Black and White photograph contained with Reg. Item 1902 - Photo Album from Keith Kings to Les Denmead 1970. Photograph of SEC Ballarat tram No. 23, inside the depot, 14/3/1949 in unaltered condition. Has another tram undergoing repairs behind. Keith Kings No. B(w)(7) Scanning: i - image file, p - presentation file, b - back of photograph.Stamp in top left hand corner and handwritten number with "K.S. Kings No. B(w)(7) Copyright reserved". In blue ink "Ballarat / No. 23 / Unaltered, ex Adelaide / Depot 14/3/49"trams, tramways, ballarat, depot, adelaide, tram 23

Rotunda in first Caravan park - Botanic Gardens. Rotunda Demolished to make way for two cabins Circa 1972B/W Print of B/W photographVictorian Places

A rectangular Coloured Print of a group of Boeing B.17F's Boeing B.17F Flying Fortresses of the 91st Bombardment Group, United States 8th Air Force leave vapour trails in the morning sky as they head eastward from their base at Bassingbourn, Cambridgeshire, England, May 1943. The foreground aircraft, 229536 (LL-A) of the 401st Bomb SQN. is named "Mary Ruth"- Memories of mobile. Behind her is "Stric Nine, 229475 (OR-R) of the 322nd Bomb SQN. Power Plant: Four Wright R1820-97 nine cylinder air cooled radial engines. Each turbo-supercharged. Dimensions: Span 103ft 9in, Length: 74ft 9in, Height: 19ft 1in.

Black and White photograph contained with Reg. Item 1902 - Photo Album from Keith Kings to Les Denmead 1970. Photograph of SEC Ballarat tram 38, in Wendouree Parade, adjacent to the depot. Photo taken 22/1/1955. Keith Kings No. M(b)(8) Scanning: i - image file, p - presentation file, b - back of photograph.Stamp in top left hand corner and handwritten number with "K.S. Kings No. M(b)(8) Copyright reserved". In blue ink "Ballarat / No. 38 / As converted for 'One man operation / Wendouree Pde, at Depot / 22/1/55"trams, tramways, ballarat, wendouree parade, tram 38

b&w photographs, b&w illustrations

B&w illustrations, b&w photographs

B&w illustrations, b&w photographs

b&w photographs, b&w illustrationseureka

b&w illustrations, b&w photographs

The story of the impact of colonisation on Wimmera and district Aborigines, and of their relationships with the Moravian missionaries.B&w illustrations, b&w photographs

b&w illustrations, b&w photographspaleography, handwriting history

Contents: [1] Select bibliography of pre-1960 printed sources in the collections of the State Library of Victoria /? Heather Evans --v. 2. Select bibliography of post-1959 printed sources in the collctions of the State Library of Victoria /? Heather Evans and Judy Macdonald.b&w photographs, b&w illustrationsstate library of victoria, bibliographies, catalogues

B&w illustrations, b&w photographsfamily violence, child abuse, sexual abuse, secretariat of the national aboriginal and islander child care, state legislation

Collections from the Museum of Victoria which show their holdings of arts and crafts by Victorian Aboriginal people. Includes tools, weapons, baskets, paintings and photos.b&w photographs, b&w illustrationssocial life and customs, material culture, catalogues, victorian history

Newspaper article titled 'Community spirit vital at Laurel St', mounted on black laminated card. Contains some history of the schools and activities. Two photos, one shows Bianca Brady and Matthew Batson making a puppet with the help of a parent, Sue Lawson.beducation, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, bianca brady, matthew batson, sue lawson, sandhurst mumicipal school no 279, mr f h richards, methodist hall, mr j jenkins, st mark's church, miss m o'sullivan, disadvantaged school program, lego technics, graeme topp

Pru Sanderson, in her groundbreaking ‘City of Kew Urban Conservation Study : Volume 2 - Development History’ (1988), summarised the periods of urban development and subdivisions of land in Kew. The periods that she identified included 1845-1880, 1880-1893, 1893-1921, 1921-1933, 1933-1943, and Post-War Development. These periods were selected as they represented periods of rapid growth or decline in urban development. An obvious starting point for Sanderson’s groupings involved population growth and the associated economic cycles. These cycles also highlighted urban expansion onto land that was predominantly rural, although in other cases it represented the decline and breakup of large estates. A number of the plans in the Kew Historical Society’s collection can also be found in other collections, such as those of the State Library of Victoria and the Boroondara Library Service. A number are however unique to the collection.The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A number of the latter are by noted photographers such as J.E. Barnes.The Clifton Estate was an ambitious subdivision. It included 61 allotments bordering Cotham and Park Hill Roads, and Florence and Adeney Avenues. It is difficult to ascertain the exact year when the ‘Clifton Estate’ was surveyed, subdivided and first auctioned. The uncertainty may be due to allotments being released during the First World War. The subdivision took its name from the house ‘Clifton’ (lot 5) on the corner of Adeney Avenue and Cotham Road. The outline of Clifton (since demolished) and the extent of its land following the subdivision are represented on the plan. The auctioneers have also shown ‘Maryfield’ and ‘Wimba’, the neighbouring properties in Cotham Road, on the plan."B"subdivision plans - kew, clifton estate, cotham road, adeney avenue, florence avenue, park hill road

