Postcard Photo of Sturt St looking East from about Dawson St with the shops on the southern side and the Town Hall in the view. Has an ESCo tram in the bottom right hand corner. Card reproduced for Sovereign Hill Gold Mining Township by Rose Stereograph Co. of Glen Waverley c2000. Divided back type with caption, production and the Rose Co. symbol on the rear. See item 9005 for a small used black and white version with more detail of the tram.Yields information about the appearance of Sturt St following the introduction of electric trams in 1905 and has a strong association with the work of Sovereign Hill and Rose Stereograph Co.Postcard reproduction - full colour divided back unused.trams, tramways, sturt st, ballarat, esco, rose postcards

The photograph shows the northeast corner of Sturt and Lydiard Streets, the post office, tram track and one tram partially obscured. Has many people in the view and some horse-drawn vehicles. Titled "Lydiard Street and Post Office Ballarat, Victoria". On the rear of the card in light blue ink, divided back, with spaces for messages, addresses and stamps. Produced by "WTP", printed in Germany and has the number "124187" in the bottom right-hand corner. See item 9008 for an illustration.Yields information about the post office corner at the time of the opening of the tramway and demonstrates colour post card printing techniques.Colour postcard, divided back unused.trams, tramways, post office, sturt st, lydiard st nth

Photo shows the T&G building in Geelong on the corner of Ryrie and Moorabool streets with the Father and Son clock striking the hour. See reference for the details of the building and clock. On the rear is a letter dated 16-7-1936 written to Charles and his brother Michael by their mother noting the clock. In the bottom right hand corner is Birney 15. Note the tramway information sign on the pole on the left hand side of the card. Published by Valentine Publishing Co of Queen St Melbourne No 2114Yields information about the Geelong T&G building and the general street scene.Postcard - Black and white of the T&G Building in Geelong. Has be used for a letter.tramways, trams, geelong, t&g building, clocks, valentine

This memo was distributed to Legatees as a guide to Legatees. When contacting widows, Legatees could follow the script to ensure that the important points were addressed. At the bottom of the page the document lists the number of phone calls made to widows and follow up visits to widows in need of a visit (1986 and 1987). Note item "k" in the document. The switch refers to the person manning the telephone switchboard. This person would make a written or mental note that the Duty Legatee was not available. Leaving a recorded message on the phone was not available at this time.That Legacy tried to ensure that all Duty Legatees could follow the same script. Technology for a message that popped up on the computer screen was not available at the time.White paper with black type of a memo about duty legatees.duty legatee, policies

Early miners at work caption reads: "The large bucket, called kibble, is used to pull up the unwanted debris, the smaller iron buckets are used to raise the alluvial material containing gold. This material is mixed with water in the puddling barrells (foreground) and poured into the cradle (left). The rocking motion causes the gold specks to sink to the bottom from where it is collected. The remaining material may then be hand washed in the gold pan held by the miner." This photograph possibly taken at Diamond Creek.From the John Davidson collection.Photograph in black plastic frame with typed caption on matte.john davidson, diamond creek, gold miners, mines and mining

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 94 of Photograph Album with four photographs (three landscape and one portrait) of Ripponlea - stables, lookout and neighbouring cottages.Handwritten: "Ripponlea" Hotham Street [top right] / Neg 256 Dec 1972 STABLES [under top left photo] / Neg 248 Dec 1972 LOOKOUT [under top right photo] / Neg 254 Dec 1972 / COTTAGES WILLOW STREET [under bottom left photo] / Neg 259 Dec 1972 STABLES [under bottom right photo] / 94 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, 1860's, 1890's, 1880's, benjamin nathan, nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, guilfoyle, adam anderson, ripponlea, victorian, sir frederick sargood, architects, bricks, polychrome bricks, taylor and fitts, stables, lookouts, cottages, outbuildings, rippon lea

