors, berby graham, typographical services pil, ashley ray, ashley dean pic, the campaign palace, peterson janis, hall tony, rankine chris, harris geoff, moran g. f., lacey scott, victorian amateur football association, districtclub, smith l. e., president, organizations, sporting clubs, emblems, sports, uniforms, johnson alex, ormond park, smith mr., stevens mr., gunn e. e., elliston mr., hogan mr., coffey mr., skates mr., gymnasiums, jasper road, junior club, smith east suburban football league, ormond junior football club, kingston jack, australian rules football, football clubs, sports officials, clubs and associations -
Eltham District Historical Society IncDocument - Folder, Martin, Alan
... Victorian Herb Society...Were Street cinema Montmorency..."I can jump puddles" book...book "I can jump puddles" was to be shown at the were Street theatre, Montmorency, but Alan Marshall was in a nursing home in Black Rock, preventing his attendance. Catalogue: "Paintings from the Martin Collection", Shire of Eltham 1985, in the Eltham Community Centre, lent by Alan and Lesly Martin. Alan Martin Max Meldrum Lesly Martin Eltham Community Centre Judy Wadham Garden of Eden herbs Research Alan Marshall Victorian ...Alan Martin is a realist painter who started painting seriously aged 11 and studied under Max Meldrum for more than six years, supporting himself as a dental technician for 20 years while painting. About 1965 he started teaching painting, by 1980 having more than 120 students. He was married and had 6 children. Contents Newspaper article: "Swaggie artist's yen for outback," Diamond Valley News 21 October 1980, outlines Alan Martin's life with photograph of Alan Martin and some of his work in the background. Newspaper article: "Green thumb Judy alive in her garden of herbs," Diamond Valley News 21 October 1980, outlines Judy Wadham's life, her Garden of Eden herbs in Research, with photograph of Judy Wadham. Newspaper article: "Alan absent, but he'll be star," Diamond Valley News 21 October 1980, clips of the ABC television series on Alan Marshall's book "I can jump puddles" was to be shown at the were Street theatre, Montmorency, but Alan Marshall was in a nursing home in Black Rock, preventing his attendance. Catalogue: "Paintings from the Martin Collection", Shire of Eltham 1985, in the Eltham Community Centre, lent by Alan and Lesly Martin.Newspaper clippings, A4 photocopies, etcalan martin, max meldrum, lesly martin, eltham community centre, judy wadham, garden of eden herbs research, alan marshall, victorian herb society, were street cinema montmorency, "i can jump puddles" book -
Eltham District Historical Society IncDocument (Item) - Book, City of Heidelberg, Restructuring Local Government for the 21st Century: Heidelberg's approach to the North East Region, February 1994
... Victorian when, in 1994 the Kennett State government restructed local government. The reforms dissolved 201 Councils and created 78 new councils through amalgamations. In suburban Melbourne 53 municipalities were reduced to 26. The City of Heidelberg was amalgamated with parts of the Shire of Eltham and Diamond Valley to become the City of Banyule. annexation Council amalgamation local government A4 bound volume with laminated 58 pages Restructuring Local Government for the 21st Century: Heidelberg's approach to the North East Region Document Book City of Heidelberg ...The City of Heidelberg's Council first preference is "no change" [to municipal restructure] but if this option is unacceptable, the Council would prefer to form larger municipality/municapilites involving the exisitng City of Heidelberg and the Shires of Diamond Valley and Eltham. This report includes an exective summary, Introduction, A Brief History, Heidelberg and its [municiapl] neighbours now, opportunities for restructure, detailed analysis and preferred structure. Includes fold out maps.This report by the City of Heidleberg is a significant local contribution in the consultation leading to a significant change to local government in Victorian when, in 1994 the Kennett State government restructed local government. The reforms dissolved 201 Councils and created 78 new councils through amalgamations. In suburban Melbourne 53 municipalities were reduced to 26. The City of Heidelberg was amalgamated with parts of the Shire of Eltham and Diamond Valley to become the City of Banyule.annexation, council amalgamation, local government -
Eltham District Historical Society IncPhotograph - Digital Photograph, Alan King, Great Hall, Montsalvat, 8 January 2008
