Saturday 6th, August "Grand Parade, 10.30 a.m., Main Rd., Eltham. Dozens of local groups will be participating. Entries include ponies, Scouts, elderly citizens, bands, athletic clubs, life-be-in-it display, schools and many many more." - 1977 Festival ProgramDigital TIFF file Scan of 35mm Kodak Tri-X black and white transparencyKodak Tri-X1977, eltham festival, george coop collection, main road, parade

Saturday 6th, August "Grand Parade, 10.30 a.m., Main Rd., Eltham. Dozens of local groups will be participating. Entries include ponies, Scouts, elderly citizens, bands, athletic clubs, life-be-in-it display, schools and many many more." - 1977 Festival ProgramDigital TIFF file Scan of 35mm Kodak Tri-X black and white transparencyKodak Tri-X1977, eltham festival, george coop collection, main road, parade

Saturday, 6th August "Monster Carnival and Bazaar, commencing at 9 a.m. , on the Common behind the Shire Offices and continuing on after the parade. Ferris wheel, merry-go-round, moon bubble, hot dogs, sausage sizzles, handicrafts, trash and treasure, show bags, etc., etc." 1977 Festival ProgramDigital TIFF file Scan of 35mm Kodak Tri-X black and white transparencyKodak Tri-X1977, eltham festival, george coop collection, the common, merry-go-round

Saturday, 6th August "Monster Carnival and Bazaar, commencing at 9 a.m. , on the Common behind the Shire Offices and continuing on after the parade. Ferris wheel, merry-go-round, moon bubble, hot dogs, sausage sizzles, handicrafts, trash and treasure, show bags, etc., etc." 1977 Festival ProgramDigital TIFF file Scan of 35mm Kodak Tri-X black and white transparencyKodak Tri-X1977, eltham festival, george coop collection, the common, ferris wheel

Saturday, 6th August "Monster Carnival and Bazaar, commencing at 9 a.m. , on the Common behind the Shire Offices and continuing on after the parade. Ferris wheel, merry-go-round, moon bubble, hot dogs, sausage sizzles, handicrafts, trash and treasure, show bags, etc., etc." 1977 Festival ProgramDigital TIFF file Scan of 35mm Kodak Tri-X black and white transparencyKodak Tri-X1977, eltham festival, george coop collection, the common, ferris wheel

George (1895-1976) lived in Middlesex Road, Surrey Hills. He was a clerk and aged 20 when he enlisted on 16 November 1914. He was the son of James Rayment Jnr and his wife Harriet Frances (nee Ratten). He was assigned to 3rd Light Horse Brigade, Headquarters and embarked on TRANSPORT A16 Star Of Victoria on 25 February 1915. He returned to Australia 22 March 1917. His brother James A Rayment also enlisted and was assigned to the 5th Field Company Engineers. Both are listed on The Shrine in the Surrey Gardens. One of his daughters was Dr Dulcie Rayment, obstetrician & gynaecologist.A digital copy of a formal photo of George Leslie (Les) Rayment in AIF uniform; no hat.world war 1, george leslie rayment, les rayment, shrine surrey gardens

George (1895-1976) lived in Middlesex Road, Surrey Hills. He was a clerk and aged 20 when he enlisted on 16 November 1914. He was the son of James Rayment Jnr and his wife Harriet Frances (nee Ratten). He was assigned to 3rd Light Horse Brigade, Headquarters and embarked on TRANSPORT A16 Star Of Victoria on 25 February 1915. He returned to Australia 22 March 1917. His brother James A Rayment also enlisted and was assigned to the 5th Field Company Engineers. Both are listed on The Shrine in the Surrey Gardens. One of his daughters was Dr Dulcie Rayment, obstetrician & gynaecologist.A digital copy of a formal photo of George Leslie (Les) Rayment in AIF uniform; no hat.world war 1, george leslie rayment, les rayment, shrine surrey gardens

Carols by Candlelight host Ray Martin reads 'Is that you Father Christmas?' to two children in the browsing library at Kooyong. On the floor are wrapped presents, some soft toys and tinsel.6 digital image of Ray Martin with two children and Christmas decorationscarols by candlelight, vision australia, ray martin

Ray Cleary was the executive director of Copelen Street Family Centre, which operated all adoption work for the UCA, and Katharine Lancaster was the agency's principal adoption officer. An article on page 9 of C&N for July 25 1984 discussed recent government legislation regarding adoption procedures and law.The two persons are shown seated looking at a report between them."Ray Cleary & Katharine Lancaster"cleary, ray, lancaster, katharine, copelen street family centre, adoption