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. https://vhd.heritagecouncil.vic.gov.au/places/43737 - re 26 Kambrook Road and 345 Balaclava Road corner building: A prominently situated two-storeyed complex of late Victorian buildings consisting of "Wybar's Buildings" occupying the Balaclava Road/ Kambrook Road corner and the "Caulfield Bakery" facing Kambrook Road, separated by a driveway from a single storeyed shop. The main building has a comer splay and balustraded parapet with curved pediments, the words "Wybar's Buildings 1887" having been obliterated but "Caulfield Bakery 1887" with the characteristic wheatsheaf surviving in raised cement work. The walls are stuccoed and richly ornamented with bracketed cornices and keystones with masks extending to the Bakery. The main building is further distinguished by the Masonic symbol of the mason's dividers in the pediment whilst the upper level of the bakery is in overpainted brickwork. The single storeyed shop incorporates the bracketed cornice and consoles characteristic of the main buildings and is in other respects a utilitarian structure. https://vhd.heritagecouncil.vic.gov.au/places/35413 - re 16 Kambrook Road A small late Victorian Italianate villa distinguished by its parapeted window bays either side of a small verandah with encaustic tiled floor. The parapets are balustraded with console enrichment and glazed tiles, the stuccoed surfaces being unpainted. Ornamentation is in other respects undistinguished. https://www.gleneira.vic.gov.au/services/planning-and-building/heritage/heritage-management-plan - re 9-11 Kambrook Road ... they demonstrate most of the commonly employed aesthetic devices characteristic of the Italianate Style including patterned brickwork, patterned slate roofs, cast iron lace verandahs, ornamental stucco work and ashlar boards...https://vhd.heritagecouncil.vic.gov.au/places/43737 - 345 Balaclava and 26 Kambrook Roads HO91 in City of Glen Eira "Wybar's Buildings" at the corner of Balaclava Road and Kambrook Road are important as a prominent late Victorian commercial development incorporating a variety of activities including a bakery and possibly a coffee palace, the latter understood to be unique within the municipality, but characteristic of the period. It is a rare complex of its type in Caulfield and is important also as evocative evidence of the late Victorian Land Boom and the creation of a small now defunct commercial centre at this location by the George Wybrow. https://vhd.heritagecouncil.vic.gov.au/places/35413 - 16 Kambrook Road HO121 in City of Glen Eira ''Hollywood'' at 16 Kambrook Road is of architectural interest for its pavilions which retain their unpainted parapets and ornamental tiles in the manner of other less imposing examples in the immediate locality possibly linked with the builder George Wybar and his son, who undertook substantial projects nearby. Its association with James Yorston, presumably is Yorston of Dickson and Yorston, important builders and estate developers at Caulfield during the Inter war period is of interest. https://www.gleneira.vic.gov.au/services/planning-and-building/heritage/heritage-management-plan - re 9-11 Kambrook Road HO152 Normanby Road/Kambrook Road, Caulfield North Statement of Significance: The Precinct is historically significant for its capacity to demonstrate standards of design and building construction in this part of the municipality during the late Land Boom years and especially just prior to the bank collapse of 1891. The housing stock is representative of the standards of amenity excepted by the middle classes of Melbourne society at the time, including artists, (horse) trainers, jockeys, managers, travellers, journalists and the like, also having a functional link with the activities of the Caulfield Racecourse which forms an important element in the history of the Municipality. The row of attached pairs at 5-11 Kambrook Road and 53-67 Kambrook Road is especially significant in this respect in that the narrow allotments are indicative of the owner/developer’s determination to maximise profits at the height of the Land Boom in 1891...Page 104 of Photograph Album with four photographs (landscape) of three different properties on Kambrook Road.Handwritten: Kambrook Road [top right] / WYBAR'S BUILDING 1887/ INC CAULFIELD BAKERY / [under top right photo] / 16 KAMBROOK ROAD / 1970 HIRST MRS J.N.[under bottom left photo] / 11-9 KAMBROOK ROAD / 1970 9-BUCKLAND MRS L.A / 11- ATKINS MRS N.E. [under bottom right photo] / 104 [bottom right]trevor hart, kambrook road, victorian, caulfield north, parapets, wybar's buildings 1887, caulfield bakery 1887, architectural features, painted bricks, balaclava road, victorian italianate style, houses, bay windows, verandahs, glazed tiles, shops, george wybar, builders, james yorston, dickson and yorston, j n hirst, l a buckland, n e atkins, patterned slate roofs, patterned bricks, cast iron work, attached houses