... Victorian people. The property was then valued at about three million dollars. It is now visited by thousands of people annually. Born in 1894 and brought up a Catholic, Jörgensen had trained as an architect. He later studied painting at the National Gallery School under artist, Frederick McCubbin, then joined the studio of artist Max Meldrum. In 1924, Jörgensen married medical student Lillian Smith, and with artist friends they travelled to Europe to study the great masters. In London Jörgensen exhibited in several major galleries. One of his still life paintings was included in the book...Victorian people. The property was then valued at about three million dollars. It is now visited by thousands of people annually. Born in 1894 and brought up a Catholic, Jörgensen had trained as an architect. He later studied painting at the National Gallery School under artist, Frederick McCubbin, then joined the studio of artist Max Meldrum. In 1924, Jörgensen married medical student Lillian Smith, and with artist friends they travelled to Europe to study the great masters. In London Jörgensen exhibited in several major galleries. One of his still life paintings was included in the book ...Great Hall at Montsalvat built 1938-52, designed by Justus Jorgensen Covered under National Estate, National Trust of Australia (Victoria) State Significance, Victorian Heritage and Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p129 At first glance, Montsalvat, the artists’ community at Hillcrest Avenue, Eltham, could belong to another time and place. The French provincial Gothic-style buildings blend picturesquely with the introduced and native trees and farm animals on the five hectare property. But Montsalvat belongs very much to today’s Eltham, having inspired much of its creative activity and style. The use of mud-brick and recycled building materials, for which Eltham is so well-known, was largely popularised by Montsalvat. Montsalvat – unique in Victoria and probably in Australia – is registered by the National Trust and National Estate.1 Montsalvat, named after the castle of the Knights of the Holy Grail, has attracted artists and intellectuals since it was founded in 1934. For years at weekends, artists, lawyers, philosophers, politicians and others, who shared a love for what Montsalvat stood for, gathered for a meal and stimulating discussion. The focus for this gathering of talent was Justus Jörgensen, an eccentric man with vision and charisma. It was Jörgensen’s foresight that saw the creation of Montsalvat, which in 1975 was formed into a trust to benefit the Victorian people. The property was then valued at about three million dollars. It is now visited by thousands of people annually. Born in 1894 and brought up a Catholic, Jörgensen had trained as an architect. He later studied painting at the National Gallery School under artist, Frederick McCubbin, then joined the studio of artist Max Meldrum. In 1924, Jörgensen married medical student Lillian Smith, and with artist friends they travelled to Europe to study the great masters. In London Jörgensen exhibited in several major galleries. One of his still life paintings was included in the book The Art of Still Life by Herbert Furst, which featured 100 of the greatest ever still life paintings.2 In 1929, Jörgensen returned to Melbourne where Lil, now qualified, worked as an anaesthetist at St Vincent’s Hospital. They bought a small house in Brighton and Jörgensen rented a large building in Queen Street for his studio until the Royal Automobile Club of Victoria bought it in 1955. While designing and overseeing the building of a studio for his friend the famous cartoonist Percy Leason, in Lavender Park Road, Jörgensen decided to buy land for a country retreat in Eltham. So the building of Montsalvat began. Jörgensen gathered around a dozen of his friends and students from his Queen Street studio. They set to work, first at weekends then some decided to live permanently on the site. Jörgensen had seen mud-brick buildings in Spain and recognised that Eltham’s clay soil was ideal for mud-bricks and although labour intensive, it was a very cheap way of building. Jörgensen’s students and friends worked under his direction with the help of local tradesmen, including carpenter, Len Jarrold and later stone mason, Horrie Judd. In return Jörgensen would give the students a painting lesson or two. It was the Great Depression when many were out of work. Jörgensen also inspired people to give generously of money and materials. With their help Jörgensen found second-hand materials for building. Friends donated slate for roofing, discarded firebricks were used for flooring and windows and doors and a cast-iron circular staircase came from a wrecker. The students’ day started at 7am with building and domestic chores, shared equally between the sexes. The first building was used by his friends at weekends and then became a home for his wife Lil. It consisted of three rooms and an attic under a high-pitched roof. Jörgensen then built a similar structure with the same high-pitched roof as a more permanent home for his students. The two buildings were joined together with a tower and a studio for Jörgensen. While excavating for the studio a reef of yellow mud-stone was found and then used in construction. The next building was the Great Hall, to be used for dining, exhibitions and meetings and completed in 