This pair of brass altar vases is from the St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. Each vase is inscribed with the donors' names and the year of presentation - Margaret R. Pearson 1944, Mrs B Raybould 1944, - and the maker's name T. Gaunt & Co. The two donors presented the vases to St Nicholas Seamen's Church in Williamstown as part of the furniture and furnishings for the new church that officially opened in 1944. T. Gaunt & Co. engraved on both vases. T. Gaunt & Co. of Melbourne, is a manufacturer, importer and retailer of a wide variety of goods including jewellery, clocks and watches, navigational and measuring instruments, dinnerware, glassware and ornaments. Thomas Gaunt's photograph was included in an album of security identity portraits of members of the Victorian Court, Centennial International Exhibition, Melbourne, 1888. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This par of vases is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The connection of pair of vases to the original donation to the Mission to Seamen highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Vase: pair of two polished brass altar vases, round, pear-shaped, bulbous body on a round pedestal, two neck rings and flared lips. Inscriptions on both vases in script around the base. Made by T. Gaunt & Co. One was presented to the church by Margaret R Pearson and the other presented by Mrs B. Raybould in 1944 The vases are part of the St Nicholas Seamen's Church Engraved on the 625.1 "Presented By Margaret R. Pearson 1944." Engraved on 625.2 "Presented By Mrs B. Raybould. 1944." Both engraved "T GAUNT & Co"flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, brass vases, metal craft, brassware, altar vase, church vase, mrs r raybould, margaret r pearson, t gaunt & co, church furnishing

B 1936 Glasgow arr in Australia 1950 Ordained 1963 First appointment Corryong 1963-1967; then went to New Town Tas 1967-1970; East Kew 1970-1976; Stated Clerk Presbyterian Assembly Of Victoria 1976-1977;Assoc Sec Synod of Victoria 1977-1980; Evangelism Officer Div Field services Synod of Vic 1981-02/87; Interim Exec Sec Field services 03/87-01/89; Presbytery Officer Western Port Presbytery 02/89- 06/95, Executive Secretary VCC 07/95B & W waist length photograph of Rev. Hamish Christie-Johnston seated at a desk, holding an open book. christie-johnston, hamish; synod of victoria; western port presbytery; presbyterian minister; uniting church minister; east kew presbyterian/uniting church; stated clerk presbyterian assembly victoria

On 11 June 1987 The M.B. John Trade–Art building of SMB was officially opened by the Hon. John Cain, Premier of Victoria, in the presence of Morgan B. John. Programs in the building include 3 Dimensional Art, Painting & Decorating, and Engineering Trades.Coloured photograph of the official party at the opening of the Ballarat School of Mines M.B. John Building during its opening ceremony. John Mildren is in a brown suite, and Morgan B. John is second from the right.m.b. john, morgan bevan john, morgan b. john, m.b. john building, albert street, trade building, ballarat school of mines, john cain, john mildren

Hand sketch of 'Kilo 89' Camp in Palestine located in collection of assorted Army issued books and personal papers belonging to Private Alfred William VONARX VX29295 who was born 5/7/1901 at Docker Plains near Wangaratta. He enlisted on the 4/7/1940 at Seymour and served with the 2/7th Battalion in the Middle East during WW2. Written on back of sketch is - Pte B G HOY - Brian Goodwin HOY VX44031 born 20/4/1915 at Alphington.Detailed field sketch to scale of Camp Kilo 89 Area, Gaza Ridge in PalestineDetailed sketch to scale on cream coloured parchmentCamp Kilo 89 Area - Field Sketch Handwritten on rear - Pte B G HOYcamp kilo 89, palestine, ww2, alfred william vonarx, brian goodwin hoy, 2/7 infantry battalion

The garage was established in the 1930s by Mr Gamble. Other proprietors were Perc Kimberley 1943-46, Henderson 1946, Neil Rogers. K. & B. Patton ran the garage from 1960s - 2008Colour photo of K. & B. Patton's Garage. The garage is a white, weatherboard single story building with a corrugated iron roof. There small lean-to on the LH side of the building. There is a large entrance and two large windows on the front. There are two petrol pumps at the front of the building. A blue car and a white utility are parked at the LH side of the garage. The signage on the front of the building reads K. & B. PATTON NISSAN and there is a NISSAN sign painted on the roof. There is a sign for Peter Stuyvesant cigarettes on the roof of the lean-to. A telegraph pole and the entrance to Gordon Park is on the right of the photo.perc kimberley, k & b patton, gamble, henderson, neil rogers, business, industry

One of 11 similarly presented b/w half portrait photographs showing various councillors within Glen Eira City Council. Copyright for this image is unknown, although likely commissioned by Council. It has been digitised and published here for educational and research purposes. If you believe that you have copyright to this image and would like it removed from the site please contact us through the 'Leave a Comment' tab below. B/w portrait photograph of Cr Max Blair wearing grey suit, white pin striped shirt and dark tie with diagonal stripes.Handwritten on verso in blue ink pen: "Cr Max Blair"