Individual portraits are captioned with names - Left to Right from top: R. Roberts, J.B. Collins, W.R. Harry, A. Martin, H. Gilmour, J. Pitcher, J. Ashton, N. Evans, G. Evans, L. Jackson, T. Wilkinson, F.H. Greenwade - Secretary, W.H. Houston - N.G., W.Rees - P.E. Secretary, F. Garnham, F. Hiskins, A. Trevellian, A. Deas, G. Ashton, D. McAliece, O. Devers, H. Devers - Captain, E. Evans. Black and white photograph, mounted on cardboard, of Friendly Society Football Trophy, showing a central oval portrait of a man in Friendly Society regalia, with a rectangular photograph of a football team, above and below. The three central photographs are surrounded by 22 individual oval portraits of the players.Photographs of football teams are captioned: "M.U.I.O.O.F." and "St Patrick's Branch H.A.C.B.S." At bottom of the group of photos is: "Donated by the Residents of Rutherglen" and "Won by Loyal Pomona Lodge M.U.I.O.O.F." At bottom right corner of photo: "Hugen & Bennett, Photo, Rutherglen" Embossed at bottom right of mount: "Chiltern and Rutherglen" Written on back of mount: "My Father, William Richard Harry. Member of M.U.I.O.O.F. for over 50 years"football teams, australian rules football, afl, loyal pomona lodge, muioof, st patricks branch, hacbs, hibernian australian catholic benefit society, r. roberts, j.b. collins, w.r. harry, a. martin, h. gilmour, j. pitcher, j. ashton, n. evans, g. evans, l. jackson, t. wilkinson, f.h. greenwade - secretary, w.h. houston - n.g., w.rees - p.e. secretary, f. garnham, f. hiskins, a. trevellian, a. deas, g. ashton, d. mcaliece, o. devers, h. devers - captain, e. evans., william richard harry, r roberts, j b collins, a martin, h gilmour, j pitcher, j ashton, n evans, g evans, l jackson, t wilkinson, f h greenwade, w h houston, w rees, f garnham, f hiskins, a trevellian, a deas, g ashton, d mcaliece, o devers, h devers, e evans

A C-clamp or G- clamp is a type of clamp device typically used to hold a wood or metal work-piece, and often used in, but are not limited to, carpentry and welding. These clamps are called "C" clamps because of their C shaped frame, but are otherwise often called G-clamps or G-cramps because including the screw part they are shaped like an uppercase letter G. The fixed end is not adjustable so size is not variable. G-clamps are typically made of steel or cast iron, though smaller clamps may be made of pot metal. At the top of the "G" is usually a small flat edge. At the bottom is a threaded hole through which a large threaded screw protrudes. One end of this screw contains a flat edge of similar size to the one at the top of the frame, and the other end usually a small metal bar, perpendicular to the screw itself, which is used to gain leverage when tightening the clamp. When the clamp is completely closed, the flat end of the screw is in contact with the flat end on the frame When used some other object or objects will be contained between the top and bottom flat edges. A steel 'G' Clamp tools, g clamp, screws, steel, clamps, metalwork, woodwork, carpentry, early settlers, pioneers, market gardeners, moorabin, bentleigh, cheltenham

Wristwatches became popular after World War 1, where they were used to ensure soldiers could undertake operation at the same time over a last distance. In the 1920s the automatic watch was invented by John Harwood and the mass production of wristwatches began, allowing all members of society the ability to keep track of time.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.Small silver watch, with black and white number face, with the exception of a red ink 12. The watch has a small gold hand mechanism turner on the right side and a small silver spike sitting on the bottom of the watch.Clock is currently set on five past one. watch, horology, early 20th century

Items in the collection re Lt Col J. Swatton, refer Cat No 6719.2P for his service details.This is an enlarged version of a contour map. It is undated. On centre left is Ravenswood Train station. The Calder Highway is shown, from the bottom of the map to halfway up left side. Top right side shows "Spring Hill".Each grid square is 1000 x 1000 yards. Top right corner grid is 230,000 E, 450,000 Nth. Magnetic variation when this map was made is 6.55' grid to magnetic Nth. printed onto the map, with an "X" are 'Starting Point', "Debussing Point", and "Assembly Point" . Handwritten in red pencil at top LHS are the letters "C.O".passchendaele barracks trust, map, j.w. swatton

See Cat 7003.2 Greenwood.1. & 2. Three Army cloth badges sewn onto a piece of Khaki polyester material. The badges top to bottom are; Rising Sun "Australian Army". Crossed Rifles Badge (Marksman). Royal Crown of QE2.aust army, cloth badges, category badges, greenwood