1958, after a halt during the war. Whelan the Wrecker donated the stone-framed windows from the building that housed the Victorian Insurance Co. in Collins Street, which had been demolished in the 1930s. The swimming pool was donated and cubicles were built for the students with their initials marked in tiles on each doorstep.1 One of Jörgensen’s great abilities was to recognise how to use material which harmonised. He would comb through wreckers’ yards for what he needed. Regarding his buildings as sculptural pieces, his first consideration was for the aesthetic quality of a building and only then for its functionality.2 At Montsalvat, Jörgensen found he was able to put his ideas into practice without compromise and those who worked with him had to conform to his ideas. With the Jörgensens, the colony’s original nucleus consisted of the Skipper family – Mervyn and wife Lena, daughters Helen and Sonia and son Matcham,who was to become an eminent jeweller and sculptor represented in National Gallery collections throughout Australia and in European museums.3 Other members were Arthur Munday, Lesley Sinclair, Helen Lempriere, Ian Robertson, John Smith, George Chalmers, John Busst and Sue Van der Kellan; also Jörgensen’s three sons – Max, Sebastian and Sigmund – and Saskia, Sonia Skipper and Arthur Munday’s daughter. Montsalvat went through some hard times when local gossips spread rumours of sexual shenanigans at Montsalvat. However Montsalvat also had many local supporters – especially amongst the local tradespeople. The colony was certainly unconventional – with Jörgensen’s wife Lil (and son Max) and life-time partner Helen Skipper, (mother of Sebastian and Sigmund) living at Montsalvat. Sonia Skipper says in her biography that the group were ‘very conscious of their responsibilities to each other and a desire to make their relationships work’.4 By World War Two many buildings around the Great Hall were completed. Jörgensen was a pacifist, as were most of his students. Some of the Montsalvat community enlisted while others engaged in essential services like dairy farming and market gardening for the war effort. It was then that Jörgensen constructed farm buildings. After the war many well-known personalities such as Clifton Pugh, landscape gardener Gordon Ford, and builder Alistair Knox, were drawn to Montsalvat. They learnt that building was not a ‘sacred cow’ only for professionals, but that anyone who was willing to get their hands dirty could do it. The post-war shortage of materials also encouraged builders to follow Montsalvat’s lead in reusing materials. When Jörgensen died in 1975, his influence did not – thanks largely to the vigilance of his son, Sigmund, who became its administrator. The weekend dinners have gone, but in 2008 about 14 artists still work at Montsalvat – some living there – including a couple who have been there since its early days. Under Sigmund’s direction Montsalvat further expanded its activities which included festivals, art exhibitions, concerts and weddings. Sigmund completed the Chapel, then the Long Gallery next to the pool, After the barn burnt down, he replaced it in 1999 (the builder was Hamish Knox, Alistair’s son) with a new gallery and entrance and added a restaurant. Sigmund has been careful that any new building blends in with the character of Montsalvat. In 2006 Montsalvat was restructured for its continued financial viability and with the help of Arts Victoria a new executive officer was appointed. A representative board from the wider community was established, which includes members from the former Montsalvat Trust including Sigmund Jörgensen – who is now the heritage and arts adviser to the new company Montsalvat Ltd.5 Today, visiting Montsalvat one still sees artists, students and visitors enjoying the unique and beautiful surroundings.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, great hall, montsalvat -
Glen Eira Historical SocietyAlbum - Album page, London Tavern, Hawthorn Road, Circa 1972
... book "Caulfield's Heritage" Vol 1 p 93: "A modern hotel presently on the site continues the name of the London Tavern." That was true until recent years as the hotel is named The Camden Hotel now (2021). trevor hart caulfield hawthorn road london tavern camden town john guess hotels pubs victorian 1870's 1930's sycamore street the camden hotel Hand written: LONDON TAVERN HOTEL 1937 [on bottom edge of photo] / 81 [bottom left] Page 81 of Photograph Album with one landscape photograph of the front of the London Tavern with handwriting on the edge of the photograph. ...This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Glen Eira Heritage Management Plan 1996 by Andrew Ward The 1857 rate book indicates that the major portion of the District was under pasture, although a considerable portion was cultivated. There were 159 houses, huts and tents whose occupants were mainly occupied on the land. If "Camden Town" was the principal commercial focus for the District in 