Village Pond, near Main Road, Eltham, c.1908 Reproduced on p57 of 'Pioneers & Painters'. Looking up Dalton Street from across Maria Street (Main Road), near Whitecloud (Jarrold’s cottage) and the Bootmaker’s cottage, to the left (out of view) of the photographer. The residence of the Head Teacher, Eltham State School No. 209, can be seen on the right, the Grant house on the left (site of present day Eltham Clinic). The willow trees south of Jarrold’s Cottage today mark the site of the old pond, which the Eltham Shire Council evidently filled in to stop mosquitos breeding. The pond and its locality was described in an article about Eltham published in The Australasian, May 2, 1903 - “There is the village pond (so essentially English), reflecting in its clear water a quaint cottage, dwarfed by a huge gum tree, an old smithy, and a hostelry, built quite fifty years ago, the flooring-boards of which the landlord informed me with pride were of Singapore cedar, and quite fit for another fifty years' wear. Then there are the village school, the shoemaker's, the drapery store, and the butcher's shop, all seemingly as they were when first they were erected many years ago.”This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg Print 16.5 x 25 cm (2) and 9 x 12.5 cm Postcard 9 x 14 cmOn one print "57 and 11 3/8' x 10' deep"shire of eltham pioneers photograph collection, dalton street, duck pond, eltham, grant house, main road, maria street, village pond

Has a strong association with Dave Kellett and Ray Curnow.Digital image of Dave Kellett and Ray Curnow driver in the Ballarat Gardens 23-12-1961 standing in front of a bogie tram.On the photograph rear in ink "Dave Kellett Conductor Ray Curnow (Driver) Ballarat Gardens 23-12-61"trams, tramways, uniforms, secv, drivers, conductors

A photo of Legatees Colin Bannister and Ray Ward with other legatees and guests. The event is not known but believed to be during Colin Bannister's year as president in 1985. During that time Ray Ward was President of the Perth Legacy. (Ray would later move to Melbourne and served term as President of Melbourne Legacy in 1996.) So it is possibly an annual Legacy Conference where legatees from all parts of Australia come together. The photos came from a Legacy envelope marked "P3 Fund Raising" in red pen, with assorted photos of fundraising events (most from the 1980s), including appeal tins in different years and a charity concert, and a fundraising marathon run (some are items 00433 to 00438, 01410 to 01415).A record of a conference in 1985.Black and white photo of Ray Ward, Colin Bannister and other legatees and guests at an event.Handwritten on reverse 'N2747' in blue pen.fundraising, conference

This is the prototype of Laby’s X-Ray Spectrograph (cat. no.274) and was constructed in the Nat. Phil. workshop.

This is the prototype of Laby’s X-Ray Spectrograph (cat. no.274) and was constructed in the Nat. Phil. workshop.

Ray MOLONY Born Albury, New South Wales "Notes for Raymond Walter Molony: Raymond Walter Molony grew up in the Dandenongs, and Maffra where he went to school. He attenended Sale Technical School, before studying at R.M.I.T. from where he gained a diploma of pottery and technical teaching qualifications. He taught at Shepparton Technical College leaving there in 1977 to become a full time potter. Ray Molony established the Mud Factory Pottery in Shepparton in 1977 after purchasing, renovating and extending the old Kialla Methodist church, and building a two storey mud brick pottery. Two of Ray and Deirdre Molony's sons, Kevin and Russell, were employed during the 1980s and 1990s. Kevin Molony left due in the early 1990s due to the recession at that time, and Russell Molony followed soon after. Both competent throwers, with Russell making some creative slab work while Ray continuing to decorate the works. Ray Molony continued to produce studio ceramics at the kialla studion until selling the property in 2000, and semi retiring to Miepoll. In 2005 he moved to Pottsville New South Wales." studio potterySmall ceramic bottle with leaf designs in brown glaze made at the Mud Factory Pottery by Ray Molony.ceramics, studio pottery, ray molony, mud factory pottery

Black and white photograph taken at the 50th Wedding Anniversary of Ray O,Neil with daughtersNeill and his wife Thelma nee Lee showing Thelma and Ray cutting the cake Lakes Entrance Victoriagenealogy

