Showing 8992 items matching "wool-knitting"
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National Wool Museum
Book, Dennys, Lascelles Ltd Annual Wool Circular Season 1914-1915
Dennys, Lascelles Ltd Annual Wool Circular Season 1914-1915Dennys, Lascelles Ltd Annual Wool Circular Season 1914-1915wool stores, dennys, lascelles limited -
National Wool Museum
Document, Wool wanted in Australia
"Wool wanted in Australia" c1945, possibly written by Mr Bryan Wardle."Wool wanted in Australia" c1945, possibly written by Mr Bryan Wardle.B Wardlewool sales world war ii, spinning, spinning machinery, wool sales, world war ii -
National Wool Museum
Photograph, Geelong Wool Brokers Picnic to Buyers at Barwon Heads, 14 February 1908
Photograph of Geelong Wool Brokers Picnic to Wool Buyers, Barwon Heads, 1908. (Supp. file contains a modern reproduction of this photo which gives the names and companies of all those pictured.)Sepia toned, mounted under glass and framed photograph of Geelong Wool Brokers Picnic to Wool Buyers at Barwon Heads, February 14th 1908. Photo shows a group portrait of buyers, brokers and guests including a small girl. -
National Wool Museum
Book, Knitting, Patons and Baldwins' Specialty Knitting Book no. 15
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for womens garments.PATONS / AND / BALDWINS' / 10 / CHARMING / GARMENTS / PRICE / 6D. / No. 15 / SPECIALTY / Knitting Book / P&B / The Latest / Designs / from / London / and / Parisknitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history -
National Wool Museum
Book, Textile Advisory Panel's report no. 2 - Wool
"Textile Advisory Panel's report no. 2 - wool" - Commonwealth of Australia, 1944. This report was produced by the Textile Advisory Panel under the aegis of the Ministry for Post-War Reconstruction and examines the future of wool in Australia in terms of threats and opportunities and makes recommendations re: future research, expenditure etc. Includes the Prime Minister's statement on Wool Research 1944, and a photograph of what is believed to be, a gown in the NWM Collection [w5385]Photograph from C of A: Ministry of Post War Construction Report c1945 "Wool"post-war reconstruction, wool growing, textile industry, wool research, world war ii, sheep diseases, sheep blowfly strike, textile advisory panel csiro, wool - research, sheep - diseases, sheep - blowfly strike -
Mont De Lancey
Book - Knitting Patterns, Ball & Welch, Glove and Socks: knitting and crochet designs with accurate instructions, c.1940's
Two knitting pattern booklets for home knitters, c.1940's. The Wool Department on the Ground Floor at Ball and Welch in Melbourne offered free advice for knitting problems. These booklets were collected over 15 years and were used for exhibition at Memo, Gallery Healesville Friday 23rdOct to 18th November 2015.A green covered paperback knitting book with the title printed in white letting at the top c.1940's. The front cover depicts three photographs - a child wearing a knitted jumper and cap holding a teddy bear, a person wearing knitted mittens putting on a knitted sock, and a pair of white cotton crocheted ladies prettily decorated gloves. Inside are various patterns for clothing - caps, sleeveless pullover, waistcoat muffler, armlets, man's socks and mittens, kneecaps and scarves. non-fictionTwo knitting pattern booklets for home knitters, c.1940's. The Wool Department on the Ground Floor at Ball and Welch in Melbourne offered free advice for knitting problems. These booklets were collected over 15 years and were used for exhibition at Memo, Gallery Healesville Friday 23rdOct to 18th November 2015.knitting, knitting patterns, knitting equipment -
National Wool Museum
Archive - Advertisement, Australian Wool Bureau, 1954
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Magazine Advertisement 'For Glamour, For Value'For Glamour, For Value, Wool Blankets are the answerblankets, blanket fever, advertisements, australian wool bureau, australian women's weekly -
National Wool Museum
Book - Patons Knitting Book no. 416, Patons and Baldwins, 1955
Pattern book produced by Patons and Baldwins.Knitting book, 16pp. Front cover is printed in black and white with a photo of a man and a woman wearing knitted cardigans. Contains knitting patterns for men's and women's garments.No. / 416 / Patons KNITTING BOOK / No. / 416 / PATONS / DOUBLE QUICK / KNITTING / ALL PURE WOOL / P&B / WOOLS / 1'3d.handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting, design, style, fashion, wool -
Stawell Historical Society Inc
Photograph, Wool Caring Carrs Plains