1857, it was to remain so in later years, incorporated today in the Glenhuntly Road centre which extends more or less continuously from Elsternwick to Bambra Road. The Caulfield State School of 1877, the horse tramway of 1889 and subsequently the electric trams were all events confirming the importance of Glenhuntly Road and the fledgling community of "Camden Town" wherein the City's commercial centre has its origins. It is recalled, today, by their presence, and also by the "London Tavern" in Hawthorn Road, established by John Guess in 1873. Dr Geulah Solomon's 4 volume book "Caulfield's Heritage" Vol 1 p 93: "A modern hotel presently on the site continues the name of the London Tavern." That was true until recent years as the hotel is named The Camden Hotel now (2021).Page 81 of Photograph Album with one landscape photograph of the front of the London Tavern with handwriting on the edge of the photograph.Hand written: LONDON TAVERN HOTEL 1937 [on bottom edge of photo] / 81 [bottom left] trevor hart, caulfield, hawthorn road, london tavern, camden town, john guess, hotels, pubs, victorian, 1870's, 1930's, sycamore street, the camden hotel -
Glen Eira Historical SocietyBook - O’Neill College, Nagle Avenue, 2, Elsternwick
... McNamara Colleen Share Kath Sister Adrian Sister Patricia Carroll Sister Rose Sister Pius Dunne Patricia Sister James Sister Sheila Sister Jude Dawes Pat Sister Beatrice Mason June-Maree Sister Domenica Guatta Win Sister Marie Cline Sister Marie de Lourdes Hale Mrs Sister Robert Sister Merle Sister Philomena Sister Francis Xavier Sister Frances Borgia Sister Margaret Bullock Sister Bruna Mother Peter Sister Genevieve Kendall Vern Collette Leonie Sister Philomena Consedine Ashton Francine Maher Frank McGrath Brian Van Heeswick Julie West Liz Ferrier Fran Molloy Miss Cooney Jenny Tkalcevic Josephine Sirianni Lena Danielis Simonetta Simmonds Louis Richardson Sharon Giannelli Irene Carter Louise Ettia Gie Williamson Helene Galli Mrs Meagher Mrs Fitzgibbon Mrs Beveridge Cathy Cocciardi Bernadette Emmett Mr Emmett Mrs Brother Moore Farrow Sandra Warren Angela Peters Kim Tarcasio Rina Tuohy Helen Massey Jayne O'Sullivan Kerrie Killingsworth Miss Conheady Mrs Gray Mrs Clark Fiona Ferrier Margaret Dotter Andrea Muller Mary Young Samantha Aquilina Tania Baker Patricia Bean Dianne Bouchereau Brenda Brohier Audrey Curtis Debbie Ferrier Frances Hynes Nerida Jones Leanne Krelle Brenda Lamanna Ann Loiacono Chris Morin Jackie Musster Judy Renshaw Susan Stratford Margaret Hoareau Marlene Clark Nicole O'Neill College Williamson Helen Victorian Congregation of Presentation Sisters Sister Margaret Walsh Archbishop Carr Book O’Neill College, Nagle Avenue, 2, Elsternwick ...A commemorative history titled "O’Neill College 1908 – 1981" published at the time of the amalgamation of O’Neill College with star of the Sea, 1982 (2 copies). The book (64 pages) includes a short history of O’Neill college, reports from Monsignor Lyons, Principal's report and reports from various other sisters from 1930’s, 40’s, 50’s, 60’s and 70’s. Reminiscences from students activities in the 80’s. Many school photographs of staff, class photos, school outings, sporting events and year 9 camp. Date and author unknown.o’ neill college, sister margaret canoll, presentation secondary, nagle avenue, sister mary kavanagh, education committee, sister christine walsh, elsternwick, sister francis muirhead, peart leanne, sister marie therese harold, star of the sea college, collina filomena, gammaldi tony, mcwilliam lorraine, o'neill college mothers auxillary, mcwilliam barry, st. jospeh's school, sister mary claver stone, sister mary de sales mckenna, sister angela johnston, sister bonaventure harrington, cooper sheila, cooper robert, harnett eileen, harnett desmond, beldart dorothy, catholic schools, primary schools, secondary schools, land subdivision, richard o'neill ecclesiastical college, romanesque style, schreiber r.a., architects, diocesan teacher training college, registers, lists, diaries and journals, halls, kindergartens, school concerts, basketball, choirs, festivals and celebrations, fundraising events, sport, harrison bessie, lynch eileen, murray veronica, mullamby kathleen, mullamby mary, mullamby eileen, miller joseph, strachan barry, webster mary, waldam geoffrey, checchi norman, delaney ella, hooper george, cahill john, cooper john, doyle albert, sister catherine walsh, carr archbishop, mother mary peter fitzgerald, couch mary, couch ambrose, checchi thomas, cahill francis, cooper robert, cooper sheila, castieau margot, castieau john, collinson eileen, collinson john, carolan veronica, carolan james, coates emily, coates henry, cato helena, cato herbert, cato yootha, cahill vincent, cleverley ernest, cleverley francis, cleverley maisie, collins dorothy, collins alfred, clark madge, clark william, gough father, ryan father, morris father, sister benedicta, sister anglea, brennan father, o'neill sarah, riddell parade, mother peter