Light blue card with blue print and handwriting. The warrant has both the Methodist Girls' Comradeship and Rays emblems on it."Mrs R Grose" "Chief Ray" "Shepparton Junior" "John W Goodluck" "30-3-63 21-9-63 CMR"methodist girls' comradeship rays' section, mrs r grose, john w goodluck chief director, methodist girls' comradeship shepparton junior rays

George (1895-1976) lived in Middlesex Road, Surrey Hills. He was a clerk and aged 20 when he enlisted on 16 November 1914. He was the son of James Rayment Jnr and his wife Harriet Frances (nee Ratten). He was assigned to 3rd Light Horse Brigade, Headquarters and embarked on TRANSPORT A16 Star Of Victoria on 25 February 1915. He returned to Australia 22 March 1917. His brother James A Rayment also enlisted and was assigned to the 5th Field Company Engineers. Both are listed on The Shrine in the Surrey Gardens. One of his daughters was Dr Dulcie Rayment, obstetrician & gynaecologist.A digital copy of a formal photo of George Leslie (Les) Rayment in profile in AIF uniform including hat.world war 1, george leslie rayment, les rayment, shrine surrey gardens

John Raymond (Ray) Blight enlisted on 19 July 1915. He was an electrical engineer, having studied at the Ballarat School of Mines. On 23 June 1916 Ray Blight disembarked at Marseilles. 3 February 1917 he was hospitalised with scabies. Ray Blight's next of kin was his mother, Mary Jane Blight of 116 Lyons Street South, Ballarat. James Leslie Sim enlisted on 13 July 1915, at which time he was an accountant. His next of kin was his father, Charles Robert Sim of Drummond Street North, Ballarat. On 23 June 1916 James Sim disembarked at Marseilles. A year later he received leave to the United Kingdom returning to France 2 weeks later. He received leave to Paris from 18 march 1918 to 4 April 1918. Sim was wounded on 1 June 1918.Two World War One soldiers in military uniform pose for a photograph. The two men are Lance Corporal Ray Blight and Lance Corporal Sim (both of Ballarat). On the back is a personal letter to Ballarat School of Mines Lecturer Daniel Walker. The pin holes in the postcard suggest it was displayed at the Ballarat School of Mines. .1) Verso: " France 25/8/16. Dear Mr Walker, Just a line in sending a photo we had taken in a small photographers, in a town within range of the evenings guns, the other boy is L/Corp Sim, one time an old SMB and son of R. Sim, of Ballarat, we are wearing steel helmuts weight about 4lbs they are protection against shrapnel and steel splinters. We are doing well here, Les Coulter was wounded just near here but did not see him. Best wishes to all. Ray Blight. .2) Verso: Sitting, Ray Blight, from Ballarat, you will know his sister, she helps Miss Brazena a lot with the parcels. Standing, Les Sim, of Sim and co. wood merchants, Ballarat.world war one, world war 1, james sim, ballarat school of mines, blight, james blight, sim, les sim, coulter, les coulter, world war, walker, wwi, great world war, france

A book of poems written by Tarlton Rayment at end of WW2.94 Page book of Poems and Drawings. Black writing on cover and faded picture of an eagle in flight. Book faded cream colour with front and back having a red outline. Inside the front cover a message of appreciation and then 7 pages of subscribers. Contents include a detailed prelude and then a series of poems, some with accompanying illustrations.Titled "Eagles and Earthlings - a metrical tribute to Aircrews in War". Tarlton Rayment (Author).poems, aircrews, book

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Faded photograph of Esme Melville and Jeanette Rayment in full costume in the Royal Botanical Gardens to promote The "Q" Theatre Guild's performances of Blossom Time during the Moomba Festival of 1959. The performances took place in the Alexandra Gardens. In the production, Melville performed the role of Countess Fritzi Frangipani, while Rayment played the role of Therese.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Esme Melville, Jeanette Rayment, Botanical Gardens, *** Blossom Time."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria

Councillor Ray JULLIER on right witha group of cubs and adults outside Holy Trinity Church, Port Melbourne.B & W photograph of Cr Ray Julier among a group outside Holy Trinity Church, Port Melbourne. On reverse: Sept 1966 religion - anglican (holy trinity), local government, ray julier

The pamphlet has information on both the Methodist Girls' Comrades and Rays. It explains the beginnings; the requirements for membership and gives the Promise of both the Comrades and the Rays; Comrades' certificates; badges and helpful publications. The cover has a drawing of two girls wearing Comrades and Rays sashes.Foolscap white gloss paper with blue and gold image on the front and blue text. The pamphlet is folded into four. The inside of the pamphlet has images of the Methodist Girls' Comradeship and Rays' badges. methodist girls' comradeship, methodist girls' comradeship rays' section