The sea water baths were built in 1876 on the line of the railway track and were moved to the Gilles Street site with the advent of the railway. Salt water was drawn from the sea by a windmill and later by steam pump. The main pool was 100 feet by 50 feet. The present site of Heritage Works, the offices of the Warrnambool & District Society Inc. and Warrnambool Family History Group, is on the area of the Town of Warrnambool's Swimming Baths of 1890s. The Warrnambool seabaths have social and historical significance to the local area.Two sepia photographs depicting the baths. The top photo shows people in the pool with a large number of mainly men around the edge of the pool. The bottom photo depicts an empty pool. Mounted on dark cream card. Text between photos states, “ Swimming match Warrnambool Baths 1890.sea water baths warrnambool, sea water baths warrnambool photos, warrnambool history

No information is available on these two items which would have been collected and polished by someone, probably someone interested in lapidary. The quartz would probably not have come from our area (Western District of Victoria).These items have no known local significance and will be useful only for display. These are two white quartz crystals with gold and silvery encrustations and markings. They are rough on the top and cut into geometric shapes and polished on the bottom part. The larger piece seems to have been fused together or split at one stage. quartz crystals, warrnambool

These saws date from about the early 20th century and would have been used to cut timber in the days before the advent of machine-operated saws. They are of a simple design and could easily be hand made.These tools are of interest as examples of tools used over a hundred years ago. .1 Two-person saw with wooden curved sides, two wooden pieces attached across the sides, a metal blade at the bottom and a metal piece across the top to keep the tool rigid. .2 as .1 abovevintage tools, warrnambool & district historical society collection

This badge has been issued by the Victorian branch of the Manchester Unity Independent Order of OddFellows. This is a benefit society owned by members who assist other members in times of illness or unemployment. Originally founded in Manchester, England, the M.U.I.O.O.F. started in Melbourne in 1840. The Warrnambool branch was founded in 1860. This badge has no known local provenance but Warrnambool members of the M.U.I.O.O.F. would probably have worn such a badge in the past so it is kept as a memento of those times.Gold metal badge in a shield shape with royal blue enamel with text as a banner across the top and again at the bottom . An inner shield contains a cross in red with five stars . The four corners each contain a symbol .MANCHESTER UNITY IOOF . Victoria at the top of the badge. Makers name Newman is stamped on the back.manchester unity independent order of oddfellows, manchester

This cup was produced by Ken Sadler as a souvenir of the 150th anniversary of the settlement of Warrnambool. Ken Sadler was a potter in Liebig Street, Warrnambool for many years (end of 20th century and beginning of 21st century). Warrnambool was founded as a planned town in 1847 to provide port facilities for the produce of squatters who had settled in the area. The town centre was surveyed by William Pickering at the request of Superintendent La Trobe of Melbourne and the first land sales were held in Melbourne in July 1847. The celebrations to mark the 150th anniversary of Warrnambool included concerts, race meetings, church services and the erection of an anniversary tablet on Cannon Hill. Ken Sadler, a well-known Warrnambool potter, made 500 of these cups which are now collectible souvenirs of the city’s 150th anniversary celebrations. This one retained by the Warrnambool and District Historical Society is numbered 189. The 150th anniversary of the founding of Warrnambool was an important event in the city’s history.This is a ceramic cup with a round base and larger rounded body with a round overhanging rim at the top opening. The cup is mottled green with an impressed image of a ship and lettering in white, gold and brown. There is some lettering on the bottom of the cup.‘Warrnambool 150th Anniversary 1847-1997’ ‘Sadler 97 189/500 Warrnambool’ warrnambool’s 150th anniversary, history of warrnambool, ken sadler, warrnambool potter

This glass has been purchased by a visitor to Warrnambool as a utilitarian souvenir of the visit. Tourism has been an important business in Warrnambool for over100 years. In the late 19th century Warrnambool was promoted as a spa resort with its mild climate, coastal swimming and hot and cold seawater baths. Today the visitors come in winter to see the Southern Right whales at Logans Beach and other coastal areas and in summer they come for a beach holiday. This glass is retained as an example of the mid 20th century tourist souvenirs obtainable in Warrnambool. This is a small glass tumbler, oval-shaped. The rim and the base are encircled by thick gold bands with smaller gold bands underneath the rim and above the bottom gold band. The word ‘Warrnambool’ is painted in gold on the side of the glassWarrnambooltourism in warrnambool, history of warrnambool

Refer Cat No 4783Document Form U.3 certificate of Enrolment, off white colour rectangular shape all print in black typing in black, hand signed in black by two people, stamped in purple on bottom RH corner.“Exemption has been recommended Area 18B, Oliver Foster, Tree Lopper Rosedale Rd St Ives, Hornsby 4 Mar 43”documents, certificates, enrolments