fitzgerald, mother mary bernard justice, sister marie bernade, sister kath coury, hoy hubert mrs, dowling mr, dowling mrs, mclaughlin mr, mclaughlin mrs, collis-brown mr, collis-brown mrs, keane tom, smith coral-anne, dwyer coral, lyons monsignor, miller collin henry, sister catherine curtin, sister peter, sister laserian, sister clare, sister fintan, sister cyril, domec-carre inez, murphy eileen, miller joy, guiney leo, tennis, wood joyce, toomey marie, hayes teresa, sister mary chanel, cobern wanda, sister mary gabriel, jeffrey lorna, sister mary genevieve, pitt jean, clark veronica, phipps sheila, sister sheila, youngberry kathleen, sister benedict, lowday dulcie, sister anne-marie, keary brenda, briglia rita, sister immaculata, burns n., brennan b., wright s., baker e., brdawshaw billy, barnes joan, mason patricia, roberts connie, shelton june, murray betty, keane peggy, taylor audrey, feiss margaret, hoy rosemary, sans lydia, smythe victor, hoy agatha, souter bobbie, brennan kathleen, shelton moira, wallman vera, cox s., rogers s., brennan b., wright s., mckeeran k., power e., maloney j., fyfe p., wright e., chambers f., baker e., keary d., lynch maeve, mcilroy j., corrigan p., harris p., gill p., keogh k., hennessy d., garrett j., feiss j., deverall j., langley j., griffin moya, ashton norma, hull fay, linehan mary, murphy eileen, odgers shirley, brennan jean, mahony denise, meyer margaret, mornament ina, cox s., wright s., borelli marie, flanagan c., smythe p., whelan mary, hawkridge v., johnson v., filippina contessa, rawlings a.b., beer letty, sister mary joseph, eisma joan, langley joan, sister raymond, sister aloysius, garrett betty, sister gertrude, sister elizabeth, sister mary hilary, sister marie louis, stratford c., sister james cantwell, dance mrs., mcnamara colleen, share kath, sister adrian, sister patricia carroll, sister rose, sister pius, dunne patricia, sister james, sister sheila, sister jude, dawes pat, sister beatrice, mason june-maree, sister domenica, guatta win, sister marie cline, sister marie de lourdes, hale mrs, sister robert, sister merle, sister philomena, sister francis xavier, sister frances borgia, sister margaret bullock, sister bruna, mother peter, sister genevieve, kendall vern, collette leonie, sister philomena consedine, ashton francine, maher frank, mcgrath brian, van heeswick julie, west liz, ferrier fran, molloy miss, cooney jenny, tkalcevic josephine, sirianni lena, danielis simonetta, simmonds louis, richardson sharon, giannelli irene, carter louise, ettia gie, williamson helene, galli mrs, meagher mrs, fitzgibbon mrs, beveridge cathy, cocciardi bernadette, emmett mr, emmett mrs, brother moore, farrow sandra, warren angela, peters kim, tarcasio rina, tuohy helen, massey jayne, o'sullivan kerrie, killingsworth miss, conheady mrs, gray mrs, clark fiona, ferrier margaret, dotter andrea, muller mary, young samantha, aquilina tania, baker patricia, bean dianne, bouchereau brenda, brohier audrey, curtis debbie, ferrier frances, hynes nerida, jones leanne, krelle brenda, lamanna ann, loiacono chris, morin jackie, musster judy, renshaw susan, stratford margaret, hoareau marlene, clark nicole, o'neill college, williamson helen, victorian congregation of presentation sisters, sister margaret walsh, archbishop carr -
Glen Eira Historical SocietyBook - Nathan, Bertram
... Celebrations Optician Wellington College[NZ] 500 Victorians Centenary Edition 1934 Nathan Bertram Legacy club Education Sports and recreations Occupations Secondary education Stamp Collecting Health Professional Wesley College Angling Golfers Book Nathan, Bertram ...This site comprises of the entry for Bertran Nathan in the publication ‘500 Victorians Centenary Edition 1934 [page 215]’. The entry consists of a cartoon figure of Mr.Nathan with a superimposed photograph of his head together with sketches illustrating his interest. Below the cartoon is a modified ‘who’s who entry for Mr.Nathan with his occupation academic qualification, date of birth, schooling details, address, club membership, hobbies and recreational interests.celebrations, optician, wellington college[nz], 500 victorians centenary edition 1934, nathan bertram, legacy club, education, sports and recreations, occupations, secondary education, stamp collecting, health professional, wesley college, angling, golfers -
Glen Eira Historical SocietyBook - Robertson, Alexander William