Carrs Plains Wool Carting showing Bullock Drawn Wool Carts and Shearing Sheds in background.Six men and two dogs around bucket in front of Bullock Drawn Wool Carts and Shearing Sheds at "Carrs Plain" Carrs Plainscarrs plains -
National Wool Museum
Calendar, Wool promotional calendar 1959-1960
Illustrated calender promoting Australian Wool Bureau activities and deadlines 1959-1960.Illustrated calender promoting Australian Wool Bureau activities and deadlines 1959-1960.MISS D FRIZON/ 8.8.1990wool marketing fashion textile industry, australian wool bureau, wool marketing, fashion, textile industry -
National Wool Museum
Poster, Sew natural: you can make it in wool
Sew natural: you can make it in wool, c1960'sSew natural: you can make it in wooltextile design textile industry - history, alexander lau pty ltd, textile design, textile industry - history -
National Wool Museum
Poster, Sew natural: you can make it in wool
Sew natural: you can make it in wool, c1960's.Sew natural: you can make it in wooltextile design textile industry - history, alexander lau pty ltd, textile design, textile industry - history -
National Wool Museum
Folder, Australian Farm Journal - wool
Part of Ken Galloways research material associated with his career as a woolclasser. "Australian Farm Journal - wool"Australian Farm Journal - wool 14woolclassing sheep breeding farming shearing wool marketing wool industry, wesfarmers dalgety limited, geelong, galloway, mr ken, woolclassing, sheep breeding, farming, shearing, wool marketing, wool industry -
Clunes Museum
Book, Stockland Press, Handbook for Woolgrowers issued by the Australian Wool Board
Handbook for Woolgrowers issued by the Australian Wool BoardBlack leather cover, 88 pages of original text, 2 x brass screws to bind, further pages have been issued by the Wool Board and have been added at a later date. Drench "recipe" for worms in sheep, hand written in black ink, is attached to page 55 by a dressmaker's pin, 2 pages.Handbook for Woolgrowers issued by the Australian Wool Boardaustralian wool board, handbook for wool growers -
National Wool Museum
Slide Folder, Wool Scouring
Slide folder originally containing 12 slides depicting the wool scouring process. Contains information about the slides.12 COLOUR SLIDES / WOOL SCOURINGscouring, lanolin -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 443
This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book was produced by Patons and Baldwins and contains patterns in larger sizes for women.Patons / KNITTING BOOK / NO. 443 / LARGE FITTINGS / No. 443 / P&B / WOOLS / PATONS / TOTEM / BEEHIVE 4-PLY / AZALEA / 1'6knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 271
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains photos and patterns for knitted womens and babies clothes.Patons KNITTING BOOK NO. 271 / "FAERY LIGHT" - See page 8. / P&B / WOOLS / Re-Introducing Beehive Silversheen / 8d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history -
National Wool Museum
Book, The Australian Wool Circulars, season 1920-21
"The Australian Wool Circulars season 1920-21". Contains state by state lists of wool sold and by which broker. Also lists the wool bale marks and who uses them. Produced by the Melbourne Woolbrokers' Association.THE / AUSTRALIAN / WOOL / CIRCULARS / SEASON / 1920-21 MELBOURNE / WOOLBROKERS' / ASSOCIATIONwool bale descriptions wool brokering wool sales, melbourne woolbrokers' association, wool bale descriptions, wool brokering, wool sales -
National Wool Museum
Book, The Australian Wool Circulars, season 1921-22
"The Australian Wool Circulars season 1921-22". Contains state by state lists of wool sold and by which broker. Also lists the wool bale marks and who uses them. Produced by the Melbourne Woolbrokers' Association.THE / AUSTRALIAN / WOOL / CIRCULARS / SEASON / 1921-22 MELBOURNE / WOOLBROKERS' ASSOCIATIONwool bale descriptions wool brokering wool sales, melbourne woolbrokers' association, wool bale descriptions, wool brokering, wool sales -
National Wool Museum
Book, The Australian Wool Circulars, season 1922-23
"The Australian Wool Circulars season 1922-23". Contains state by state lists of wool sold and by which broker. Also lists the wool bale marks and who uses them. Produced by the Melbourne Woolbrokers' Association.THE / AUSTRALIAN / WOOL / CIRCULARS / SEASON / 1922-23 MELBOURNE / WOOLBROKERS' ASSOCIATIONwool bale descriptions wool brokering wool sales, melbourne woolbrokers' association, wool bale descriptions, wool brokering, wool sales -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 718