Part of the Doug Dean collection, refer Cat No 4575P.Plaque, 50th Anniversary, wood shield backing, moulded main section, colours, gold, white, blue, yellow, red colours, Scrolls top & bottom, central “T”, crown over, Rat depiction centre.“1941 - 50th Anniversary - 1991”, followed by, “The Rats of Tobruk Association”, then, “10.4.41 - 7.12.41, Seige of Tobruk”plaques, tobruk, seige 1941

Ballarat College cohort in 1913 photographed standing and sitting on front verandah of Wanliss House. Second year of the school occupying buildings at this address. Fascinating insight into matters of uniform and deportment. Seven staff included - G R Crwother, R Williams, A Alston, A S M Polson, Miss C Gilbert, A R Orton, H P Levy; approximately 3/4 students named.Medium wooden frame with two cut-outs in mount featuring photograph at top and name card at bottom' mount is water-stained; back is sealed and two metal plates are attached to sides for fixing frame to wallHandwritten on back: Turnbull1913, ballarat college, wanliss house, teaching staff, uniform

The item would be classed as "Trench Art".Made from a Rising Sun lapel badge with a boomerang shape soldered to the bottom. On the boomerang is engraved "Mother". The Brooch has been coated to give a polished metal appearance. On the rear a pin has been soldered on. brooch, accessory, trench art

Light blue hard cover book with Royal Coat of Arms at bottom, blue buckram binding & black print. Many pages. 11 sections on flight instruments & their use. Illustrated drawings, photos & navigational charts.Inside front cover: “A M Watkins 10”books - manuals/military/air force, british, instrument

Khaki coloured soft cover with black print. At the bottom is a symbol of His Majesty's Stationery Office, London. 123 pages plus annexes. Illustrated advertising. Text regarding signals, morse code & message procedures.books-manuals/reference/military/signals, wireless

Cloth flag made up of horizontal stripes of navy / white / red. Navy ground with central star, laurel wreath. White hanging cord attached to one edge with metal attachment hooks top & bottom. On blue circle in centre of Gold "E = R" star emblem in centre with crown on top. "PAR ONERI" underneath on grey. "Royal Australian Transport Corps - reign of Elizabeth II" Motto: "Par Oneri"flags - military, transport

Clarence Wilfred Curnow 2nd AIF. Refer Cat 1444, 1446.2, 1447..1) Identity Disc, round polished metal with small hole in top, engraved on both sides. .2) Identity Disc, 8 sided polished metal with two holes top and bottom engraved both sides..1 & .2) "VX100151, M, C.W CURNOW, A2"id discs, military equipment, identity discs, metalcraft, curnow

The Australian Submarine AE1 was launched on 22 May 1913 at Barrow-in-Furness and was lost at sea on 14 September 1914 in the vicinity of Rabaul, Papua New Guinea, probably due a collision with a reef. She was the first of two E Class submarines built for the fledgling Royal Australian Navy and was manned by Royal Navy officers with a mixed crew of sailors drawn from the Royal Navy and the Royal Australian Navy. "Accompanied by her sister AE2, under the command of Lieutenant Commander Henry Stoker, RN, AE1 departed England in March 1914, transited the Suez Canal, and reached Sydney on 24 May 1914. Although the submarines remained surfaced for almost all of the delivery voyage it was at the time the longest transit distance ever traveled by a submarine. At the outbreak of World War I, AE1 joined the naval forces assigned to the capture of the German Pacific colonies. With AE2, she took part in the operations leading to the occupation of German New Guinea, including the surrender of Rabaul on 13 September 1914." (Australian Navy website)The second Australian submarine AE2 launched in February 1914 was also ill-fated as it was sunk by the Turkish army in 1915. In December 2017, a search located the wreck of AE1 in 300 metres of water off the Duke of York Island group.Sepia photograph depicting the public attending the ceremony of Trafalgar Day in London on the 21 October 1914 when wreathes were left at the bottom of Nelson's column. A sign in the centre of the photograph says: HM Submarine AE1.At the back: in pencil 20c/London 1914 In pen: Trafalgar Day, the wreaths of the Australian submarine EA1 (error was the submarine was called AE1)submarine, ae1, australian submarine

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint with light blue background. Top left side features a large pink and brown bird (albatross) in flight. The bottom third of the work is a large brown and yellow rectangle which represents a sheep ship.Front: 5/6 (lower left) "The Sheep of Fools" (centre) Wendy Black '83 (lower right) Back: 1.