... Extensively illustrated with colour photographs, architectural sketches and plans, the book LABASSA: A GRAND VICTORIAN MANSION details Labassa’s architectural significance Please refer to file 1113Y for the other copy of this book. ...Extensively illustrated with colour photographs, architectural sketches and plans, the book LABASSA: A GRAND VICTORIAN MANSION details Labassa’s architectural significance Please refer to file 1113Y for the other copy of this book. ...Contains one item about 'Labassa', called 'Ontario' when owned by Alexander William Robertson: 1/One copy of a thirty-two page colour book, published by the Friends of Labassa and The National Trust in 2004. The book details the history of Labassa (and its owners) as a place for social gatherings and entertaining of Melbourne society of the late nineteenth century, and its letter use as flats and a boarding house. Extensively illustrated with colour photographs, architectural sketches and plans, the book LABASSA: A GRAND VICTORIAN MANSION details Labassa’s architectural significance Please refer to file 1113Y for the other copy of this book. For further information about Labrassa please refer to file 1113.labassa, ontario, sylliott hill, caulfield north, friends of labassa, manor grove, national trust of australia (victoria), balaclava road, orrong road, caulfield, mansions, cobb and co., amatil ltd. (limited), alcoa of australia ltd. (limited), lyall william, mickle john, billing richard annesley judge, robertson alexander william, watson john boyd ii, koch john augustus bernard, hammond victoria, palmer lee, davis kingsley, groenhout chris, worrall bronwyn, balderstone sue, biarujia ian, cassidy darien, davidson rodney ao obe, forge warwick, lewis miles dr., sagazio celestina dr., billing mary, billing williamina, billing richard junior, watson flora kate, robertson eva, robertson nina, robertson emily, robertson john, australian-german association, bicentennial gift to the nation, ferguson and urie, crouch and wilson, tangent design, midas printing (asia) limited (ltd), flats, architectural features, architectural styles, auctions, land sales, land subdivision, architects, lawyers, judges, coaches and carriages, businesspeople, german community, victorian style, grants, voluntary workers, property development, construction (events and activities), gold mining, theatrical productions, stairs, stained glass, settlements, graziers, verandas, cast iron work, marble, balconies, bell towers, towers, bay windows, panoramic views, bedrooms, servants quarters, billiards rooms, rooms, fireplaces, sculpture, servants, marvellous melbourne, land use, depression 1890s, photography, photographers, entrance hall, domestic life, cultural events and activities -
Glen Eira Historical SocietyPlan - Chinese Community in Glen Eira
... Page from PROV Book 2013 with a Victorian Garden License....Page from PROV Book 2013 with a Victorian Garden License. Ruby Street Reeves William Murton Hall Chinese Church Malva Street Beattie Rev. ...Three pages on Chinese in Glen Eira. One hand drawn map of residents living in surrounds of Murton Hall, Chinese Church from SANDS AND MCDOUGALLS 1914 edition by Claire Barton. Printed page from FILE 1234 on Thomson Memorial Church. Hand written Chinese gardeners and related associations from SANDS AND MCDOUGALLS. Page from PROV Book 2013 with a Victorian Garden License.ruby street, reeves william, murton hall, chinese church, malva street, beattie rev. j., ocean street, gould mrs. s., belmont, house names, munn harry, maud street, ormond hall, taylor herbert, raymond rev. h., north road -
Glen Eira Historical SocietyDocument - SADLEIR, JOHN
... book Recollections August, 1913. Sadleir John Police Officers Orwell Kooyong Road Elsternwick Sadleir Isabella Crofton Isabella Sadleir Ernest Sadleir Frederick Sadleir Ralph Sadleir John Sadleir Melesina Sadleir Mary Sadleir Grace Sadleir Dora Sadleir George Sadleir Henry Victorian Historical Society Document SADLEIR, JOHN ...This file contains two items. A printed page of Police Superintendent John Sadleir. His arrival in Victoria, subsequent postings with his employment and his final retirement in Elsternwick and later death at “Orwell” in Kooyong Road, Author and date unknown. Includes references. A photocopied print of John Sadleir, from his book Recollections August, 1913.sadleir john, police officers, orwell, kooyong road, elsternwick, sadleir isabella, crofton isabella, sadleir ernest, sadleir frederick, sadleir ralph, sadleir john, sadleir melesina, sadleir mary, sadleir grace, sadleir dora, sadleir george, sadleir henry, victorian historical society -
Glen Eira Historical SocietyBook - Alnwick, Railway Parade,|11-11A,|Murrumbeena
... Extracts from Alfred Deakin’s book, ‘The Crisis in Victorian Politics, 1879-1881’, relating to Deakin’s analysis of James Patterson’s character. ...Glen Eira Historical Society 965 Glen Huntly Rd Caulfield VIC 3162 melbourne Extracts from Alfred Deakin’s book, ‘The Crisis in Victorian Politics, 1879-1881’, relating to Deakin’s analysis of James Patterson’s character. ...Extracts from Alfred Deakin’s book, ‘The Crisis in Victorian Politics, 1879-1881’, relating to Deakin’s analysis of James Patterson’s character. Date of publication not given. James Brown Patterson was the first owner of Alnwick.patterson james, free trader, conservative, deakin alfred, minister of public works, alnwick, railway parade, murrumbeena -
Glen Eira Historical SocietyLetter - Bellecourt, Seymour Road, 85, Elsternwick