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Jeanette Rayment in Blossom Time, a musical play in 3 acts adapted from the operetta Das Dreimäderlhaus by A.M. Wilner & Heinze Reichert. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1959 to coincide with Moomba. Music was provided by the Kew Philharmonic Society conducted by John Trotter. The set design is credited to Lachlan Stebbins. Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes. Jeanette Rayment performed the role of Therese.Marion Tilley, the creator of the scrapbook, wrote the name of "Jeannette Rayment" underneath the photograph.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria

Appears as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 82.Black and white photograph. Ray Harding, Instructor in Horticulture, and student, Margot George, looking at flower heads of a lilium. There is a large planting of liliums and some delphiniums. Also a patch of hydrangeas and some vegetables, possibly beetroot. Note the Boxthorn hedge behind.On reverse, "Ray Harding 1945-58, Student Margot George," (1951.)instructor, students, vegetables, flowers, boxthorn hedge, ray harding, margot george, green grows our garden, a.p. winzenried, female students, liliums, hydrangeas, orchard

Round edge stone with X ridges perhaps used by local Aboriginal people as a tool.X shaped ridge across stone.stone, aboriginal, rock

This pamphlet gives outlines of the Rays, MGC and MGF. It explains the merit badges and their requirements for the Rays, the significance of the regalia and symbols and degrees for Comrades, Leader aids.E3094.42.1 and E3094.42.2 - Blue bi-fold paper with blue text. It has the images of the badges of the Methodist Your People's Department Victoria Tasmmania, the Rays, the Comrades and the Methodist Girls' Fellowship.methodist girls' comardeship, methodist girls' comradeship rays' section, methodist girls' fellowship, methodist young people's department vicgtoria tasmania

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; an unpainted, rectangular wooden frame with a top and sides, similar to a small rectangular stool. A solid half-cylinder shape was added under the horizontal 'seat' with another smaller half-cylinder attached to it, end-to-end. A string is tied between two metal loops attached to the back. There are two X marks stamped into the back. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.Stamped: "X" "X"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

MEYER COLLECTION - FALLS CREEK PHOTOS In 1947 a determined group of like-minded State Electricity Commission (SEC) staff including Ray Meyer, the chief surveyor of the Kiewa Hydro-Electric Scheme, had a common interest that revolved around the skiing potential of the snow-covered high plains which included what is now the resort of Falls Creek. The six SEC employees, Toni St Elmo, Ray Meyer, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson (together with their families) banded together to secretly build a 'hut' that was the first ski lodge at Falls Creek. Using a road built in 1930s to gain access to Falls Creek, their hut project was carried out in secret as efforts by other skiers were blocked by H.H.C. Williams – the engineer in charge of the Hydro Scheme. In 1946 Ray Meyer made a trip to the Lands Office in Melbourne. He came away with a 99-year lease on three acres that was ideally suited for a hut designed by Lloyd Dunn. Adrian Ruffenacht (Design Engineer for the KHS) had suggested where the group should build because of easy access to a spring for water. Much of the building material required was scavenged from derelict huts on the high plains. Due to the need for secrecy, the determined group worked on the hut in the evenings and weekends to avoid detection. During the building period the group had met at Echidna Rock (now known as Eagle Rock) where Skippy St Elmo announced, "This is my favourite ‘Skyline’.” And so the first lodge in the area at Falls Creek Ski Resort came into existence. With the development of the International Poma in the 1970s, the Skyline Lodge, which was sited between the ski-lift’s pole one and pole two, was demolished. However, the legacy of Ray Meyer, Toni St Elmo, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson and Skyline lives on in the vibrant atmosphere of Falls Creek Resort. The MEYER COLLECTION documents developments on the Kiewa Hydro Scheme and their life at Falls Creek from the mid 1930s to 1960s.These images are significant because they depict aspects of the life of a pioneering family of Falls Creek and the founders of "Skyline", the first lodge at Falls Creek.Images of some of the founders of Skyline Lodge. 1. Jack Minogue, Ray Meyer, Skippy St. Elmo and Tony Beveridge 2. Ray Meyer at Quartz Ridge Mt Bogongfalls creek, victorian snowfields, ray meyer, jack minogue, skippy st elmo, tony beveridge