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Coats Patons and contains knitting patterns for womens garments.Patons / KNITTING / BOOK No. / 718 / FASHIONS WITH A FLAIR / Jackets, sweaters, and / this 3-piece suit / - all with that extra / fashion touch and / the flattering / finish of / BLUEBELL / 3'- / 30 CENTSknitting handicrafts - history, coats patons (australia) limited, knitting, handicrafts - history -
Glenelg Shire Council Cultural Collection
Photograph, Truck with wool bales outside Portland Wool Exchange, n.d
Port of Portland AuthorityFront: (no inscriptions) Back: 177 (top right, pencil)port of portland -
Montmorency–Eltham RSL Sub Branch
Uniform - Jumper, Army, Army Jumper, 1983
Worn by WO1 Hans Zan Zwol whilst in the Australian Army.Woollen and nylon knitted jumper with shoulder and elbow wear patches, colour green size 95-105RCotton label located on inside back of the neck. Elegant Knitting Co. 1983. Size 95-105R. NSN 8405-66-093-2703. Washing and care instructions on back of label. Materials description 80% wool, 20% nylon on back of label. Name written on label WO1 Van Zwol. -
National Wool Museum
Book, Knitting, Vogue Knitting no. 3
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by English Vogue and contains knitting and crochet patterns for womens garments.VOGUE KNITTING / No. THREE / 3/- / THE KNITTED / LIFE IN / AUTUMN / FASHION / DRESSES WITH EASE / AND ELEGANCE / FOR ALL AGES / SIMPLE LINES IN / TOWN AND / COUNTRY / SWEATERS / COAT-DRESSES / AND COATSknitting crochet fashion, vogue - english, knitting, crochet, fashion -
National Wool Museum
Book, Cloth Sample, Lanasyn Dyestuffs Lanasyn Brilliant Dyestuffs Chemicals for Dyeing and Finishing Wool - Lanasyn
Lanasyn Dyestuffs Lanasyn Brilliant Dyestuffs Chemicals for Dyeing and Finishing Wool - Ciba, 1968Lanasyn Dyestuffs Lanasyn Brilliant Dyestuffs Chemicals for Dyeing and Finishing Wool - Ciba, 1968dyeing, sandoz limited, acrylic -
National Wool Museum
Book, Cloth Sample, Pastel and fashion shades on wool with Erioclarite B
Pastel and fashion shades on wool with Erioclarite B - J.R. Geigy A.G., Basel (Schweiz)"Pastel and fashion shades on wool with Erioclarite B" - J.R. Geigy A.G., Basel (Schweiz)dyeing, j.r. geigy soc. an. -
National Wool Museum
Book, Wool Sample, 1936-8
The story of 90 years of wool classing between father & son begins in 1936, when a young boy by the name of Stanley James Hucker walked through the doors of the Gordon Technical School in Geelong. Born in 1921, Stanley was 15 years of age when he began his 3-year course in Wool Classing. 30 years later, Stanley’s second son Denis completed the same 3-year wool classing course. Beginning in 1966, Denis attended the same Gordon Technical School and walked the same halls as his father before him. Stanley finished his course in 1938. He went back to the family farm in Lake Bolac for a brief period before enrolling in the Second World War. At the completion of the war, Stanley returned home and married before gaining a soldier settler allotment, north of Willaura. This enabled Stan to use his wool classing knowledge. He ran between 1,500 and 2,000 sheep for many years, while his wool classer stencil also allowed him to go out and class at various sheds around the area. He held his stencil from 1938 until he retired at the age of 60 in 1981. On retirement, his second son Denis was working in the district, managing a local property while also leasing land himself. Upon his father’s retirement, Denis had the opportunity to lease his father’s farm, an opportunity he could not refuse. Denis had finished his wool classing course at the Gordon Technical School in 1968, graduating dux of his class. He began working with a local contractor and started classing wool in his team. Denis gained a great deal of experience working as part of this team in big sheds of up to 8 stands servicing between 10 & 20,000 sheep. It was not all smooth sailing for Denis however, and he soon learnt an important lesson. Class wool the way you’re taught, don’t listen to the owner standing over your shoulder. At a clip of Corriedales near Casterton, Denis was pushing too many fleeces into the line of fine wool. This resulted in a notice from the Australian Wool Exchange (AWEX) “mixing counts too much, submit three clips for inspection”. Denis was able to submit 3 clips with no further complaints, however, this proved a valuable lesson he would never forget over his long career classing wool. In the early 1980s, when Denis was leasing two properties including his father’s, things were going well until drought struck. February 1983 was the date of the Ash Wednesday bushfires, and saw Melbourne have three days over 40 °C for only the second time on record. This period saw Denis give away farming, turning towards contracting work instead. After the difficult times of the early 1980s, the next two decades were a good time for the sheep industry. 