... Victorian Heritage Database web page on Bellecourt with a black and white photograph (60mm x 45mm) of the house. Also included is a document giving additional details on Bellecourt with a black and white illustration (85mm x 130mm) of the house, source unknown though handwritten notes provide that it is a duplicate from the book Caulfield’s Building Heritage...Victorian Heritage Database web page on Bellecourt with a black and white photograph (60mm x 45mm) of the house. Also included is a document giving additional details on Bellecourt with a black and white illustration (85mm x 130mm) of the house, source unknown though handwritten notes provide that it is a duplicate from the book Caulfield’s Building Heritage Bellecourt Buildings Heritage studies Architectural features History Johnston Mr Hart Trevor Town clerks Caulfield South Filbert Street Beemery Glen Eira Road Kooyong Road Seymour Road Blanche Street Kooyong Estate Caulfield Caulfield North Langdon Charles Pettey Rosecraddock Rose Craddock Tarqua Hengar Victorian style Seymour Street Kooyong Estate Beemery Park Extension Langdon H J Langdon Montague Lirrewa Rennick Samuel The Garrell Langdon family Victorian era Neringa Little Gromer Little Cromer Parson Charles Moloney James Trezise Alex Vassy Albert Johnston Mrs Solomon G Caulfield’s Heritage Volume 1 City of Caulfield City of Glen Eira Heritage Management Plan Ward Andrew Belemery Park Johnston Archibald Letter Bellecourt, Seymour Road, 85, Elsternwick ...A typewritten letter to Mr Johnston from the National Trust Victoria, concerning the listing of Bellecourt by the Trust. The file also includes a print of the Victorian Heritage Database web page on Bellecourt with a black and white photograph (60mm x 45mm) of the house. Also included is a document giving additional details on Bellecourt with a black and white illustration (85mm x 130mm) of the house, source unknown though handwritten notes provide that it is a duplicate from the book Caulfield’s Building Heritagebellecourt, buildings, heritage studies, architectural features, history, johnston mr, hart trevor, town clerks, caulfield south, filbert street, beemery, glen eira road, kooyong road, seymour road, blanche street, kooyong estate, caulfield, caulfield north, langdon charles pettey, rosecraddock, rose craddock, tarqua, hengar, victorian style, seymour street, kooyong estate, beemery park extension, langdon h j, langdon montague, lirrewa, rennick samuel, the garrell, langdon family, victorian era, neringa, little gromer, little cromer, parson charles, moloney james, trezise alex, vassy albert, johnston mrs, solomon g, caulfield’s heritage , volume 1 city of caulfield, city of glen eira heritage management plan, ward andrew, belemery park, johnston archibald -
Glen Eira Historical SocietyDocument - Cambria
... Book Listings for the period 1889 to 1897. The document also provides a brief biography of George Davis with a reference to the Biography of Victorian Parliament. ...Book Listings for the period 1889 to 1897. The document also provides a brief biography of George Davis with a reference to the Biography of Victorian Parliament. ...This folder contains one document about the owners of this property: The page provides a list of the tenants of Cambria, Neerim Road from 1891 to 1940. Sourced from Sands and McDougall. Also, Caulfield Rate Book Listings for the period 1889 to 1897. The document also provides a brief biography of George Davis with a reference to the Biography of Victorian Parliament. Handwritten, unattributed and undated.cambria, neerim road, davis george, davis george mrs, davies george, davis j h, deans walter , widdes john, widdes e a mrs, ellis richard, godby c t, presentation covent and ladies college, roseberry avenue, caulfield -
Bendigo Historical Society Inc.Photograph - JACKSON'S GOLD OFFICE, VIEW POINT, BENDIGO - 1861?, 1860's ?
... book, An American on the Goldfields : the Bendigo Photographs of Benjamin Pierce Batchelder.' Also details of Henry Jackson's store in Bendigo Historic Buildings by Mike Butcher and Gill Flanders. National Trust of Australia (Vic). Central Victorian...book, An American on the Goldfields : the Bendigo Photographs of Benjamin Pierce Batchelder.' Also details of Henry Jackson's store in Bendigo Historic Buildings by Mike Butcher and Gill Flanders. National Trust of Australia (Vic). Central Victorian ...black and white ( copy ) H. Jackson's Gold Office, View Point, Bendigo. Men standing otuside office under verandah. Batchelder, Photographer, Pall Mall. Also Finlay & Co. See also Mosaic items 2400.160 and 2400.101. All details in Mike Butcher and Yolande Collis's book, An American on the Goldfields : the Bendigo Photographs of Benjamin Pierce Batchelder.' Also details of Henry Jackson's store in Bendigo Historic Buildings by Mike Butcher and Gill Flanders. National Trust of Australia (Vic). Central Victorian Branch. 1987. See Research Field for further information.Batchelder, Photographer, Pall Mallorganization, business, h. jackson's gold office, jackson, henry. finlay & co. view point, bendigo. jackson's corner. jackson's gold office. -
Bendigo Historical Society Inc.Document - VICTORIAN FARMERS' UNION - CONSTITUTION AND RULE BOOK, 1918
... VICTORIAN FARMERS' UNION - CONSTITUTION AND RULE BOOK...Victorian Farmers' Union - 23 page Constitution and Rule Book; adopted by Third Annual Conference, September 1918. ...Document VICTORIAN FARMERS' UNION - CONSTITUTION AND RULE BOOK ...Victorian Farmers' Union - 23 page Constitution and Rule Book; adopted by Third Annual Conference, September 1918. Printer: J. F. Bracken, Melbourne.organization, business, farming -
Bendigo Historical Society Inc.Book - BAILLIERE'S VICTORIAN GAZETTEER AND ROAD GUIDE, 1870
... At front and back there are numerous pages of advertisements. Book BAILLIERE'S VICTORIAN GAZETTEER AND ROAD GUIDE ...Bailliere's Victorian Gazetteer and Road Guide. The most recent and accurate information as th every place in the colony. Second edition, with additions to date. Includes small hamlets postal villages and volcanic hills. Newspaper clipping refering to Marysville. Newspaper clipping referring to Harkaway. Clipping of sale of YMCA, sale of freehold at corner of High and Short Sts. Invitations from Bendigo and Northern District Hospital to H. Curnow. This item also has numerous references to other things that apply to the invitation. Old Post Office telegram form with notes on the back. Mixed amid inner pages is yellow card with typwritten description of the book's name. At front and back there are numerous pages of advertisements.Robt. P. Whitworthvictoria, history, people and places in victoria. -
Bendigo Historical Society Inc.Book - HISTORIC BUILDINGS OF VICTORIA, 1966
... History House 11 Mackenzie Street Bendigo goldfields VICTORIA History architecture Victorian buildings architecture historic buildings David Saunders Historic Buildings of Victoria 278 pages, with photos , illustrations and maps. Book ...Historic Buildings of Victoria 278 pages, with photos , illustrations and maps.David Saundersvictoria, history, architecture, victorian buildings, architecture, historic buildings -
Bendigo Historical Society Inc.Book - MARCH TO BIG GOLD MOUNTAIN, 1985
... Thousands of Chinese landed in South Australia and walked from there to the Central Victorian Goldfields. Book MARCH TO BIG GOLD MOUNTAIN ...March To Big Gold Mountain. Thousands of Chinese landed in South Australia and walked from there to the Central Victorian Goldfields.David Horsfallbendigo, chinese, history, chinese history. -
Bendigo Historical Society Inc.Book - KIMBOLTON, 1976
... History of a Victorian sheep station from its first settlement in 1838. Book KIMBOLTON ...Kimbolton. History of a Victorian sheep station from its first settlement in 1838.John Ormond Randellhistory, australian, early farming settlement, farming history. -
Bendigo Historical Society Inc.Book - VICTORIAN TELEPHONE EXCHANGES LIST OF SUBSCRIBERS, 1914
... History House 11 Mackenzie Street Bendigo goldfields TELEPHONE Victoria subscribers 1914 telephone exchanges subscribers Commonwealth of Australia VICTORIAN TELEPHONE EXCHANGES LIST OF SUBSCRIBERS List of subscribers to telephone exchanges in Victoria. Alterations and additions to 11th. May 1914. 30 pages Book ...VICTORIAN TELEPHONE EXCHANGES LIST OF SUBSCRIBERS List of subscribers to telephone exchanges in Victoria. Alterations and additions to 11th. May 1914. 30 pagesCommonwealth of Australiatelephone, victoria, subscribers 1914, telephone, exchanges, subscribers -
Bendigo Historical Society Inc.Book - WOMEN ON THE GOLDFIELDS, 1983
... Some aspects of the lives of women on the Victorian Goldfields in the early eighteen fifties. Research paper for BA by Marie Hancock. Book ...WOMEN ON THE GOLDFIELDS. 34 pages with illustrations and maps. Some aspects of the lives of women on the Victorian Goldfields in the early eighteen fifties. Research paper for BA by Marie Hancock.Marie Hancockgoldfields, women on the goldfields, goldfields, women, work, health, caroline chisholm -
Bendigo Historical Society Inc.Book - THE VICTORIAN VOLUTEER FORCE ON THE CENTRAL VICTORIAN GOLDFIELDS 1858-1883
... Victorian Goldfields 1858-1883, MA Thesis. Publisher: Latrobe University, Bendigo. Produced post 2003. Imperial and Colonial defence, Volunteers of Victoria's defences, British army's role, social structure, changing of the guard on the goldfields. Photographs, illustrations & graphs. 144 pages. Book ...The Victorian Volunteer Force on the central Victorian Goldfields 1858-1883, MA Thesis. Publisher: Latrobe University, Bendigo. Produced post 2003. Imperial and Colonial defence, Volunteers of Victoria's defences, British army's role, social structure, changing of the guard on the goldfields. Photographs, illustrations & graphs. 144 pages.Bob Marmiongold, goldfields, volunteer force, victoria, history victoria goldfields, victorian volunteer force, victorian defence forces, bendigo and district history