15 micron wool was selling for prices between 4 to 5,000 cents per kilo, double what you’d expect for the same wool in 2022. In 1995 a single bale of wool sold for a million dollars. This was a good time for Denis too. His contracting work saw him employing local shearers and shed staff. His team was involved with the shearing and classing of more than 130,000 sheep. After 20 years of contracting, it was time for Denis to transition into the next phase of his life. He gave up independent contracting, preferring instead to return to being a member of someone else’s team. In 2018, having completed 50 years of wool classing, it was time to call it a day and retire completely. At the annual Gordon Wool School Old Students Association dinner held in 2018, Denis was presented with his 50 years as a registered wool classer stencil awarded by the Australian Wool Exchange (AWEX). This is a rare honour achieved by few. As of February 2020, a total of 430 wool classers had achieved this 50-year milestone. For Denis however, his proudest achievement is achieving 90 years of wool classing with his father. The National Wool Museum is proud to share the collection of objects gained from 90 years in the wool classing industry by Stanley and Denis. This ranges from Stanley’s first stencil and Wool Sample book, started when he first attended the Gordon in 1936. The collection concludes 90 years later with Denis’ 50 years of wool classing Stencil. The collection contains many more objects, all telling the story of these 90 years, and the hard work invested by this dedicated father and son duo.Large black bound book with ribbon for fastening containing 12 double-sided blue pages. Pages have several samples of shorn wool mounted and annotated to include information such as specific breeding, shearing faults, and geographical area. The book concludes with four pages without wool samples. Two of these pages relate to plans for a shearing shed and other industry related structures. The final two-pages relate to the anatomy of a sheep. Wool sample books were constructed by Wool Classing students at the Gordon Technical School as examples of what to look for when classing wool. The students were tasked with constructing these books with samples they retrieved themselves from several different farms and animals. The book would serve as a reference point for the wool classers throughout their years in the field, it was always on hand to refresh knowledge. This book was constructed by Stanley Hucker over his schooling at the Gordon between 1936 and 1938Front Cover. Handwritten, White Ink "Stanley Hucker / Samples"90 years wool classing between father & son, wool classing, gordon technical school -
National Wool Museum
Samples, knitting
One of several sample boards used by Joyce Hucker during crochet and knitting demonstrations and classes.One of several sample boards used by Joyce Hucker during crochet and knitting demonstrations and classes.Knitting samples Merino - size 11 needles Moss stitch and stocking stitch Corriedale - size 9 needles Lacy patter Corriedale - size 6 Needles Stocking Stitch Perendale - Size 9 needles. Cable Stitch Size 8 Needles Commercial Wool and Unspun fleece wool (Corriedale) combined. Fair Isle with Commercial wool Mohair An Unspun Fleece Wool (Corriedale) Combined Mock Fair Isle using lifted stitches and limited Fair Isle (unspun) Fleece Wool . Size 10 needles Tubular Knittingknitting knitting - fair isle, hucker, mrs joyce, knitting, knitting - fair isle -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 545
This book was produced by Patons and Baldwins and contains knitting patterns for young childrens garments.PATONS / PATONYLE, 3 and 4 Ply . BEEHIVE Fg., 3 and 4 Ply . HIGHLAND SPORTS / BLUEBELL . SWIFTAKNIT . CAIRN . AZALEA . CATKIN . TOTEM . DOUBLE QUICK / No. 545 / Patons / KNITTING BOOK / No. 545 / FROM 2 TO 6 YEARS / 2'-handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Yarn
'Corio' brand hand knitting wool, produced in Geelong, Australia. The weight of 25 grammes indicates a date of manufacture after 1966.Three balls of 'Corio' brand woollen hand knitting yarn, produced in Geelong, Australia.Corio / 8 PLY / WOOLLEN / HAND KNITTING / YARN / MADE IN / GEELONG, AUSTRALIA. / 25 GRAMMES NET AT STANDARD CONDITIONShandicrafts